[{"data":1,"prerenderedAt":313},["ShallowReactive",2],{"subject-gou-lian":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},9232,"gou-lian","勾莲","勾莲画高清赏析","精选中国历代勾莲题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47e630f5789fd47a92d24aea73f103c9.jpg",0,29,[14,36,48,68,81,94,105,113,123,137,149,158,166,173,181,189,197,207,218,228,237,244,253,261,269,276,283,293,302],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},263882,"mo-lv-se-gou-lian-ba-bao-mu-dan-wen-zhuang-hua-duan-yi-ming-263882","墨绿色勾莲八宝牡丹纹妆花缎","清","佚名","藏地不详","以墨绿为地，沉敛雅致，牡丹大花铺陈其间，饱满雍容，勾莲与八宝缠绕掩映，配色浓妍鲜亮，赤朱、暖橙、柔粉撞色协调，绒金线织就的枝蔓游走穿梭，让整幅织物流光溢彩，华贵尽显。\n\n妆花通经断纬的繁复工艺，让每一处纹样都细腻鲜活，层次分明，将清代宫廷的奢华审美融于寸缕之间，底部织款更添考据价值，是清代织锦工艺登峰造极的代表之作，尽显盛世皇家织造的精妙匠心。",[23,24,25,26,7,27,28],"布料","织锦","妆花缎","牡丹","八宝","花卉纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98fe41a97fa08818b848479e8cb560b0.jpg","未知","Xcm*Xcm","",[],5,"795548",{"id":37,"slug":38,"title":39,"dynasty":18,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":44,"material":30,"size":31,"collection":32,"collections":45,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":47},265238,"mi-se-duan-di-gou-lian-mu-dan-wen-tao-yi-ming-265238","米色缎地勾莲牡丹纹绦","经线提花锦的组织结构和纹样都十分复杂，舞人动物纹锦的纹样横贯全幅，充分反映了当时已有了先进的提花织造技术。精美的刺绣品共有17种纹样，构图大，讲究对称、平衡，色彩配合恰当，给人以端庄典雅、富丽堂皇的美感。纹样内容充满神话色彩，鲜明地反映了楚文化的浪漫主义特色。墓中出土的衣袍为直据，是当时贵族中最流行的一种服式。这批先秦织物的出土，为深入研究我国古代纺织史提供了珍贵的实物资料。",[23,42,26,7,43],"饰品","织绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61a789b793d4380808a23c109aa34338.jpg",[],3,"0D904F",{"id":49,"slug":50,"title":51,"dynasty":18,"author":19,"museum":20,"description":52,"tags":53,"thumbUrl":65,"material":30,"size":31,"collection":32,"collections":66,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":67},249067,"qian-long-kuan-qia-si-fa-lang-gou-lian-shou-shan-fu-hai-tu-shuang-er-huo-huan-zhang-jing-ping-yi-ming-249067","乾隆款掐丝珐琅勾莲寿山福海图双耳活环长颈瓶","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[54,55,56,7,57,58,59,60,61,62,63,64],"清代","掐丝珐琅","珐琅器","寿山","福海","双耳","活环","龙纹","海水","山石","长颈瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47935adfb529ab2580a753ad7e379939.jpg",[],"37474F",{"id":69,"slug":70,"title":71,"dynasty":72,"author":19,"museum":20,"description":73,"tags":74,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":80,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":35},249045,"qia-si-fa-lang-gou-lian-tian-ma-wen-wan-yi-ming-249045","掐丝珐琅勾莲天马纹碗","明","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[75,55,56,76,7,77,78,79],"明代","器","天马","纹饰","设色",[],{"id":82,"slug":83,"title":84,"dynasty":18,"author":19,"museum":20,"description":52,"tags":85,"thumbUrl":91,"material":30,"size":31,"collection":32