[{"data":1,"prerenderedAt":131},["ShallowReactive",2],{"subject-gong-dian-jian-zhu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2905,"gong-dian-jian-zhu","宫殿建筑","宫殿建筑画高清赏析","精选中国历代宫殿建筑题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd12d6120e644e94394f35e8e2d1d112.jpg",0,5,[14,39,70,96,110],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":34,"material":35,"size":35,"collection":35,"collections":36,"showCount":37,"zanCount":11,"manualWeight":11,"mainColor":38},235119,"han-gong-qiu-yue-tu-zhou-yuan-yao-235119","汉宫秋月图轴","清","袁耀","藏地不详","《汉宫秋月图》是清代袁耀创作的绢本设色画。\n本幅自题：“汉宫秋月，壬申初冬邗上袁耀画。\n”钤“袁耀”、“昭道”印2方。\n袁江和袁耀父子的绘画艺术，从题材到绘画风格完全一脉相承。\n“汉宫秋月”是袁氏父子经常画的一个题材，内容以昭君出塞的历史故事为背景。\n王昭君是汉元帝时的宫女，貌美且有志气，自愿远嫁匈奴和亲。\n在她的影响下，匈奴与中原之间得以和平相处，“三世无犬吠之警，黎庶无干戈之役”。\n袁耀曾多次选此题材，其主要兴趣在于描绘华美的宫殿建筑。\n此幅中殿宇宫门紧闭，月光似水，将庭院笼罩在一片苍茫的夜色中，淡淡的凄凉情调正符合王昭君即将远离故乡和亲人的离愁别绪，这使得原本精工华丽的楼阁也带上了一丝哀婉的色彩。\n袁耀（生卒年不详，约活动于18世纪中期），字昭道，江都（今江苏扬州）人，袁江之子。\n生平资料很少，《画人补遗》一书中称其“山水楼阁尚能守家法”。\n工于山水楼阁界画，继承了唐宋及明代仇英青绿山水的画法。\n笔墨严整工细，设色艳丽浓郁，与袁江同为清代界画代表人物。",[23,24,25,26,27,28,29,30,31,32,7,33],"国画","立轴","界画","设色","工笔","楼阁","人物","树木","明月","栏杆","庭院","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42519666a6f65ddfe5d818f7ca2bf727.jpg","",[],21,"795548",{"id":40,"slug":41,"title":42,"dynasty":18,"author":43,"museum":20,"description":44,"tags":45,"thumbUrl":66,"material":35,"size":35,"collection":35,"collections":67,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":69},223489,"ming-shi-san-ling-tu-yi-ming-223489","明十三陵图","佚名","《明十三陵手绘图(珍藏版)》中的明十三陵位于北京市昌平区，是明朝13位皇帝的陵墓群，并葬有23个皇后和1个贵妃。它是中国现存规模最大、帝后陵寝最多的皇陵建筑群。明十三陵于永乐七年（1409年）开始营建，至崇祯十七年（1644年）明朝灭亡建成。陵区三面环山，中间是盆地，南接北京平原，入口左右有两座山——龙山和卧虎山。十三座陵墓分布在东、北、西三面，各以一座山峰为背景，规模大小不一，形制却基本相同，主要建筑依次为陵门、棱恩门、裬恩殿、棂星门、石五供、明楼和宝城。宝城下面为地下宫殿。2003年，联合国教科文组织世界遗产委员会将明十三陵和南京明孝陵列入《世界遗产名录》，作为“明、清皇家陵寝”的附属项目。",[46,23,47,27,26,25,48,28,49,30,50,51,7,52,53,54,55,56,57,58,59,60,61,62,63,64,65],"高清","长卷","山水","陵墓","石碑","牌坊","山石","道路","拱桥","松柏","亭台","神道","石象生","门楼","山峦","植被","古建筑群","石牌坊","殿堂","碑亭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F123aa13e4f3c2f815d482dd3e89104ba.jpg",[],8,"BDBDBD",{"id":71,"slug":72,"title":73,"dynasty":74,"author":75,"museum":20,"description":76,"tags":77,"thumbUrl":90,"material":91,"size":92,"collection":93,"collections":94,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":38},226087,"the-palazzo-contarini-1908-mo-nai-226087","The 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Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[78,79,80,81,82,83,7,84,85,32,86,87,88,89],"油画","印象派","光影捕捉","色彩交织","笔触细碎","瞬间光影","水面","拱门","立柱","河水","建筑倒影","波光","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F78893c26121f0cca0b4310fde7459289.jpg","未知","Xcm*Xcm","油画精选",[93],6,{"id":97,"slug":98,"title":99,"dynasty":18,"author":43,"museum":100,"description":101,"tags":102,"thumbUrl":10,"material":107,"size":35,"collection":35,"collections":108,"showCount":109,"zanCount":11,"manualWeight":11,"mainColor":38},215984,"di-jian-tu-shuo-cai-hui-ben-19-yi-ming-215984","帝鉴图说彩绘本-19","法国国家图书馆","画中庭院深静，朱门半启藏着肃穆。飞檐翘角似欲凌云，廊柱彩绘流转古雅韵致。堂上人影端坐，似在论道议事；阶下侍者肃立，步履轻缓织就日常肌理。苍松虬枝探入院中，与粉墙黛瓦相映成趣，既添清寂又衬建筑精巧。人物衣袂飘飘，神态各有千秋——或凝思，或恭谨，或从容，每处细节藏着叙事温度。设色温润不艳，线条细腻如丝，将官署庄重与生活鲜活揉为一体，无声诉说尘封史话，尽显传统绘事的叙事巧思与审美意趣。",[23,103,26,27,25,29,28,33,30,7,104,105,106],"清代","石阶","红墙","门廊","绢本,设色",[],1,{"id":111,"slug":112,"title":113,"dynasty":114,"author":43,"museum":20,"description":115,"tags":116,"thumbUrl":129,"material":91,"size":92,"collection":35,"collections":130,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},227175,"dun-huang-46-yi-ming-227175","敦煌46","唐","莫高窟，俗称千佛洞，坐落在河西走廊西端的敦煌。它始建于前秦宣昭帝苻坚时期，后历经北朝、隋朝、唐朝、五代十国、西夏、元朝等历代的兴建，形成巨大的规模，有洞窟735个，壁画4.5万平方米、泥质彩塑2415尊，是世界上现存规模最大、内容最丰富的佛教艺术地。\n1961年，莫高窟被中华人民共和国国务院公布为第一批全国重点文物保护单位之一。1987年，莫高窟被列为世界文化遗产。\n莫高窟与河南洛阳龙门石窟、山西大同云冈石窟并称中国三大石窟，后加麦积山石窟称四大石窟。 2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[23,117,26,27,118,119,120,121,122,123,124,7,32,30,125,126,127,128],"书画","唐代风格","敦煌艺术","人物画","宗教画","叙事画","佛像","莲花座","传统服饰","室内场景","室外场景","文字题跋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F116a4e2727294d527ea752d0bb8e8fab.jpg",[],1777535753257]