[{"data":1,"prerenderedAt":1029},["ShallowReactive",2],{"subject-gong-yi-pin":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6245,"gong-yi-pin","工艺品","工艺品画高清赏析","精选中国历代工艺品题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdbe2988c84c52c64bb54755bfad2f683.jpg",0,99,[14,42,59,72,86,99,111,121,135,146,157,165,177,186,197,210,219,232,243,255,267,277,291,303,314,326,334,343,355,366,382,394,407,419,429,437,446,457,467,476,485,493,500,508,517,528,539,550,562,576,587,599,612,621,629,636,646,656,665,674,682,691,698,708,716,726,734,742,750,758,766,774,783,791,798,806,814,825,835,845,854,864,873,881,892,902,910,917,925,935,945,955,964,973,981,989,999,1007,1016],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":35,"material":36,"size":37,"collection":38,"collections":39,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},273646,"zi-tan-mu-bian-qian-ya-xian-ren-fu-shou-zi-gua-ping-yi-ming-273646","紫檀木边嵌牙仙人福寿字挂屏","清","佚名","藏地不详","这件挂屏以“福”字为骨，以百宝嵌工艺将牙雕仙人、灵鹿、仙鹤错落铺陈于字形间。紫檀素地沉穆古雅，衬得镶嵌物象鲜活灵动。\n\n仙翁策杖、芝草吐翠，灵鹿悠游、仙鹤独立，将福禄寿的祥瑞寓意藏于笔形弯折之中，把书法意趣与吉祥图景相融。方寸之内排布疏密有致，刀工细腻入微，物象栩栩如生，尽显工艺精妙造诣，将中式吉庆雅韵凝于一屏，华贵雅致，尽显东方美学意趣。",[23,24,25,26,27,28,29,30,31,32,33,7,34],"挂屏","木质","象牙","雕刻","镶嵌","仙人","鹤","鹿","福字","祈福","祝寿","人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0acb72958e837dfac68f4d59813c928.jpg","未知","Xcm*Xcm","",[],18,"37474F",{"id":43,"slug":44,"title":45,"dynasty":18,"author":19,"museum":20,"description":46,"tags":47,"thumbUrl":54,"material":36,"size":37,"collection":38,"collections":55,"showCount":56,"zanCount":57,"manualWeight":11,"mainColor":58},272942,"hua-li-mu-bian-qian-yu-ya-bo-gu-tu-gua-ping-yi-ming-272942","花梨木边嵌玉牙博古图挂屏","以素帛为底，将玉、牙诸珍料精巧嵌作博古清供。瓶梅横斜生韵，瑞兽憨态宛然，各式清供错落排布，复刻文房闲赏之景。瓷瓶莹润雅致，玉雕灵动细腻，搭配精巧铜座，将案头雅趣凝于屏间。匠者以镶嵌之工，把文人耽爱的清居意趣定格，件件小品细节入微，尽显手作精妙心思，将文玩雅韵与工艺巧思相融，满溢古韵闲情。",[23,48,24,49,25,50,26,51,52,53,7],"博古图","玉石","陶瓷","兔","花鸟","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa47b74d35afb69c7607b1f7c045c8498.jpg",[],17,1,"BDBDBD",{"id":60,"slug":61,"title":62,"dynasty":18,"author":19,"museum":20,"description":63,"tags":64,"thumbUrl":68,"material":36,"size":37,"collection":38,"collections":69,"showCount":70,"zanCount":11,"manualWeight":11,"mainColor":71},269587,"xiang-ya-diao-yun-he-wen-hai-tang-shi-deng-long-yi-ming-269587","象牙雕云鹤纹海棠式灯笼","此器取海棠造型，仰莲为口，线条柔婉舒展。器身以象牙为地，以百宝镶嵌出云鹤景致：云纹袅娜舒展，仙鹤或振翅翔空，或静立顾盼，灵动雅致，暗合延年吉祥意涵。\n\n口沿与胫部以蓝彩勾绘纹饰，晕染出明快层次，调和牙地素净质感。下承珐琅须弥底座，黄釉铺底点缀缠枝繁花，垂挂细密流苏，更添华贵雍容，配搭镂雕紫檀座，古雅沉稳，衬得整器清隽脱俗。\n\n集牙雕、百宝嵌与珐琅工艺于一身，温润牙色撞色百宝光泽，工法精妙，将陈设实用性与艺术观赏性相融，尽显清代工艺的雅致格调。",[26,25,65,66,29,67,7,53],"灯笼","云纹","海棠式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc248ebe184b8e5d6c71ce5237f0b1505.jpg",[],14,"795548",{"id":73,"slug":74,"title":75,"dynasty":18,"author":19,"museum":20,"description":76,"tags":77,"thumbUrl":83,"material":36,"size":37,"collection":38,"collections":84,"showCount":85,"zanCount":11,"manualWeight":11,"mainColor":58},273631,"zi-tan-mu-bian-zuo-dian-cui-song-zhu-tu-cha-ping-yi-ming-273631","紫檀木边座点翠松竹图插屏","屏心以点翠技法晕染苍松，躯干虬劲古拙，松针似凝寒带露，深色底衬将翠色衬得清莹雅致，暗合君子凌霜风骨。紫檀边框透雕缠枝瑞纹，刀工圆融细腻，将木料纹理与镂刻章法相融，古雅厚重。基座嵌饰珐琅锦地纹样，宝蓝柔彩呼应点翠松影，添就华贵雍容。\n\n整器融雕刻、点翠、珐琅数种工艺于一体，将文人意趣与宫廷匠心相合，沉稳大气间尽显清代工艺审美之精妙，当属陈设雅器中的上乘之作。",[78,24,79,80,81,82,7],"插屏","点翠","松","竹","珐琅器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4420039651c331e451c2e3b425117220.jpg",[],13,{"id":87,"slug":88,"title":89,"dynasty":18,"author":19,"museum":20,"description":90,"tags":91,"thumbUrl":96,"material":36,"size":37,"collection":38,"collections":97,"showCount":98,"zanCount":57,"manualWeight":11,"mainColor":71},273644,"zi-tan-mu-bian-qian-ya-shan-shui-tu-gua-ping-yi-ming-273644","紫檀木边嵌牙山水图挂屏","天蓝漆地沉静雅致，紫檀边框线条古雅方正，衬得画面愈发清逸脱俗。以百宝嵌工艺成画，莹白象牙雕作盛放的花簇，层叠舒展尽显柔润质感，赭色虬曲枝桠搭配点染翠意的叶片，将春日生机晕染开来。\n\n苍古湖石错落而立，两只锦禽意态悠然，一只俯身理羽，一只昂首远眺，翎毛细节纤毫毕现，野趣横生。作品将匠心工艺与花鸟意趣相融，配色温婉和谐，既有工艺的精致考究，又饱含文人花鸟的雅致意境，把园林小景的悠然意韵定格，尽显雅致静美的中式美学意趣。",[23,92,25,27,26,52,93,94,95,7],"紫檀木","禽鸟","花卉","山石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4995b3fa6d18f6955ea15044775ba14e.jpg",[],11,{"id":100,"slug":101,"title":102,"dynasty":18,"author":19,"museum":20,"description":103,"tags":104,"thumbUrl":109,"material":36,"size":37,"collection":38,"collections":110,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":41},270522,"hua-fa-lang-pen-mi-la-gui-hua-pen-jing-yi-ming-270522","画珐琅盆蜜蜡桂花盆景","宝蓝地画珐琅盆身，遍饰缠枝彩纹，浓艳富丽，古韵悠然。盆中花枝错落，蜜蜡凝就的桂花层次丰盈，与玉质枝叶相映，深浅花色交织，将盛放之态摹写得鲜活生动。角落点缀瑞兽小饰，为静雅景致添了几分灵动意趣。整座盆景以料器工艺复刻花木生姿之态，写实细腻，将手工造物的匠心融于雅致陈设，尽显内敛华贵的工艺美学意蕴，是仿生摆件中的精巧之作。",[105,106,107,108,7],"琺瑯器","盆景","蜜蜡","桂花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6943aa75fd1580fd29c14496bc331822.jpg",[],{"id":112,"slug":113,"title":114,"dynasty":18,"author":19,"museum":20,"description":115,"tags":116,"thumbUrl":119,"material":36,"size":37,"collection":38,"collections":120,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":71},270487,"ti-hong-wei-jiao-chang-fang-pen-yu-shi-mei-hua-pen-jing-yi-ming-270487","剔红委角长方盆玉石梅花盆景","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[117,49,118,106,26,7],"漆器","梅花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd844d4a7a42bb053b425a1b21b3ceac2.jpg",[],{"id":122,"slug":123,"title":124,"dynasty":18,"author":19,"museum":20,"description":125,"tags":126,"thumbUrl":132,"material":36,"size":37,"collection":38,"collections":133,"showCount":134,"zanCount":11,"manualWeight":11,"mainColor":71},272894,"zi-tan-mu-qian-tong-bian-qian-yu-hua-niao-tu-gua-ping-yi-ming-272894","紫檀木嵌铜边嵌玉花鸟图挂屏","浅棕素地衬出雅致底色，虬曲枝干苍劲古拙，翠叶错落舒展，丹红浆果垂坠枝梢，明黄秋菊绽露清妍。两只绶带鸟栖于枝桠，白羽莹润细腻，长尾曳曳生姿，两两相对似在私语，情态娴静悠然。\n\n此作以镶嵌之法施艺，将诸般玉料依形排布，把清秋花鸟的温婉意趣凝于屏间。色泽搭配和谐雅致，工致精巧的匠意里揉合着传统诗意氛围感，将秋日林间的恬淡雅致定格屏中，尽显隽永悠然的东方韵致。",[23,52,127,128,129,130,24,49,131,26,27,7],"飞鸟","菊","树木","红果","铜制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07713eb65bd19c4d53eef472a734338c.jpg",[],9,{"id":136,"slug":137,"title":138,"dynasty":18,"author":19,"museum":20,"description":139,"tags":140,"thumbUrl":144,"material":36,"size":37,"collection":38,"collections":145,"showCount":134,"zanCount":11,"manualWeight":11,"mainColor":71},272851,"zi-tan-mu-bian-zuo-qian-fa-lang-tao-he-tu-cha-ping-yi-ming-272851","紫檀木边座嵌珐琅桃鹤图插屏","黑地映出莹润饰纹，仙气满溢。浮空仙阁静立云涛之上，丹鹤振翅穿云，灵动翩跹。下方仙山生奇木灵草，仙人袂带飘飘，乘云往来，仿若携着袅袅清辉。\n\n整器构图主次分明，流云缠绕串联画面，将缥缈仙境铺陈眼前。镶嵌工艺精巧入微，莹白饰件在乌木底色映衬下愈显雅致，将道家超凡意境具象呈现，尽显古人对长生仙境的向往，是工艺美学与仙道雅趣融合的精妙之作，藏着清代造物的极致巧思。",[78,24,82,141,29,142,143,28,7],"亭","云","楼阁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9e1044d0c1507e92e0e46d1cba283bf.jpg",[],{"id":147,"slug":148,"title":149,"dynasty":18,"author":19,"museum":20,"description":150,"tags":151,"thumbUrl":155,"material":36,"size":37,"collection":38,"collections":156,"showCount":134,"zanCount":57,"manualWeight":11,"mainColor":41},270526,"fen-cai-ba-bao-wen-tong-shi-pen-yu-shi-bo-li-yu-lan-pen-jing-yi-ming-270526","粉彩八宝纹筒式盆玉石玻璃玉兰盆景","这件盆景重工巧作，铜胎珐琅盆身以湖蓝为底，缠枝莲纹间点缀八宝饰样，鎏金铺陈口沿、底足与兽耳，华贵雍容。盆中景致生机盎然，枝干摹拟枯木苍劲之态，白玉碾琢的玉兰花苞饱满、盛放舒展，温润莹洁如凝霜积雪。粉翠玉石雕琢的牡丹层叠娇妍，与通透玻璃花叶相映成趣，晕染出春日盛景。