[{"data":1,"prerenderedAt":2861},["ShallowReactive",2],{"subject-fu-shi-hui":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4527,"fu-shi-hui","浮世绘","浮世绘画高清赏析","精选中国历代浮世绘题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3d34a0a4546fef429a300e8f75a2d43.jpg",0,313,[14,36,59,77,97,115,128,136,147,164,173,184,197,221,232,244,252,262,274,290,298,308,321,329,341,351,370,381,391,401,411,419,428,438,449,458,468,479,491,506,513,521,530,538,547,558,571,580,590,599,611,621,629,644,653,660,668,677,686,697,705,718,726,735,742,751,758,767,776,784,792,801,814,831,840,850,858,868,878,889,896,908,917,927,934,942,952,963,974,989,997,1007,1015,1024,1033,1042,1050,1059,1074,1084,1092,1102,1112,1119,1127,1136,1144,1151,1161,1170,1178,1188,1198,1210,1217,1226,1234,1243,1250,1260,1267,1275,1283,1292,1300,1309,1316,1325,1334,1342,1356,1369,1382,1392,1399,1406,1413,1420,1427,1435,1444,1452,1461,1470,1478,1485,1494,1502,1510,1520,1528,1542,1551,1558,1565,1573,1580,1587,1595,1602,1609,1617,1628,1636,1643,1652,1659,1666,1674,1681,1689,1697,1705,1713,1720,1727,1735,1742,1749,1757,1764,1771,1781,1788,1795,1803,1811,1818,1825,1833,1840,1847,1856,1865,1873,1880,1887,1894,1902,1910,1918,1928,1938,1946,1954,1973,1980,1988,1995,2003,2010,2017,2026,2033,2041,2048,2055,2062,2069,2077,2084,2091,2101,2108,2117,2125,2132,2139,2151,2164,2172,2179,2188,2198,2209,2219,2226,2236,2244,2251,2259,2267,2275,2285,2292,2301,2309,2320,2328,2337,2344,2352,2364,2372,2381,2389,2398,2406,2415,2423,2432,2443,2452,2460,2469,2476,2485,2492,2501,2509,2518,2525,2532,2539,2548,2556,2563,2570,2577,2584,2591,2598,2605,2612,2619,2626,2634,2641,2648,2658,2667,2676,2683,2692,2699,2707,2714,2722,2729,2739,2746,2753,2760,2768,2776,2785,2794,2801,2809,2818,2837,2845,2853],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},231574,"mu-dan-he-jin-si-que-ge-shi-bei-zhai-231574","牡丹和金丝雀","不详","葛饰北斋","美国国会图书馆","这幅《牡丹和金丝雀》就是十分典型的葛饰北斋晚期花鸟画。 画面以亮丽的深蓝色为背景，前面是四朵开放得十分热烈的粉色牡丹，中间的花蕊灵动嫩白，在周围绿色的花叶衬托下显得更加娇妍欲滴。葛饰北斋将俯冲向牡丹的金丝雀画在了中央。金丝雀张开双翅，羽翼丰满光滑，富有活力，与平日养在精美鸟笼中的金丝雀截然不同。\n葛饰北斋一直被称为日本美术史上最奇特、最有才气的画家之一。他自称“画狂人”，一生留下了大量的作品，创作一直持续到他90岁去世时的前三个月。他的才能不仅在人们熟悉的风景画领域，在读本插图、花鸟画，甚至《百物语》这种妖怪画等领域都有崭新的表现。他的很多画作都令人耳目一新，深受江户市民的欢迎。",[23,7,24,25,26,27,28],"高清","木刻","设色","花鸟","牡丹","飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3363479890ca007e42afefe258fccd82.jpg","布面油画","19.2 x 17.4 cm","",[],107,"37474F",{"id":37,"slug":38,"title":39,"dynasty":18,"author":40,"museum":41,"description":42,"tags":43,"thumbUrl":53,"material":54,"size":55,"collection":32,"collections":56,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":58},231699,"ren-wu-hua-ge-chuan-feng-guo-231699","人物画","歌川丰国","藏地不详","此作以柔婉线条勾勒仕女情态，蓝花簪发的她肩挑朱绳吊桶，将市井营生晕染出雅致和风。吊桶海浪纹样灵动写意，和服层叠晕染出水色衣袂，裙摆织锦纹样细腻华美，将面料肌理晕染的层次分明。