[{"data":1,"prerenderedAt":474},["ShallowReactive",2],{"subject-gu-dian-feng-ge":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4752,"gu-dian-feng-ge","古典风格","古典风格画高清赏析","精选中国历代古典风格题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58a52be0152e4e8ebabfae122f8932be.jpg",0,30,[14,48,70,98,112,131,147,164,181,196,207,218,237,252,264,274,287,296,307,318,332,343,358,370,380,398,408,418,441,456],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":41,"material":42,"size":43,"collection":44,"collections":45,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":47},225677,"rembrandt-harmensz-van-rijn-087-lun-bo-lang-225677","Rembrandt Harmensz.van Rijn - 087","不详","伦勃朗","藏地不详","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[23,24,25,26,27,28,29,30,31,32,33,34,7,35,36,37,38,39,40],"油画","写实","肖像","明暗对比","人物","老年女性","服饰","褶皱衣领","手部细节","暗背景","坐姿","光影表现","写实技法","人物肖像","复古服饰","手部刻画","暗调背景","静态坐姿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff91232fa7789b4a925654270b1fe89cf.jpg","未知","Xcm*Xcm","油画精选",[44],12,"37474F",{"id":49,"slug":50,"title":51,"dynasty":18,"author":52,"museum":20,"description":53,"tags":54,"thumbUrl":65,"material":42,"size":43,"collection":66,"collections":67,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":69},232300,"a-er-ma-27-lao-lun-si-a-er-ma-ta-de-ma-232300","阿尔玛27","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[23,55,24,7,27,56,57,58,59,60,61,62,63,64],"设色","美人","大理石","卷轴","典籍","雕刻","浮雕","布料","台阶","室内场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d69d0fe4c253f427ebc397002a8f949.jpg","",[],9,"795548",{"id":71,"slug":72,"title":73,"dynasty":18,"author":52,"museum":20,"description":53,"tags":74,"thumbUrl":96,"material":42,"size":43,"collection":66,"collections":97,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":69},232286,"a-er-ma-13-lao-lun-si-a-er-ma-ta-de-ma-232286","阿尔玛13",[75,23,55,7,24,27,76,77,78,57,79,80,81,82,83,84,85,86,87,88,89,90,91,92,93,94,95],"名画","女性","孩童","古典建筑","玫瑰","花瓣","乐器","海景","柱式建筑","石凳","地面瓷砖","花环","豹纹装饰","凉鞋","古式服饰","竖琴","手鼓","天空","远山","石质栏杆","兽头装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48071b240f143c3b94cbda6a7eb5ce20.jpg",[],{"id":99,"slug":100,"title":101,"dynasty":18,"author":102,"museum":20,"description":103,"tags":104,"thumbUrl":109,"material":42,"size":43,"collection":66,"collections":110,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":47},232579,"wei-lian-a-dao-fu-bu-ge-luo-194-wei-lian-a-dao-fu-bu-ge-luo-232579","威廉·阿道夫·布格罗194","威廉·阿道夫·布格罗","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[23,24,55,27,105,106,107,108,7,25],"儿童","卷发","白色衣物","细腻笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff22c8c697c7fe5dd1f30eb54600bca8.jpg",[],6,{"id":113,"slug":114,"title":115,"dynasty":18,"author":116,"museum":20,"description":117,"tags":118,"thumbUrl":127,"material":42,"size":43,"collection":66,"collections":128,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":130},289091,"jean-jacques-lequeu-longitudinal-and-cross-sections-of-the-salons-yi-ming-289091","Jean Jacques Lequeu--Longitudinal and Cross Sections of the Salons","佚名","整体采用对称工整的构图，尽显新古典主义室内设计的庄重典雅。