匠师以各色珍料摹写花姿，将玉石凝润、珐琅明丽融于一器，既有案上清供雅致之趣，尽显宫廷精工细作的华贵风貌，是清代仿生盆景的精妙之作。",[106,49,152,105,153,154,7,53],"玻璃","玉兰","牡丹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F782c21b69229cd58b6cb3bf8f720dc12.jpg",[],{"id":158,"slug":159,"title":160,"dynasty":18,"author":19,"museum":20,"description":115,"tags":161,"thumbUrl":10,"material":36,"size":37,"collection":38,"collections":164,"showCount":134,"zanCount":11,"manualWeight":11,"mainColor":71},229380,"cui-yu-bai-cai-yi-ming-229380","翠玉白菜",[49,26,162,163,7],"白菜","玉器",[],{"id":166,"slug":167,"title":168,"dynasty":18,"author":19,"museum":20,"description":169,"tags":170,"thumbUrl":174,"material":36,"size":37,"collection":38,"collections":175,"showCount":176,"zanCount":11,"manualWeight":11,"mainColor":58},269095,"xiang-ya-bian-zhi-qian-xiang-ya-ran-diao-hua-niao-tu-tuan-shan-yi-ming-269095","象牙编织嵌象牙染雕花鸟图团扇","此扇以象牙细丝编织为地，莹洁通透如轻烟薄纱。器身取乐器形制铺陈染雕牙饰，粉牡丹饱满绽放，幽兰与素花错落舒展，灵鸟静栖其上，翅羽纹理纤毫毕现，将工笔花鸟的雅致融于精微工艺之间。\n\n柄身饰彩釉缠枝纹样，搭配温润牙质构件，下坠素色流苏摇曳生姿，处处尽显匠心。整体集编织、雕刻、髹饰技艺于一体，将清隽文人意趣与精巧工艺相融，静穆雅致，尽显旧时清赏雅韵。",[171,25,26,172,52,154,127,7,173],"扇面","编织","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa0e7d11d9c1137b61b94723d8d228a51.jpg",[],8,{"id":178,"slug":179,"title":180,"dynasty":18,"author":19,"museum":20,"description":181,"tags":182,"thumbUrl":183,"material":36,"size":37,"collection":38,"collections":184,"showCount":185,"zanCount":11,"manualWeight":11,"mainColor":71},272838,"zi-tan-mu-bian-zuo-qian-yu-shi-hua-hui-tu-shuang-mian-cha-ping-yi-ming-272838","紫檀木边座嵌玉石花卉图双面插屏","此插屏以紫檀为座，刀工凝练，回纹卷草古雅端稳，承托屏心更显温润厚重。\n\n屏心以百宝嵌技法施作，取各色玉石随形就势雕琢牡丹。白玉凝脂如素雪牡丹，朱砂石丹艳似盛放名花，橙玉鲜亮活泼，翠色玉石摹写枝叶，脉络舒展自然，将牡丹雍容娇妍之态尽藏石间。素色地子衬出玉石天然肌理，花叶错落生姿，把春日花事定格成永恒景致。双面构图各有意趣，将玉石质感与花木灵韵相融，尽显清代百宝嵌工艺之精妙，把富贵花的雅致意趣凝于方寸间，尽显雅致隽秀的古典格调。",[78,24,49,27,94,154,7,53],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe306bf8f2e48239c7893985b9da57555.jpg",[],7,{"id":187,"slug":188,"title":189,"dynasty":18,"author":19,"museum":20,"description":190,"tags":191,"thumbUrl":194,"material":36,"size":37,"collection":38,"collections":195,"showCount":196,"zanCount":57,"manualWeight":11,"mainColor":58},270142,"bi-xi-tao-shu-pen-jing-yi-ming-270142","碧玺桃树盆景","老树虬枝苍劲古朴，以碧玺琢成的桃实凝泽饱满，缀于枝头；玉石裁就的花苞嫩叶点缀其间，晕开将绽未开的春日生机。下层配植金石花卉，细茎挺秀，瓣色妍丽，花叶错落叠映出鲜活意趣。\n花盆以珐琅满饰缠枝粉莲，宝蓝底色衬得花团秾艳华贵，描金边棱勾勒端庄器型。整件作品集玉雕、錾花、珐琅工艺于一身，将桃林春景凝缩案头，尽显雅致华贵，藏着旧时案头清供的风雅意韵，是匠师精工巧思的缩影。",[105,49,106,192,193,154,26,94,7,53],"桃树","桃花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99612eefd327845c8ea6a838fd93360f.jpg",[],6,{"id":198,"slug":199,"title":200,"dynasty":18,"author":19,"museum":20,"description":201,"tags":202,"thumbUrl":207,"material":36,"size":37,"collection":38,"collections":208,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":58},270115,"jiang-se-di-tao-bai-lv-se-bo-li-mei-hua-wen-bi-yan-hu-yi-ming-270115","酱色地套白绿色玻璃梅花纹鼻烟壶","鼻烟壶指的是盛鼻烟的容器，小可手握，便于携带。明末清初，鼻烟传入中国，鼻烟盒渐渐东方化，产生了鼻烟壶。\n人们嗜用鼻烟的习惯几近绝迹，但鼻烟壶却作为一种精美艺术品流传下来，而且长盛不衰，被誉为“集中各国多种工艺之大成的袖珍艺术品”。\n中国鼻烟壶，作为精美的工艺品，采用瓷、铜、象牙、玉石、玛瑙、琥珀等材质，运用青花、五彩、雕瓷、套料、巧作、内画等技法，汲取了域内外多种工艺的优点，被雅好者视为珍贵文玩，在海内外皆享有盛誉。\n在世界上，中国素有「烟壶之乡」的称誉，其中鼻烟壶以其精巧卓绝的制作技术，被称为「集多种工艺之大成于一身的袖珍艺术品」。鼻烟壶为盛装鼻烟之容器，鼻烟系一种烟草制品，原为西洋之物，明末清初自欧洲传入中国后，加工转化后成为粉末状药材，吸闻之后不但具有明目避疫的功效，吸闻鼻烟在各阶层更是蔚为风尚，且迅速地融入了中国的艺术风格，发展出匠心独运的各式鼻烟壶，在清代美学工艺上大放异彩，成为清代艺术的重要标志之一。",[203,204,205,206,7],"鼻烟壶","玻璃器","梅","套色工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5dfafb50a38bf44d7396eee9eea7bef6.jpg",[],5,{"id":211,"slug":212,"title":213,"dynasty":18,"author":19,"museum":20,"description":214,"tags":215,"thumbUrl":217,"material":36,"size":37,"collection":38,"collections":218,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":58},269096,"xiang-ya-bian-zhi-qian-xiang-ya-ran-diao-lan-ju-wen-tuan-shan-yi-ming-269096","象牙编织嵌象牙染雕兰菊纹团扇","此扇以象牙编织出通透匀整的网格扇面，似窗纱映景，清透雅致。嵌饰的染雕兰菊最为动人，兰叶舒展柔婉，素花亭亭玉立，秋菊绽出粉嫩花颜，更有蛱蝶翩跹其间，将秋日小景凝于扇上，生机灵动。\n柄处包镶彩绘花卉，搭配垂坠流苏，古韵悠然。整器融编织、雕刻、髹饰工艺于一身，配色清新秀雅，暗合兰菊高洁的文人意涵，尽显工艺的精巧工致，将闺阁风雅藏于方寸之间。",[171,25,26,172,216,128,52,7],"兰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9a61ff5bee9a47ff832ee3b443c8036.jpg",[],{"id":220,"slug":221,"title":222,"dynasty":18,"author":19,"museum":20,"description":223,"tags":224,"thumbUrl":229,"material":36,"size":37,"collection":38,"collections":230,"showCount":231,"zanCount":11,"manualWeight":11,"mainColor":71},281521,"lan-bo-li-kai-guang-ju-hua-ping-yi-ming-281521","蓝玻璃开光菊花瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[204,225,226,227,228,7],"菊花","描金","开光","瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F09f4185c17c7a050ca65fc7bee018c00.jpg",[],4,{"id":233,"slug":234,"title":235,"dynasty":18,"author":19,"museum":20,"description":236,"tags":237,"thumbUrl":241,"material":36,"size":37,"collection":38,"collections":242,"showCount":231,"zanCount":57,"manualWeight":11,"mainColor":71},273383,"ni-tu-ye-yi-ming-273383","泥兔爷","兔首人身安坐高台，长耳竖挺，神情沉静自带威严气度。彩绘袍服敷色古雅，斑驳剥落的痕迹晕开岁月沉淀的质感，下方台座塑作城关形制，还点缀走兽细节，将兔王爷坐镇月宫、统御四方的传说具象呈现。\n\n以泥为胎，稚拙朴厚的手艺把神话揉进烟火日常，它曾是中秋拜月的吉光信物，藏着旧时对阖家平安的祈愿，将天上的神话，变成手可触摸的温热乡愁，尽显民俗造物的动人意趣。",[51,238,239,240,7],"泥塑","民俗","神话形象","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F628ab903f34b90b2499a5b2318ab2687.jpg",[],{"id":244,"slug":245,"title":246,"dynasty":18,"author":19,"museum":20,"description":247,"tags":248,"thumbUrl":253,"material":36,"size":37,"collection":38,"collections":254,"showCount":231,"zanCount":11,"manualWeight":11,"mainColor":71},270510,"cheng-cha-xian-ren-pen-jing-yi-ming-270510","乘槎仙人盆景","这件盆景以古木槎为骨，珠玉翠料攒作花枝，垂悬的珠果莹润灵动，晕开清润仙气。中央仙人衣袂飘然，敛目安坐，神态恬然超逸。两侧鎏金珐琅宝瓶，插满百宝缀成的花树，宝光交错间尽显华贵。下方绿釉底座塑出水芙蕖，菡萏亭亭、莲叶柔卷，漾出江南水泽的清灵意韵。它集木雕、珐琅与玉石镶嵌工艺于一体，将世外仙隐的悠然意趣，与清代极致造办精工相融，以人工匠造描摹世外清境，尽显盛世匠人的绝佳工艺与浪漫遐思。",[249,106,28,250,129,94,49,26,7,251,252],"神话人物","荷花","珠饰","盆栽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd986d89b343e54cb932b0f47b6716487.jpg",[],{"id":256,"slug":257,"title":258,"dynasty":18,"author":19,"museum":20,"description":259,"tags":260,"thumbUrl":265,"material":36,"size":37,"collection":38,"collections":266,"showCount":231,"zanCount":11,"manualWeight":11,"mainColor":71},270488,"tong-du-jin-qian-bai-yu-ba-bao-hai-tang-shi-pen-yu-shi-lan-hua-pen-jing-yi-ming-270488","铜镀金嵌白玉八宝海棠式盆玉石兰花盆景","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。\n以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n玉器经历7000多年的发展，从简单的装饰品发展到古代宗教祭拜、礼仪用品，再到象征高尚道德品质的装饰品，最后上升为丰富的艺术鉴赏作品，深入反映了不同历史时期的社会发展演变过程。",[106,49,261,262,263,264,26,7],"兰花","铜镀金","白玉","海棠盆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5fabf090413018a95b1dba91bde65e24.jpg",[],{"id":268,"slug":269,"title":270,"dynasty":18,"author":19,"museum":20,"description":259,"tags":271,"thumbUrl":275,"material":36,"size":37,"collection":38,"collections":276,"showCount":231,"zanCount":11,"manualWeight":11,"mainColor":71},270486,"tong-du-jin-qian-bai-yu-ba-bao-hai-tang-shi-pen-yu-shi-mei-hua-pen-jing-yi-ming-270486","铜镀金嵌白玉八宝海棠式盆玉石梅花盆景",[106,49,272,131,118,26,7,263,273,274],"金器","八宝","海棠式盆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5aa52fdf470ae4b7b6e20b2776bbb8fd.jpg",[],{"id":278,"slug":279,"title":280,"dynasty":281,"author":19,"museum":20,"description":282,"tags":283,"thumbUrl":289,"material":36,"size":37,"collection":38,"collections":290,"showCount":231,"zanCount":11,"manualWeight":11,"mainColor":41},243637,"zhang-yi-zi-sun-jing-yi-ming-243637","长宜子孙镜","汉","汉镜有圆形﹑方形。