[{"data":1,"prerenderedAt":465},["ShallowReactive",2],{"subject-gong-men":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4706,"gong-men","拱门","拱门画高清赏析","精选中国历代拱门题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c0ec8b667688d44a5bb0209d76d2bd1.jpg",0,31,[14,45,62,77,101,113,127,139,157,182,199,216,228,242,255,267,277,287,302,312,325,334,349,359,372,383,392,410,423,440,452],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":39,"size":40,"collection":41,"collections":42,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},225721,"boerderij-in-de-provence-fan-gao-225721","Boerderij in de Provence","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,24,25,26,27,28,29,30,31,7,32,33,34,35,36,37,38],"名画","油画","后印象派","厚涂","色彩浓烈","笔触奔放","田野","农舍","石墙","干草堆","树木","人物","小路","花草","天空","云朵","未知","Xcm*Xcm","油画精选",[41],55,"795548",{"id":46,"slug":47,"title":48,"dynasty":18,"author":49,"museum":20,"description":50,"tags":51,"thumbUrl":58,"material":39,"size":40,"collection":41,"collections":59,"showCount":60,"zanCount":61,"manualWeight":11,"mainColor":44},225628,"rembrandt-harmensz-van-rijn-037-lun-bo-lang-225628","Rembrandt Harmensz.van Rijn - 037","伦勃朗","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[24,52,53,54,55,34,56,7,57],"写实","明暗对比","宗教","室内","光束","暗色调","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93b938d43fad2055a2de2459d52c8d5b.jpg",[41],52,1,{"id":63,"slug":64,"title":65,"dynasty":18,"author":19,"museum":20,"description":21,"tags":66,"thumbUrl":74,"material":39,"size":40,"collection":41,"collections":75,"showCount":76,"zanCount":61,"manualWeight":11,"mainColor":44},225732,"corridor-in-the-asylum-fan-gao-225732","Corridor in the Asylum",[24,25,28,67,68,69,7,70,71,34,72,73],"色彩鲜明","室内场景","走廊","柱子","地面","墙面","光影","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F280e79c7ab565bfd54bd93db4e4d2752.jpg",[41],19,{"id":78,"slug":79,"title":80,"dynasty":18,"author":81,"museum":20,"description":82,"tags":83,"thumbUrl":98,"material":39,"size":40,"collection":41,"collections":99,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":44},226016,"rouen-cathedral-the-portal-harmony-in-brown-1894-mo-nai-226016","Rouen Cathedral, The Portal, Harmony in Brown, 1894","莫奈","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[84,24,85,86,87,88,89,90,7,91,92,93,94,95,96,97],"印象派","光影捕捉","笔触灵动","色调和谐","棕色调","大教堂","哥特式建筑","钟楼","建筑立面","宗教建筑","石质建筑","建筑细节","光影变化","色彩融合","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f70d98627db3fa5b7a38c6859855f46.jpg",[41],12,{"id":102,"slug":103,"title":104,"dynasty":18,"author":81,"museum":20,"description":82,"tags":105,"thumbUrl":109,"material":39,"size":40,"collection":41,"collections":110,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":112},226096,"the-portal-grey-weather-1892-1894-mo-nai-226096","The Portal, Grey Weather, 1892-1894",[24,84,106,7,107,108,86],"教堂建筑","灰色天气","光影表现","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ec75a7d9b1d3a35f8d7dc18cbfaadd8.jpg",[41],10,"BDBDBD",{"id":114,"slug":115,"title":116,"dynasty":18,"author":81,"museum":20,"description":82,"tags":117,"thumbUrl":124,"material":39,"size":40,"collection":41,"collections":125,"showCount":126,"zanCount":11,"manualWeight":11,"mainColor":44},226098,"the-portal-harmony-in-brown-1892-1894-mo-nai-226098","The