,"collections":92,"showCount":93,"zanCount":11,"manualWeight":11,"mainColor":35},249355,"qia-si-fa-lang-gou-lian-hua-hui-wen-xiang-shou-san-zu-xun-lu-yi-ming-249355","掐丝珐琅勾莲花卉纹象首三足熏炉",[55,86,87,7,88,89,90],"琺瑯器","花卉纹","象首","三足","铜制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F038a71b84addfab68f8533c22901d4a1.jpg",[],2,{"id":95,"slug":96,"title":97,"dynasty":18,"author":19,"museum":20,"description":52,"tags":98,"thumbUrl":102,"material":30,"size":31,"collection":32,"collections":103,"showCount":104,"zanCount":11,"manualWeight":11,"mainColor":67},249363,"qian-long-kuan-qia-si-fa-lang-gou-lian-jiao-ye-wen-mei-ping-yi-ming-249363","乾隆款掐丝珐琅勾莲蕉叶纹梅瓶",[18,55,76,99,100,56,7,101],"莲","蕉叶纹","蕉叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf1a45c660e1a6abc0fbba666e00d9b9.jpg",[],1,{"id":106,"slug":107,"title":108,"dynasty":18,"author":19,"museum":20,"description":52,"tags":109,"thumbUrl":111,"material":30,"size":31,"collection":32,"collections":112,"showCount":104,"zanCount":11,"manualWeight":11,"mainColor":67},249130,"qian-long-kuan-qia-si-fa-lang-gou-lian-pan-long-wen-ping-yi-ming-249130","乾隆款掐丝珐琅勾莲蟠龙纹瓶",[18,55,56,76,110,7,90],"龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4c476ce39530f5a43b1148726539e63.jpg",[],{"id":114,"slug":115,"title":116,"dynasty":72,"author":19,"museum":20,"description":117,"tags":118,"thumbUrl":121,"material":30,"size":31,"collection":32,"collections":122,"showCount":104,"zanCount":11,"manualWeight":11,"mainColor":35},249114,"qia-si-fa-lang-gou-lian-long-wen-zhu-tai-yi-ming-249114","掐丝珐琅勾莲龙纹烛台","敞口浅盘承托鎏金三足，中心鎏金烛盏擎起灯针，器型端庄雅致。松石蓝釉铺为底色，掐丝勾勒缠枝莲纹婉转舒展，行龙隐于花蔓之间，朱红、娇黄釉色晕染花叶，浓淡相宜。鎏金边棱与足座提亮气韵，华贵不失沉稳。\n掐丝匀净利落，釉色莹润厚重，承元代珐琅遗风，融明代本土审美，将重工细作与典雅审美融为一体，尽显明初宫廷器物的雍容气度，藏着匠人的精妙巧思。",[75,55,86,90,119,76,61,120,7,110],"烛台","勾莲纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d6c59e8466648295f011ec77038166f.jpg",[],{"id":124,"slug":125,"title":126,"dynasty":18,"author":19,"museum":20,"description":127,"tags":128,"thumbUrl":134,"material":30,"size":31,"collection":32,"collections":135,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":136},265988,"shi-qing-se-duan-ping-jin-xiu-si-tuan-yun-fu-gou-lian-jin-long-wen-yin-shu-pi-gun-fu-yi-ming-265988","石青色缎平金绣四团云蝠勾莲金龙纹银鼠皮衮服","石青底色沉静肃穆，平金绣团龙矫健昂扬，金线流转间龙身光泽灵动，仿佛即将破壁而出。云蝠与勾莲环绕龙纹，既衬出皇权威仪，又暗合福寿绵长的吉庆寓意。\n素净滚边柔和雅致，恰好反衬出绣纹的金碧辉煌，银鼠皮内里兼顾华贵观感与冬日暖意。整衣走线细密平整，平金绣工艺尽显顶尖匠心，礼制规制与绝美工艺相融，是兼具礼制价值与审美意趣的上乘之作。",[129,23,130,110,131,7,132,133],"衣帽","平金绣","云蝠","银鼠皮","衮服","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc809a8c0fc409cc23153297e26a37a7e.jpg",[],"BDBDBD",{"id":138,"slug":139,"title":140,"dynasty":18,"author":19,"museum":20,"description":141,"tags":142,"thumbUrl":147,"material":30,"size":31,"collection":32,"collections":148,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":136},265778,"jin-se-di-ke-si-cai-yun-gou-lian-lan-long-wen-nan-jia-long-pao-yi-ming-265778","金色地缂丝彩云勾莲蓝龙纹男夹龙袍","清代皇帝服饰有朝服、吉服、常服、行服等。