纽多作半球形。正面磨光背面铸有几何形图案或神人禽兽等。东汉中期出现浮雕的画像造形精美。\n两汉时期大体上分西汉、新莽、东 汉三个阶段。汉镜纹饰的主要种类有草叶纹镜、蟠龙纹镜、百乳镜、连弧纹镜、规矩镜、多乳禽兽纹镜和变形四叶镜等。",[284,285,131,286,287,288,7],"青铜器","铜镜","几何纹","浮雕","铭文","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6613934333d38bff35af1ecba2bea8fc.jpg",[],{"id":292,"slug":293,"title":294,"dynasty":18,"author":19,"museum":20,"description":295,"tags":296,"thumbUrl":300,"material":36,"size":37,"collection":38,"collections":301,"showCount":302,"zanCount":11,"manualWeight":11,"mainColor":71},273647,"zi-tan-mu-bian-qian-ya-he-lu-tu-gua-ping-yi-ming-273647","紫檀木边嵌牙鹤鹿图挂屏","此作以百宝嵌技法施艺，以松石攒簇成苍松翠叶，牙骨雕琢为仙鹤，彩石点染花卉湖石。双松虬劲挺拔，松针层叠错落，双鹤信步林下，姿态悠然温驯，月季绽露芳姿，芝草湖石点缀其间，晕染出林下闲逸清趣。屏面题御制松诗，文心与匠心相融，墨色底衬愈发凸显百宝的莹润肌理，整体色调沉穆古雅，将松鹤延年的吉祥意涵藏于雅致构图之中，尽显嵌饰工艺的精妙工巧与雅致雍容的审美意趣。",[23,24,25,26,29,30,297,154,298,299,7],"松树","书法","楷书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffaecd39c0a9f506b7b992a30decc5e1e.jpg",[],3,{"id":304,"slug":305,"title":306,"dynasty":18,"author":19,"museum":20,"description":115,"tags":307,"thumbUrl":312,"material":36,"size":37,"collection":38,"collections":313,"showCount":302,"zanCount":11,"manualWeight":11,"mainColor":71},270518,"hong-mu-qian-yu-chang-fang-pen-bi-xi-pu-tao-pen-jing-yi-ming-270518","红木嵌玉长方盆碧玺葡萄盆景",[106,49,26,308,309,7,310,311],"葡萄","红木","藤蔓","假山","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbec5f434d136f09371fe0a21a728d909.jpg",[],{"id":315,"slug":316,"title":317,"dynasty":18,"author":19,"museum":20,"description":318,"tags":319,"thumbUrl":323,"material":36,"size":37,"collection":38,"collections":324,"showCount":325,"zanCount":11,"manualWeight":11,"mainColor":71},273384,"meng-gu-xiang-qi-yi-ming-273384","蒙古象棋","这套棋以木为胎，彩漆虽已斑驳褪去，古雅意韵却未减分毫。棋子皆为立体圆雕，战马昂首蓄势、武士持戈伫立、战车形制古朴，将草原征战的图景凝缩于方寸之间。\n\n粗犷朴拙的刀工里藏着马背民族的刚健豪情，每一枚棋子都仿佛定格了冲锋列阵的瞬间，棋盘方格之间，好似能听见千年前草原上的马蹄声与呼喝声，对阵对弈间，尽是纵横捭阖的草原棋局意趣。岁月晕开了漆面，却晕不开棋子裹挟的风烟，将游牧文明的热血浪漫封存在这一方木盘之中。",[317,24,26,320,321,322,7],"马","兽","设色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad974b429cda94a7fed0a30a616a128f.jpg",[],2,{"id":327,"slug":328,"title":329,"dynasty":18,"author":19,"museum":20,"description":115,"tags":330,"thumbUrl":332,"material":36,"size":37,"collection":38,"collections":333,"showCount":325,"zanCount":11,"manualWeight":11,"mainColor":41},270491,"tong-du-jin-qian-yu-shi-bo-li-hai-tang-shi-pen-yu-shi-song-shu-pen-jing-yi-ming-270491","铜镀金嵌玉石玻璃海棠式盆玉石松树盆景",[106,297,49,262,82,7,274,331],"玉石雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F645231127b84e654eaac26b779fcf8eb.jpg",[],{"id":335,"slug":336,"title":337,"dynasty":18,"author":19,"museum":20,"description":338,"tags":339,"thumbUrl":341,"material":36,"size":37,"collection":38,"collections":342,"showCount":325,"zanCount":11,"manualWeight":11,"mainColor":58},270063,"tong-du-jin-pen-hong-shan-hu-pen-jing-yi-ming-270063","铜镀金盆红珊瑚盆景","这盆盆景以深海红珊瑚为主体，朱红莹润的色泽如同凝住的云霞，虬曲舒展的枝桠天然摹写出古木苍劲的姿态，将深海灵韵搬至案头，自带山海间的清奇野趣。\n\n铜镀金盆身錾刻细密卷草纹，开光处珐琅设色晕染雅致，湖石花木意趣悠然，人工巧思贴合天然造物，将精工华贵与清雅意致相融。静立之间尽显旧日案头清供的雍容雅致，是天工与匠心碰撞出的上乘佳器。",[106,340,262,82,7],"红珊瑚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F961e2393df258ab67a51b315fcd3ff34.jpg",[],{"id":344,"slug":345,"title":346,"dynasty":18,"author":19,"museum":20,"description":347,"tags":348,"thumbUrl":353,"material":36,"size":37,"collection":38,"collections":354,"showCount":325,"zanCount":11,"manualWeight":11,"mainColor":41},269253,"zhu-diao-hu-lu-shi-he-yi-ming-269253","竹雕葫芦式盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[349,26,350,310,351,7,352],"竹雕","葫芦","叶片","盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24026abc5ce6510dc77655b6d27211dd.jpg",[],{"id":356,"slug":357,"title":358,"dynasty":18,"author":19,"museum":20,"description":359,"tags":360,"thumbUrl":364,"material":36,"size":37,"collection":38,"collections":365,"showCount":325,"zanCount":11,"manualWeight":11,"mainColor":58},269173,"zhu-diao-ling-zhi-wen-ru-yi-yi-ming-269173","竹雕灵芝纹如意","如意为木胎，其上采用八成金质累丝工艺。如意头的正面为累丝古钱纹，中心嵌绿松石“乙酉”二字，背面为镂空的古钱纹并露出木胎。柄的正面亦为累丝古钱纹，镶嵌绿松石“万年如意”四字，背面为累丝六角锦纹。如意的侧边以卷草纹为饰。",[349,26,361,362,363,7],"如意","灵芝纹","竹制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F142ee2a580e832cbb4cebc5761f1b66f.jpg",[],{"id":367,"slug":368,"title":369,"dynasty":18,"author":19,"museum":20,"description":370,"tags":371,"thumbUrl":380,"material":36,"size":37,"collection":38,"collections":381,"showCount":325,"zanCount":11,"manualWeight":11,"mainColor":71},266850,"lan-se-duan-xiu-hua-die-wen-hua-pen-di-mian-xie-yi-ming-266850","蓝色缎绣花蝶纹花盆底棉鞋","绣法是以绣线横排，故名。如，特点是整齐、均匀，圆润；在绣叶瓣时，在中间分开，运用斜针成倒人字形；也有绣成中间针迹相交叠的形式；也可绣成中间作一钉线的绣法。排绣针法富有变化，刺绣出的花瓣、叶瓣得体逼真，用途较广。",[372,373,374,375,376,377,94,378,379,7],"衣帽","布料","刺绣","花蝶纹","花盆底鞋","棉鞋","蝴蝶","服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F494279cd0b7a1a9311d611e22140567f.jpg",[],{"id":383,"slug":384,"title":385,"dynasty":18,"author":19,"museum":20,"description":386,"tags":387,"thumbUrl":392,"material":36,"size":37,"collection":38,"collections":393,"showCount":325,"zanCount":11,"manualWeight":11,"mainColor":41},245579,"jin-he-yi-ming-245579","金鹤","这对瑞鹤体态修长隽雅，昂首相望似喁喁私语，翎羽纹理錾刻细腻写实，翅羽舒张灵动，长腿挺拔劲健，爪部紧扣底座，将丹顶鹤的高洁仙姿尽显无遗。通体鎏金灿然，色泽匀亮莹润，历经岁月仍光华不减。\n\n底座取方台委角造型，轮廓婉转，与仙鹤的清灵雅致相映成趣，既烘托出瑞禽出尘之态，又添端庄稳重之感。整器工艺精湛，将金属的厚重融于仙鹤的飘逸，暗合古人对长寿祥瑞的美好祈愿，尽显精工造物的匠心造诣。",[272,29,388,389,390,391,7],"鎏金","錾刻","瑞禽","长寿祥瑞","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe13de45f05e31f2414cd3dddb1904194.jpg",[],{"id":395,"slug":396,"title":397,"dynasty":18,"author":19,"museum":20,"description":398,"tags":399,"thumbUrl":405,"material":36,"size":37,"collection":38,"collections":406,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":58},281459,"yin-yun-long-wen-xiang-xiang-ya-qian-luo-dian-shuang-long-er-gai-guan-yi-ming-281459","银云龙纹镶象牙嵌螺钿双龙耳盖罐","此器融多材巧工为一体，银质双耳塑作游龙，身姿矫劲蜿蜒，鬃须灵动欲飞，盖顶瑞禽钮小巧古雅，底座云龙翻卷，暗涌磅礴威仪，衬出器物华贵气场。温润象牙为罐身底胎，以螺钿与填彩工艺嵌饰庭间景致：虬枝紫藤垂挂，繁花攒簇吐艳，雄鸡携稚鸡信步花下，翎羽纹路纤毫毕现，晕开融融春日意趣。螺钿碎光映着象牙暖泽，冷硬银饰柔化于雅致生景之间，百宝嵌工艺尽显精微匠心，将瑞兽的威严与禽花的恬柔相融，重工与雅趣兼备，尽显造物巧思。",[400,25,26,401,402,403,52,7,94,404],"银器","嵌螺钿","龙","鸡","动物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F865211f6c7f619cf328fc827b5e052ab.jpg",[],{"id":408,"slug":409,"title":410,"dynasty":18,"author":19,"museum":20,"description":411,"tags":412,"thumbUrl":417,"material":36,"size":37,"collection":38,"collections":418,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":41},274494,"tong-du-jin-qian-ma-nao-yin-yue-xiang-biao-yi-ming-274494","铜镀金嵌玛瑙音乐箱表","中国清宫内所存以机械为动力、用珍贵材料做外壳、构造复杂的艺术性计时器。中国本是世界上发明计时器最早的国家。但自1601年意大利 传教士 利玛窦向中国明万历皇帝呈献第一件自鸣钟起，陆续有西洋钟表进献宫廷。清康熙帝把西洋钟表作为一种新科学加以重视，将西洋钟表（也称自鸣钟）贮于端凝殿南端，并将此处命名为自鸣钟处，还在宫内成立了做钟处。到乾隆时，钟表已成为帝后们生活中不可缺少之物，不但在各宫殿内陈设，就连外出乘坐的车、轿、船、马鞍上也都置有钟表。因而每年都要使用大批新奇钟表。