[{"data":1,"prerenderedAt":158},["ShallowReactive",2],{"subject-gu-dian-chang-jing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2985,"gu-dian-chang-jing","古典场景","古典场景画高清赏析","精选中国历代古典场景题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13ee73575f75e2a99fb2b5842289b5f5.jpg",0,8,[14,47,65,78,103,120,134,148],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":40,"material":41,"size":42,"collection":43,"collections":44,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":46},222927,"hong-lou-meng-52-sun-wen-222927","红楼梦52","清","孙温","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,7,38,39],"高清","国画","工笔","设色","长卷","界画","人物","楼阁","庭院","旗帜","人群","树木","山石","传统建筑","古代服饰","陈设","工笔重彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc56277159654d5b8ed21eea08f9f0c3a.jpg","绢本","纵43.3厘米、横76.5厘米","",[],16,"BDBDBD",{"id":48,"slug":49,"title":50,"dynasty":18,"author":19,"museum":20,"description":21,"tags":51,"thumbUrl":61,"material":41,"size":42,"collection":43,"collections":62,"showCount":63,"zanCount":11,"manualWeight":11,"mainColor":64},223019,"hong-lou-meng-144-sun-wen-223019","红楼梦144",[23,24,25,26,28,29,30,31,34,52,53,54,55,56,57,58,59,60,7],"花卉","灯笼","窗棂","石阶","盆栽","服饰","假山","芭蕉","中式建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F379e12e1854915e72752bf92ee1c6498.jpg",[],15,"795548",{"id":66,"slug":67,"title":68,"dynasty":18,"author":69,"museum":70,"description":71,"tags":72,"thumbUrl":10,"material":76,"size":43,"collection":43,"collections":77,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":64},216685,"hong-lou-meng-fu-tu-ce-40-yi-ming-216685","红楼梦赋图册-40","佚名","藏地不详","暖黄底色如织锦轻覆，缠枝纹样婉转流转，似将红楼旧梦悄然裹藏。流云般的纹路间，隐约可见花影扶疏、吉纹暗伏，与书中诗意韵致暗合。画面质感温润，如摩挲旧卷般触感分明，暖色调晕开岁月的温软，每一缕线条都似在低诉红楼的雅致与怅惘。无需直白铺陈故事，仅以含蓄纹样便勾连起读者对书中情韵的遐思，尽显古典赋图的含蓄之美，让观者于方寸间触碰到那份跨越时空的雅致与怅然。",[23,24,73,74,26,25,29,75,7,57],"书画","册","美人","绢本,设色",[],{"id":79,"slug":80,"title":81,"dynasty":82,"author":83,"museum":70,"description":84,"tags":85,"thumbUrl":98,"material":99,"size":100,"collection":43,"collections":101,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":64},232330,"a-er-ma-57-lao-lun-si-a-er-ma-ta-de-ma-232330","阿尔玛57","不详","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[86,87,26,88,29,89,90,91,92,34,93,31,94,95,96,7,97],"名画","油画","古典风格","女性","花环","陶罐","草地","建筑","户外场景","人物群像","装饰性","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a6e205212eed2caf31a2cf49bd1af91.jpg","未知","Xcm*Xcm",[],4,{"id":104,"slug":105,"title":106,"dynasty":82,"author":107,"museum":70,"description":108,"tags":109,"thumbUrl":117,"material":99,"size":100,"collection":43,"collections":118,"showCount":119,"zanCount":11,"manualWeight":11,"mainColor":46},232500,"he-er-bai-yin-159-he-er-bai-yin-232500","荷尔拜因159","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[110,111,112,29,113,114,115,116,7],"素描","淡彩","线描","乐器","宝座","柱子","装饰纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1bd0b3d08f2ac7fb83c4e301c94e2adc.jpg",[],2,{"id":121,"slug":122,"title":123,"dynasty":82,"author":83,"museum":70,"description":84,"tags":124,"thumbUrl":132,"material":99,"size":100,"collection":43,"collections":133,"showCount":119,"zanCount":11,"manualWeight":11,"mainColor":64},232304,"a-er-ma-31-lao-lun-si-a-er-ma-ta-de-ma-232304","阿尔玛31",[87,26,29,75,125,126,127,128,129,130,37,131,7],"花","蕨类植物","棕榈科植物","几何图案地砖","壁画","马","红色墙体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5f2fbb8637fd2d82c673b13f0ff9959.jpg",[],{"id":135,"slug":136,"title":137,"dynasty":82,"author":69,"museum":70,"description":138,"tags":139,"thumbUrl":145,"material":99,"size":100,"collection":43,"collections":146,"showCount":147,"zanCount":11,"manualWeight":11,"mainColor":64},289480,"camillo-procaccini-martyrdom-of-a-female-saint-yi-ming-289480","Camillo Procaccini--Martyrdom of a Female Saint","以棕调素描铺陈叙事，明暗拉扯出极强戏剧张力。前景铠甲武士的冷硬线条，与中心人物的柔和虔诚形成强烈对冲，拥挤的人群烘托出殉道时刻的肃穆沉凝。\n上方垂落的光束锚定神性降临的瞬间，围观者神情各异，或垂首悲戚或漠然旁观，层次错落间铺展众生百态。衣褶排线流畅厚重，衬出人物饱满体积感，带着巴洛克式的动感韵律，将死亡将至的紧绷与神圣感召的庄严揉合一处，让静态纸面涌动着直击人心的叙事冲击力，把殉道的悲情与神性辉光定格在方寸之间。",[140,141,110,142,143,144,7],"宗教画","人物画","女圣徒殉道","宗教人物","狗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5ea4f4fb5f2182a34f0029bec179b00.jpg",[],1,{"id":149,"slug":150,"title":151,"dynasty":82,"author":83,"museum":70,"description":84,"tags":152,"thumbUrl":156,"material":99,"size":100,"collection":43,"collections":157,"showCount":147,"zanCount":11,"manualWeight":11,"mainColor":46},232332,"a-er-ma-59-lao-lun-si-a-er-ma-ta-de-ma-232332","阿尔玛59",[86,110,141,153,7,154,155],"历史画","室内场景","雕塑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F576b68ffc3360a1e345892eae510f2e8.jpg",[],1777535739767]