左上与右上立面以釉蓝为底，搭配鎏金古典浮雕与垂坠帷幔，柔化立面棱角，将神性装饰融入宅邸细节，营造出静谧华贵的会客氛围。\n左下与右下立面转而以浅棕木色打底，鎏金雕花勾勒框架，壁龛中的人形雕塑复刻古典祭祀仪制，增添空间仪式感。\n四款立面分别呈现沙龙的前后纵横切面，精准拿捏洛可可的柔媚与新古典的克制，将贵族宅邸的精致奢华藏进每一处雕饰细节之中，是古典室内装饰的精巧范本。",[119,55,120,121,122,123,124,125,126,7],"界画","建筑画","室内装饰","厅堂","门窗","壁炉","窗帘","欧式建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fccd688864a1fa5578a4d7efdf0bec250.jpg",[],4,"BDBDBD",{"id":132,"slug":133,"title":134,"dynasty":18,"author":116,"museum":20,"description":135,"tags":136,"thumbUrl":145,"material":42,"size":43,"collection":66,"collections":146,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":130},288612,"john-gregory-crace-design-for-the-decoration-of-the-drawing-room-yi-ming-288612","John Gregory Crace--Design for the Decoration of the Drawing Room","这是一幅哥特复兴风格的会客厅设计稿，蓝底描金的肋拱穹顶缀满纹章浮雕，修长花饰沿拱券垂落，将中世纪宗教建筑的雅致庄重移入私邸。墙面铺陈古典叙事壁画，壁炉侧的猩红长椅柔化了建筑线条的冷硬，同色系帐幔与地毯首尾呼应，晕开温暖柔和的空间底色。\n\n中央雕花台座配古典画作，与两侧壁龛形成对称韵律，阳光穿透高窗在彩绘织物间晕开朦胧层次。设计师将中世纪装饰语言转化为宅邸厅堂的华贵私享氛围，纹饰暗含古典美学秩序感，平衡复古形制与起居暖意，尽显浪漫规整的复古室内美学精髓。",[137,138,64,139,140,124,141,142,7,55,143,144],"水彩画","装饰设计","客厅","彩绘天花板","帷幔","地毯","壁画","古典家具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d7a55d043f4e803338390b664ca6de8.jpg",[],{"id":148,"slug":149,"title":150,"dynasty":18,"author":52,"museum":20,"description":53,"tags":151,"thumbUrl":162,"material":42,"size":43,"collection":66,"collections":163,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":69},232330,"a-er-ma-57-lao-lun-si-a-er-ma-ta-de-ma-232330","阿尔玛57",[75,23,55,7,27,76,86,152,153,154,155,156,157,158,159,160,161],"陶罐","草地","树木","建筑","庭院","户外场景","人物群像","装饰性","古典场景","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a6e205212eed2caf31a2cf49bd1af91.jpg",[],{"id":165,"slug":166,"title":167,"dynasty":18,"author":116,"museum":20,"description":168,"tags":169,"thumbUrl":178,"material":42,"size":43,"collection":66,"collections":179,"showCount":180,"zanCount":11,"manualWeight":11,"mainColor":130},289495,"bernardino-india-design-for-a-wall-decoration-over-an-arched-doorway-yi-ming-289495","Bernardino India--Design for a Wall Decoration over an Arched Doorway","整体采用对称构图，以中央纹章锚定视觉重心，涡卷茛苕纹与兽面雕饰缠绕勾勒框架，华丽繁复尽显巴洛克装饰意趣。左右画框内的女性喻像一威一静，左者持杖端坐气场威仪，右者倚柱安坐气质柔静，中央立像英挺矫健，借古典人形体颂权力与德行。\n画师以利落明暗晕染铺陈体积感，刚柔并济的线条刻画出拟石的厚重肌理，将古典人文的典雅与巴洛克的华丽动感相融，适配拱门上楣的装饰形制，让庄重气场与灵动韵律共生，尽显古典装饰设计的精妙巧思。",[170,171,143,27,172,173,174,7,175,176,177],"素描","装饰画","狮子","拱门","宗教","建筑装饰","纹章","设计稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1448e1fb7daa0c7d469160298c7b0794.jpg",[],2,{"id":182,"slug":183,"title":184,"dynasty":18,"author":116,"museum":20,"description":185,"tags":186,"thumbUrl":194,"material":42,"size":43,"collection":66,"collections":195,"showCount":180,"zanCount":11,"manualWeight":11,"mainColor":69},288794,"pierre-antoine-baudouin-la-nuit-night-yi-ming-288794","Pierre Antoine Baudouin--La Nuit (Night)","暮色如纱笼罩幽林，小爱神雕像静立一旁，似是这场爱恋的沉默见证者。