Portal, Harmony in Brown, 1892-1894",[84,24,108,118,97,119,120,90,7,121,122,93,123],"笔触松动","色彩层次","教堂门廊","塔楼","石材质感","户外场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5bf7ef1785cad16a85044a88dddab1f.jpg",[41],9,{"id":128,"slug":129,"title":130,"dynasty":18,"author":81,"museum":20,"description":82,"tags":131,"thumbUrl":136,"material":39,"size":40,"collection":41,"collections":137,"showCount":138,"zanCount":11,"manualWeight":11,"mainColor":112},226094,"the-portal-and-the-tour-dalbane-in-the-sunlight-1893-1894-mo-nai-226094","The Portal and the Tour dAlbane in the sunlight, 1893-1894",[84,24,106,7,121,132,133,134,95,135],"光影效果","色彩晕染","阳光照射","笔触堆叠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde22ebbf8859dddddb690d626ad5ce34.jpg",[41],8,{"id":140,"slug":141,"title":142,"dynasty":18,"author":81,"museum":20,"description":82,"tags":143,"thumbUrl":154,"material":39,"size":40,"collection":41,"collections":155,"showCount":156,"zanCount":11,"manualWeight":11,"mainColor":44},226087,"the-palazzo-contarini-1908-mo-nai-226087","The Palazzo Contarini, 1908",[24,84,85,144,145,146,147,148,7,149,150,151,152,153],"色彩交织","笔触细碎","瞬间光影","宫殿建筑","水面","栏杆","立柱","河水","建筑倒影","波光","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F78893c26121f0cca0b4310fde7459289.jpg",[41],6,{"id":158,"slug":159,"title":160,"dynasty":18,"author":161,"museum":20,"description":162,"tags":163,"thumbUrl":178,"material":39,"size":40,"collection":179,"collections":180,"showCount":181,"zanCount":11,"manualWeight":11,"mainColor":44},232367,"he-er-bai-yin-26-he-er-bai-yin-232367","荷尔拜因26","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[54,164,52,34,165,166,167,7,70,168,169,170,171,172,173,174,175,176,53,177],"素描","圣婴","天使","建筑","动物","明暗","线条","宗教题材","人物画","建筑元素","动物形象","素描技法","写实风格","线条勾勒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4676d663b776b167a0f3f629e31a1f3a.jpg","",[],3,{"id":183,"slug":184,"title":185,"dynasty":18,"author":186,"museum":20,"description":187,"tags":188,"thumbUrl":197,"material":39,"size":40,"collection":179,"collections":198,"showCount":181,"zanCount":11,"manualWeight":11,"mainColor":44},232288,"a-er-ma-15-lao-lun-si-a-er-ma-ta-de-ma-232288","阿尔玛15","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[24,52,189,73,190,7,191,192,90,193,194,195,196],"设色","古建筑","石柱","石板路","尖顶","花窗","庭院","石砌地面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1fe067fd20e91da94f02812853eddef7.jpg",[],{"id":200,"slug":201,"title":202,"dynasty":18,"author":203,"museum":20,"description":204,"tags":205,"thumbUrl":213,"material":39,"size":40,"collection":179,"collections":214,"showCount":215,"zanCount":11,"manualWeight":11,"mainColor":112},289495,"bernardino-india-design-for-a-wall-decoration-over-an-arched-doorway-yi-ming-289495","Bernardino India--Design for a Wall Decoration over an Arched Doorway","佚名","整体采用对称构图，以中央纹章锚定视觉重心，涡卷茛苕纹与兽面雕饰缠绕勾勒框架，华丽繁复尽显巴洛克装饰意趣。