[{"data":1,"prerenderedAt":190},["ShallowReactive",2],{"subject-fu-nv":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1272,"fu-nv","妇女","妇女画高清赏析","精选中国历代妇女题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fccc96aae15e2c423630e89c86978c9aa.jpg",0,9,[14,47,71,95,118,133,149,166,179],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":39,"material":40,"size":41,"collection":42,"collections":43,"showCount":44,"zanCount":45,"manualWeight":11,"mainColor":46},221491,"huo-lang-tu-quan-juan-li-song-221491","货郎图全卷","宋","李嵩","北京故宫博物院","古吴轩出版社主编的《李嵩货郎图》是《历代名画宣纸高清大图》系列之一，采用高清宣纸制作，力求体现画作整体的最高艺术水平，且添加内容简介、风格阐述、作者介绍，以方便读者鉴赏学习。\n此图是一幅人物风俗画卷，画面上货郎肩挑杂货担，不堪重负地弯着腰，欢呼雀跃的儿童奔走相告，喜悦之情溢于言表。\n画家借助货郎这一题材表现了南宋市井生活的一个侧面，是民俗学家不可多得的珍贵史料。",[23,24,25,26,27,28,29,30,31,32,7,33,34,35,36,37,38],"高清","名画","国画","书画","长卷","工笔","白描","设色","人物","孩童","货担","器物","树木","动物","狗","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff486169f4887c2ad43e56c3c00718926.jpg","绢本，设色","纵25.5厘米，横70.4厘米","",[],242,5,"795548",{"id":48,"slug":49,"title":50,"dynasty":51,"author":52,"museum":53,"description":54,"tags":55,"thumbUrl":66,"material":67,"size":42,"collection":42,"collections":68,"showCount":69,"zanCount":11,"manualWeight":11,"mainColor":70},220562,"yu-gong-yi-shan-xu-bei-hong-220562","愚公移山","民国","徐悲鸿","中央美术学院美术馆","以写实功底刻画出虬结如顽石的肌肉块垒，赤裸壮汉们挥锄蓄力，将千钧蛮力凝于舒展躯体之中，把移山的不屈意志具象为滚烫血肉。\n\n妇孺老者静立一侧，沉静目光藏着世代赓续的执念，缓行的大象驮负薪粮，为磅礴劳作添上一缕质朴烟火气。\n\n画作融西法解剖与东方水墨晕染于一体，让古老神话走出传说，将坚韧不拔的信念，化作眼前可视的磅礴群像，刻进民族骨血里的韧劲儿跃然绢素之上。",[23,25,30,56,31,57,58,59,60,61,62,63,64,7,65],"写实","大象","牛","农具","竹篮","推车","土地","壮汉","老人","儿童","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05f740d7fd7175fb0157e825af787bca.jpg","油彩",[],160,"BDBDBD",{"id":72,"slug":73,"title":74,"dynasty":75,"author":76,"museum":77,"description":78,"tags":79,"thumbUrl":87,"material":88,"size":89,"collection":90,"collections":91,"showCount":93,"zanCount":94,"manualWeight":11,"mainColor":70},219558,"chun-jie-mo-jing-tu-xu-ting-kun-219558","春节磨镜图","清","徐廷琨","大英博物馆","深宅巷口寒梅初绽，年意漫溢在古雅院墙间。老匠人俯身转轴磨镜，铜轮轻转，正将镜面拭得锃亮。仕女携稚子围拢观望，孩童们或捧起面具把玩，或躲在朱门后探头窥看，更有小顽童踮脚逗趣，把岁朝的松弛鲜活尽数铺展。朱红楹联衬着素淡院墙，冷枝与暖色调相映，笔触细腻温婉，将市井年俗的温情揉进淡墨浅彩里，把巷陌间的年节烟火定格，晕开旧时光里独有的团圆暖意。",[23,25,30,28,80,31,64,65,7,81,82,83,84,85,86],"立轴","梅","对联","磨镜工具","房屋","石头","杂草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3b293983689f1320abb018c4c354e19.jpg","绢本,设色","53x109cm","人物画精选",[90,92],"设色画精选",86,1,{"id":96,"slug":97,"title":98,"dynasty":99,"author":100,"museum":101,"description":102,"tags":103,"thumbUrl":114,"material":42,"size":42,"collection":42,"collections":115,"showCount":116,"zanCount":117,"manualWeight":11,"mainColor":46},234932,"ming-ren-xia-jing-huo-lang-tu-zhou-yi-ming-234932","明人夏景货郎图轴","明","佚名","藏地不详","这张画描绘了一位乔装打扮的冷饮博士在皇宫花园里为一位年轻的桑亚西倒冰饮。