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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[91,92,93,7,94,95,96,97,98],"玉石","青玉","雕刻","云纹","八仙","人物","如意","吉祥","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79b5cd3769a546a32ed611c92bfb8f85.jpg",[],4,{"id":103,"slug":104,"title":105,"dynasty":18,"author":19,"museum":20,"description":106,"tags":107,"thumbUrl":114,"material":31,"size":32,"collection":33,"collections":115,"showCount":101,"zanCount":71,"manualWeight":11,"mainColor":36},248483,"hong-qi-miao-jin-tao-fu-si-ji-hua-hui-wen-yuan-pan-yi-ming-248483","红漆描金桃蝠四季花卉纹圆盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[61,108,79,7,46,109,110,111,112,113],"描金","梅","兰","竹","菊","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3303cabda72145422e13399597aa615b.jpg",[],{"id":117,"slug":118,"title":119,"dynasty":18,"author":19,"museum":20,"description":41,"tags":120,"thumbUrl":123,"material":31,"size":32,"collection":33,"collections":124,"showCount":101,"zanCount":11,"manualWeight":11,"mainColor":53},245707,"jin-xiang-zhu-hua-fu-zan-yi-ming-245707","金镶珠花蝠簪",[18,44,43,121,122,7,81],"珠","花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F169608b6cab8187d73231566ad338610.jpg",[],{"id":126,"slug":127,"title":128,"dynasty":18,"author":19,"museum":20,"description":129,"tags":130,"thumbUrl":133,"material":31,"size":32,"collection":33,"collections":134,"showCount":135,"zanCount":11,"manualWeight":11,"mainColor":136},265851,"ming-huang-se-sha-xiu-ba-tuan-cai-yun-fu-jin-long-wen-nv-dan-long-pao-yi-ming-265851","明黄色纱绣八团彩云蝠金龙纹女单龙袍","清代皇帝服饰有朝服、吉服、常服、行服等。皇帝的龙袍属于吉服范畴，比朝服、衮服等礼服略次一等，平时较多穿着。穿龙袍时，必须戴吉服冠，束吉服带及挂朝珠。龙袍以明黄色为主也可用金黄杏黄等色。古时称帝王之位，为九五之尊。九、五两数，通常象征着高贵，在皇室建筑、生活器具等方面都有所反映。清朝皇帝的龙袍，据文献记载，也绣有九条龙。从实物来看，前后只有八条龙，与文字记载不符，缺一条龙。有人认为还有一条龙是皇帝本身。其实这条龙客观存在着，只是被绣在衣襟里面，一般不易看到。这样一来，每件龙袍实际即为九龙，而从正面或背面单独看时，所看见的都是五龙，与九五之数正好相吻合。另外，龙袍的下摆，斜向排列着许多弯曲的线条，名谓水脚。水脚之上，还有许多波浪翻滚的水浪，水浪之上，又立有山石宝物，俗称“海水江涯”，它除了表示绵延不断的吉祥含意之外，还有“一统山河”和“万世升平”的寓意。\n皇后常服样式，与满族贵妇服饰基本相似，圆领、大襟，衣领、衣袖及衣襟边缘，都饰有宽花边，只是图案有\n所不同。本图展示的服装纹样为凤穿牡丹。整件服装在鲜艳的蓝色缎地上，绣八只彩凤，彩凤中间，穿插数朵牡丹。牡丹的颜色处理得净穆而素雅，色彩变化惟妙，具有传统的山水画特点。与此相反，凤的颜色比较浓重，红绿对比度极为强烈，具有典型民族风格和时代特色。\n清代官服主要品种为长袍马褂。官帽与前朝截然不同，凡军士、差役以上军政人员都戴似斗笠而小的纬帽，按冬夏季节有暖帽、凉帽之分，还视品级高低安上不同颜色、质料的“顶子”，帽后拖一束孔雀翎。翎称花翎，高级的翎上有“眼”（羽毛上的圆斑），并有单眼、双眼、三眼之别，眼多者为贵，只有亲王或功勋卓著的大臣才被赏戴。皇帝有时还赏穿黄马褂，以示特别恩宠。影响所及，其他颜色的马褂遂在官员士绅中逐渐流行，成为一般的礼服。四、五品以上官员还项挂朝珠，用各种贵重珠宝、香木制成，构成清代官服的又一特点。丝纺绣染及各种手工专业的进步，为清代服饰品种的丰富创造了条件。\n清代男装主要是长袍和马褂，袖端呈马蹄形是历代不曾见过的。长袍造型简练，立领直身，偏大襟，前后衣身有接缝，下摆有两开衩（古时称“缺裤”），四开衩和无开衩几种类型。皇室贵族为便于骑射，着四面开衩长袍，即衣前后中缝和左右两侧均有开衩的式样，平民则着左右两侧开衩或称“一裹圆”的不开衩长袍。在我国文学名著《红楼梦》第九十四回“宴海棠贾母赏花妖”一节中，记述了一段内容“那日宝玉本来穿着”一裹圆的皮袄在家休息，忽听贾母要来，便去换了一件狐腋箭袖，罩了一件玄狐腿外褂。这里说明“一裹圆”，是休闲衣服，不可登大雅之堂，所以贾母的到来，必须换掉便装，改着正式穿戴。