这些钟表有清宫做钟处、广州、苏州制造的，也有英国、法国、德国、瑞士、日本等国制造的。",[272,131,413,414,415,7,26,416],"玛瑙","钟表","音乐箱","饰品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5cf383d8ebf60287d869f84c009f3668.jpg",[],{"id":420,"slug":421,"title":422,"dynasty":18,"author":19,"museum":20,"description":423,"tags":424,"thumbUrl":427,"material":36,"size":37,"collection":38,"collections":428,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":58},274420,"tong-du-jin-luo-tuo-tuo-ting-shi-zhuan-ren-zhong-yi-ming-274420","铜镀金骆驼驮亭式转人钟","最早的钟原本是指古代汉族 传统的打击乐器，形状扁圆而中空，盛于春秋战国直至秦汉，多为青铜制，又叫“编钟”，自佛教传入中国后，逐渐变为一种宗教法器的代称，又叫“梵钟”或“半钟”原本叫“犍稚”又叫“信鼓”是寺院为报时、集众而敲击之用。",[131,425,426,141,414,26,272,7],"镀金","骆驼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9806371f82635f22e1947d4a1d3fc1a1.jpg",[],{"id":430,"slug":431,"title":432,"dynasty":18,"author":19,"museum":20,"description":423,"tags":433,"thumbUrl":435,"material":36,"size":37,"collection":38,"collections":436,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":58},274418,"tong-du-jin-qi-shi-qian-ma-zhong-yi-ming-274418","铜镀金骑士牵马钟",[131,425,414,320,34,7,434],"金属器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60e4e436fcb333b73b05f68bff16f33b.jpg",[],{"id":438,"slug":439,"title":440,"dynasty":18,"author":19,"museum":20,"description":411,"tags":441,"thumbUrl":444,"material":36,"size":37,"collection":38,"collections":445,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":71},274391,"tong-du-jin-niu-tuo-ping-hua-biao-yi-ming-274391","铜镀金牛驮瓶花表",[272,131,442,414,26,7,443,127],"牛","瓶花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29e03098c62e200f0715af2c274b834d.jpg",[],{"id":447,"slug":448,"title":449,"dynasty":18,"author":19,"museum":20,"description":450,"tags":451,"thumbUrl":455,"material":36,"size":37,"collection":38,"collections":456,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":71},273345,"tong-du-jin-lou-kong-qian-liao-shi-lu-yi-ming-273345","铜镀金镂空嵌料石炉","清代的玉炉很多，但用芙蓉石制作的炉却极少，这是因为做炉需要较大块的料，而芙蓉石一般裂纹很多不宜使用。中国芙蓉石的产量小，颜色与质地亦欠佳。",[131,272,452,453,454,434,26,7],"镂空","嵌料石","香炉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa03fef249fd878d9144836df34f3a1c8.jpg",[],{"id":458,"slug":459,"title":460,"dynasty":18,"author":19,"museum":20,"description":115,"tags":461,"thumbUrl":465,"material":36,"size":37,"collection":38,"collections":466,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":58},272857,"hong-mu-diao-hua-bian-qian-yu-cha-ping-yi-ming-272857","红木雕花边嵌玉插屏",[78,24,49,26,462,463,464,250,7,53],"木雕","嵌玉","鱼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad9334c817ba83de993cc044df5d490a.jpg",[],{"id":468,"slug":469,"title":470,"dynasty":18,"author":19,"museum":20,"description":471,"tags":472,"thumbUrl":474,"material":36,"size":37,"collection":38,"collections":475,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":58},272773,"hei-qi-qian-luo-dian-hua-die-wen-ge-yi-ming-272773","黑漆嵌螺钿花蝶纹格","用金、银、玉、贝等做成的花朵状装饰品。",[117,401,375,473,7],"博古架","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67aaefc1d7a54504014e89292030a787.jpg",[],{"id":477,"slug":478,"title":479,"dynasty":18,"author":19,"museum":20,"description":115,"tags":480,"thumbUrl":483,"material":36,"size":37,"collection":38,"collections":484,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":71},270508,"bi-yu-pen-yu-shi-shan-hu-ju-hua-pen-jing-yi-ming-270508","碧玉盆玉石珊瑚菊花盆景",[49,481,482,106,225,7],"珊瑚","碧玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Facbe4aaa09a0ef3f48298853431545eb.jpg",[],{"id":486,"slug":487,"title":488,"dynasty":18,"author":19,"museum":20,"description":223,"tags":489,"thumbUrl":491,"material":36,"size":37,"collection":38,"collections":492,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":71},270356,"qian-long-kuan-cha-se-bo-li-gan-lan-shi-ping-yi-ming-270356","乾隆款茶色玻璃橄榄式瓶",[204,228,490,7],"茶色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd5734f939c13e2513a7c11f3c5877a3.jpg",[],{"id":494,"slug":495,"title":496,"dynasty":18,"author":19,"museum":20,"description":115,"tags":497,"thumbUrl":498,"material":36,"size":37,"collection":38,"collections":499,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":41},270148,"tong-du-jin-qian-yu-shi-bo-li-pen-bo-li-ju-hua-pen-jing-yi-ming-270148","铜镀金嵌玉石玻璃盆玻璃菊花盆景",[106,225,49,131,105,152,94,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac8d9058c15aba9e6e0cc95f3c2d7b81.jpg",[],{"id":501,"slug":502,"title":503,"dynasty":18,"author":19,"museum":20,"description":504,"tags":505,"thumbUrl":506,"material":36,"size":37,"collection":38,"collections":507,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":41},270145,"fang-ge-you-pen-yu-shi-ju-hua-pen-jing-yi-ming-270145","仿哥釉盆玉石菊花盆景","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[50,49,225,106,7,53],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11c24256857d77e799673a3db93ad46f.jpg",[],{"id":509,"slug":510,"title":511,"dynasty":18,"author":19,"museum":20,"description":512,"tags":513,"thumbUrl":515,"material":36,"size":37,"collection":38,"collections":516,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":71},270143,"mi-la-fo-shou-pen-jing-yi-ming-270143","蜜蜡佛手盆景","苍褐木枝虬曲古雅，蜜蜡佛手色泽红润凝腻，肌理莹润写实，如将秋日佳果采撷案头。青玉裁为叶片，翠色通透鲜亮，与蜜蜡相映成趣，间缀细小花蕊，添得几分灵动生机。\n\n掐丝珐琅盆身以宝蓝为底，粉荷舒展、缠枝婉转，鎏金饰边勾勒出华贵气度，将玉石雅趣与宫廷珐琅工艺相融，以盆景定格祥瑞清趣，尽显清代造艺的精工雅致，是陈设雅玩中的绝妙之作。",[106,107,49,82,514,250,7],"佛手","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2cfd573196b536d74015747cec2d415.jpg",[],{"id":518,"slug":519,"title":520,"dynasty":18,"author":19,"museum":20,"description":450,"tags":521,"thumbUrl":526,"material":36,"size":37,"collection":38,"collections":527,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":71},270098,"qian-long-kuan-fen-se-bo-li-shuang-er-san-zu-lu-yi-ming-270098","乾隆款粉色玻璃双耳三足炉",[204,522,523,524,525,7],"炉","双耳","三足","粉色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bf0965f6e87d4bf70ec1fda861cc67c.jpg",[],{"id":529,"slug":530,"title":531,"dynasty":18,"author":19,"museum":20,"description":532,"tags":533,"thumbUrl":537,"material":36,"size":37,"collection":38,"collections":538,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":58},269856,"yu-shuo-kuan-xiang-ya-diao-wu-liang-shou-fu-tu-xiao-cha-ping-yi-ming-269856","于硕款象牙雕无量寿佛图小插屏","此件以象牙施胭脂色雕就，镂刻流云缱绻舒展，数只蝙蝠穿翔云间，将福寿吉趣凝于方寸。刀工细腻柔婉，藏锋于雕刻纹理之中，层叠云纹铺展出空灵祥瑞之意，把牙质的莹润质感与镂雕工艺相融，尽显雅致工巧，将祈福美意藏于精微刀痕里，是小件牙雕中颇具巧思的吉庆佳作。",[25,26,78,53,322,534,66,535,536,7],"蝙蝠","宗教","无量寿佛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b1f4ede489595d246a7a68fe9c492ad.jpg",[],{"id":540,"slug":541,"title":542,"dynasty":18,"author":19,"museum":20,"description":223,"tags":543,"thumbUrl":548,"material":36,"size":37,"collection":38,"collections":549,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":41},269723,"pao-zhi-tuan-shou-zi-lian-ban-wen-liu-leng-ping-yi-ming-269723","匏制团寿字莲瓣纹六棱瓶",[26,544,545,546,547,7],"匏器","团寿纹","莲瓣纹","六棱瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07541bca5d6ee79aec2955c169547db2.jpg",[],{"id":551,"slug":552,"title":553,"dynasty":18,"author":19,"museum":20,"description":554,"tags":555,"thumbUrl":560,"material":36,"size":37,"collection":38,"collections":561,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":71},263958,"jin-di-fang-qi-tian-hua-wen-zhi-jin-jin-yi-ming-263958","金地方棋填花纹织金锦","《说文》：“锦，襄邑织文。