皇帝的龙袍属于吉服范畴，比朝服、衮服等礼服略次一等，平时较多穿着。穿龙袍时，必须戴吉服冠，束吉服带及挂朝珠。龙袍以明黄色为主也可用金黄杏黄等色。古时称帝王之位，为九五之尊。九、五两数，通常象征着高贵，在皇室建筑、生活器具等方面都有所反映。清朝皇帝的龙袍，据文献记载，也绣有九条龙。从实物来看，前后只有八条龙，与文字记载不符，缺一条龙。有人认为还有一条龙是皇帝本身。其实这条龙客观存在着，只是被绣在衣襟里面，一般不易看到。这样一来，每件龙袍实际即为九龙，而从正面或背面单独看时，所看见的都是五龙，与九五之数正好相吻合。另外，龙袍的下摆，斜向排列着许多弯曲的线条，名谓水脚。水脚之上，还有许多波浪翻滚的水浪，水浪之上，又立有山石宝物，俗称“海水江涯”，它除了表示绵延不断的吉祥含意之外，还有“一统山河”和“万世升平”的寓意。\n皇后常服样式，与满族贵妇服饰基本相似，圆领、大襟，衣领、衣袖及衣襟边缘，都饰有宽花边，只是图案有\n所不同。本图展示的服装纹样为凤穿牡丹。整件服装在鲜艳的蓝色缎地上，绣八只彩凤，彩凤中间，穿插数朵牡丹。牡丹的颜色处理得净穆而素雅，色彩变化惟妙，具有传统的山水画特点。与此相反，凤的颜色比较浓重，红绿对比度极为强烈，具有典型民族风格和时代特色。\n清代官服主要品种为长袍马褂。官帽与前朝截然不同，凡军士、差役以上军政人员都戴似斗笠而小的纬帽，按冬夏季节有暖帽、凉帽之分，还视品级高低安上不同颜色、质料的“顶子”，帽后拖一束孔雀翎。翎称花翎，高级的翎上有“眼”（羽毛上的圆斑），并有单眼、双眼、三眼之别，眼多者为贵，只有亲王或功勋卓著的大臣才被赏戴。皇帝有时还赏穿黄马褂，以示特别恩宠。影响所及，其他颜色的马褂遂在官员士绅中逐渐流行，成为一般的礼服。四、五品以上官员还项挂朝珠，用各种贵重珠宝、香木制成，构成清代官服的又一特点。丝纺绣染及各种手工专业的进步，为清代服饰品种的丰富创造了条件。\n清代男装主要是长袍和马褂，袖端呈马蹄形是历代不曾见过的。长袍造型简练，立领直身，偏大襟，前后衣身有接缝，下摆有两开衩（古时称“缺裤”），四开衩和无开衩几种类型。皇室贵族为便于骑射，着四面开衩长袍，即衣前后中缝和左右两侧均有开衩的式样，平民则着左右两侧开衩或称“一裹圆”的不开衩长袍。在我国文学名著《红楼梦》第九十四回“宴海棠贾母赏花妖”一节中，记述了一段内容“那日宝玉本来穿着”一裹圆的皮袄在家休息，忽听贾母要来，便去换了一件狐腋箭袖，罩了一件玄狐腿外褂。这里说明“一裹圆”，是休闲衣服，不可登大雅之堂，所以贾母的到来，必须换掉便装，改着正式穿戴。满清时期长袍外面的马褂身长不过膝，袖宽且短。衣服上的佩饰比较琐繁，一个金银牌上垂挂着数十件小东西，如耳挖子、镊子、牙签，还有一些古代兵器的小模型，如戟、枪之类，佩挂饰物在清代已经形成风尚。",[143,129,23,144,110,7,145,146,79],"龙袍","缂丝","彩云","海水纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7448fc0d26509524b4890b38aa8409e8.jpg",[],{"id":150,"slug":151,"title":152,"dynasty":18,"author":19,"museum":20,"description":40,"tags":153,"thumbUrl":156,"material":30,"size":31,"collection":32,"collections":157,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},265261,"xue-hui-se-duan-di-mo-cai-gou-lian-mu-dan-wen-tao-yi-ming-265261","雪灰色缎地墨彩勾莲牡丹纹绦",[23,26,7,154,155,42],"墨彩","绦带","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Facc0ba6a85a6b7b7f65598f0eeb1f7ad.jpg",[],{"id":159,"slug":160,"title":161,"dynasty":18,"author":19,"museum":20,"description":40,"tags":162,"thumbUrl":164,"material":30,"size":31,"collection":32,"collections":165,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},265253,"bao-lan-se-duan-di-gou-lian-mu-dan-wen-tao-yi-ming-265253","宝蓝色缎地勾莲牡丹纹绦",[163,23,26,7,155,42,79],"刺绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e9f1ab9cbafcbcc768a1657fe602dcd.jpg",[],{"id":167,"slug":168,"title":169,"dynasty":18,"author":19,"museum":20,"description":40,"tags":170,"thumbUrl":171,"material":30,"size":31,"collection":32,"collections":172,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