[{"data":1,"prerenderedAt":392},["ShallowReactive",2],{"subject-gong-bi-zhong-cai":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1165,"gong-bi-zhong-cai","工笔重彩","工笔重彩画高清赏析","精选中国历代工笔重彩题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2035c0632f4d49ea81b219dfd5ea5fce.jpg",0,23,[14,44,60,78,91,123,138,166,184,204,213,231,241,253,271,284,296,308,320,329,347,360,374],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":37,"material":38,"size":39,"collection":40,"collections":41,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":43},222195,"ren-wu-gu-shi-tu-gao-shan-liu-shui-chou-ying-222195","人物故事图-高山流水","明","仇英","北京故宫博物院","全册共十开，内容取材于历史故事、寓言传说、文人轶事和诗文寓意，具体为子路问津、明妃出塞、贵妃晓妆、南华秋水、吹箫引凤、高山流水、竹院品古、松林六逸、浔阳琵琶、捉柳花图等。这些题材历史上常被画家描绘，但仇英在作品立意、形象塑造和笔墨表现等方面，都注入了自己的才思和技巧，显示出鲜明的个性风格。\n作品主题明确，构思巧妙，不仅人物活动的细节刻画具体明晓，而且注意环境气氛的烘托，使每幅画页都有很强的观赏性。如“贵妃晓妆”页，以杨贵妃清晨在华清宫端正楼对镜理髻为中心，将宫女奏乐、采花和携琵琶等情节同现于一个画面，集中表现了贵妃爱牡丹、喜簪花、善声乐、好打扮的习性，也概括反映了贵妃奢华纵乐的生活内容。又如“高山流水”页，取材于伯牙鼓琴的故事，在描绘俞伯牙草亭弹琴，钟子期拾阶而上，知音相遇的具体情节同时，布置了高山飞瀑、松林流水的静谧清幽环境，形象地表达了高山流水的音乐内容，也衬托出人物的高雅情操，以象征性手法营造出了一个情景交融的臻境。\n此图册运用工笔重彩法。人物情态描绘得细腻精微，文人举止高雅潇洒，仕女容貌端庄娟美。建筑器皿工整精细，山石树木形态各具。笔致工细而不板滞，流畅自然，刚柔相济。敷色艳丽，又多和色，整体色调和谐、清雅。作品具有雅俗共赏的艺术效果，是仇英对唐宋工笔重彩法的创新和发展。",[23,24,25,7,26,27,28,29,30,31,32,33,34,35,36],"高清","国画","册页","设色","高山","飞瀑","松林","流水","亭","树木","文人","知音","高山流水","清幽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff67ca6c35996e488c7d2585cfe17e4a3.jpg","绢本，设色","每开纵41.4厘米，横33.8厘米","",[],101,"795548",{"id":45,"slug":46,"title":47,"dynasty":18,"author":19,"museum":20,"description":21,"tags":48,"thumbUrl":56,"material":38,"size":39,"collection":40,"collections":57,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":59},222192,"ren-wu-gu-shi-tu-xun-yang-pi-pa-chou-ying-222192","人物故事图-浔阳琵琶",[23,24,7,26,25,49,50,51,32,52,53,54,55],"人物","舟船","山水","骆驼","音乐","历史故事","文人轶事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc35abb769ff5e9054e9cf450da226925.jpg",[],88,"BDBDBD",{"id":61,"slug":62,"title":63,"dynasty":64,"author":65,"museum":66,"description":67,"tags":68,"thumbUrl":74,"material":40,"size":40,"collection":40,"collections":75,"showCount":76,"zanCount":77,"manualWeight":11,"mainColor":43},223616,"shi-di-pu-sa-yi-ming-223616","十地菩萨","元","佚名","藏地不详","此作图绘天界胜境，祥云翻卷如绵，晕染出缥缈禅意。六位菩萨仪容温婉慈悲，宝冠璎珞层层叠叠，錾刻入微，尽显华贵庄严。衣袂敷色厚重雅致，朱砂暖艳撞映石青沉邃，晕染柔和自然，将织物肌理与垂坠感尽数展现。\n\n菩萨排布错落有致，或合掌凝思，或垂目禅定，法相自带沉静祥和的气韵。