鎏金华服与柔粉长裙缱绻相拥，树影在衣料褶皱间晕开暧昧朦胧的光晕。\n\n林间水雾裹挟草木甜香漫溢，远处瀑布碎光揉进夜色晕染出湿润浪漫，明暗晕染勾勒出私密缱绻的相拥时刻，将洛可可式的柔美揉进晚风里，让耳鬓厮磨的心动，化作一帧温柔又私密的午夜恋歌，把偷来的片刻温情，凝固为永恒的温柔剪影。",[23,27,187,188,189,190,191,192,193,7],"情侣","小爱神","月夜","树林","瀑布","花卉","浪漫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd555ecb86c926cbd489ce2e5a49986d8.jpg",[],{"id":197,"slug":198,"title":199,"dynasty":18,"author":116,"museum":20,"description":200,"tags":201,"thumbUrl":205,"material":42,"size":43,"collection":66,"collections":206,"showCount":180,"zanCount":11,"manualWeight":11,"mainColor":130},288621,"jean-jacques-franc-ois-le-barbier-design-for-a-torche-re-yi-ming-288621","Jean-Jacques-François Le Barbier--Design for a Torchère","这幅棕调素描设计稿，将雕塑与烛台融于一体。少女身姿窈窕舒展，衣褶线条垂坠自然，带着柔婉的古典韵律。她仰面抬臂，将丰饶角托举过顶，虔诚肃穆的神态，让神话意象与实用装饰在此相融。底座雕花精致工整，古典纹样衬得少女身形柔美又带着沉静力量，整体构图修长挺拔，自带新古典主义的庄重优雅，将雕塑美学与器物功能完美结合，尽显静谧柔美的古典诗意。",[170,202,27,76,203,204,177,7],"白描","雕塑","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2028deef06b8ba777e3266759a8f665.jpg",[],{"id":208,"slug":209,"title":210,"dynasty":18,"author":116,"museum":20,"description":211,"tags":212,"thumbUrl":215,"material":42,"size":43,"collection":66,"collections":216,"showCount":180,"zanCount":11,"manualWeight":11,"mainColor":217},288567,"attributed-to-giuseppe-cades-design-for-a-frieze-with-two-women-flanking-an-urn-yi-ming-288567","attributed to Giuseppe Cades--Design for a Frieze with Two Women Flanking an Urn","这幅古典壁饰稿本，以棕调晕染铺陈复古质感。左侧翼女踏金球静立，神情肃穆矜贵。中央两位仕女身姿柔婉慵懒，一人支颐回望，一人背手垂首，环绕雕花古瓮，蛇形饰件盘绕瓮沿，明暗线条勾勒出衣褶垂坠的韵律，复刻出古罗马湿壁画的典雅意趣。右侧菱形饰板内，托举的女神与卷草浮雕呼应整体氛围，构图对称均衡，将神话意象与装饰美学相融，细腻笔触尽显人体柔美与装饰纹样的精巧，静穆中流淌着文艺复兴复古风格的诗意庄重。",[170,202,171,27,56,213,214,7],"天使","瓮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8425550542be6db46f14990aec77825f.jpg",[],"F48FB1",{"id":219,"slug":220,"title":221,"dynasty":18,"author":52,"museum":20,"description":53,"tags":222,"thumbUrl":10,"material":42,"size":43,"collection":66,"collections":236,"showCount":180,"zanCount":11,"manualWeight":11,"mainColor":69},232291,"a-er-ma-18-lao-lun-si-a-er-ma-ta-de-ma-232291","阿尔玛18",[23,24,223,7,158,224,225,192,226,227,228,81,229,230,155,92,231,232,161,233,234,235],"设色浓郁","河流","船只","古埃及元素","金字塔","羽毛扇","陶器","水果","侍从","织物","贵族女性","装饰细节","色彩明亮",[],{"id":238,"slug":239,"title":240,"dynasty":18,"author":116,"museum":20,"description":241,"tags":242,"thumbUrl":249,"material":42,"size":43,"collection":66,"collections":250,"showCount":251,"zanCount":11,"manualWeight":11,"mainColor":130},289518,"baldassarre-franceschini-allegorical-figure-of-purity-with-a-unicorn-and-two-putti-yi-ming-289518","Baldassarre Franceschini--Allegorical Figure of Purity with a Unicorn and Two Putti","红粉笔晕开柔暖的色调，贞洁化身的女子静坐在拱顶之下，桂冠衬出沉静圣洁的气质。