从帛，金声。”即用彩色经纬丝织出各种图案花纹的纺织品，泛指具有多种彩色花纹的丝织物。锦的生产工艺要求高，织造难度大，所以它是古代最贵重的织物。“锦，金也，作之用功重，其价如金。”古人把锦看成和黄金等价。这种织物有经起花和纬起花两种，也叫经锦和纬锦。经锦是用两组或两组以上的经线同一组纬线交织。经线多的二色或三色，一色一根作为一副，如果需要更多的颜色，也可以使用牵色条的方法。纬线有明纬和夹纬；用夹纬把每副中的表经和底经分隔开，用织物正面的经浮点显花。\n用染好颜色的彩色经纬线，经提花、织造工艺织出图案的织物。中国丝织提花技术起源久远。早在殷商时代中国已有丝织物。周代丝织物中出现织锦，花纹五色灿烂，技艺臻于成熟。汉代设有织室、锦署，专门织造织锦，供宫廷享用。自汉武帝后，中国织锦通过丝绸之路传入波斯（今伊朗）、大秦（古罗马帝国）等国。三国时四川蜀锦成为主流。唐代贞观年间窦师伦的对雉、斗羊、翔凤等蜀锦图案，称为绫阳公样。在织造工艺上由经锦改进为纬锦，并出现彩色经纬线由浅入深或由深入浅的退晕手法。北宋宫廷在汴京等地建立规模庞大的织造工场，生产各种绫锦。元代是中国历史上大量生产织金锦（一种加金的丝织物）的时代，宫廷设立织染局、织染提举司，机构庞大，集中了大批优秀工匠。\n明清两代织锦生产集中在江苏南京、苏州，除了官府的织锦局外，民间作坊也蓬勃兴起，形成江南织锦生产的繁荣时期。织锦大多采用传统提花工艺和木制花楼织机，有些织锦因品种不同而有所区别。如宋锦、土家族织锦采用通经断纬工艺，即分段调换彩色纬线，使色彩更加丰富。杭锦采用铁制提花机。织锦种类有南京云锦、四川蜀锦、苏州宋锦、杭州织锦以及少数民族的黎锦、壮锦、傣锦、瑶锦、侗锦、苗锦、土家锦、爱得利斯锦等。1960年以来，中国织锦在继承、发扬传统织锦的基础上，恢复了云锦的妆花锦和蜀锦的浣花锦、锦上添花锦、八答晕锦，并生产了窗帘、沙发套、枕套、被面、台毯、靠垫、床罩、提包、民族服装用料等新品种。\n锦已有3000年以上的历史，战国、西汉以前流行以二色或三色经轮流显花的经锦，包括局部饰以挂经的挂锦、具有立体效果的凸花锦和绒锦。1959年在新疆民丰尼雅遗址发现的东汉“万年如意锦”使用绛、白、绛紫、淡蓝、渥绿五色，通幅分成十二个色条，就是汉代典型的经锦。\n纬锦是用两组或两组以上的纬线同一组经线交织。经线有交织经和夹经；用织物正面的纬浮点显花。1969年在新疆阿斯塔那发现的唐代锦袜，在大红色地上起各种禽鸟花朵和行云的图案，就属于这一种锦。\n经锦和纬锦具有不同的织造效果。经锦的纬密比较低，只用一把梭子，生产效率比较高。纬锦织造比较费时，但可以使用两把以上的梭子，容易变换色彩，色彩丰富。这两种锦在中国出现的时间都比较早。但是六朝以前织造的，以经起花为主；隋唐以后织造的，似乎以纬起花为主。\n在苏联的巴泽雷克发现一批中国战国时期的丝绸，就有用红绿二色纬线织造的纬斜纹起花的纬锦。产生于宋代前后的宋锦以地经、地纬交织成经斜组织，按结经与纹纬交织成纬斜组织。\n金元之际流行加金的丝织物——织金锦，又称“纳石失”。明清时盛行以挖花缎的彩纬多达30—40种，锦面的经、纬方向都有逐花异色的效果，是中国织锦最高水平的代表。\n锦在历史上曾用多棕多蹑机和束棕花楼机织造，现代生产采用纹版提花机。\n国家非常重视非物质文化遗产的保护，南京云锦木机妆花手工织造技艺作为中国古老的织锦技艺最高水平的代表，于2006年列入首批国家级非物质文化遗产名录。2006年5月20日，土家族织锦技艺经国务院批准列入第一批国家级非物质文化遗产名录。2007年6月8日，湖南凤凰水云织锦坊获得国家文化部颁布的首届文化遗产日奖。2009年8月《地理标志产品云锦》国家标准在南京通过国家级专家评审，同年9月成功入选联合国《人类非物质文化遗产代表作名录》。",[556,373,7,557,558,559],"织金锦","织金工艺","方棋纹","填花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f83cb9cb0c42320ebf4c9d76c1aad11.jpg",[],{"id":563,"slug":564,"title":565,"dynasty":18,"author":19,"museum":20,"description":566,"tags":567,"thumbUrl":573,"material":36,"size":37,"collection":574,"collections":575,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":58},261872,"yi-xing-yao-zi-sha-tu-hua-zhu-chong-wen-hai-tang-shi-ping-yi-ming-261872","宜兴窑紫砂凸花竹虫纹海棠式瓶","宜兴窑，在今江苏宜兴丁蜀镇，故名。烧瓷历史悠久，秦汉时宜兴地区陶窑密布；两晋时在均山烧青瓷，唐初在归径等地大量烧制，至晚唐、五代成为南方民间著名青瓷窑；宋、元时期，丁蜀与西渚一带大规模烧造日用陶和早期紫砂。明清时成为当时的烧陶中心。涧众村发现有唐代青瓷窑址。明代以紫砂器闻名于世，出现不少制紫砂壶名家，如供春；时大彬、李仲芳、陈仲美等，并仿烧宋代钧窑器物，因有"宜钧"之称。\n在今江苏宜兴市南部的丁蜀镇一带，故称为宜兴窑。宜兴窑从汉代始烧红陶、灰陶、和原始青瓷等等，其烧制陶瓷的历史一直延续到今天，有2000多年，故可称是最古老的窑口。宋代已开始烧造紫砂器，明代的紫砂器闻名于世，清代是其高峰。建国后，宜兴除传统的紫砂陶、均陶有很大发展外，还恢复了青瓷生产，新创了花釉陶和精陶等产品，是我国重点陶瓷产区之一。",[50,568,569,81,570,571,572,7],"紫砂器","海棠式瓶","虫","凸花","兽首衔环","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b9d5cc5ac1ee7e9ea58ecbea8e99b3f.jpg","瓷器精选",[574],{"id":577,"slug":578,"title":579,"dynasty":18,"author":19,"museum":20,"description":580,"tags":581,"thumbUrl":585,"material":36,"size":37,"collection":38,"collections":586,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},281581,"hui-se-nv-mian-ju-yi-ming-281581","灰色女面具","古代，傩祭，傩戏的流行面很广，长江流域、黄河流域、嫩江流域都有流行。这一地区丰富多彩的傩戏群大致可以归纳为三类，即地戏、傩堂戏、变人戏。",[582,26,583,584,7],"面具","女性人物","凝重","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18a8364b882f659d34543f406d7a3b24.jpg",[],{"id":588,"slug":589,"title":590,"dynasty":18,"author":19,"museum":20,"description":591,"tags":592,"thumbUrl":597,"material":36,"size":37,"collection":38,"collections":598,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},274894,"yin-du-jin-tuo-hua-gong-yang-pu-sa-yi-ming-274894","银镀金托画供养菩萨","水滴形鎏金佛龛内，菩萨安坐莲台，莹白法身环饰璎珞，神态慈悲自在。蓝底嵌饰细密匀净，托出菩萨明丽衣色与宝相，色彩古雅沉静，尽显殊圣安然。\n\n下方银质莲台舒展层叠，卷草缠枝纹饰柔婉灵动，与鎏金龛沿的繁复雕花彼此呼应。素银冷冽光泽与鎏金华贵金芒相融，藏地造像的雄浑气质与精工巧思交织，将信仰凝注于寸厘工艺中，静静诉说着清净庄严的供养之心，尽显藏地供具的独特美学意涵。",[535,400,272,26,593,322,594,595,7,596],"菩萨","绘画","莲花","宗教人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5d8fb5c0f366d5e012b7fb49546ea94.jpg",[],{"id":600,"slug":601,"title":602,"dynasty":18,"author":19,"museum":20,"description":603,"tags":604,"thumbUrl":610,"material":36,"size":37,"collection":38,"collections":611,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},274626,"fan-ding-ji-xie-ren-yi-ming-274626","翻顶机械人","人偶身着戏服，头戴珠翠头冠，双臂撑在两把木椅椅背之上，身体平直如尺，稳稳悬于空中，仿若戏台献艺的杂技艺人正在展演绝活。衣饰纹样细腻工整，头冠珠饰精巧繁复，人物神态憨朴生动，将晚清民间杂耍的鲜活情态凝缩其中。\n\n它是匠心独具的玩物，亦是民间游乐与手工技艺融合的缩影。旧时匠人的奇思巧工藏于其间，将街头巷尾的热闹烟火，定格成这件精巧隽永的手作，让百年前的杂耍余韵，仍能透过它悠悠流露。",[605,606,7,607,24,608,609],"机械人偶","杂技","人形","椅具","戏服","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf5c7d57113c9f7ea6ff8d15b9edac17.jpg",[],{"id":613,"slug":614,"title":615,"dynasty":18,"author":19,"museum":20,"description":423,"tags":616,"thumbUrl":619,"material":36,"size":37,"collection":38,"collections":620,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},274609,"niao-yin-shan-zi-shui-fa-zhong-yi-ming-274609","鸟音山子水法钟",[53,414,193,127,95,617,129,618,7],"月季","水法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd4d25d8653315446f303c4c9a21e1636.jpg",[],{"id":622,"slug":623,"title":624,"dynasty":18,"author":19,"museum":20,"description":423,"tags":625,"thumbUrl":627,"material":36,"size":37,"collection":38,"collections":628,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},274599,"tong-du-jin-qian-fa-lang-niao-yin-zhong-yi-ming-274599","铜镀金嵌珐琅鸟音钟",[131,82,127,414,34,626,7],"风景画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff59aff37270a0eac982cc7780915f770.jpg",[],{"id":630,"slug":631,"title":632,"dynasty":18,"author":19,"museum":20,"description":423,"tags":633,"thumbUrl":634,"material":36,"size":37,"collection":38,"collections":635,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},274560,"tong-du-jin-fa-lang-niao-yin-zhong-yi-ming-274560","铜镀金珐琅鸟音钟",[131,105,414,127,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd55809e01136254ceeeee6d2066cbab6.jpg",[],{"id":637,"slug":638,"title":639,"dynasty":18,"author":19,"museum":20,"description":640,"tags":641,"thumbUrl":644,"material":36,"size":37,"collection":38,"collections":645,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},274546,"tong-du-jin-zhuan-qiu-fan-guang-jing-zhong-yi-ming-274546","铜镀金转球反光镜钟","18世纪和19世纪中外极品的钟表.这些钟表不但是清代帝后日常计时工具，也是精美绝伦的工艺品。",[131,425,414,26,642,34,127,434,7,643],"彩绘","反光镜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f96f04db95da65e9b59b6b7a0818971.jpg",[],{"id":647,"slug":648,"title":649,"dynasty":18,"author":19,"museum":20,"description":650,"tags":651,"thumbUrl":654,"material":36,"size":37,"collection":38,"collections":655,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},274544,"mu-zhi-jin-qi-niao-yin-long-yi-ming-274544","木制金漆鸟音笼","穹顶笼身以扭纹金骨勾勒柔婉轮廓，朱色雀鸟俏立缠枝白花间，羽色鲜亮如生，似正敛翼将啼鸣揉进花蕊。金漆莹润透亮，历经年月依旧光泽雅致。底座錾饰规整纹样，沉稳厚重托举轻灵笼身。