线条婉转流畅，勾勒出体态舒展柔和，细节处纹饰精巧细腻，将工笔重彩的精妙匠艺展露无遗，神性之美与世俗工巧相融，满溢静谧的宗教感染力。",[23,63,24,69,26,70,49,71,7,72,73],"工笔","宗教","祥云","华贵庄严","沉静祥和","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e8e98cf3a4bed512db310fe30d0f538.jpg",[],83,2,{"id":79,"slug":80,"title":81,"dynasty":18,"author":19,"museum":20,"description":21,"tags":82,"thumbUrl":88,"material":38,"size":39,"collection":40,"collections":89,"showCount":90,"zanCount":11,"manualWeight":11,"mainColor":59},222188,"ren-wu-gu-shi-tu-zi-lu-wen-jin-chou-ying-222188","人物故事图-子路问津",[23,24,83,7,26,49,51,32,84,85,86,87,54,33],"册","山石","江水","马车","子路问津","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3113aa636a1969d1889567021aaf7551.jpg",[],63,{"id":92,"slug":93,"title":94,"dynasty":18,"author":95,"museum":96,"description":97,"tags":98,"thumbUrl":118,"material":106,"size":119,"collection":40,"collections":120,"showCount":121,"zanCount":122,"manualWeight":11,"mainColor":43},231591,"kong-que-tu-lu-zhao-yang-231591","孔雀图","卢朝阳","印第安纳波利斯艺术博物馆","这幅画描绘了一对生活在牡丹丛中巨石上的孔雀，以及杏花丛中的一对蓝丝带。 卢朝阳代代相传的作品很少。 这个有边景昭，吕纪风致，可以看出他学来的渊源。",[23,24,26,69,99,100,101,102,103,84,104,105,106,107,108,109,7,110,111,112,113,114,115,116,117],"花鸟","孔雀","牡丹","梅花","飞鸟","花卉","明代","绢本","翎毛","花卉禽鸟","传统绘画","禽鸟","花木","枝干","花朵","羽毛","苔点","晕染","勾勒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee51507f3008fc01a7b7141c72840283.jpg","281x119厘米",[],48,1,{"id":124,"slug":125,"title":126,"dynasty":127,"author":65,"museum":66,"description":128,"tags":129,"thumbUrl":133,"material":134,"size":135,"collection":40,"collections":136,"showCount":137,"zanCount":11,"manualWeight":11,"mainColor":43},231612,"fu-hua-xu-kong-cang-pu-sa-mo-he-sa-yi-ming-231612","佛画 虚空藏菩萨摩诃萨","不详","此作以重工技法铺陈，菩萨面相丰润慈悲，宝冠璎珞遍饰周身，华服层叠繁复，尽显端严华贵。安坐于莲台之上，莲台浮于卷浪祥云之中，下方青绿山水晕染出清净净土的悠然意境。\n身后圆光放射出凛凛毫光，焰纹背光烘托出菩萨的神圣威仪，明暗对比强烈，尽显肃穆庄严。整体配色浓丽沉稳，彩料与饰金交相辉映，细节处一丝不苟，将菩萨的慈悲法相与神圣气度完美诠释，尽显中古宗教美术的极致匠心。",[23,24,130,131,26,69,70,49,51,71,132,7],"书画","立轴","传统宗教题材","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe80a91c998b1738fb8d4ab42edbba9da.jpg","未知","Xcm*Xcm",[],27,{"id":139,"slug":140,"title":141,"dynasty":142,"author":143,"museum":144,"description":145,"tags":146,"thumbUrl":162,"material":106,"size":163,"collection":40,"collections":164,"showCount":165,"zanCount":11,"manualWeight":11,"mainColor":59},222956,"hong-lou-meng-81-sun-wen-222956","红楼梦81","清","孙温","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[23,147,24,130,69,26,148,149,49,150,151,152,153,32,154,155,156,157,158,159,84,160,161,7],"名画","亭台","楼阁","水","荷花","荷叶","湖面","栏杆","远山","建筑","庭院","