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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[112,113,7,82,114,115,116,117],"玉石","雕刻","龟","兽","活环","清代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fafde1bd73036e1207541c4916edece58.jpg",[],2,"37474F",{"id":123,"slug":124,"title":125,"dynasty":18,"author":46,"museum":76,"description":126,"tags":127,"thumbUrl":130,"material":85,"size":86,"collection":54,"collections":131,"showCount":120,"zanCount":11,"manualWeight":11,"mainColor":40},228555,"qia-si-fa-lang-fu-shi-lu-yi-ming-228555","掐丝珐瑯凫式炉","明掐丝珐琅凫式炉是铜胎，炉盖与器身在凫腹处套合，焚香经凫颈自口溢出。器内露胎，外表除凫嘴及足蹼外，全身施掐丝羽毛，釉层厚、透明而略龟",[128,7,83,129],"掐丝珐琅","铜制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F377640b13519d91534084f1fb64e27f5.jpg",[],{"id":133,"slug":134,"title":135,"dynasty":109,"author":46,"museum":76,"description":110,"tags":136,"thumbUrl":139,"material":85,"size":86,"collection":54,"collections":140,"showCount":141,"zanCount":11,"manualWeight":11,"mainColor":121},251143,"qian-long-kuan-bi-yu-yu-fu-gui-wen-san-shou-er-huo-huan-bian-hu-yi-ming-251143","乾隆款碧玉鱼凫龟纹三兽耳活环扁壶",[117,112,113,137,82,7,114,115,116,138],"浮雕","玉器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F727d25aea2a6b4f3a361dffa76680ed1.jpg",[],1,{"id":143,"slug":144,"title":145,"dynasty":109,"author":46,"museum":76,"description":146,"tags":147,"thumbUrl":155,"material":85,"size":86,"collection":54,"collections":156,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},270613,"wang-jin-sheng-wang-chuan-tu-mo-luan-jia-lai-mo-yi-ming-270613","汪近圣辋川图墨-栾家濑墨","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[148,149,150,151,152,7,153,154],"墨","书法","楷书","秋雨","白鹭","文房用具","溪流","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f7e7ea143656f3af01fc26dca7a8f83.jpg",[],{"id":158,"slug":159,"title":160,"dynasty":109,"author":46,"museum":76,"description":161,"tags":162,"thumbUrl":165,"material":85,"size":86,"collection":54,"collections":166,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":121},252674,"mi-la-fu-shou-wen-shuang-bei-yi-ming-252674","蜜蜡凫兽纹双杯","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[117,163,113,7,115,83,164],"蜜蜡","饮酒器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b650f6d5325d67bfea0afb8e0a7ca0f.jpg",[],{"id":168,"slug":169,"title":170,"dynasty":109,"author":46,"museum":76,"description":110,"tags":171,"thumbUrl":177,"material":85,"size":86,"collection":54,"collections":178,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},251684,"qing-yu-xian-gu-sui-wo-lian-shuang-fu-yi-ming-251684","青玉衔谷穗卧莲双凫",[112,113,7,172,173,174,83,175,176],"谷穗","莲","清代风格","禽鸟","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6d99adb1335c7ab08fc0b8f9c7c6a7a.jpg",[],{"id":180,"slug":181,"title":182,"dynasty":18,"author":46,"museum":76,"description":110,"tags":183,"thumbUrl":186,"material":85,"size":86,"collection":54,"collections":187,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},250829,"qing-yu-he-ye-wo-fu-yi-ming-250829","青玉荷叶卧凫",[112,113,184,7,185],"荷叶","鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0de8eff4096a1526cfc8068bb0286526.jpg",[],{"id":189,"slug":190,"title":191,"dynasty":109,"author":46,"museum":76,"description":110,"tags":192,"thumbUrl":193,"material":85,"size":86,"collection":54,"collections":194,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":121},250593,"qian-long-yu-ti-qing-yu-fu-yu-wen-hu-yi-ming-250593","乾隆御题青玉凫鱼纹壶",[112,113,7,82,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4c30721f338bbdeaa1f99d69e38069f.jpg",[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