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饰细节凝于方寸，旧痕未掩其韵，反而添了几分时光沉淀的厚重，让观者仿若触到那段远去的宫廷日常。",[76,7,29,27,26,77,125],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd3e556b4e39e5cc79a86b2d5dc45819.jpg",[],{"id":138,"slug":139,"title":140,"dynasty":87,"author":73,"museum":141,"description":142,"tags":143,"thumbUrl":149,"material":150,"size":151,"collection":41,"collections":152,"showCount":153,"zanCount":82,"manualWeight":11,"mainColor":45},289556,"que-zuo-tu-yi-ming-289556","却坐图","台北故宫博物院","该图描绘西汉文帝妃慎夫人恃宠与帝后平起平坐，日游上林苑，中郎将袁盎向文帝犯颜直谏：“妃子僭坐后位有违纲常。”文帝不悦但理在袁盎，只得纳谏，慎夫人也只好悻悻而起。该画侧重表现矛盾化解过程中人物微妙的心理变化。",[24,144,26,27,145,146,33,147,7,148],"人物画","古代人物","仕女","仙鹤","历史画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6d518a216265781675c0b9116d09c74.jpg","绢本,设色","146.8x77.3",[],11,{"id":155,"slug":156,"title":157,"dynasty":18,"author":73,"museum":20,"description":158,"tags":159,"thumbUrl":172,"material":39,"size":40,"collection":41,"collections":173,"showCount":174,"zanCount":82,"manualWeight":11,"mainColor":175},245344,"jin-ou-yong-gu-bei-yi-ming-245344","金瓯永固杯","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[76,160,161,162,163,164,165,166,167,168,169,170,7,171],"金器","雕刻","镶嵌","珐琅","龙","象","花卉","珍珠","宝石","礼器","饮酒器","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd525d8028d773e4dc808b1d7f2d07fa9.jpg",[],8,"37474F",{"id":177,"slug":178,"title":179,"dynasty":18,"author":73,"museum":20,"description":180,"tags":181,"thumbUrl":187,"material":39,"size":40,"collection":41,"collections":188,"showCount":189,"zanCount":11,"manualWeight":11,"mainColor":68},234405,"yi-zhu-chao-fu-xiang-zhou-yi-ming-234405","奕詝朝服像轴","此作工笔极尽精微，设色沉稳富丽。画中帝王面容清隽肃穆，端坐在雕龙宝座之上，明黄朝服遍饰彩龙与十二章纹，金线勾勒的纹饰精细工整，晕染出衣料的华贵质感。朝珠莹润光泽，冠冕饰件精巧雅致，每一处细节都恪守宫廷肖像的严苛规制，既还原了皇家礼服的恢宏华贵，也将青年帝王沉静内敛的气度尽显无遗，尽显清代御容肖像画的精湛水准，是兼具礼制表征与艺术价值的经典之作。",[24,25,26,27,29,164,77,76,7,182,183,184,185,186],"服饰","坐姿","宝座","地毯","装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd4e9c45c410cc51d610e54be65b1adee.jpg",[],6,{"id":191,"slug":192,"title":193,"dynasty":194,"author":73,"museum":20,"description":195,"tags":196,"thumbUrl":209,"material":39,"size":40,"collection":41,"collections":210,"showCount":189,"zanCount":11,"manualWeight":11,"mainColor":211},231706,"lian-cang-shi-dai-tu-zhi-zhu-cao-zhi-hua-juan-yi-ming-231706","镰仓时代 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