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清朝是以满族统治者为主的政权机构，满族八旗服饰随朝代的变更冲进关内。旗人的风俗习惯影响着广大的中原地区。从公服开始逐渐推向常服。",[83,23,368,173,7,369],"缂金银","衬衣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feebb269e72d0e3e1dfd7e68c62de6cdd.jpg",[],{"id":373,"slug":374,"title":375,"dynasty":18,"author":19,"museum":20,"description":376,"tags":377,"thumbUrl":382,"material":28,"size":29,"collection":30,"collections":383,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":126},259268,"qian-long-kuan-fen-di-fen-cai-chan-zhi-lian-fu-shou-wen-shuang-er-gua-leng-bi-ping-yi-ming-259268","乾隆款粉地粉彩缠枝莲福寿纹双耳瓜棱壁瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[148,207,150,378,7,379,380,381],"缠枝莲","壁瓶","瓜棱","双耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41a5b070d6e17d07d91e0115a1e569be.jpg",[],{"id":385,"slug":386,"title":251,"dynasty":18,"author":19,"museum":20,"description":387,"tags":388,"thumbUrl":389,"material":28,"size":29,"collection":30,"collections":390,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":126},245483,"jin-shuang-xi-fu-shou-wen-cha-yi-ming-245483","此件金叉通体鎏金，錾刻细纹铺满钗身，两处“囍”纹首尾呼应，点明吉庆主题。中段嵌饰螺钿，勾勒出福寿纹样，莹润珠光与暖金交相辉映，雅致华贵。\n它兼顾绾发的实用属性与装饰意趣，将清代民间婚嫁首饰的吉祥审美尽数展现。把对姻缘和美、福寿绵长的祈愿，凝于这寸金之上，是晚清民俗首饰工细精巧的典型之作，含蓄又热烈地传递着旧时婚恋之中最质朴诚挚的美好期许。",[204,234,53,220,254,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0dea787b1dc80642705575fe8bc54e80.jpg",[],{"id":392,"slug":393,"title":394,"dynasty":18,"author":19,"museum":20,"description":395,"tags":396,"thumbUrl":400,"material":28,"size":29,"collection":30,"collections":401,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},271988,"duan-shi-diao-sheng-wen-fu-shou-chi-chang-fang-yan-yi-ming-271988","端石雕绳纹福寿池长方砚","砚台历经秦汉、魏晋，至唐代起，各地相继发现适合制砚的石料，开始以石为主的砚台制作。其中采用甘肃岷县的洮河石、广东端州的端石、安徽歙州的歙石制作的砚台，被分别称作洮砚、端砚、歙砚。史书将洮、端、歙称作三大名砚。清末，又将河南洛阳的澄泥砚与洮、端、歙，并列为中国四大名砚。也有人主张，以天然砚石雕制的鲁砚中的红丝石砚代替澄泥砚，合称四大名砚。\n谈起砚的种类有许多种，从砚的材质可分为：玉砚、银砚、铜砚、铁砚、陶砚、瓷砚、石砚、漆砚等，其中石砚是最为普遍，也最实用的一种砚。砚台起源于新石器时代。最早的砚是半坡村遗址出土的研磨颜料的研磨器，在1980年，大陆考古学家曾在陕西省临潼县姜寨一处原始社会的遗址中，发现了一套原始人用以陶器彩绘的工具，其中有一方石砚，砚有盖，砚面微凹，凹处并有一根石质磨杵，砚旁留存数块黑色颜料。很显然，这是先民们借助磨杵研磨颜料的早期砚的形制。由于这处遗址归属于母系氏族时期的仰韶文化，故这方砚台的实际寿龄已超过了五千年了。\n清代端石砚要求因材施艺，因石构图，在题材、立意、构图、造型、利用何种雕法都要精心推敲，刻划得当。保持了端砚的古雅、朴实，古色古香、形态自然的特点。如北京故宫收藏的「端石双龙砚」、「猫蝶砚」是端砚中的佳品。",[397,398,220,399,7,302,209],"砚","端石","绳纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e7959399317a61bb80c9a4850dd6129.jpg",[],{"id":403,"slug":404,"title":405,"dynasty":18,"author":19,"museum":20,"description":298,"tags":406,"thumbUrl":408,"material":28,"size":29,"collection":30,"collections":409,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},269756,"qian-long-kuan-pao-zhi-fu-shou-wen-wei-jiao-si-fang-bi-tong-yi-ming-269756","乾隆款匏制福寿纹委角四方笔筒",[300,301,220,7,407,209],"文房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faeb7bbcc2aa557125418062d70040b02.jpg",[],{"id":411,"slug":412,"title":413,"dynasty":18,"author":19,"museum":20,"description":414,"tags":415,"thumbUrl":418,"material":28,"size":29,"collection":30,"collections":419,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":126},269736,"kang-xi-kuan-pao-zhi-fu-