她身侧的独角兽依偎在旁，作为贞洁的象征，为画面锚定庄重的主题，两个灵动小天使环绕左右，一个牵住独角兽，一个探身轻触，为肃穆添了几分活泼温情。\n\n线条松快灵动，顺着衣料起伏铺展出垂坠的褶皱，明暗晕染自然过渡，勾勒出柔婉却坚定的体态。弧形拱顶收拢构图，将视线引向中心，神性的庄重与古典的柔美相融，草稿独有的鲜活感跃然纸上，将抽象的美德具象为温柔却带着力量的鲜活形象。",[170,243,244,245,246,247,248,7],"人物画","独角兽","小天使","寓言题材","神话","纯洁主题","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e35cf703ab7ff9ab42093809d7bca05.jpg",[],1,{"id":253,"slug":254,"title":255,"dynasty":18,"author":116,"museum":20,"description":256,"tags":257,"thumbUrl":262,"material":42,"size":43,"collection":66,"collections":263,"showCount":251,"zanCount":11,"manualWeight":11,"mainColor":130},289502,"benedetto-luti-pius-v-and-the-ambassador-of-the-king-of-poland-yi-ming-289502","Benedetto Luti--Pius V and the Ambassador of the King of Poland","这幅素描以明暗铺陈戏剧张力，高台之上的掌权者踞坐睥睨，躬身的使者正上前呈递，尊卑反差立现。旁侧侍从神色各别，或垂首肃穆，或私语窥察，暗涌着朝堂里的微妙心绪。前景横陈阶前的濒死躯体，将权谋交锋下的残酷直白铺展。\n\n淡墨晕染帷幔虚化背景，把焦点收拢在人物群像的情绪拉扯间，粗粝又精准的线条，勾勒出每个角色的神态动态，带着速写独有的鲜活质感，将这场朝堂会面的冷峻悲情揉入笔触，让权力博弈下的众生相跃然纸面，尽显古典叙事里的沉郁张力。",[170,243,258,259,260,7,261],"宗教题材","历史画","群体人物","叙事场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7017dbdd894684d36b92db28b0f55266.jpg",[],{"id":265,"slug":266,"title":267,"dynasty":18,"author":116,"museum":20,"description":268,"tags":269,"thumbUrl":272,"material":42,"size":43,"collection":66,"collections":273,"showCount":251,"zanCount":11,"manualWeight":11,"mainColor":130},289299,"orazio-samacchini-study-for-the-decoration-of-a-vault-yi-ming-289299","Orazio Samacchini--Study for the Decoration of a Vault","以十字架构承载装饰构想，灰纸之上棕色调笔晕开柔和明暗，勾勒出浮雕般的立体层次。左侧沉思的半裸男子肌肉起伏自然，衣褶垂坠写实；右侧执笔文士姿态舒展，似在镌刻人文哲思。顶部卧兽配搭涡卷雕饰，柱头人面浮雕与下方顽童相互呼应，尽显古典装饰的华丽张力。草稿自带松弛随性的质感，却精准把控了穹顶装饰的庄重平衡，将人文主题与装饰意趣完美糅合，尽显古典装饰艺术的典雅格调。",[170,270,258,27,271,7,175,202],"装饰画稿","兽类","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F210592111cb3b464d5fa5aa155f34378.jpg",[],{"id":275,"slug":276,"title":277,"dynasty":18,"author":116,"museum":20,"description":278,"tags":279,"thumbUrl":285,"material":42,"size":43,"collection":66,"collections":286,"showCount":251,"zanCount":11,"manualWeight":11,"mainColor":130},289142,"marcantonio-franceschini-allegorical-figure-yi-ming-289142","Marcantonio Franceschini--Allegorical 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Men","这幅群像以棕褐色调铺陈，松弛却精准的线条勾勒出人物各异的动态。左侧老者探身伸手，似在激昂陈词，身旁众人或侧身聆听、或交头接耳；右侧持械者神色紧绷，抬手的身影将氛围拉向紧绷的临界点。\n\n晕染的阴影轻触衣袍与地面，寥寥几笔便撑起人物体积，没有繁复的细节堆砌，却凭着虚实错落的笔触，把一场街头争执的鲜活瞬间定格。随性的速写感让画面带着即兴的生动，粗犷的笔触下藏着细腻的情绪捕捉，仿佛下一秒就能听见人群的喧嚷争执。",[27,170,280,293,7],"男子群像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68c767e509c951627c86db2acb817a0c.jpg",[],{"id":297,"slug":298,"title":299,"dynasty":18,"author":116,"museum":20,"description":300,"tags":301,"thumbUrl":305,"material":42,"size":43,"collection":66,"collections":306,"showCount":251,"zanCount":11,"manualWeight":11,"mainColor":130},288793,"pierre-antoine-baudouin-le-matin-morning-yi-ming-288793","Pierre Antoine Baudouin--Le Matin (Morning)","蓝调帷幔围起一方私密闺房，鎏金饰边晕着华贵暖意。