满清时期长袍外面的马褂身长不过膝，袖宽且短。衣服上的佩饰比较琐繁，一个金银牌上垂挂着数十件小东西，如耳挖子、镊子、牙签，还有一些古代兵器的小模型，如戟、枪之类，佩挂饰物在清代已经形成风尚。",[23,24,25,26,7,27,131,132],"纱绣","龙袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39ed7bb2363061a0310cfe189e63d745.jpg",[],2,"FDD835",{"id":138,"slug":139,"title":140,"dynasty":18,"author":19,"museum":20,"description":141,"tags":142,"thumbUrl":147,"material":31,"size":32,"collection":33,"collections":148,"showCount":135,"zanCount":11,"manualWeight":11,"mainColor":53},258744,"jia-qing-kuan-fen-cai-tao-fu-ling-zhi-wen-pie-kou-ping-yi-ming-258744","嘉庆款粉彩桃蝠灵芝纹撇口瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[143,144,79,7,145,60,146,113],"陶瓷","粉彩","灵芝","设色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1acde88425d48660e893db6c2fe35f33.jpg",[],{"id":150,"slug":151,"title":152,"dynasty":18,"author":19,"museum":20,"description":153,"tags":154,"thumbUrl":156,"material":31,"size":32,"collection":33,"collections":157,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":36},258587,"qian-long-kuan-qing-hua-yun-fu-jiu-long-wen-zhi-kou-ping-yi-ming-258587","乾隆款青花云蝠九龙纹直口瓶","青花瓷（blue 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porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[60,143,155,26,64,7,113],"青花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3bd6d7fa11d9831d302c240650d2b0ce.jpg",[],{"id":159,"slug":160,"title":161,"dynasty":18,"author":19,"museum":20,"description":153,"tags":162,"thumbUrl":164,"material":31,"size":32,"collection":33,"collections":165,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":53},258257,"qing-hua-you-li-hong-tao-fu-wen-yu-hu-chun-ping-yi-ming-258257","青花釉里红桃蝠纹玉壶春瓶",[60,143,163,146,79,7,113],"青花釉里红","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20ebd34b0895c43ad82c6580b6b44dd5.jpg",[],{"id":167,"slug":168,"title":169,"dynasty":88,"author":19,"museum":20,"description":170,"tags":171,"thumbUrl":176,"material":31,"size":32,"collection":33,"collections":177,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":53},257607,"qing-hui-you-ke-hua-fu-lu-ba-gua-wen-xi-yi-ming-257607","青灰釉刻花蝠鹿八卦纹洗","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[143,172,173,7,174,175],"青灰釉","刻花","鹿","八卦纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f0ee071adcf7ac57efb7058a7fbb1bd.jpg",[],{"id":179,"slug":180,"title":181,"dynasty":18,"author":19,"museum":20,"description":89,"tags":182,"thumbUrl":186,"material":31,"size":32,"collection":33,"collections":187,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":36},251333,"qing-yu-xi-zi-fu-wen-shou-er-shui-cheng-yi-ming-251333","青玉喜字蝠纹兽耳水丞",[91,93,183,7,184,113,185],"兽","喜字","文房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a216a