左右画框内的女性喻像一威一静，左者持杖端坐气场威仪，右者倚柱安坐气质柔静，中央立像英挺矫健，借古典人形体颂权力与德行。\n画师以利落明暗晕染铺陈体积感，刚柔并济的线条刻画出拟石的厚重肌理，将古典人文的典雅与巴洛克的华丽动感相融，适配拱门上楣的装饰形制，让庄重气场与灵动韵律共生，尽显古典装饰设计的精妙巧思。",[164,206,207,34,208,7,54,209,210,211,212],"装饰画","壁画","狮子","古典风格","建筑装饰","纹章","设计稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1448e1fb7daa0c7d469160298c7b0794.jpg",[],2,{"id":217,"slug":218,"title":219,"dynasty":18,"author":203,"museum":20,"description":220,"tags":221,"thumbUrl":226,"material":39,"size":40,"collection":179,"collections":227,"showCount":215,"zanCount":11,"manualWeight":11,"mainColor":44},289139,"marco-ricci-capriccio-with-roman-ruins-yi-ming-289139","Marco Ricci--Capriccio with Roman Ruins","这幅画以残垣织就怀古梦境，将罗马废墟揉入抒情景致。斑驳拱券残存铭文，诉说岁月侵蚀的沉疴，虬曲斜枝携霜红枝叶晕开萧瑟秋意。石狮子盘踞高座，鬃毛的粗粝纹理凝固旧日威严，下方匠人在残石间忙碌，为荒颓废墟暗涌进鲜活生机。远景城郭轻笼烟霭，另一处颓败殿宇隐在林梢，暖调柔光漫过断壁，将怀古怅惘晕成温柔底色。画作以细腻笔触平衡沧桑与鲜活，把虚构的残景绘成带着呼吸的诗意挽歌，引观者沉陷古典余韵的温柔怅惘之中。",[24,189,222,7,191,208,34,223,33,224,225],"古罗马遗迹","残垣断壁","风景","古典绘画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76d8e2b9a0bf24480d362f20cc1de8e4.jpg",[],{"id":229,"slug":230,"title":231,"dynasty":18,"author":203,"museum":20,"description":232,"tags":233,"thumbUrl":240,"material":39,"size":40,"collection":179,"collections":241,"showCount":215,"zanCount":11,"manualWeight":11,"mainColor":112},289031,"louis-jean-desprez-view-of-the-portal-and-principal-entrance-yi-ming-289031","Louis Jean Desprez--View of the Portal and Principal Entrance","这幅钢笔淡彩以哥特建筑群铺展纵深感，高耸双塔刺破柔色晕染的天际，飞卷旌旗为冷硬石材添上灵动暖意。拱廊串联起楼宇，精准的线条勾勒雕花与层叠结构，光影在券洞间渐变晕开，衬出建筑的庄严厚重。\n\n下方市集人头攒动，暖调烟火升腾，将宗教建筑的肃穆揉进鲜活市井气里。朦胧水色晕开复古质感，仿佛能听见街巷的喧嚷、猎猎旗风，让静态街景拥有了鲜活叙事感，将中世纪庆典的鲜活与古建的庄重融为一体。",[234,235,93,91,7,236,237,238,239],"水彩画","西洋画","城市街景","人群","旗帜","淡彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa94c3a69cd263571b0519f468a2af7b3.jpg",[],{"id":243,"slug":244,"title":245,"dynasty":18,"author":161,"museum":20,"description":162,"tags":246,"thumbUrl":252,"material":39,"size":40,"collection":179,"collections":253,"showCount":215,"zanCount":11,"manualWeight":11,"mainColor":254},232415,"he-er-bai-yin-74-he-er-bai-yin-232415","荷尔拜因74",[54,164,247,52,53,34,168,248,167,70,7,249,250,251,71],"版画","羊","十字架","圣光环","兽皮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefef2c26dc8fc790a72578a72de1ad79.jpg",[],"FFFFFF",{"id":256,"slug":257,"title":258,"dynasty":18,"author":161,"museum":20,"description":162,"tags":259,"thumbUrl":265,"material":39,"size":40,"collection":179,"collections":266,"showCount":215,"zanCount":11,"manualWeight":11,"mainColor":112},232362,"he-er-bai-yin-21-he-er-bai-yin-232362","荷尔拜因21",[164,260,52,177,34,167,7,70,261,149,68,171,262,263,264],"白描","帷幔","长袍","皇冠","集会","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc97387c0f945fa80e58054b6d7f5fc01.jpg",[],{"id":268,"slug":269,"title":270,"dynasty":18,"author":203,"museum":20,"description":271,"tags":272,"thumbUrl":275,"material":39,"size":40,"collection":179,"collections":276,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":112},289515,"bartholomeus-breenbergh-colosseum-yi-ming-289515","Bartholomeus 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