榻上女子尚陷在晨睡余韵中，手臂交叠枕于脑后，肌肤被晨光晕出柔润光泽，慵懒松弛漫溢开来。男子止步侧身，目光凝向榻上，似被这晨间慵态绊住脚步，一旁孩童扯住他的衣袍，为这暧昧氛围添上几分稚拙的拉扯感。\n\n笔触细腻晕开织物褶皱的柔光，以雅致配色铺就贵族晨间日常图景，将洛可可式的缱绻意趣藏在光影里，让私邸晨光里的松弛与暧昧，都融在人物细微的神态互动间。",[23,243,64,302,56,303,77,55,7,304],"卧室","男性","晨起","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ab80b5e9afb5f726df2bf7b031e3390.jpg",[],{"id":308,"slug":309,"title":310,"dynasty":18,"author":116,"museum":20,"description":311,"tags":312,"thumbUrl":316,"material":42,"size":43,"collection":66,"collections":317,"showCount":251,"zanCount":11,"manualWeight":11,"mainColor":217},288781,"pietro-bracci-design-for-a-tomb2-yi-ming-288781","Pietro Bracci--Design for a Tomb2","整体兼具庄重纪念性与巴洛克装饰意趣。上方以浅浮雕胸像为核心，俏皮的小爱神静立旁侧，姿态舒展的拟人化缪斯坐于碑顶，柔美的雕塑形态辅以细腻的光影晕染，将石材的温润质感表现得淋漓尽致。碑身以涡卷雕饰与面具浮雕点缀铭文区域，华丽又不失肃穆。下方附带标注尺寸的立面细节，尽显设计的严谨周全，让这份设计不仅是饱含哀思的纪念造物，更是一件兼具美学观赏性与实用功能性的古典设计佳作。",[313,203,314,280,170,7,315],"墓碑设计","人物像","装饰纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4909a348a0ddb1d798cfad44a860d952.jpg",[],{"id":319,"slug":320,"title":321,"dynasty":18,"author":116,"museum":20,"description":322,"tags":323,"thumbUrl":330,"material":42,"size":43,"collection":66,"collections":331,"showCount":251,"zanCount":11,"manualWeight":11,"mainColor":130},288693,"attributed-to-andrea-celesti-allegory-of-venetian-power-yi-ming-288693","attributed to Andrea Celesti--Allegory of Venetian 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他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[23,55,27,25,24,350,351,352,7,35,36,353,354,355],"半身像","面部刻画","服饰细节","半身构图","服饰描绘","面部细节","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5ac5d643963b1e9eb7d260f64707661.jpg",[],{"id":359,"slug":360,"title":361,"dynasty":18,"author":52,"museum":20,"description":53,"tags":362,"thumbUrl":368,"material":42,"size":43,"collection":66,"collections":369,"showCount":251,"zanCount":11,"manualWeight":11,"mainColor":69},232331,"a-er-ma-58-lao-lun-si-a-er-ma-ta-de-ma-232331","阿尔玛58",[23,27,363,364,365,366,367,7],"骑士","贵妇","马","城堡","蔷薇","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc37f55d42866d5a25ed5c9a4575d8739.jpg",[],{"id":371,"slug":372,"title":373,"dynasty":18,"author":52,"museum":20,"description":53,"tags":374,"thumbUrl":378,"material":42,"size":43,"collection":66,"collections":379,"showCount":251,"zanCount":11,"manualWeight":11,"mainColor":69},232314,"a-er-ma-41-lao-lun-si-a-er-ma-ta-de-ma-232314","阿尔玛41",[23,243,7,82,375,376,377,192],"露台","沉思忧郁","石雕栏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe83c865ef46eb87f15179536cb8aec22.jpg",[],{"id":381,"slug":382,"title":383,"dynasty":18,"author":52,"museum":20,"description":53,"tags":384,"thumbUrl":396,"material":42,"size":43,"collection":66,"collections":397,"showCount":251,"zanCount":11,"manualWeight":11,"mainColor":69},232313,"a-er-ma-40-lao-lun-si-a-er-ma-ta-de-ma-232313","阿尔玛40",[23,