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061",[71,87,29,88,89,90,91,7],"肖像画","男性","红帽","书桌","书籍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07f9c37659e7e3dbfe1dd075ea79bcf3.jpg",[78],11,{"id":96,"slug":97,"title":98,"dynasty":66,"author":67,"museum":68,"description":69,"tags":99,"thumbUrl":105,"material":76,"size":77,"collection":78,"collections":106,"showCount":107,"zanCount":11,"manualWeight":11,"mainColor":81},225666,"rembrandt-harmensz-van-rijn-076-lun-bo-lang-225666","Rembrandt Harmensz.van Rijn - 076",[71,74,100,87,29,101,102,103,7,104],"明暗对比","帽子","纸","笔","胡须","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e51a6d18e7bbe12c89408bd560493c9.jpg",[78],6,{"id":109,"slug":110,"title":111,"dynasty":66,"author":112,"museum":68,"description":113,"tags":114,"thumbUrl":131,"material":76,"size":77,"collection":41,"collections":132,"showCount":133,"zanCount":11,"manualWeight":11,"mainColor":134},232510,"he-er-bai-yin-169-he-er-bai-yin-232510","荷尔拜因169","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[74,26,72,115,116,117,118,119,120,121,122,123,124,125,126,127,128,7,129,130],"贵族女性","服饰细节","珠宝","珍珠","蕾丝","刺绣","蓝色背景","红色衣料","白色衬里","手部描绘","项链","头饰","文字装饰","精细刻画","金属装饰","织物纹理","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30d857f89dcaf44d506badfa413cbc32.jpg",[],5,"795548",{"id":136,"slug":137,"title":138,"dynasty":66,"author":139,"museum":68,"description":140,"tags":141,"thumbUrl":148,"material":76,"size":77,"collection":41,"collections":149,"showCount":133,"zanCount":11,"manualWeight":11,"mainColor":134},232318,"a-er-ma-45-lao-lun-si-a-er-ma-ta-de-ma-232318","阿尔玛45","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik 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illustration","佚名","这幅素描淡彩以松弛的构图铺陈郊野邂逅的日常场景，右侧苍劲大树框定画面空间，远景农舍木栅栏晕开恬淡乡野氛围。作者以细腻柔婉的线条勾勒人物情态：长裙淑女与教士执手晤谈，侍女垂首侍立身侧，两名男子旁观静候，持杖路人侧目回望，将十八世纪乡郊的社交场景鲜活呈现。淡墨晕染出柔和光影，衣褶纹路、人物神态皆被细致铺陈，带着古典插画特有的叙事感，在平实的郊野日常里，流露出旧时代世俗社交的闲适风貌，笔触雅致温婉，将旧时光的乡野闲情定格在纸面之上。",[157,158,159,160,7,161,162,163],"素描","书籍插画","人物画","户外场景","树木","民居","人物互动","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44de290cd1531c449ac96a7fe21d0e1c.jpg",[],4,{"id":168,"slug":169,"title":170,"dynasty":66,"author":139,"museum":68,"description":140,"tags":171,"thumbUrl":177,"material":76,"size":77,"collection":41,"collections":178,"showCount":166,"zanCount":11,"manualWeight":11,"mainColor":44},232319,"a-er-ma-46-lao-lun-si-a-er-ma-ta-de-ma-232319","阿尔玛46",[27,71,26,142,29,143,172,173,174,175,176,7],"大海","水池","石砌平台","鱼","花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F680dd60068cd691bcb89c86ea7b8bd6c.jpg",[],{"id":180,"slug":181,"title":182,"dynasty":66,"author":139,"museum":68,"description":140,"tags":183,"thumbUrl":193,"material":76,"size":77,"collection":41,"collections":194,"showCount":166,"zanCount":11,"manualWeight":11,"mainColor":44},232305,"a-er-ma-32-lao-lun-si-a-er-ma-ta-de-ma-232305","阿尔玛32",[71,26,29,143,184,185,186,187,188,7,189,190,191,192],"兽","黑豹","花朵","海水","石质平台","织物","神话场景","光线柔和","色彩明快","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a4eab03f34f984028628504bfac85f0.jpg",[],{"id":196,"slug":197,"title":198,"dynasty":66,"author":139,"museum":68,"description":140,"tags":199,"thumbUrl":210,"material":76,"size":77,"collection":41,"collections":211,"showCount":166,"zanCount":11,"manualWeight":11,"mainColor":81},232285,"a-er-ma-12-lao-lun-si-a-er-ma-ta-de-ma-232285","阿尔玛12",[71,74,29,7,189,200,201,202,203,204,205,118,206,207,208,209],"大理石","家具","饰品","室内场景","长袍","凉鞋","窗帘","墙面","地面","椅子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a38c189cf5cd4e316f5512b79dd0ab5.jpg",[],{"id":213,"slug":214,"title":215,"dynasty":18,"author":154,"museum":68,"description":216,"tags":217,"thumbUrl":10,"material":222,"size":41,"collection":41,"collections":223,"showCount":166,"zanCount":11,"manualWeight":11,"mainColor":134},216683,"hong-lou-meng-fu-tu-ce-39-yi-ming-216683","红楼梦赋图册-39","绢素之上，笔墨如诉。线条纤细却含筋骨，勾画出红楼儿女的衣袂翩跹与眉眼间的幽微心事；设色淡雅如春日烟霞，晕染出庭院深深的静谧与花事阑珊的怅惘。帧帧图绘与赋文相映，将书中的绮梦与苍凉凝作可视的诗意。纸页泛着时光的暖黄，似是岁月为这份古典情韵覆上的薄纱，每一道纹理都藏着红楼的旧影。笔墨流转间，古典的温柔与深沉悄然铺展，让观者在光影交错里，触摸那份跨越时空的绮丽与怅惘，坠入那片静谧而悠远的红楼之境。",[23,218,25,26,29,143,35,7,219,220,221],"册","场景","传统绘画","清代风格","绢本,设色",[],{"id":225,"slug":226,"title":227,"dynasty":66,"author":154,"museum":68,"description":228,"tags":229,"thumbUrl":237,"material":76,"size":77,"collection":41,"collections":238,"showCount":239,"zanCount":11,"manualWeight":11,"mainColor":44},289497,"bernard-van-orley-otto-count-of-nassau-and-his-wife-adelheid-van-vianen-yi-ming-289497","Bernard van Orley--Otto, Count of Nassau and his Wife Adelheid van Vianen","这幅作品以柔润水彩结合精细素描，定格了贵族夫妇隔场相望的瞬间。左侧骑士甲胄锃亮，披风猎猎垂落，胯下骏马昂首抬蹄，尽显勇武飒爽；右侧夫人衣袂舒展华贵，骑姿端庄温婉，与丈夫遥遥对视间流淌着克制的柔情。\n\n画面两侧的家族纹章晕染出典雅的贵族氛围感，远景朦胧的乡野村落铺陈出静谧底色，将贵族风雅与世俗温情相融，细腻笔触复刻出文艺复兴时期尼德兰上层社会的婚恋意趣与体面风骨。",[29,230,231,232,233,234,235,236,7,160],"马","贵族夫妇","田园风景","城堡","淡彩","线描","西洋画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc87079ba57f02bf200522a8c9739a374.jpg",[],2,{"id":241,"slug":242,"title":243,"dynasty":66,"author":244,"museum":68,"description":245,"tags":246,"thumbUrl":253,"material":76,"size":77,"collection":41,"collections":254,"showCount":239,"zanCount":11,"manualWeight":11,"mainColor":134},232545,"mi-lai-si-89-yue-han-ai-fu-li-te-mi-lai-si-232545","米莱斯89","约翰·埃弗里特米莱斯","John Everett 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