},265232,"xue-hui-se-duan-di-gou-lian-mu-dan-wen-tao-yi-ming-265232","雪灰色缎地勾莲牡丹纹绦",[23,163,42,26,7,79],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1651a74f73f8bbb61d88793279df850.jpg",[],{"id":174,"slug":175,"title":176,"dynasty":18,"author":19,"museum":20,"description":40,"tags":177,"thumbUrl":179,"material":30,"size":31,"collection":32,"collections":180,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},265222,"yuan-qing-se-duan-di-dan-cai-gou-lian-mu-dan-wen-tao-yi-ming-265222","元青色缎地淡彩勾莲牡丹纹绦",[23,155,26,7,43,178],"花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd2b4f895982aeb51620507791825a8e.jpg",[],{"id":182,"slug":183,"title":184,"dynasty":18,"author":19,"museum":20,"description":40,"tags":185,"thumbUrl":186,"material":30,"size":31,"collection":32,"collections":187,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":188},265210,"xue-hui-se-duan-di-dan-cai-gou-lian-mu-dan-wen-tao-yi-ming-265210","雪灰色缎地淡彩勾莲牡丹纹绦",[23,163,26,7,42,79],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F78291637fd0be84f30cf6334248781c4.jpg",[],"2A56C6",{"id":190,"slug":191,"title":192,"dynasty":18,"author":19,"museum":20,"description":40,"tags":193,"thumbUrl":195,"material":30,"size":31,"collection":32,"collections":196,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},265206,"hu-se-duan-di-dan-cai-gou-lian-mu-dan-wen-tao-yi-ming-265206","湖色缎地淡彩勾莲牡丹纹绦",[42,23,26,7,163,194],"淡彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94ab88bb3e7bc1b8d158006118935096.jpg",[],{"id":198,"slug":199,"title":200,"dynasty":18,"author":19,"museum":20,"description":201,"tags":202,"thumbUrl":205,"material":30,"size":31,"collection":32,"collections":206,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},264099,"da-hong-se-san-duo-gou-lian-mu-dan-wen-zhuang-hua-duan-yi-ming-264099","大红色三多勾莲牡丹纹妆花缎","大红地色热烈明艳，饱满牡丹与勾莲缠枝交错铺陈，间缀三多纹样，花型丰腴娇妍。粉、紫、暖黄等色交叠晕染，妆花技法让绒线光泽莹润饱满，纹样层次分明。卷草游枝蜿蜒串联各色花簇，让画面繁而不乱，满幅皆是富贵绵延的吉庆意涵，暗喻多福多寿多子的美好祈愿。织造工法精湛细腻，将装饰美学与吉祥寓意融于一体，尽显雍容华丽的典型风貌，是传统织绣审美与匠心的绝佳体现。",[203,23,24,25,26,7,204,79],"丝织品","三多纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F366cced435e4089c81e1f38cf08d7f78.jpg",[],{"id":208,"slug":209,"title":210,"dynasty":18,"author":19,"museum":20,"description":211,"tags":212,"thumbUrl":216,"material":30,"size":31,"collection":32,"collections":217,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":136},256627,"dou-cai-gou-lian-ju-ban-zun-yi-ming-256627","斗彩勾莲菊瓣尊","尊，今作樽，是商周时代中国的一种大中型盛酒器。青铜器，尊的形制圈足，圆腹或方腹，长颈，敞口，口径较大。尊盛行于商代至西周时期，春秋后期已经少见。较著名的有四羊方尊。商周至战国时期，还有另外一类形制特殊的盛酒器—彝。彝通常呈鸟兽状，有羊、虎、象、豕、牛、马、鸟、雁、凤等形象。《周礼·春官·司尊彝》：“春祠夏禴，裸用鸡彝鸟彝......追享朝享，裸用虎彝蜼彝。”