24,55,27,385,386,63,387,388,92,389,88,390,7,391,82,392,393,394,395],"大海","石质建筑","柱子","大瓮","古希腊服饰","光影","人物互动","石质台阶","白色建筑","蓝色海洋","人物姿态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F134e2e81b7c3f0bea410de6a82c4e08c.jpg",[],{"id":399,"slug":400,"title":401,"dynasty":18,"author":52,"museum":20,"description":53,"tags":402,"thumbUrl":406,"material":42,"size":43,"collection":66,"collections":407,"showCount":251,"zanCount":11,"manualWeight":11,"mainColor":69},232303,"a-er-ma-30-lao-lun-si-a-er-ma-ta-de-ma-232303","阿尔玛30",[23,55,27,56,403,404,405,7,24],"饰品","豹纹","软垫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c5f89bf4311414ab6f5aa9852dcaea8.jpg",[],{"id":409,"slug":410,"title":411,"dynasty":18,"author":52,"museum":20,"description":53,"tags":412,"thumbUrl":416,"material":42,"size":43,"collection":66,"collections":417,"showCount":251,"zanCount":11,"manualWeight":11,"mainColor":69},232302,"a-er-ma-29-lao-lun-si-a-er-ma-ta-de-ma-232302","阿尔玛29",[75,23,55,27,259,7,413,414,415],"宫廷场景","士兵","跪拜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d59c82249b80efe13725f035bbb8b27.jpg",[],{"id":419,"slug":420,"title":421,"dynasty":18,"author":52,"museum":20,"description":53,"tags":422,"thumbUrl":439,"material":42,"size":43,"collection":66,"collections":440,"showCount":251,"zanCount":11,"manualWeight":11,"mainColor":69},232297,"a-er-ma-24-lao-lun-si-a-er-ma-ta-de-ma-232297","阿尔玛24",[23,423,7,34,424,425,426,427,428,429,430,431,432,433,154,434,435,436,437,243,438,75],"写实主义","色彩细腻","细节丰富","写实描绘","小女孩","窗户","木质椅子","织物坐垫","柠檬","室内空间","窗外花园","裙子","头巾","自然光","墙壁护墙板","室内外场景结合","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdacad720b40354758e8893559182bed8.jpg",[],{"id":442,"slug":443,"title":444,"dynasty":18,"author":102,"museum":20,"description":445,"tags":446,"thumbUrl":454,"material":42,"size":43,"collection":66,"collections":455,"showCount":251,"zanCount":11,"manualWeight":11,"mainColor":47},232280,"wei-lian-a-dao-fu-bu-ge-luo-6-wei-lian-a-dao-fu-bu-ge-luo-232280","威廉·阿道夫·布格罗6","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n1875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[23,24,55,27,105,447,448,449,450,390,451,108,7,36,452,453],"金发","蝴蝶结","双手合十","服饰褶皱","深色背景","色彩柔和","细节刻画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a8da7e33cfff44ebe49fb1da01e9ea7.jpg",[],{"id":457,"slug":458,"title":459,"dynasty":460,"author":116,"museum":20,"description":461,"tags":462,"thumbUrl":472,"material":42,"size":43,"collection":66,"collections":473,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},243278,"bo-shan-lu-yi-ming-243278","博山炉","清","清代的玉炉很多，但用芙蓉石制作的炉却极少，这是因为做炉需要较大块的料，而芙蓉石一般裂纹很多不宜使用。中国芙蓉石的产量小，颜色与质地亦欠佳。",[463,464,465,60,466,467,468,469,470,7,471,315,204],"清代","青铜器","铜制","纹饰","陈设器","熏香器","立体造型","镂空工艺","金属器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faab5e6060be9751aec02551a8ceb289c.jpg",[],1777535715333]