内里暗藏精巧机关，启动时雀鸟便可振翼鸣啭，将匠人的玲珑心思藏于雅致形制中，把林泉间栖鸟啼春的悠然意趣凝缩在一方笼中，是融装饰美学与奇巧工技为一体的精妙造物，藏着旧时浪漫的闲情雅趣。",[24,652,653,127,53,7],"金漆","鸟笼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38d4b68e9b4d039b2b0d4bb60dcac543.jpg",[],{"id":657,"slug":658,"title":659,"dynasty":18,"author":19,"museum":20,"description":640,"tags":660,"thumbUrl":663,"material":36,"size":37,"collection":38,"collections":664,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},274518,"tong-du-jin-zhuan-shui-fa-ya-xiang-tuo-jing-zhong-yi-ming-274518","铜镀金转水法鸭象驮镜钟",[131,272,414,661,26,7,662],"大象","镜饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb44bb65bfa5187cf0eccd6656dda440.jpg",[],{"id":666,"slug":667,"title":668,"dynasty":18,"author":19,"museum":20,"description":411,"tags":669,"thumbUrl":672,"material":36,"size":37,"collection":38,"collections":673,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},274507,"tong-du-jin-qian-fa-lang-shan-shan-ji-qi-ren-biao-yi-ming-274507","铜镀金嵌珐琅扇扇机器人表",[105,131,670,661,414,671,7,26],"人偶","持扇","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70f374e47497a89bc96f1f13cd463c3f.jpg",[],{"id":675,"slug":676,"title":410,"dynasty":18,"author":19,"museum":20,"description":411,"tags":677,"thumbUrl":680,"material":36,"size":37,"collection":38,"collections":681,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},274495,"tong-du-jin-qian-ma-nao-yin-yue-xiang-biao-yi-ming-274495",[272,131,678,414,415,26,7,679],"嵌玛瑙","人像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e6a0d05d9c7c65a35fa2a3f05ca5076.jpg",[],{"id":683,"slug":684,"title":685,"dynasty":18,"author":19,"museum":20,"description":411,"tags":686,"thumbUrl":689,"material":36,"size":37,"collection":38,"collections":690,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},274487,"hua-fa-lang-ren-wu-bo-li-bi-ping-biao-yi-ming-274487","画珐琅人物玻璃壁瓶表",[82,414,34,94,687,688,7],"壁瓶","画珐琅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d6415aabd90dc5481ad6f233d6a5109.jpg",[],{"id":692,"slug":693,"title":694,"dynasty":18,"author":19,"museum":20,"description":411,"tags":695,"thumbUrl":696,"material":36,"size":37,"collection":38,"collections":697,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},274477,"tong-du-jin-xiang-tuo-si-mian-biao-yi-ming-274477","铜镀金象驮四面表",[131,272,26,82,661,321,414,53,143,34,127,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4828bd75e5c6f01aeb7c96eb4fe0623f.jpg",[],{"id":699,"slug":700,"title":701,"dynasty":18,"author":19,"museum":20,"description":411,"tags":702,"thumbUrl":706,"material":36,"size":37,"collection":38,"collections":707,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},274475,"tong-du-jin-qian-liao-shi-liu-shi-tuo-ping-hua-yin-yue-biao-yi-ming-274475","铜镀金嵌料石六狮驮瓶花音乐表",[131,272,26,453,703,414,704,7,443,705],"狮子","音乐器","兽类","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11d2ceb84ee357f177551f15724459a7.jpg",[],{"id":709,"slug":710,"title":711,"dynasty":18,"author":19,"museum":20,"description":423,"tags":712,"thumbUrl":714,"material":36,"size":37,"collection":38,"collections":715,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},274470,"tong-du-jin-qian-liao-shi-ting-shi-shui-fa-zhong-yi-ming-274470","铜镀金嵌料石亭式水法钟",[131,272,26,453,713,414,173,7],"亭式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9510f5f4ee9b513bea1613a0e5761639.jpg",[],{"id":717,"slug":718,"title":719,"dynasty":18,"author":19,"museum":20,"description":423,"tags":720,"thumbUrl":724,"material":36,"size":37,"collection":38,"collections":725,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},274430,"tong-du-jin-zhuan-pi-qiu-hua-san-ren-da-le-zhong-yi-ming-274430","铜镀金转皮球花三人打乐钟",[131,272,414,26,721,722,723,7],"皮球花","打乐","乐器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c76dfbaed1b8bec8de1d7c462d30bd6.jpg",[],{"id":727,"slug":728,"title":729,"dynasty":18,"author":19,"museum":20,"description":423,"tags":730,"thumbUrl":732,"material":36,"size":37,"collection":38,"collections":733,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},274422,"tong-du-jin-qian-fa-lang-zhuan-hua-fei-niao-shui-fa-zhong-yi-ming-274422","铜镀金嵌珐琅转花飞鸟水法钟",[731,131,272,82,127,52,34,7],"钟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F49802a81e8f25011d8f334c050923438.jpg",[],{"id":735,"slug":736,"title":737,"dynasty":18,"author":19,"museum":20,"description":423,"tags":738,"thumbUrl":740,"material":36,"size":37,"collection":38,"collections":741,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},274421,"tong-du-jin-qian-liao-shi-sheng-jiang-ta-zhong-yi-ming-274421","铜镀金嵌料石升降塔钟",[131,272,453,739,26,143,7],"塔钟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d7642a705c62f1036243c37ed77374e.jpg",[],{"id":743,"slug":744,"title":745,"dynasty":18,"author":19,"museum":20,"description":411,"tags":746,"thumbUrl":748,"material":36,"size":37,"collection":38,"collections":749,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},274412,"tong-du-jin-zhi-ji-shan-shi-qi-shi-qian-ma-biao-yi-ming-274412","铜镀金雉鸡山石骑士牵马表",[272,131,414,320,747,34,95,26,7],"雉鸡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b621f03ff05acae9fbe4035a2d380ca.jpg",[],{"id":751,"slug":752,"title":753,"dynasty":18,"author":19,"museum":20,"description":411,"tags":754,"thumbUrl":756,"material":36,"size":37,"collection":38,"collections":757,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},274394,"tong-du-jin-qian-ma-nao-zhuan-hua-biao-yi-ming-274394","铜镀金嵌玛瑙转花表",[272,131,414,755,26,413,94,703,7],"镶嵌工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faebc710683b8a3764b24e0982988c5c5.jpg",[],{"id":759,"slug":760,"title":761,"dynasty":18,"author":19,"museum":20,"description":411,"tags":762,"thumbUrl":764,"material":36,"size":37,"collection":38,"collections":765,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},274290,"tong-du-jin-xiang-ma-nao-zhuan-hua-biao-yi-ming-274290","铜镀金镶玛瑙转花表",[272,131,413,763,414,26,27,7,173,53],"镶宝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faff5ddc02fcfb59bc87ce0482a8c9c8d.jpg",[],{"id":767,"slug":768,"title":769,"dynasty":18,"author":19,"museum":20,"description":411,"tags":770,"thumbUrl":772,"material":36,"size":37,"collection":38,"collections":773,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},274286,"tong-du-jin-xiang-ma-nao-zhuan-bo-li-hua-biao-yi-ming-274286","铜镀金镶玛瑙转玻璃花表",[272,131,413,771,414,26,7],"玻璃花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0d31069303bacca0211675412b4d108.jpg",[],{"id":775,"slug":776,"title":777,"dynasty":18,"author":19,"museum":20,"description":411,"tags":778,"thumbUrl":781,"material":36,"size":37,"collection":38,"collections":782,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},274126,"tong-du-jin-qian-zhu-fa-lang-kai-guang-hu-shi-biao-yi-ming-274126","铜镀金嵌珠珐琅开光壶式表",[82,131,272,414,779,127,780,7],"嵌珠","壶式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd200760b37ce18547b83d41f11d73534.jpg",[],{"id":784,"slug":785,"title":786,"dynasty":18,"author":19,"museum":20,"description":411,"tags":787,"thumbUrl":789,"material":36,"size":37,"collection":38,"collections":790,