彝纹饰华丽，在背部或头部有尊盖。",[54,213,214,7,215,76,79,78],"陶瓷","斗彩","菊瓣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d3881eed6d76f2a06162af44fc7bec1.jpg",[],{"id":219,"slug":220,"title":221,"dynasty":18,"author":19,"museum":20,"description":222,"tags":223,"thumbUrl":226,"material":30,"size":31,"collection":32,"collections":227,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},250171,"hua-fa-lang-gou-lian-kui-long-wen-mian-pen-yi-ming-250171","画珐琅勾莲夔龙纹面盆","此器以明丽湖蓝为底，铜色口沿圈束轮廓，雅致华贵。缠枝莲蔓柔婉舒展，勾连灵动夔龙，刚柔相映成趣。宝相花团匀落其间，填色饱满鲜亮，诸色交相辉映，珐琅釉面莹润亮泽，掐丝走线匀净流畅。\n\n宽浅器型周正端庄，纹饰繁密却层次分明，匠作细致入微，将富丽典雅的装饰意趣尽数铺展，是传统金属珐琅工艺的精巧之作，尽显庄重灵动的古典韵致。",[54,224,56,225,7],"画珐琅","夔龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6596d1b95b1f3ad1f64d5f47cb86702a.jpg",[],{"id":229,"slug":230,"title":231,"dynasty":18,"author":19,"museum":20,"description":52,"tags":232,"thumbUrl":235,"material":30,"size":31,"collection":32,"collections":236,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},249866,"qian-long-kuan-qia-si-fa-lang-lou-kong-gou-lian-pan-long-wen-xiang-xun-yi-ming-249866","乾隆款掐丝珐琅镂空勾莲蟠龙纹香熏",[54,55,233,234,86,90,110,7,76],"镂空","雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc09f87e69efc471a402081c03070b702.jpg",[],{"id":238,"slug":239,"title":231,"dynasty":18,"author":19,"museum":20,"description":52,"tags":240,"thumbUrl":242,"material":30,"size":31,"collection":32,"collections":243,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},249861,"qian-long-kuan-qia-si-fa-lang-lou-kong-gou-lian-pan-long-wen-xiang-xun-yi-ming-249861",[54,55,233,241,7,110,76],"蟠龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb282708c5b21cea42a8fcf2992ee0e2b.jpg",[],{"id":245,"slug":246,"title":247,"dynasty":72,"author":19,"museum":20,"description":248,"tags":249,"thumbUrl":251,"material":30,"size":31,"collection":32,"collections":252,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},249838,"qia-si-fa-lang-gou-lian-long-wen-xi-yi-ming-249838","掐丝珐琅勾莲龙纹洗","以澄澈天青釉为底，似揽入一方晴空。金铜掐丝勾绘缠枝莲纹，走线婉转柔劲，仿若藤蔓在釉面肆意舒展。宝相花团饱满妍丽，朱红、乳白与墨褐釉色错落点缀，晕染出自然层次，与亮蓝地色相映成趣。口沿与底足鎏金熠熠，衬得整器华贵沉稳。掐丝匀整细腻，填釉饱满明净，繁而不乱的纹饰尽显雅致雍容，将富丽雅致的审美意趣凝于方寸，古韵华贵藏于每一处细节之中。",[75,55,56,250,79,61,7],"铜胎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33bec9ec226fb2bd27f192518e5e04c3.jpg",[],{"id":254,"slug":255,"title":256,"dynasty":18,"author":19,"museum":20,"description":52,"tags":257,"thumbUrl":259,"material":30,"size":31,"collection":32,"collections":260,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},249833,"qian-long-kuan-qia-si-fa-lang-gou-lian-ba-bao-fan-wen-pan-yi-ming-249833","乾隆款掐丝珐琅勾莲八宝梵文盘",[18,55,56,7,27,258,76],"梵文","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2de2bb5956b9c1d62acee384bfcc098b.jpg",[],{"id":262,"slug":263,"title":264,