shou-wen-gao-zu-wan-yi-ming-269736","康熙款匏制福寿纹高足碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[300,416,149,69,220,7,417],"高足碗","回纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F170b894b3fb1b8d3439117515d660f8c.jpg",[],{"id":421,"slug":422,"title":423,"dynasty":18,"author":19,"museum":20,"description":216,"tags":424,"thumbUrl":429,"material":28,"size":29,"collection":30,"collections":430,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":126},269064,"wen-zhu-tou-diao-fu-shou-wen-ba-fang-he-yi-ming-269064","文竹透雕福寿纹八方盒",[425,426,7,427,220,428],"文竹","透雕","八方盒","日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c964b67eac80c28cec967cf4361ba41.jpg",[],{"id":432,"slug":433,"title":434,"dynasty":18,"author":19,"museum":20,"description":435,"tags":436,"thumbUrl":440,"material":28,"size":29,"collection":30,"collections":441,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},268889,"qian-lv-se-di-ba-ji-xiang-fu-shou-wen-zhi-jin-jin-yi-ming-268889","浅绿色地八吉祥福寿纹织金锦","《说文》：“锦，襄邑织文。从帛，金声。”即用彩色经纬丝织出各种图案花纹的纺织品，泛指具有多种彩色花纹的丝织物。锦的生产工艺要求高，织造难度大，所以它是古代最贵重的织物。“锦，金也，作之用功重，其价如金。”古人把锦看成和黄金等价。这种织物有经起花和纬起花两种，也叫经锦和纬锦。经锦是用两组或两组以上的经线同一组纬线交织。经线多的二色或三色，一色一根作为一副，如果需要更多的颜色，也可以使用牵色条的方法。纬线有明纬和夹纬；用夹纬把每副中的表经和底经分隔开，用织物正面的经浮点显花。\n用染好颜色的彩色经纬线，经提花、织造工艺织出图案的织物。中国丝织提花技术起源久远。早在殷商时代中国已有丝织物。周代丝织物中出现织锦，花纹五色灿烂，技艺臻于成熟。汉代设有织室、锦署，专门织造织锦，供宫廷享用。自汉武帝后，中国织锦通过丝绸之路传入波斯（今伊朗）、大秦（古罗马帝国）等国。三国时四川蜀锦成为主流。唐代贞观年间窦师伦的对雉、斗羊、翔凤等蜀锦图案，称为绫阳公样。在织造工艺上由经锦改进为纬锦，并出现彩色经纬线由浅入深或由深入浅的退晕手法。北宋宫廷在汴京等地建立规模庞大的织造工场，生产各种绫锦。元代是中国历史上大量生产织金锦（一种加金的丝织物）的时代，宫廷设立织染局、织染提举司，机构庞大，集中了大批优秀工匠。\n明清两代织锦生产集中在江苏南京、苏州，除了官府的织锦局外，民间作坊也蓬勃兴起，形成江南织锦生产的繁荣时期。织锦大多采用传统提花工艺和木制花楼织机，有些织锦因品种不同而有所区别。如宋锦、土家族织锦采用通经断纬工艺，即分段调换彩色纬线，使色彩更加丰富。杭锦采用铁制提花机。织锦种类有南京云锦、四川蜀锦、苏州宋锦、杭州织锦以及少数民族的黎锦、壮锦、傣锦、瑶锦、侗锦、苗锦、土家锦、爱得利斯锦等。1960年以来，中国织锦在继承、发扬传统织锦的基础上，恢复了云锦的妆花锦和蜀锦的浣花锦、锦上添花锦、八答晕锦，并生产了窗帘、沙发套、枕套、被面、台毯、靠垫、床罩、提包、民族服装用料等新品种。\n锦已有3000年以上的历史，战国、西汉以前流行以二色或三色经轮流显花的经锦，包括局部饰以挂经的挂锦、具有立体效果的凸花锦和绒锦。1959年在新疆民丰尼雅遗址发现的东汉“万年如意锦”使用绛、白、绛紫、淡蓝、渥绿五色，通幅分成十二个色条，就是汉代典型的经锦。\n纬锦是用两组或两组以上的纬线同一组经线交织。经线有交织经和夹经；用织物正面的纬浮点显花。1969年在新疆阿斯塔那发现的唐代锦袜，在大红色地上起各种禽鸟花朵和行云的图案，就属于这一种锦。\n经锦和纬锦具有不同的织造效果。经锦的纬密比较低，只用一把梭子，生产效率比较高。纬锦织造比较费时，但可以使用两把以上的梭子，容易变换色彩，色彩丰富。这两种锦在中国出现的时间都比较早。但是六朝以前织造的，以经起花为主；隋唐以后织造的，似乎以纬起花为主。\n在苏联的巴泽雷克发现一批中国战国时期的丝绸，就有用红绿二色纬线织造的纬斜纹起花的纬锦。产生于宋代前后的宋锦以地经、地纬交织成经斜组织，按结经与纹纬交织成纬斜组织。\n金元之际流行加金的丝织物——织金锦，又称“纳石失”。明清时盛行以挖花缎的彩纬多达30—40种，锦面的经、纬方向都有逐花异色的效果，是中国织锦最高水平的代表。\n锦在历史上曾用多棕多蹑机和束棕花楼机织造，现代生产采用纹版提花机。\n国家非常重视非物质文化遗产的保护，南京云锦木机妆花手工织造技艺作为中国古老的织锦技艺最高水平的代表，于2006年列入首批国家级非物质文化遗产名录。2006年5月20日，土家族织锦技艺经国务院批准列入第一批国家级非物质文化遗产名录。2007年6月8日，湖南凤凰水云织锦坊获得国家文化部颁布的首届文化遗产日奖。2009年8月《地理标志产品云锦》国家标准在南京通过国家级专家评审，同年9月成功入选联合国《人类非物质文化遗产代表作名录》。",[23,437,133,438,7,439],"织锦","八吉祥纹","浅绿色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0033d89deb40af75b969e7474edb863.jpg",[],{"id":443,"slug":444,"title":445,"dynasty":18,"author":19,"museum":20,"description":66,"tags":446,"thumbUrl":448,"material":28,"size":29,"collection":30,"collections":449,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":126},268402,"hu-se-duan-xiu-wan-fu-shou-ru-yi-wen-huo-ji-bing-lang-dai-yi-ming-268402","湖色缎绣万福寿如意纹活计-槟榔袋",[53,23,70