[{"data":1,"prerenderedAt":88},["ShallowReactive",2],{"subject-fu-6124":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6124,"fu-6124","福","福画高清赏析","精选中国历代福题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb8668b882e1fe63f6f6d9f3a99792d6.jpg",0,5,[14,36,51,66,79],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},229147,"tong-tai-hua-fa-lang-fu-shou-ru-yi-yi-ming-229147","铜胎画珐瑯福寿如意","清","佚名","藏地不详","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[23,24,25,26,7,27,28,29],"铜胎","画珐琅","珐琅器","设色","寿","如意","器","未知","Xcm*Xcm","",[],4,"BDBDBD",{"id":37,"slug":38,"title":39,"dynasty":18,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":46,"material":30,"size":31,"collection":32,"collections":47,"showCount":48,"zanCount":49,"manualWeight":11,"mainColor":50},250245,"ma-nao-fu-shou-ling-he-wen-bi-jia-yi-ming-250245","玛瑙福寿灵鹤纹笔架","此作俏色施艺，巧用玛瑙天然红白两色分界。以灵鹤、寿桃、灵芝铺陈造型，红料随形琢为虬曲枝干与饱满桃实，白料巧作仙鹤羽翼与花萼，红白相映，鲜亮雅致。\n\n灵鹤舒展灵动，羽翼翻卷肌理细腻，寿桃圆融丰润，灵芝缠枝蜿蜒柔婉。刀工婉转流畅，线条饱满柔和，将天然石色与雕刻匠心相融，把福寿祥瑞的美好寓意凝于顽石之上。既是案头文房清供，亦是精巧陈设佳器，尽显清代俏色玉雕的工艺精妙，藏着雅致文韵与纳福祈祥的美好期许。",[18,42,43,44,7,27,45,29],"玛瑙","雕刻","灵鹤","梅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8e2e8ef12a61295ff2623f58b240015.jpg",[],3,1,"37474F",{"id":52,"slug":53,"title":54,"dynasty":18,"author":19,"museum":20,"description":55,"tags":56,"thumbUrl":64,"material":30,"size":31,"collection":32,"collections":65,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},251490,"bi-yu-fu-shou-wen-tao-shi-xi-yi-ming-251490","碧玉福寿纹桃式洗","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[57,58,59,43,60,7,27,61,62,63],"清代","玉石","玉器","桃","吉祥","文房用具","青绿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1cbd9148d92e831f913ad8c17566d5e0.jpg",[],{"id":67,"slug":68,"title":69,"dynasty":18,"author":19,"museum":20,"description":70,"tags":71,"thumbUrl":77,"material":30,"size":31,"collection":32,"collections":78,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},247515,"miao-jin-cai-qi-long-feng-fu-shou-wen-mei-hua-shi-he-yi-ming-247515","描金彩漆龙凤福寿纹梅花式盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[72,73,74,75,76,7,27,29],"漆器","描金","彩漆","龙","凤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e6f612c5ecff42a6f1b097b54413bfa.jpg",[],{"id":80,"slug":81,"title":82,"dynasty":18,"author":19,"museum":20,"description":21,"tags":83,"thumbUrl":86,"material":30,"size":31,"collection":32,"collections":87,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},229600,"tong-tai-hua-fa-lang-fen-ju-di-fu-shou-bei-yi-ming-229600","铜胎画珐瑯粉橘地福寿杯",[84,85,26,7,27,60,29],"铜胎画珐琅","粉橘地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c9a1b32d6a19781bbd26ebdd78683d5.jpg",[],1777535754802]