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},274125,"tong-du-jin-fa-lang-hu-shi-biao-yi-ming-274125","铜镀金珐琅壶式表",[131,82,272,414,788,52,642,7],"鹰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a58abda7a31f29d0534d0aad7aa5f8f.jpg",[],{"id":792,"slug":793,"title":794,"dynasty":18,"author":19,"museum":20,"description":423,"tags":795,"thumbUrl":796,"material":36,"size":37,"collection":38,"collections":797,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},274105,"tong-du-jin-zhuan-pi-qiu-hua-zhong-yi-ming-274105","铜镀金转皮球花钟",[131,272,414,755,721,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61f4a16f267f5579e91e9a2854d8bc59.jpg",[],{"id":799,"slug":800,"title":801,"dynasty":18,"author":19,"museum":20,"description":115,"tags":802,"thumbUrl":804,"material":36,"size":37,"collection":38,"collections":805,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},270519,"hong-mu-qian-yu-chang-fang-pen-zi-jing-pu-tao-pen-jing-yi-ming-270519","红木嵌玉长方盆紫晶葡萄盆景",[106,308,311,309,49,803,7,26,24],"紫晶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03226487e79f80c5f63472b90f173281.jpg",[],{"id":807,"slug":808,"title":809,"dynasty":18,"author":19,"museum":20,"description":115,"tags":810,"thumbUrl":812,"material":36,"size":37,"collection":38,"collections":813,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},270493,"tong-du-jin-qian-yu-shi-bo-li-hai-tang-shi-pen-yu-shi-mei-hua-pen-jing-yi-ming-270493","铜镀金嵌玉石玻璃海棠式盆玉石梅花盆景",[106,131,272,49,152,82,118,811,24,26,7,53],"灵芝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F269c31d1fe8d4c58fcc62321516d5db3.jpg",[],{"id":815,"slug":816,"title":817,"dynasty":18,"author":19,"museum":20,"description":818,"tags":819,"thumbUrl":823,"material":36,"size":37,"collection":38,"collections":824,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},270467,"qian-long-kuan-huang-se-di-tao-hong-se-bo-li-tuan-shou-zi-hua-hui-wen-dai-gai-gong-wan-yi-ming-270467","乾隆款黄色地套红色玻璃团寿字花卉纹带盖供碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[204,820,821,545,822,7],"供碗","套色玻璃","花卉纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51cd1345de7b818565a5f23ddaf42b22.jpg",[],{"id":826,"slug":827,"title":828,"dynasty":18,"author":19,"museum":20,"description":829,"tags":830,"thumbUrl":833,"material":36,"size":37,"collection":38,"collections":834,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},270412,"lan-se-bo-li-gai-guan-yi-ming-270412","蓝色玻璃盖罐","宝蓝色玻璃澄澈似深海凝碧，与鎏金饰件相映成趣。腹部鎏金流云舒展迤逦，仙鹤振翅穿云，仙姿灵动，晕开祥瑞清韵。下半身通体鎏金錾刻，缠枝细纹柔婉层叠，莲瓣纹饰端庄舒展，肌理丰盈细腻。穹顶盖顶宝珠圆润雅致，浑然一体。\n它将玻璃的清透莹润与金饰的华贵雍容相融，把吉祥瑞意藏于方寸匠心之中，尽显清代工艺融合的精妙造诣，雅致华贵兼具，静静彰显着旧时宫廷审美意趣。",[204,272,831,26,832,66,7],"盖罐","仙鹤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1498e0e852358974280cbee760251e1.jpg",[],{"id":836,"slug":837,"title":838,"dynasty":18,"author":19,"museum":20,"description":223,"tags":839,"thumbUrl":843,"material":36,"size":37,"collection":38,"collections":844,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},270119,"qian-long-kuan-lan-se-bo-li-ba-leng-ping-yi-ming-270119","乾隆款蓝色玻璃八棱瓶",[204,840,841,842,7],"八棱瓶","蓝色","器皿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe03630e9c0d7d69a4af7b0136769718c.jpg",[],{"id":846,"slug":847,"title":848,"dynasty":18,"author":19,"museum":20,"description":849,"tags":850,"thumbUrl":852,"material":36,"size":37,"collection":38,"collections":853,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},270062,"bai-shan-hu-pen-jing-yi-ming-270062","白珊瑚盆景","以天然白珊瑚摹写枯木之姿，虬枝肆意舒展，莹白似凝霜覆雪，自带清冷疏朗的林下意趣，恍若将崖畔冬景移至案头。深石雕座沉稳古雅，衬得珊瑚愈发素洁温润，点缀的微型造景又添几分灵动生机。\n\n下方花盆以五彩绘就花鸟景致，禽鸟顾盼生姿，花叶饱满鲜活，釉色明丽晕染自然，艳色恰好中和了珊瑚的清寂，雅与艳相映成趣。\n\n整体将山海灵物与匠造工巧相融，既有天然造物的朴拙意韵，又含案头清供的雅致格调，尽显对自然意趣的精妙捕捉与营造。",[106,851,50,52,53,7],"白珊瑚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F188281bed4e2c7f63abbd667fe723710.jpg",[],{"id":855,"slug":856,"title":857,"dynasty":18,"author":19,"museum":20,"description":347,"tags":858,"thumbUrl":862,"material":36,"size":37,"collection":38,"collections":863,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},269951,"huang-yang-mu-hu-lu-shi-he-yi-ming-269951","黄杨木葫芦式盒",[24,26,859,352,462,860,861,310,7],"葫芦式","木器","蜘蛛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24fd7c266fee6f6edf4fe1c38e9e671f.jpg",[],{"id":865,"slug":866,"title":867,"dynasty":18,"author":19,"museum":20,"description":115,"tags":868,"thumbUrl":871,"material":36,"size":37,"collection":38,"collections":872,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},269824,"zi-tan-qian-yu-luo-dian-hu-lu-shi-he-yi-ming-269824","紫檀嵌玉螺钿葫芦式盒",[24,26,27,869,870,350,352,7,860],"玉","螺钿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2b8cc65ff1a70f9600403fc42d8048c.jpg",[],{"id":874,"slug":875,"title":876,"dynasty":18,"author":19,"museum":20,"description":115,"tags":877,"thumbUrl":879,"material":36,"size":37,"collection":38,"collections":880,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},269774,"zi-tan-qian-yin-xiang-yu-gui-shi-he-yi-ming-269774","紫檀嵌银镶玉圭式盒",[24,49,400,26,352,878,53,7],"嵌饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7badd69142b7bdd5358d895a707f6729.jpg",[],{"id":882,"slug":883,"title":884,"dynasty":18,"author":19,"museum":20,"description":885,"tags":886,"thumbUrl":890,"material":36,"size":37,"collection":38,"collections":891,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},269748,"kang-xi-kuan-pao-zhi-shou-zi-kui-long-wen-hua-nang-yi-ming-269748","康熙款匏制寿字夔龙纹花囊","花囊是指装香料的小袋，古人常佩于身上或系于帐中。出自《晋书·谢玄传》。\n犹“香囊”，装香料的小袋，古人常佩于身上或系于帐中。《晋书·谢玄传》：“玄少好佩紫罗香囊。”今人也有为驱虫、避邪之意或纯为表达情义而佩带或赠送。",[544,26,887,888,889,7],"寿字纹","夔龙纹","花囊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd0dc31bc33b24e63641cc23e5a87fcbd.jpg",[],{"id":893,"slug":894,"title":895,"dynasty":18,"author":19,"museum":20,"description":896,"tags":897,"thumbUrl":900,"material":36,"size":37,"collection":38,"collections":901,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},269698,"pao-zhi-shuang-die-gua-shi-hu-lu-yi-ming-269698","匏制双叠瓜式葫芦","此器取双瓜叠立之形，下瓜圆硕饱满，瓣棱匀整凸起，将瓜身勾勒得丰腴饱满，上瓜玲珑小巧，与下部形成错落的层次感。通体包浆红润莹润，是岁月摩挲晕染出的温润光泽。瓜棱线条流畅舒展，仿天然瓜果肌理，却带着人工莳养的精巧匠心，将造物天趣与工艺之美相融。