水榭","柳树","围栏","平台","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feac0e81cb3119ae54f2e3390d79b514f.jpg","纵43.3厘米、横76.5厘米",[],26,{"id":167,"slug":168,"title":169,"dynasty":142,"author":65,"museum":66,"description":170,"tags":171,"thumbUrl":181,"material":134,"size":135,"collection":40,"collections":182,"showCount":183,"zanCount":11,"manualWeight":11,"mainColor":59},234392,"xiao-yi-chun-huang-hou-chao-fu-xiang-zhou-yi-ming-234392","孝仪纯皇后朝服像轴","此作工笔重彩，人物端严沉静，尽显后妃威仪。衣饰绘制精工极致，朝服遍饰五彩龙纹，云纹、海水江崖层层排布，纹样繁缛却层次分明，晕染细腻考究。东珠朝珠垂挂胸前，珠宝光泽莹然逼真。宝座雕饰祥龙，脚踏与地毯纹样华贵雍容，朱红配明黄，尽显宫廷礼制的厚重华贵。画师以写实技法，将面料肌理、珠玉质感一一还原，色彩富丽不失沉稳，既精准呈现了后妃朝服典制，也将皇后端凝肃穆的气度刻画入微，是清代宫廷肖像画的典型佳作。",[24,130,131,69,26,7,49,172,173,174,175,176,177,178,179,180],"清代服饰","朝服","龙纹","宝座","地毯","宫廷人物","肖像画","传统服饰","衣帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff82d2ef672dca8f0cc4b49c7647b20e7.jpg",[],24,{"id":185,"slug":186,"title":187,"dynasty":142,"author":143,"museum":144,"description":145,"tags":188,"thumbUrl":201,"material":106,"size":163,"collection":40,"collections":202,"showCount":203,"zanCount":11,"manualWeight":11,"mainColor":43},223049,"hong-lou-meng-174-sun-wen-223049","红楼梦174",[23,24,130,69,26,49,149,157,32,189,190,180,191,192,111,193,194,195,196,179,197,7,198,199,200],"器物","对联","仕女","陈设","古典建筑","室内陈设","植物景观","人物活动","中式庭院","建筑细节","器物陈列","花木点缀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88fad2c2f3af8a63a17937234540e5be.jpg",[],21,{"id":205,"slug":206,"title":207,"dynasty":142,"author":143,"museum":144,"description":145,"tags":208,"thumbUrl":211,"material":106,"size":163,"collection":40,"collections":212,"showCount":203,"zanCount":11,"manualWeight":11,"mainColor":43},222886,"hong-lou-meng-11-sun-wen-222886","红楼梦11",[23,24,69,26,209,51,49,149,30,32,84,7,210],"青绿","皴法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa13d5c48011833b14f4605b458d73403.jpg",[],{"id":214,"slug":215,"title":216,"dynasty":142,"author":143,"museum":144,"description":145,"tags":217,"thumbUrl":228,"material":106,"size":163,"collection":40,"collections":229,"showCount":230,"zanCount":11,"manualWeight":11,"mainColor":59},223003,"hong-lou-meng-128-sun-wen-223003","红楼梦128",[23,24,69,26,7,218,49,191,219,220,221,222,223,104,224,225,190,194,226,227,176],"界画","男性人物","屏风","桌椅","钟表","花瓶","博古架","书法","床榻","门窗装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15048d1f933285da7cc7778f620039b5.jpg",[],16,{"id":232,"slug":233,"title":234,"dynasty":142,"author":143,"museum":144,"description