画师把世俗挑水劳作，揉入古典美人绘的温婉气质，静穆身姿暗蕴市井烟火的鲜活气，让日常营生化为诗意绘卷，尽显柔美雅致的浮世风韵。",[23,44,7,24,25,45,46,47,48,49,50,51,52],"名画","版画","人物","美人","服饰","桶","花纹","波浪纹","花卉纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d4c997f224f293aa736b5d2fca1cb24.jpg","未知","Xcm*Xcm",[],54,"F48FB1",{"id":60,"slug":61,"title":62,"dynasty":18,"author":63,"museum":41,"description":64,"tags":65,"thumbUrl":73,"material":54,"size":55,"collection":32,"collections":74,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":76},231746,"jiang-hu-shi-dai-xia-qiu-cao-tu-ping-feng-qiu-fen-jiu-jing-bao-yi-231746","江户时代 夏秋草图屏风-秋分","酒井抱一","日本画家的的琳派。他以复兴绪方光琳的风格和流行而闻名，并创作了光琳作品的许多复制品。",[23,25,66,26,67,68,69,70,71,7,72],"工笔","藤蔓","绿叶","花卉","蝴蝶","草","日本传统绘画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F115d92d5e47f2f2a6c2be087928f418c.jpg",[],48,"BDBDBD",{"id":78,"slug":79,"title":80,"dynasty":18,"author":81,"museum":41,"description":82,"tags":83,"thumbUrl":10,"material":32,"size":32,"collection":32,"collections":95,"showCount":96,"zanCount":11,"manualWeight":11,"mainColor":76},225299,"fu-shi-hui-20-yi-ming-225299","浮世绘20","佚名","以平远视角铺展幽谧山水，青绿与浅赭晕染层叠丘峦，远景丹峰隐现薄雾间。苍松错落点缀崖岸水畔，清劲枝条勾勒古拙苍劲的意态。蜿蜒水泽以留白代雾霭，将远近景致朦胧晕开，崖间飞瀑垂落，松林深处掩映山居小屋，暗合隐逸幽居的雅趣。\n\n敷色淡雅柔和，线条清简雅致，将山居逸趣融于山水之间，带着恬淡禅意，把林泉山水的空灵悠远定格于纸面，尽显东方山水美学里悠然出世的诗意。",[7,25,24,84,85,86,87,88,89,90,91,92,93,94],"山水","瀑布","松树","溪流","云雾","远山","房屋","岩石","树木","天空","水域",[],34,{"id":98,"slug":99,"title":100,"dynasty":18,"author":101,"museum":41,"description":102,"tags":103,"thumbUrl":111,"material":54,"size":55,"collection":112,"collections":113,"showCount":114,"zanCount":11,"manualWeight":11,"mainColor":35},225725,"bridge-in-the-rain-after-hiroshige-october-november-fan-gao-225725","Bridge in the rain after Hiroshige (October - November )","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[104,105,7,25,106,107,108,46,109,110],"油画","临摹","桥","雨","水面","小船","蓑笠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F337d72a832471d826298eec3e42253f3.jpg","油画精选",[112],33,{"id":116,"slug":117,"title":118,"dynasty":18,"author":81,"museum":41,"description":119,"tags":120,"thumbUrl":125,"material":54,"size":55,"collection":32,"collections":126,"showCount":127,"zanCount":11,"manualWeight":11,"mainColor":58},225511,"fu-shi-hui-269-yi-ming-225511","浮世绘269","浮世绘，也就是日本的风俗画，版画。它是日本江户时代（1603～1867年间，也叫德川幕府时代）兴起的一种独特的民族艺术，是典型的花街柳巷艺术。主要描绘人们日常生活、风景和演剧。浮世绘常被认为专指彩色印刷的木版画（日语称为锦绘），但事实上也有手绘的作品。\n从其绘画素材看，70%以上内容是妓画（暂称为“美人画”）和伎画（暂称为“艺人画”），也就是说，作品主角是娼妓和艺伎，女性，裸体，性感美，色情是其标志性特征。用现代艺术眼光看，可算“人体绘画艺术”，其中的大胆的性爱题材引起注意，成为古代东方一种人本主义的新研究方向。在日本，存在着对这类作品的争议，也有的认为是乐而不淫，肯定其价值。\n浮世绘的艺术渊源，一来自绘画，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[7,25,24,46,47,121,122,48,123,92,124],"兵器","器物","建筑局部","夜色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9477f0c79b912efa6ccb9ab290224577.jpg",[],30,{"id":129,"slug":130,"title":131,"dynasty":18,"author":81,"museum":41,"description":119,"tags":132,"thumbUrl":133,"material":54,"size":55,"collection":32,"collections":134,"showCount":135,"zanCount":11,"manualWeight":11,"mainColor":76},225370,"fu-shi-hui-127-yi-ming-225370","浮世绘127",[7,25,46,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba741f2970851efa9bed07991e1a6626.jpg",[],25,{"id":137,"slug":138,"title":139,"dynasty":18,"author":81,"museum":41,"description":119,"tags":140,"thumbUrl":144,"material":54,"size":55,"collection":32,"collections":145,"showCount":146,"zanCount":11,"manualWeight":11,"mainColor":76},225371,"fu-shi-hui-128-yi-ming-225371","浮世绘128",[7,25,46,47,141,142,143],"猫","布料","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b7517433ab3562478bd0b136834829b.jpg",[],22,{"id":148,"slug":149,"title":150,"dynasty":18,"author":151,"museum":41,"description":152,"tags":153,"thumbUrl":159,"material":54,"size":55,"collection":32,"collections":160,"showCount":161,"zanCount":162,"manualWeight":11,"mainColor":163},231724,"jiang-hu-shi-dai-ge-wu-ji-ping-feng-tu-di-er-ping-ling-chuan-shi-xuan-231724","江户时代 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useum":41,"description":1011,"tags":1012,"thumbUrl":1013,"material":32,"size":32,"collection":32,"collections":1014,"showCount":867,"zanCount":11,"manualWeight":11,"mainColor":76},225384,"fu-shi-hui-141-yi-ming-225384","浮世绘141","这是花魁出行的经典场景，四位女子款步行进，身姿温婉从容。发髻缀满华丽张扬的金饰，衬出人物明艳气度。和服纹样精巧细腻，水波纹路柔和舒展，撞色腰带与衣身呼应，青蓝与暖棕搭配和谐雅致。淡素底色衬托出织物柔丽质感，画师以流畅简练的墨线勾勒步态身形，将江户游廓艺伎的端庄风韵尽数铺展，晕染出雅致闲静的古典氛围，还原出当时风月町的雅致风情。",[7,25,24,46,47,48,170,142],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc045620eff3181184872596e936e3e9e.jpg",[],{"id":1016,"slug":1017,"title":1018,"dynasty":18,"author":81,"museum":41,"description":119,"tags":1019,"thumbUrl":1022,"material":54,"size":55,"collection":32,"collections":1023,"showCount":867,"zanCount":11,"manualWeight":11,"mainColor":76},225379,"fu-shi-hui-136-yi-ming-225379","浮世绘136",[7,947,46,190,1020,1021],"折扇","烟管","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e9b79377f8bd64db37d5b11207bcba2.jpg",[],{"id":1025,"slug":1026,"title":1027,"dynasty":18,"author":81,"museum":41,"description":1028,"tags":1029,"thumbUrl":1031,"material":32,"size":32,"collection":32,"collections":1032,"showCount":867,"zanCount":11,"manualWeight":11,"mainColor":76},225364,"fu-shi-hui-120-yi-ming-225364","浮世绘120","这幅作品以游廓夜景为底色，左侧隅角男女偎依私语，晕开私密亲昵的缱绻；凭栏处一众游女探身笑语，指尖轻指夜色，将嬉闹松弛弥散在廊间。夜色里花树漫开，被晚风卷落的油纸伞散在花下，蓝调夜空缀着细碎星子，衬出风月场的柔靡日常。\n\n温润雅致的线条勾勒出屋宇回廊的错落层次，柔淡设色晕开松弛暧昧的氛围，将烟花巷陌的夜色温柔与儿女情态揉合一处，把俗世里的风月闲情描摹得细腻动人，晕开独属于旧时代的慵懒暖意。",[7,24,25,46,155,157,1030,191,154],"梅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0dcfb18caeaa08594cabe82847c807a5.jpg",[],{"id":1034,"slug":1035,"title":1036,"dynasty":18,"author":81,"museum":41,"description":119,"tags":1037,"thumbUrl":1040,"material":54,"size":55,"collection":32,"collections":1041,"showCount":867,"zanCount":11,"manualWeight":11,"mainColor":76},225354,"fu-shi-hui-110-yi-ming-225354","浮世绘110",[7,1038,26,28,1039],"水墨","麻雀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F053df89da58ec73bf2824b8735fa286d.jpg",[],{"id":1043,"slug":1044,"title":1045,"dynasty":18,"author":81,"museum":41,"description":1046,"tags":1047,"thumbUrl":1048,"material":32,"size":32,"collection":32,"collections":1049,"showCount":867,"zanCount":11,"manualWeight":11,"mainColor":76},225352,"fu-shi-hui-107-yi-ming-225352","浮世绘107","这幅白描稿以利落凝练的线条，定格下柔暖亲昵的日常瞬间。