茶壶上的龙雕表明这不是一个普通的家庭，或者说明朝的御用画家为适应某些场景而绘制了皇帝的御用造型，比如今天的 "角色扮演"，皇帝、嫔妃、公主和小王子都是演员。",[25,30,28,31,104,105,106,107,65,7,108,109,110,111,112,113],"松树","栏杆","花卉","器","男性","货郎担","石","草","灌木","地面植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab8a6a7974ea6f9fa050bef2d57c5eda.jpg",[],61,2,{"id":119,"slug":120,"title":121,"dynasty":18,"author":122,"museum":20,"description":123,"tags":124,"thumbUrl":129,"material":40,"size":130,"collection":90,"collections":131,"showCount":132,"zanCount":117,"manualWeight":11,"mainColor":70},221416,"fang-che-tu-juan-wang-ju-zheng-221416","纺车图卷","王居正","《纺车图》是北宋画家 所创作的一幅设色画，现收藏于北京故宫博物院。\n该图画面上纺车忙碌着，一位面貌年轻村妇怀抱着哺乳的婴儿，坐在纺车前操作，稍远处一位老年村妇站立为之牵线。\n画面右侧绘有一个嬉戏的儿童，两位村妇之间则点缀一只小犬正在撒欢地玩着。\n背景描绘着随风披拂的柳树丝及其几段又粗又硬的树枝干。\n图中人物头发荆钗蓬鬓，鹑衣百结，曲尽情状，面目如生。\n纺车图是绢布手卷，纵21.6 厘米， 横69.2厘米，设色画，内容是农村中妇女纺线的情景。\n该画面的中心放着一架纺车，其傍置一竹筐，位中年妇女坐小椅上，左手抱着婴儿哺乳，右手轮转车机，前面站着一位老年妇女两手牵机。\n村妇身后有一儿童，席地而坐，手中拿着杆，牵着一只蟾蜍，活泼可爱。\n中间闻一小犬，画右有两棵老柳树，布景简洁，但却显出农村前条气象。\n元代书法家赵孟頫为此图题跋：“图虽尺许，而气韵雄壮，命意高古，精采飞动，真可谓神品者矣。\n” 明代画家吴宽亦于其上题诗并跋语：“可爱河东王氏子，丹青施誉动祥符。\n不传罗绮游春态，只画茅檐纺车图。\n” 大中祥符年间（18年—116年），北宋为了修筑宫殿、寺庙，招来一些从事建筑彩绘和壁画的民间画匠。\n由于王居正出身劳动人民，深谙民间疾苦，对下层贫苦农民有深厚的感情，所以画面反映的题材意义和人物形象，与宫廷画家及士大夫笔底的“农家乐”形象大异其趣。\n《纺车图》正是王居正看到妇女纺线情景所创作的一幅农家图。\n该图表现农村妇女的户外劳动。\n全幅主题突出，构图巧妙。\n近景描绘的人物被两条飘浮不定的线条分为两组，线的一端是边摇纺车边哺乳的中年妇女、围其左右戏青蛙的童子和狂吠的黑犬；另一端是弯腰伛背、双手拉着线团的老媪。\n人物彼此间聚散自然，神韵相通。\n图中纺车、竹筐、杌凳用界画形式表现，刻画精工写实。\n人物的衣纹用转折劲利的“战笔描”表现，中锋行笔，线条细劲圆润，随着人物形体的变化而顿折曲转，从而准确地塑造出人物的形态和衣料的柔软质地。\n图中的女性形象与晋代顾恺之、唐代周昉笔下的仕女相比，没有娇美的相貌、诱人的身材、华丽的服饰及尊贵的地位，她们仅是生活中最为普通的农村妇女。\n衣裤迭经补缀的老妇面容憔悴，动作迟缓，艰辛的生活令其相貌充满沧桑感。\n作者以写实的艺术手法不加美化地表现她们，意在赞扬她们安贫乐道的生活态度及朴实无华的个性美，同时也表达了对她们贫苦生活的同情。\n从绘画史的角度来看，《纺车图》并非在技法或风格创新上有重大突破或建树，其难得可贵价值在于它表现了下层劳动人民真实的劳动场面，为人们了解研究当时的社会和历史提供了珍贵的形象资料。\n该图流传有绪，在南宋时为 收藏。\n元代延祐四年（117年）， 在燕京以五十金购得。\n明代初为袁廷玉（柳庄）获取，明代中期杨维新从袁氏家购得。\n万历年间（157－1619年）它被周敏所收藏。\n清代初为仁和龚翔麟（蘅圃）收藏，乾隆朝时归江西陈玉方（希祖），嘉庆朝素村用旧拓唐楷碑向陈玉方换取此画，光绪年间（1875－198年）归陆心源所得，清末归武进盛所有。\n2世纪5年代，国家从香港将其购回，旋即入藏北京故宫博物院。\n在214年4月日至6月29日期间，北京故宫院开展“故宫藏历代书画展”，其中《纺车图》在北京故宫武英殿书画馆开展。\n王居正（生卒年不详），乳名憨哥，河东（今山西永济）人，北宋画家王拙之子。\n北宋大中祥符年间（18－116年），被招募至汴京（今河南开封）参与皇家宫殿的营造工程。\n其作画注重写实，落笔前反复观察，认真思考，力求于创作中真实地再现客观对象 。",[23,25,27,28,30,31,7,65,125,107,35,126,127,128],"纺车","猫","劳作","布料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3cc3f7fb767d3a2e83a5bc151e376253.jpg","纵26.1厘米，横69.2厘米",[90,92],40,{"id":134,"slug":135,"title":136,"dynasty":99,"author":100,"museum":101,"description":137,"tags":138,"thumbUrl":146,"material":42,"size":42,"collection":42,"collections":147,"showCount":148,"zanCount":94,"manualWeight":11,"mainColor":46},234931,"ming-ren-qiu-jing-huo-lang-tu-zhou-yi-ming-234931","明人秋景货郎图轴","当“双十一”掀开一个全民购物狂欢的序幕，放眼远在千百年前的临安街头，货郎们一人一担一声叫卖，仅凭这种最原始的“人肉购物车”，便足以吸引市井众人的注目，引出一番欢悦的情景。