":145,"tags":235,"thumbUrl":239,"material":106,"size":163,"collection":40,"collections":240,"showCount":230,"zanCount":11,"manualWeight":11,"mainColor":43},222998,"hong-lou-meng-123-sun-wen-222998","红楼梦123",[23,24,69,26,218,7,49,149,236,30,51,32,237,84,157,154,238],"小桥","芭蕉","长卷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a3d2b2bd82d67d2ccc6c16c249509af.jpg",[],{"id":242,"slug":243,"title":244,"dynasty":142,"author":143,"museum":144,"description":145,"tags":245,"thumbUrl":251,"material":106,"size":163,"collection":40,"collections":252,"showCount":230,"zanCount":11,"manualWeight":11,"mainColor":59},222927,"hong-lou-meng-52-sun-wen-222927","红楼梦52",[23,24,69,26,238,218,49,149,157,246,247,32,84,248,249,250,192,7],"旗帜","人群","传统建筑","古代服饰","古典场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc56277159654d5b8ed21eea08f9f0c3a.jpg",[],{"id":254,"slug":255,"title":256,"dynasty":142,"author":257,"museum":258,"description":259,"tags":260,"thumbUrl":268,"material":269,"size":40,"collection":40,"collections":270,"showCount":230,"zanCount":11,"manualWeight":11,"mainColor":59},218041,"tian-wang-xiang-3-yao-wen-han-218041","天王像-3","姚文瀚","台北故宫博物院","画面中央人物端坐石上，神态安详，衣袂纹饰繁复细腻，红绿蓝三色交织却显和谐雅致。身旁花木扶疏，枝叶舒展间缀满粉白黄紫的花朵，生机盎然。下方水波荡漾，蓝发精灵自水中探身，托举鲜果盘盏，动态鲜活；右侧童子躬身呈物，姿态恭谨。背景祥云缭绕，飞天隐现于云端，仙袂飘飘，更添缥缈意境。整幅画作工笔精湛，线条婉转流畅，设色明丽温润，细节处见匠心——无论是衣纹的褶皱、花叶的脉络，还是水波的纹理，皆刻画入微。动静相宜的构图，将人物的沉静与周遭的灵动巧妙融合，营造出清寂而又充满生气的氛围，尽显传统工笔重彩的典雅韵致。",[24,69,26,70,49,261,262,263,264,111,265,71,266,7,267],"罗汉","飞天","童子","精灵","水波","鲜果","典雅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3dab5aee7d3ceb67daa4b6ae007ad6d.jpg","纸本,设色",[],{"id":272,"slug":273,"title":274,"dynasty":142,"author":143,"museum":144,"description":145,"tags":275,"thumbUrl":281,"material":106,"size":163,"collection":40,"collections":282,"showCount":283,"zanCount":11,"manualWeight":11,"mainColor":59},222950,"hong-lou-meng-75-sun-wen-222950","红楼梦75",[23,147,24,130,69,26,218,7,49,149,276,277,157,278,236,189,279,280,156,192],"竹","树","墙","古代人物","庭院景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12ae5891d7111947785f13e20a7aff27.jpg",[],15,{"id":285,"slug":286,"title":287,"dynasty":142,"author":288,"museum":20,"description":289,"tags":290,"thumbUrl":293,"material":38,"size":294,"collection":40,"collections":295,"showCount":283,"zanCount":11,"manualWeight":11,"mainColor":43},222868,"shi-gong-ci-tu-ce-07-leng-mei-222868","十宫词图册07","冷枚","此套图册共10开，描绘历代贤德后妃或贵族女子的故事，和《养正图》册具有同样鲜明的教育意义。对题有梁诗正书写的弘历承继帝位前于雍正十三年（1735年）所作的诗句，与图画互为辉映。\n由于图册以历代宫廷生活为题，故每幅画面均有对宫廷建筑的描绘，但因为作者只是宫廷画工，并不具备对前代建筑的了解与认知，同时历史人物画“成教化，助人伦”的政治功用也淡化了这些作为人物故事背景的历代宫廷建筑，使其更多地带有装饰性与程式化色彩，并没有呈现出不同时代的建筑风貌。值得注意的是，册中建筑的描绘均采用“海西画法”，冷枚作品中体现的这种画风特性，是在中国传统界画的基础上运用透视法增强画面的空间深度感并以明暗关系区分阴阳向背，说明曾为康熙皇帝所赏识的“海西法”在雍正、乾隆朝的宫廷建筑绘画中已被日渐欣赏和接受。",[23,24,130,83,69,26,218,49,191,149,51,157,291,111,7,292,109],"石阶","清代绘画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63c56859c3524c0625a8927ab32b68f3.jpg","纵33.1厘米，横29.3厘米",[],{"id":297,"slug":298,"title":299,"dynasty":142,"author":257,"museum":258,"description":300,"tags":301,"thumbUrl":306,"material":269,"size":40,"collection":40,"collections":307,"showCount":283,"zanCount":122,"manualWeight":11,"mainColor":59},218032,"tian-wang-xiang-9-yao-wen-han-218032","天王像-9","画面中人物端坐云涛花海间，蓝袍红裙缀着细碎纹样，衣袂流转似凝微光。双目微阖含禅意，手中法器古朴，指节分明藏着沉静力道。身下五彩祥云裹挟莲华与瑞草，粉白黄紫交织如锦；脚下波涛翻涌，龟甲隐现、红枝探水，似有灵韵暗生。背景山林隐隐，云端仙佛颔首，淡墨晕染的树影与暖金祥云相映，添了几分空灵神圣。设色妍丽却清雅，线条工细如丝，将人物庄严与自然灵韵融于方寸。每一笔都透着匠心：衣纹褶皱的转折、花瓣脉络的细腻、水波纹理的起伏，皆见功底。整体意境空灵而肃穆，仿佛天地呼吸都凝在这帧画卷里，让人望之便生敬畏与沉静。",[24,69,26,70,49,71,302,303,304,104,32,305,7],"波浪","龙","龟","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefda59d6ea133eebd3dbe9a283923b41.jpg",[],{"id":309,"slug":310,"title":311,"dynasty":142,"author":65,"museum":66,"description":312,"tags":313,"thumbUrl":317,"material":134,"size":135,"collection":40,"collections":318,"showCount":319,"zanCount":11,"manualWeight":11,"mainColor":59},234379,"fu-lin-chao-fu-xiang-zhou-yi-ming-234379","福临朝服像轴","此作以细腻写实之笔，定格帝王威仪。帝王安坐鎏金宝座，面容沉敛端方，眉眼自带九五之尊的肃穆气场。明黄朝服遍饰五爪金龙，宝蓝织金镶边勾勒华贵轮廓，朱红暖帽顶戴东珠，纹样精细规整，尽显礼制森严与皇家尊荣。画师晕染入微，还原帝皇神采气韵，衣袍褶皱层次分明，金线绣纹在素绢上熠熠有光，台毯繁纹疏密得当，构图庄重严整，将皇权的庄重尊贵凝于绢素，是兼具纪实性与艺术性的肖像佳构。",[24,131,314,69,26,49,173,174,175,176,315,316,178,7],"清代","织物纹样","金色装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff11740411748d6f819c4f679c5dd2844.jpg",[],14,{"id":321,"slug":322,"title":323,"dynasty":18,"author":19,"museum":20,"description":21,"tags":324,"thumbUrl":326,"material":38,"size":327,"collection":40,"collections":328,"showCount":319,"zanCount":11,"manualWeight":11,"mainColor":59},233763,"ren-wu-gu-shi-ce-10-chou-ying-233763","人物故事册10",[147,24,130,25,69,26,51,49,32,84,325,31,7],"河流","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc532d574111f7457513fb93f908a5be.jpg","纵41.4厘米，横33.8厘米",[],{"id":330,"slug":331,"title":332,"dynasty":18,"author":19,"museum":258,"description":333,"tags":334,"thumbUrl":10,"material":343,"size":344,"collection":40,"collections":