画中妇人发髻簪饰温婉，眉眼含着慵懒柔意，抬手抬腕间似在整饰妆发，又似逗弄怀中孩儿。中锋运笔勾勒衣褶，转折顿挫利落分明，将和服层叠的柔软质地表现得通透灵动，线条兼具飘逸舒展与沉厚紧实，尽显面料的垂坠质感。\n\n怀中婴孩蜷卧在衣间憨态可掬，依偎着母亲尽显松弛安然。整幅画作不着一色，以留白烘托静谧氛围，仅用简约线条传递出母子间脉脉温情，笔意简淡却意韵悠长，尽显东方线描的极简美学张力。",[7,346,46,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcda68fa75703dec33a54cc4bed5a6252.jpg",[],{"id":1051,"slug":1052,"title":1053,"dynasty":18,"author":81,"museum":41,"description":1054,"tags":1055,"thumbUrl":1057,"material":32,"size":32,"collection":32,"collections":1058,"showCount":867,"zanCount":11,"manualWeight":11,"mainColor":76},225335,"fu-shi-hui-88-yi-ming-225335","浮世绘88","这幅作品以撞色铺陈山林飞瀑之景，冷调瀑水如垂落的素白匹练，自涡旋潭水倾泻而下，衬得两侧暖黄覆绿的崖壁愈显温润厚实。\n\n左侧崖台之上，三位旅人围坐铺陈的席面，就着山音瀑声煮茶闲坐，将幽寂山境晕出悠然雅趣。画作以装饰性的线条勾勒水纹与山形，将自然的雄浑壮阔与市井文人的松弛闲情相融，落笔尽显侘寂悠然的日式美学意韵，定格出深山中治愈松弛的片刻闲景。",[7,24,25,84,85,46,92,91,1056,88],"草地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda9bc4955b2fb3c24bfab0a38bef4537.jpg",[],{"id":1060,"slug":1061,"title":1062,"dynasty":18,"author":81,"museum":41,"description":1063,"tags":1064,"thumbUrl":1072,"material":32,"size":32,"collection":32,"collections":1073,"showCount":867,"zanCount":11,"manualWeight":11,"mainColor":76},225323,"fu-shi-hui-68-yi-ming-225323","浮世绘68","这幅风景绘以大开大合的构图铺陈峡谷索桥之景。苍劲古松下，高悬的索桥连接两岸险崖，两名旅人负物徐行，步履安然。留白晕染出云气翻涌的深谷，拉满视觉纵深感，崖顶小鹿驻足远眺，为雄奇山野添了几分灵动。\n\n石青与砂黄撞色明快澄澈，勾勒出清旷辽远的山间氛围，线条凝练利落，精准带出索桥的紧绷张力，将旅人行于险途的悠然从容尽数刻画。自然雄奇与人间烟火柔和相融，尽显静谧幽远的山野意趣，仿佛山风拂面，能听见索桥轻晃的细碎声响，静与动在此间悄然平衡。",[7,25,84,1065,1066,1067,824,1068,28,1069,1070,1071],"索桥","峡谷","古松","小鹿","石青","砂黄","静谧","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F684233528e77564ba82dc61d2bb40292.jpg",[],{"id":1075,"slug":1076,"title":1077,"dynasty":18,"author":81,"museum":41,"description":1078,"tags":1079,"thumbUrl":1082,"material":32,"size":32,"collection":32,"collections":1083,"showCount":867,"zanCount":11,"manualWeight":11,"mainColor":163},225312,"fu-shi-hui-46-yi-ming-225312","浮世绘46","靛蓝湖面晕开柔润水色，淡墨远山融在水天尽头晕出空濛侘寂。临水而立的红顶吊脚屋，枕着清波尽显水乡意趣。左侧石板山道上，两名町人作揖寒暄，衣褶舒展鲜活，将市井日常揉入雅致景致间。\n\n暖红檐角、苍绿林木撞色和谐，带着日式版画独有的平涂鲜亮质感，将闲淡乡居烟火与清寂湖光融为一体，藏起隐于山水间的温柔日常，引观者沉入这份松弛的和风诗意里。",[7,24,25,46,155,269,270,1080,90,92,89,108,1081],"小路","山坡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d492b767333ad0eb94cc27d1af0c137.jpg",[],{"id":1085,"slug":1086,"title":1087,"dynasty":18,"author":81,"museum":41,"description":1088,"tags":1089,"thumbUrl":1090,"material":32,"size":32,"collection":32,"collections":1091,"showCount":867,"zanCount":11,"manualWeight":11,"mainColor":76},225309,"fu-shi-hui-40-yi-ming-225309","浮世绘40","春樱垂枝漫开，粉云轻覆近海晴波，柔暖天光晕染出融融春日氛围。山道樱下，旅人们围坐休憩，闲谈间消解行路劳顿，尽显松弛惬意。提水脚夫躬身山涧，竹桶盛满清冽，烟火闲趣揉入春景。青绿坡岸衬着水色天光，配色雅致柔和，将郊野春旅的悠然意趣娓娓铺展。笔韵简淡却藏着鲜活日常，把平凡行路片刻晕染成诗意风物，定格住春日里鲜活又治愈的旅途剪影。",[7,24,25,46,156,92,378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