,71,7,183,69,447],"槟榔袋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe54b4cf271aeed226322fab9ee2c180.jpg",[],{"id":451,"slug":452,"title":453,"dynasty":18,"author":19,"museum":20,"description":66,"tags":454,"thumbUrl":455,"material":28,"size":29,"collection":30,"collections":456,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":126},268398,"hu-se-duan-xiu-wan-fu-shou-ru-yi-wen-huo-ji-shan-tao-yi-ming-268398","湖色缎绣万福寿如意纹活计-扇套",[346,23,70,71,183,267,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6e2e8ac5e63d275fee52744118e6cd7.jpg",[],{"id":458,"slug":459,"title":460,"dynasty":18,"author":19,"museum":20,"description":66,"tags":461,"thumbUrl":464,"material":28,"size":29,"collection":30,"collections":465,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":126},268395,"hu-se-duan-xiu-wan-fu-shou-ru-yi-wen-huo-ji-yan-he-bao-yi-ming-268395","湖色缎绣万福寿如意纹活计-烟荷包",[462,463,23,53,69,7,71,70],"烟荷包","绣品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55d3a0c56e50a3e4c3847f85b9597f97.jpg",[],{"id":467,"slug":468,"title":469,"dynasty":18,"author":19,"museum":20,"description":470,"tags":471,"thumbUrl":473,"material":28,"size":29,"collection":30,"collections":474,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":126},268336,"shi-qing-se-duan-kou-man-na-wan-zi-di-fu-shou-wen-yuan-dai-yi-ming-268336","石青色缎口满纳万字地福寿纹圆袋","这件圆袋以纳纱满绣万字地，明黄底色华贵沉稳，四幅红蝠捧寿纹样鲜活饱满，蝠翼舒展灵动，团寿方正规整，将福寿双全的祈愿藏于针脚之间。\n石青缎口点缀小巧团花，冷暖撞色更衬器物雅致，抽褶束口配素色系带，兼顾收纳实用性与装饰美感，顶部饰件朴雅古拙，为整件器物添了几分利落收尾。\n细密齐整的纳纱针脚尽显匠者心力，把吉祥意涵与闺阁巧思融为一体，方寸间尽显清代织绣的雅致审美，藏着旧时生活里的温柔意趣。",[23,53,69,472,7,267,173,97],"袋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F462a3967397a2e55fe5eb5274b1f9ad8.jpg",[],{"id":476,"slug":477,"title":478,"dynasty":18,"author":19,"museum":20,"description":275,"tags":479,"thumbUrl":484,"material":28,"size":29,"collection":30,"collections":485,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":113},268335,"hong-se-duan-kou-man-na-fu-shou-shuang-qian-wen-ji-xin-shi-he-bao-yi-ming-268335","红色缎口满纳福寿双钱纹鸡心式荷包",[53,23,480,70,7,481,482,483],"鸡心式荷包","双钱纹","吉语","流苏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f12ec837ae56f89883a160250eb5301.jpg",[],{"id":487,"slug":488,"title":478,"dynasty":18,"author":19,"museum":20,"description":275,"tags":489,"thumbUrl":491,"material":28,"size":29,"collection":30,"collections":492,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":113},268333,"hong-se-duan-kou-man-na-fu-shou-shuang-qian-wen-ji-xin-shi-he-bao-yi-ming-268333",[53,182,490,70,23,7,481,348],"鸡心式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9cdf0f5b96c4ae0c44f605884cf4074a.jpg",[],{"id":494,"slug":495,"title":496,"dynasty":18,"author":19,"museum":20,"description":497,"tags":498,"thumbUrl":502,"material":28,"size":29,"collection":30,"collections":503,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":126},268164,"xue-hui-se-fu-shou-mian-zhang-wen-an-hua-duan-xiang-diao-pi-bian-dui-jin-jia-ma-gua-yi-ming-268164","雪灰色福寿绵长纹暗花缎镶貂皮边对襟夹马褂","马褂是一种穿于袍服外的短衣，衣长至脐，袖仅遮肘，满语叫“鄂多赫”，因着之便于骑马而得名，亦称 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