345,"showCount":346,"zanCount":11,"manualWeight":11,"mainColor":59},214897,"di-wang-dao-tong-wan-nian-tu-ce-14-chou-ying-214897","帝王道统万年图册-14","绘伏羲、神农、黄帝、少昊、舜、后稷、大禹、夏启、商汤、商高宗武丁、周文王、周武王、周成王、汉高祖、汉文帝、汉武帝、汉明帝、宋孝宗、宋太祖、宋仁宗等",[23,24,130,83,69,26,49,149,218,335,336,337,338,156,7,339,249,340,341,342],"衣冠","帝王","臣子","宫殿","人物群像","宫廷场景","建筑勾勒","细致设色","绢本,设色","32.5*32.6",[],4,{"id":348,"slug":349,"title":350,"dynasty":142,"author":351,"museum":66,"description":352,"tags":353,"thumbUrl":358,"material":134,"size":135,"collection":40,"collections":359,"showCount":77,"zanCount":11,"manualWeight":11,"mainColor":59},236028,"di-shi-yi-wei-cha-ba-na-ta-ga-zun-zhe-ding-guan-peng-236028","第十一囗查巴纳塔嘎尊者","丁观鹏","丁观鹏，生卒年不详（生于康熙晚期，约卒于乾隆三十五年[1770年]以后），清代画家，艺术活动于康熙末期至乾隆中期，顺天（今北京）人。丁观鹏雍正四年（1726）进入宫廷成为供奉画家，他擅长画人物、道释、山水，亦能作肖像，画风工整细致，受到欧洲绘画的影响，其弟丁观鹤同时供奉内廷。\n丁观鹏擅长画道释人物，也善画山水。曾与弟弟观鹤同供奉于南熏殿。他的画作清宫收藏很多。与陈枚等六家合作《庆丰图》卷，《太平春市图》卷，与陈枚、孙硝合作《丹台春晓图》卷等，均辑入《石渠宝笈》。传世作品有：《摹宋人雪渔图》和《仿韩 七子过关图》，均辑入《中国历代名画集》。",[24,69,26,70,49,354,355,356,305,7,357],"服饰","坐具","鞋子","人物画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71487871dfb029d53e32c43219e3595c.jpg",[],{"id":361,"slug":362,"title":363,"dynasty":142,"author":65,"museum":66,"description":364,"tags":365,"thumbUrl":372,"material":134,"size":135,"collection":40,"collections":373,"showCount":77,"zanCount":11,"manualWeight":11,"mainColor":43},234442,"qing-ren-huang-wei-luo-wa-jin-gang-xiang-zhou-yi-ming-234442","清人黄威罗瓦金刚像轴","狮面忿怒相的主尊周身烈焰蒸腾，金甲宝饰遍身，雄踞莲台之上，威棱毕现，尽显护法降魔的慑人气魄。整体构图饱满匀整，诸佛胁侍错落排布，或忿怒或慈悲，与主尊呼应成趣。\n\n设色浓丽厚重，石青铺就云天底色，朱砂晕染烈烈火焰，青绿晕染山川林麓，冷暖交织层次分明。线条勾勒精细流畅，衣袂宝饰的细节分毫毕现，既恪守藏传佛教造像的仪轨法度，又以工笔重彩烘托出神圣庄严的宗教氛围，将护法金刚的狞厉威严与唐卡装饰美学完美融合，尽显精湛的绘画造诣。",[24,131,366,7,26,357,367,368,71,369,370,314,371],"宗教画","火焰纹","莲花座","山水景物","花卉纹饰","传统书画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb20ea8c656828582ec4d871f00ab1c60.jpg",[],{"id":375,"slug":376,"title":377,"dynasty":142,"author":65,"museum":20,"description":378,"tags":379,"thumbUrl":388,"material":389,"size":390,"collection":40,"collections":391,"showCount":77,"zanCount":11,"manualWeight":11,"mainColor":59},233059,"ping-ding-hui-jiang-jiao-qin-ni-yi-zhan-tu-ce-yi-ming-233059","平定回疆剿擒逆裔战图册","本幅设色共十页，引首道光书“纉武绥边”，每开题记，又书平定回疆记事。尾纸曹振镰，文字王鼎等跋。",[24,26,69,83,238,49,380,381,32,382,383,384,7,385,386,387],"战马","山峦","硝烟","战争场景","清代风格","山水背景","人物动态","战场描绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4707f8ecdf3147f248c020c9568a9594.jpg","纸本","纵55.3cm，横90.3cm",[],1777535718608]