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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[73,74,75,70,7],"玉石","器","雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdfb4cdff84c3acd3879ccc541d553d72.jpg",[],13,{"id":80,"slug":81,"title":69,"dynasty":70,"author":46,"museum":20,"description":71,"tags":82,"thumbUrl":84,"material":35,"size":36,"collection":61,"collections":85,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":65},252175,"yu-gong-ju-yi-ming-252175",[70,83,7,75,74],"玉器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1452c080c072441189c9e4a1908d7a7.jpg",[],10,{"id":88,"slug":89,"title":69,"dynasty":70,"author":46,"museum":20,"description":71,"tags":90,"thumbUrl":91,"material":35,"size":36,"collection":61,"collections":92,"showCount":93,"zanCount":11,"manualWeight":11,"mainColor":65},252159,"yu-gong-ju-yi-ming-252159",[70,73,74,7,75],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d038c97fc8259d3a0039d493b9074ff.jpg",[],9,{"id":95,"slug":96,"title":69,"dynasty":70,"author":46,"museum":20,"description":71,"tags":97,"thumbUrl":98,"material":35,"size":36,"collection":61,"collections":99,"showCount":93,"zanCount":11,"manualWeight":11,"mainColor":65},252157,"yu-gong-ju-yi-ming-252157",[70,73,75,74,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Facd69fcdda3c10b922e8f363caf6a2e8.jpg",[],{"id":101,"slug":102,"title":103,"dynasty":104,"author":46,"museum":47,"description":105,"tags":106,"thumbUrl":114,"material":115,"size":116,"collection":61,"collections":117,"showCount":93,"zanCount":118,"manualWeight":11,"mainColor":119},221776,"han-shan-shi-de-xiang-zhou-yi-ming-221776","寒山拾得像轴","元","这帧古画以淡墨粗笔勾勒出寒山与拾得的野逸风神。二人相携而立，眉眼弯弯堆着憨态笑意，亲昵无间，将禅门隐者的乐天自在尽数铺陈。\n\n右侧仙人捻着素白佛珠，衣袍褶皱朴拙自然，暗合禅意的沉静；左侧仙人执帚斜倚，蓬松卷发带着山野疏狂之气。整作设色暗沉古雅，晕着岁月浸漫的旧意，线条不求工细却形神兼备，把两位高士随性放旷的林下之姿描摹入微。无繁复布景，仅以人物本身传递禅宗“无拘无碍”的真趣，笔底藏着冲淡平和的禅味，见之便觉尘心渐息。",[107,50,108,109,51,24,110,111,112,113,7],"高清","书画","立轴","白描","宗教","饰品","衣帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08381b149091acc74af3823f6b027058.jpg","纸本设色","104.6x54.1",[],1,"795548",{"id":121,"slug":122,"title":69,"dynasty":70,"author":46,"museum":20,"description":71,"tags":123,"thumbUrl":124,"material":35,"size":36,"collection":61,"collections":125,"showCount":126,"zanCount":11,"manualWeight":11,"mainColor":65},252162,"yu-gong-ju-yi-ming-252162",[70,73,75,74,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19139d8f659c01d5f66e09eebf070fb4.jpg",[],8,{"id":128,"slug":129,"title":69,"dynasty":70,"author":46,"museum":20,"description":71,"tags":130,"thumbUrl":131,"material":35,"size":36,"collection":61,"collections":132,"showCount":133,"zanCount":11,"manualWeight":11,"mainColor":119},252167,"yu-gong-ju-yi-ming-252167",[70,73,7,75],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92521fa7e50f24ebed3837d980dfb3e9.jpg",[],6,{"id":135,"slug":136,"title":69,"dynasty":70,"author":46,"museum":20,"description":71,"tags":137,"thumbUrl":138,"material":35,"size":36,"collection":61,"collections":139,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":65},252178,"yu-gong-ju-yi-ming-252178",[70,73,74,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6604ca9d828565cd18f7f636715e8c0.jpg",[],5,{"id":142,"slug":143,"title":69,"dynasty":70,"author":46,"museum":20,"description":71,"tags":144,"thumbUrl":145,"material":35,"size":36,"collection":61,"collections":146,"showCount":147,"zanCount":11,"manualWeight":11,"mainColor":65},252192,"yu-gong-ju-yi-ming-252192",[73,74,7,70,75],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc5fa55f179d72eee01064455ca806f1.jpg",[],4,{"id":149,"slug":150,"title":69,"dynasty":70,"author":46,"museum":20,"description":71,"tags":151,"thumbUrl":152,"material":35,"size":36,"collection":61,"collections":153,"showCount":147,"zanCount":11,"manualWeight":11,"mainColor":65},252183,"yu-gong-ju-yi-ming-252183",[70,73,7,74,75],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea2be3819002c4c948c2065b8016c98c.jpg",[],{"id":155,"slug":156,"title":157,"dynasty":45,"author":158,"museum":159,"description":160,"tags":161,"thumbUrl":171,"material":61,"size":172,"collection":61,"collections":173,"showCount":147,"zanCount":11,"manualWeight":11,"mainColor":65},223203,"geng-zhi-tu-ce-jiao-bing-zhen-223203","耕织图册","焦秉贞","北京故宫博物院","《御制耕织图》又名《佩文斋耕织图》，不分卷，清圣祖玄烨题诗，焦秉贞绘图，朱圭、梅玉凤镌刻，清康熙三十五年（1696年）内府刊本。耕图、织图各23幅，共计46幅图。每页34.7cm×27.7cm。图框24.4cm×24.4cm。四周单边。册页装。\n《耕织图》以江南农村生产为题材，系统地描绘了粮食生产从浸种到入仓，蚕桑生产从浴蚕到剪帛的具体操作过程，每图配有康熙皇帝御题七言诗一首，以表述其对农夫织女寒苦生活的感念。\n《耕织图》是中国农桑生产最早的成套图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