842f70e1f99e6940d37b22d9d4.jpg",[],{"id":189,"slug":190,"title":191,"dynasty":18,"author":19,"museum":20,"description":89,"tags":192,"thumbUrl":195,"material":31,"size":32,"collection":33,"collections":196,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":36},250938,"qing-yu-fu-diao-shuang-fu-mei-hua-ru-yi-yi-ming-250938","青玉浮雕双蝠梅花如意",[18,91,193,7,194,113],"浮雕","梅花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0dbb209dba6ee0c0ccf6fc86874b9888.jpg",[],{"id":198,"slug":199,"title":200,"dynasty":18,"author":19,"museum":20,"description":201,"tags":202,"thumbUrl":205,"material":31,"size":32,"collection":33,"collections":206,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":72},249229,"hua-fa-lang-cai-long-tao-fu-wen-pen-yi-ming-249229","画珐琅彩龙桃蝠纹盆","敞口鎏金折沿提亮整器气质，米黄底色铺陈出雅致基调。外壁以回纹婉转连绵作地，矫健黄龙穿梭其间，金彩龙身熠熠夺目，利爪劲挺，暗藏威仪。粉桃盛放、彩蝠翩跹，与祥龙呼应，暗合福寿双全的吉庆意涵。\n\n釉色莹润亮泽，掐丝走线匀净利落，各色珐琅料饱满明丽，纹饰疏密排布得当。内壁缠枝花卉交叠延展，将重工彩饰的华贵格调尽致展现，是兼具装饰性与吉祥寓意的精巧珐琅佳作。",[60,203,204,146,26,79,7,113],"珐琅器","画珐琅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8d91e6b9087227e08deb8981cb2e642.jpg",[],{"id":208,"slug":209,"title":210,"dynasty":18,"author":19,"museum":20,"description":58,"tags":211,"thumbUrl":218,"material":31,"size":32,"collection":33,"collections":219,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":36},247436,"ti-hong-he-lu-shou-xing-tu-kai-guang-yun-fu-an-ba-xian-wen-yuan-he-yi-ming-247436","剔红鹤鹿寿星图开光云蝠暗八仙纹圆盒",[18,61,212,93,213,174,214,64,7,215,216,217],"剔红","鹤","寿星","暗八仙纹","开光","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33c8cc12b4f49e7390c87e5fe396a3d8.jpg",[],{"id":221,"slug":222,"title":223,"dynasty":18,"author":19,"museum":20,"description":224,"tags":225,"thumbUrl":227,"material":31,"size":32,"collection":33,"collections":228,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},268558,"dian-cui-fu-shuang-xi-wen-tou-hua-yi-ming-268558","点翠蝠双喜纹头花","中国妇女最偏爱的头花当属绒花，尤其是在女儿出嫁时，头上必须戴红色绒花，图火红吉利。在中国妇女中，只要条件允许，不仅婚礼喜庆日时要戴绒花，而且一年四季都愿意头戴绒花，求谐音吉祥。尤其到应时节序戴应季绒花：立春日戴春幡，清明日戴柳枝，端阳日戴艾草，中秋日戴桂花，重阳日戴茱萸，立冬日戴葫芦阳生……。清宫后妃们的头花，还有大批的绒花、绢花、绫花流存于世，这些花色彩协调，晕色层次丰富，堪称“乱真”之花。清代遗留下来的绒、绢、绫、绸等质地的头花有白、粉、桃红三晕色的牡丹花，浅黄、中黄、深黄三色的菊花，白、藕、雪青三色的月季花及粉、白相间的梅花等等，历时百年不久，仍鲜艳悦人。",[43,226,7,80,44,49,91],"点翠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb43773c3d4a512a3344b27ccadcee112.jpg",[],{"id":230,"slug":231,"title":232,"dynasty":18,"author":19,"museum":20,"description":233,"tags":234,"thumbUrl":237,"material":31,"size":32,"collection":33,"collections":238,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},266628,"ming-huang-se-ke-si-cai-yun-fu-jin-long-wen-long-pao-chai-pian-yi-ming-266628","明黄色缂丝彩云蝠金龙纹龙袍拆片","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