[{"data":1,"prerenderedAt":92},["ShallowReactive",2],{"subject-fu-shi-tu-an":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4567,"fu-shi-tu-an","服饰图案","服饰图案画高清赏析","精选中国历代服饰图案题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99b6eb5e82d57d9a38562727fad3ec4d.jpg",0,3,[14,46,61],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":41,"material":42,"size":42,"collection":42,"collections":43,"showCount":44,"zanCount":11,"manualWeight":11,"mainColor":45},231695,"jiang-hu-shi-qi-di-shi-wu-luo-han-tu-li-zhou-yi-ming-231695","江户时期 第十五罗汉图立轴","不详","佚名","藏地不详","褐肤罗汉宝光护体，踞坐松石之下，虬髯深目自带威严沉静之气，团龙织金僧衣华贵雅致，手托丹丸，尽显尊者超凡气度。身前侍者躬身颔首，神态恭谨至极，主仆情态形成鲜明反差，生动勾勒禅门仪轨。\n\n背景古松盘虬苍劲，悬垂鎏金佛灯晕染出清幽肃穆的禅意氛围。整作线条顿挫凝练，设色雅致沉稳，衣纹晕染层次丰厚，将人物的神性与俗世情态刻画入微，尽显佛画写实功力，禅林静谧之韵扑面而来。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,7,38,39,40],"高清","立轴","国画","宗教","设色","人物","工笔","树木","罗汉","小僧","光头","光环","衣纹","山石","花纹","坐姿","跪姿","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc639c5a1ca97303fcca2c116d190498.jpg","",[],12,"795548",{"id":47,"slug":48,"title":49,"dynasty":18,"author":19,"museum":20,"description":50,"tags":51,"thumbUrl":10,"material":42,"size":42,"collection":42,"collections":59,"showCount":44,"zanCount":11,"manualWeight":11,"mainColor":60},225385,"fu-shi-hui-142-yi-ming-225385","浮世绘142","这幅作品以游女为主题，佳人抬手理鬓，眉眼含柔，将江户艺伎的温婉风情尽数展露。\n\n衣装纹样尤为夺目，大面积云龙缠纹威严大气，卷草团花与夕颜藤曼柔婉舒展，浓黑、石青与暖金交织晕染，尽显锦绘技法的华贵质感，将浮世绘的装饰美学发挥到极致。背景夕颜藤蔓蜿蜒，与美人身姿呼应萦绕，落款题字点缀留白，让画面疏密得宜。整体复刻了江户市井的风月意趣，将仕女娇柔风骨与时代审美定格于纸面。",[52,53,27,28,54,55,56,57,7,37,58],"浮世绘","木刻","美人","花卉","藤蔓","龙纹","和风",[],"BDBDBD",{"id":62,"slug":63,"title":64,"dynasty":18,"author":65,"museum":20,"description":66,"tags":67,"thumbUrl":87,"material":88,"size":89,"collection":42,"collections":90,"showCount":91,"zanCount":11,"manualWeight":11,"mainColor":45},232322,"a-er-ma-49-lao-lun-si-a-er-ma-ta-de-ma-232322","阿尔玛49","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[68,69,70,27,28,71,72,73,74,75,76,77,78,79,80,81,82,7,83,84,85,86],"新古典主义","油画","写实","古典服饰","手杖","木料堆","柱子","台阶","织物纹理","几何纹样","暖色调","建筑元素","室内场景","人物肖像","写实技法","木质材料","古典建筑构件","地面陈设","人物姿态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d4611ad0d5f81d0c032838a2cfee65f.jpg","未知","Xcm*Xcm",[],1,1777535771460]