"dynasty":18,"author":19,"museum":20,"description":52,"tags":265,"thumbUrl":267,"material":30,"size":31,"collection":32,"collections":268,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},249460,"qia-si-fa-lang-gou-lian-bian-fu-wen-zhou-tou-yi-ming-249460","掐丝珐琅勾莲蝙蝠纹轴头",[55,7,266,76,56],"蝙蝠纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfe8fe9a3700bffddaa276e60b98d541.jpg",[],{"id":270,"slug":271,"title":272,"dynasty":18,"author":19,"museum":20,"description":52,"tags":273,"thumbUrl":274,"material":30,"size":31,"collection":32,"collections":275,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},249426,"qia-si-fa-lang-gou-lian-hua-hui-wen-pie-kou-ping-yi-ming-249426","掐丝珐琅勾莲花卉纹撇口瓶",[55,56,7,178,76],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2b30fa45a94d5cb3e72bff23765cd93.jpg",[],{"id":277,"slug":278,"title":84,"dynasty":18,"author":19,"museum":20,"description":52,"tags":279,"thumbUrl":281,"material":30,"size":31,"collection":32,"collections":282,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},249356,"qia-si-fa-lang-gou-lian-hua-hui-wen-xiang-shou-san-zu-xun-lu-yi-ming-249356",[55,56,76,7,178,88,89,54,280],"熏炉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd4792bf26189f757d582c5d2628c3a4c.jpg",[],{"id":284,"slug":285,"title":286,"dynasty":72,"author":19,"museum":20,"description":73,"tags":287,"thumbUrl":291,"material":30,"size":31,"collection":32,"collections":292,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},249140,"qia-si-fa-lang-gou-lian-hua-niao-tu-chu-ji-fang-ping-yi-ming-249140","掐丝珐琅勾莲花鸟图出戟方瓶",[55,56,90,75,288,289,7,290,79],"花鸟","莲花","出戟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2f6aabe7ab7e45fce1123a55fb1c5e9.jpg",[],{"id":294,"slug":295,"title":296,"dynasty":18,"author":19,"museum":20,"description":52,"tags":297,"thumbUrl":300,"material":30,"size":31,"collection":32,"collections":301,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},249129,"qia-si-fa-lang-gou-lian-shuang-feng-wen-shuang-er-san-zu-gai-lu-yi-ming-249129","掐丝珐琅勾莲双凤纹双耳三足盖炉",[55,56,76,7,298,89,59,299],"凤","兽足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5e40a701664400987f380e4c2d70ff3.jpg",[],{"id":303,"slug":304,"title":305,"dynasty":72,"author":19,"museum":20,"description":306,"tags":307,"thumbUrl":311,"material":30,"size":31,"collection":32,"collections":312,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},249065,"qia-si-fa-lang-gou-lian-shi-xi-qiu-tu-pan-yi-ming-249065","掐丝珐琅勾莲狮戏球图盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[55,86,79,308,309,7,310],"狮","球","兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff02620141b10ecc9725fe318723c96d8.jpg",[],1777535715790]