质朴古雅，静穆中藏着雅致的文人情思，是案头清玩的佳器，尽显旧时文房赏玩的悠然意韵。",[544,898,26,899,7],"瓜式","文玩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd7d4495b7d092a51fda88ac0e8ca05b8.jpg",[],{"id":903,"slug":904,"title":905,"dynasty":18,"author":19,"museum":20,"description":223,"tags":906,"thumbUrl":908,"material":36,"size":37,"collection":38,"collections":909,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},269675,"qian-long-kuan-pao-zhi-dan-shi-ping-yi-ming-269675","乾隆款匏制胆式瓶",[544,26,907,7],"胆式瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6f154553eb4a82168939b235bbca4dc.jpg",[],{"id":911,"slug":912,"title":913,"dynasty":18,"author":19,"museum":20,"description":223,"tags":914,"thumbUrl":915,"material":36,"size":37,"collection":38,"collections":916,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},269670,"pao-zhi-hua-hui-wen-ping-yi-ming-269670","匏制花卉纹瓶",[53,26,94,205,544,49,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38db0fddb3c2e6e1279395a177ac24ab.jpg",[],{"id":918,"slug":919,"title":920,"dynasty":18,"author":19,"museum":20,"description":223,"tags":921,"thumbUrl":923,"material":36,"size":37,"collection":38,"collections":924,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},269666,"kang-xi-kuan-pao-zhi-liu-leng-ping-yi-ming-269666","康熙款匏制六棱瓶",[922,547,26,53,7],"匏制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e0b79ab8db579f09f5d0baae6c8824c.jpg",[],{"id":926,"slug":927,"title":928,"dynasty":18,"author":19,"museum":20,"description":223,"tags":929,"thumbUrl":933,"material":36,"size":37,"collection":38,"collections":934,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},269617,"xi-jiao-diao-tao-tie-wen-xiao-fang-ping-yi-ming-269617","犀角雕饕餮纹小方瓶",[26,930,931,932,7],"犀角器","饕餮纹","方瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec2610a405c3ce0ab227b0bd10fbcbde.jpg",[],{"id":936,"slug":937,"title":938,"dynasty":18,"author":19,"museum":20,"description":939,"tags":940,"thumbUrl":943,"material":36,"size":37,"collection":38,"collections":944,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},269615,"xi-jiao-diao-chi-wen-bei-yi-ming-269615","犀角雕螭纹杯","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[26,941,930,942,321,7],"饮酒器","螭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c876ab9a5fb340672e6c38e587c5f1e.jpg",[],{"id":946,"slug":947,"title":948,"dynasty":18,"author":19,"museum":20,"description":949,"tags":950,"thumbUrl":953,"material":36,"size":37,"collection":38,"collections":954,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},269590,"xiang-ya-ran-diao-ku-gua-yi-ming-269590","象牙染雕苦瓜","这件牙雕以仿生之技尽显巧思，将苦瓜肌理摹刻入微，周身疙瘩起伏错落，每一处凸起都鲜活逼真，仿若带着果蔬刚摘的生鲜质感。染色层次自然，黄褐底色还原成熟苦瓜的暖润色泽，蒂盖晕染绿意，点睛般鲜活了整体生机。\n\n形制小巧盈握，将日常蔬果化为案头雅玩，把市井烟火中的清趣凝于掌上。静伫之间，仿佛能触到夏日瓜蔬的鲜活意韵，将世俗风物提炼为雅致藏品，尽显写实入微的工艺风尚，藏着匠人的细腻匠心，让寻常蔬果拥有了长久的文玩生命力。",[25,26,951,952,7,53],"染雕","苦瓜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69c2fff257c764bb6f35be77f89d1361.jpg",[],{"id":956,"slug":957,"title":958,"dynasty":18,"author":19,"museum":20,"description":959,"tags":960,"thumbUrl":962,"material":36,"size":37,"collection":38,"collections":963,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},269569,"ren-zao-ya-diao-ji-yi-ming-269569","人造牙雕鸡","这只牙雕母鸡身形写实鲜活，脖颈微探，仿佛正凝神寻觅散落谷粒，将乡野家鸡觅食的日常瞬间凝于牙材之上。\n\n刀工极为精湛，主羽覆叠分明，尾羽收拢挺括，每一缕绒毛肌理都细腻入微，将软羽蓬松柔软的质感，精妙复刻于硬质牙材间。点睛处嵌饰细小红珠，刹那间便赋予这静态造物灵动生气，鸡爪纹理写实自然，稳稳撑住身形，将禽鸟觅食时的警惕神态尽显无遗。整体气韵生动，尽显传统仿生牙雕对自然生灵的细致捕捉与精妙还原。",[26,961,403,7],"牙雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e2e5ec7b5fa2fd684cbcb6f5981cafd.jpg",[],{"id":965,"slug":966,"title":967,"dynasty":18,"author":19,"museum":20,"description":968,"tags":969,"thumbUrl":971,"material":36,"size":37,"collection":38,"collections":972,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},269567,"ren-zao-ya-diao-ren-li-che-yi-ming-269567","人造牙雕人力车","这件作品将日常出行的鲜活瞬间凝于莹润材质之上，匠者以刀为笔，把市井风情雕琢入微。拉车的车夫躬身向前，肌肉线条隐约可见，手足姿态满是发力的动感，仿佛下一刻就会迈开脚步。车中仕女端然静坐，衣褶流转自然，手持器物的神态悠然沉静，尽显温婉气度。\n\n整作静中藏动，将人力出行的鲜活日常定格，温润的材质搭配细腻的刀工，把清末市井的烟火气凝练在方寸之间，尽显手工技艺的精妙，藏着对俗世生活的细致描摹。",[961,26,970,34,7],"人力车","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61a8cf361273f6f39557dd20e3c88d93.jpg",[],{"id":974,"slug":975,"title":976,"dynasty":18,"author":19,"museum":20,"description":977,"tags":978,"thumbUrl":979,"material":36,"size":37,"collection":38,"collections":980,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},269505,"tian-ran-mu-diao-lu-yi-ming-269505","天然木雕炉","木雕是雕塑的一种，在我们国家常常被称为“民间工艺”。木雕可以分为立体圆雕、根雕、浮雕三大类。木雕是从木工中分离出来的一个工种，在我们国家的工种分类中为“精细木工”。\n以雕刻材料分类的民间美术品种。一般选用质地细密坚韧，不易变形的树种如楠木、紫檀、樟木、柏木、银杏、沉香、红木、龙眼等。\n木雕是以各种木材及树根为材料进行雕刻，是以传统雕刻工艺中的重要门类。木雕的历史非常悠久，在浙江余姚河姆渡文化遗址就有木雕鱼出土，这是我国木雕史上最早的实物。河南信阳战国大墓出土的木雕镇木兽，湖北云梦汉墓出土的彩雕木佣均为我国早期木雕作品。由于保存的困难，现今很难看到超过千年的木雕作品。\n两宋时期木雕作品较为多见，这时的木雕已采用组织细密的木材为载体进行制作，这就有利于木雕作品的传世。我国的一些庙宇里还保存有宋代的木雕作品。\n元明时由于海外贸易的急速发展，木材种类有所增加，许多由海外进口的硬质木材，是木雕工艺得到长足发展。\n明清期间是木雕艺术的一个辉煌时期，涌现出大量有史可考的名家、艺人及其作品，是古代木雕艺术的一个高峰。\n清末至民国年间由于政府的腐败，国力的衰退，外强的侵略，民不潦生，木雕艺术从此衰落，艺人名家也只能沦为匠人糊口度日。新中国成立后在党和国家的关怀下，民间工艺得到了保护及挖掘，木雕也重新涣发出生命，涌现出一批国家级大师。他们的作品，工艺精湛，秉承传统，立意深远，讴歌时代，体现了大师们立足传统，锐意创新，直抒重获新生的胸怀和报效国家，知遇之恩的深情。\n国家改革开放，经济腾飞，国富民强，党和国家对民间工艺的大力扶持，唤起了民众对传统工艺美术的热爱与追求。逢此盛世，民间工艺美术有了新的飞跃，木雕艺术也不例外。面对实际情况，在全国工艺品展出中，优秀作品的作者年龄偏大，年轻作者寥寥无几。",[24,26,462,454,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51fea23c3691ddb881c20c16800365e5.jpg",[],{"id":982,"slug":983,"title":984,"dynasty":18,"author":19,"museum":20,"description":259,"tags":985,"thumbUrl":987,"material":36,"size":37,"collection":38,"collections":988,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},269479,"ying-mu-qian-bai-yu-diao-ju-hua-wen-san-xiang-ru-yi-yi-ming-269479","硬木嵌白玉雕菊花纹三镶如意",[24,49,26,361,986,27,7],"菊花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a124bfdaa56138006db7f261ae02b90.jpg",[],{"id":990,"slug":991,"title":992,"dynasty":18,"author":19,"museum":20,"description":993,"tags":994,"thumbUrl":997,"material":36,"size":37,"collection":38,"collections":998,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},269454,"ying-mu-gen-diao-mu-niu-yi-ming-269454","硬木根雕牧牛","这件根雕以天然瘿瘤塑就牛身，苍朴古拙，带着天然造物的野趣。匠人顺势施艺，将树根肌理化作牛身褶皱，嵌饰双目让老牛宛若活物，犄角硬朗锋利，尽显耕牛憨猛神态。\n\n骑坐的牧童神态悠然，袒胸赤足眉眼带笑，仿佛正伴着清风信口短歌，将乡野牧歌的闲逸具象化。他身形写意稚拙，与粗朴耕牛相映成趣，勾勒出田园悠然自适的烟火意趣。底座随形雕作盘根错节模样，和整体浑然一体，将根材天然意趣与人工雕琢完美相融，尽显民间手作的匠心巧思，把郊野闲适的诗意凝于木中。",[26,24,995,442,34,996,7],"根雕","牧童","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d61dafb47ac37e93fd27831ded73529.jpg",[],{"id":1000,"slug":1001,"title":1002,"dynasty":18,"author":19,"museum":20,"description":359,"tags":1003,"thumbUrl":1005,"material":36,"size":37,"collection":38,"collections":1006,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},269225,"wen-zhu-shou-zi-jiu-jiu-ru-yi-yi-ming-269225","文竹寿字九九如意",[53,363,26,361,1004,7],"寿字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F54551c107b63d4bff908b02dc06b1048.jpg",[],{"id":1008,"slug":1009,"title":1010,"dynasty":18,"author":19,"museum":20,"description":554,"tags":1011,"thumbUrl":1014,"material":36,"size":37,"collection":38,"collections":1015,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},263564,"chan-zhi-mu-dan-jin-bao-di-jin-yi-ming-263564","缠枝牡丹金宝地锦",[1012,373,154,1013,322,7],"织锦","缠枝花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4a178e788d64dbe81ed5df1a7ffb0c3.jpg",[],{"id":1017,"slug":1018,"title":1019,"dynasty":18,"author":19,"museum":20,"description":1020,"tags":1021,"thumbUrl":1027,"material":36,"size":37,"collection":38,"collections":1028,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},241714,"dong-zhu-chao-zhu-yi-ming-241714","东珠朝珠","整串以莹白东珠为主体，清润似凝月华，排布齐整尽显温润雅致。朱红珊瑚作为配珠与饰串，浓烈鲜亮，与东珠素净底色撞出庄重华贵的视觉张力。背云镶嵌翠玉，垂悬碧色坠角，两侧点缀珊瑚小串，末端坠以紫晶饰件，摇曳间尽显礼制威仪风骨。选料珍罕上乘，走线串接细致工巧，将规制与匠心融为一体，尽显旧时宫廷器物的典雅考究。",[1022,416,1023,481,1024,251,1025,7,1026],"清代","东珠","宝石","串缀","传统工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F875e85b2df75fea470f81e8a91faa7e1.jpg",[],1777535704691]