李嵩等画家以此为题奋笔挥毫，定格了过去一段段市井风貌。沉醉于塞满购物车再一朝清空快感的，不光只有21世纪的网购达人，中国古人的“购物车”更是让人眼花缭乱，甚至叹为观止。 在历代流传下来的“货郎图”图示中，我们便可略窥一二。宋代绘画是写实主义的巅峰，《货郎图》则是这一巅峰上的一片奇岫。南宋吴自牧《梦粱录》中提到，当时杭州的小贩在沿街叫卖时“挑担抬盘架”，“担瑜石钉铰金装架儿”，《清明上河图》中，也有货郎在一根扁担的两头各挑一个货架，说明这种一根扁担挑两个货架的销售形式，在两宋很是普遍。因此，画中这位货郎和他的货担，可谓是对十一至十三世纪的流动小商贩的忠实记录。“货郎图”是宋代较为流行的一种表现当时流动小商品买卖的绘画形式。如今存世较为知名的主要有四幅南宋李嵩的《货郎图》（分别藏于北京故宫博物院、台北故宫博物院、美国大都会博物院、美国克利夫兰美术馆）以及一幅传为北宋苏汉臣所作的《货郎图》。",[25,30,28,80,31,65,7,139,35,105,140,141,34,142,143,109,144,145],"货郎","山石","花草","秋景","服饰","棚架","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b38b5a780482a0e4fa98b8ed68079b5.jpg",[],37,{"id":150,"slug":151,"title":152,"dynasty":153,"author":154,"museum":101,"description":155,"tags":156,"thumbUrl":161,"material":162,"size":163,"collection":42,"collections":164,"showCount":165,"zanCount":11,"manualWeight":11,"mainColor":46},232100,"madame-alexis-rouart-and-her-children-musee-du-petit-palais-france-de-jia-232100","Madame Alexis Rouart and Her Children - - Musee du Petit Palais (France)","不详","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[157,158,159,160,7,65],"油画","印象派","人物画","户外场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc30e9cb70a143bb71250a5d8e7089531.jpg","未知","Xcm*Xcm",[],4,{"id":167,"slug":168,"title":169,"dynasty":153,"author":100,"museum":101,"description":170,"tags":171,"thumbUrl":177,"material":162,"size":163,"collection":42,"collections":178,"showCount":94,"zanCount":11,"manualWeight":11,"mainColor":70},289156,"goya-women-with-children-by-a-wayside-cross-yi-ming-289156","Goya--Women with Children by a Wayside Cross","沉淡晕墨铺就沉郁底色，路边十字架茕孑矗立，带着缄默肃穆。立着的妇人将婴孩拢在怀中，垂落的头巾掩去半张脸，泄露出长途跋涉的疲惫。旁侧的妇人与孩童亲昵依偎着她，动作里带着同伴间的依赖，也藏着乱世流民的茫然无措。\n\n简练的墨线勾出衣衫褶皱，干湿浓淡的色块晕染出身形轮廓，粗粝随性的笔触裹着生活烟火气，也揉进漂泊的仓皇。十字架冷硬线条和妇孺柔软身形形成对照，信仰的慰藉与生存的窘迫交织，将小人物乱世求生的困顿与温情凝于纸面，满溢着无言悲悯。",[159,172,173,174,7,65,175,176],"素描","速写","宗教","十字架","户外","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9bdd578915758fef2f6b3aa99542001b.jpg",[],{"id":180,"slug":181,"title":182,"dynasty":75,"author":100,"museum":101,"description":183,"tags":184,"thumbUrl":188,"material":88,"size":42,"collection":42,"collections":189,"showCount":94,"zanCount":11,"manualWeight":11,"mainColor":70},215186,"yi-shi-ji-yao-tan-4-yi-ming-215186","医士及药摊-4","画面中，医士着深衣俯身施种，指尖凝着细致专注；母亲怀拥幼童坐于木凳，粉衫绿裙衬得神情柔婉，怀中孩童的懵懂与母亲的轻忧相映。背景淡影如往来行人，晕开市井烟火气。简淡笔触下，人物神态鲜活——医士的专业、母子的相依，将百年前传统接种的日常场景定格。没有繁复铺陈，却以质朴细节藏着旧时光的温情，让那段关于医疗与民生的片段，在纸间静静流淌，鲜活如初。",[23,25,30,28,31,32,7,185,186,187],"医士","木凳","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e6128c32d0ed16b6addd519bf46b6f5.jpg",[],1777535735706]