[{"data":1,"prerenderedAt":215},["ShallowReactive",2],{"subject-gu-dian-hui-hua":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3944,"gu-dian-hui-hua","古典绘画","古典绘画画高清赏析","精选中国历代古典绘画题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffbf114af71bd44fc7209522477504afd.jpg",0,12,[14,50,78,97,115,125,140,153,167,180,191,204],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":42,"material":43,"size":44,"collection":45,"collections":46,"showCount":47,"zanCount":48,"manualWeight":11,"mainColor":49},230526,"shi-yi-mian-guan-yin-xiang-yi-ming-230526","十一面观音像","不详","佚名","藏地不详","整作设色古雅沉厚，主尊十一面分层布列，正容慈悲端严，余面涵摄喜怒诸相，尽显化度十方的悲悯威德。造像璎珞环身，宝饰华繁却毫无冗杂之感，衣纹敷色晕染细腻，朱金青绿交叠，旧绢底色衬得画面古穆堂皇。莲台与须弥座纹饰精丽，上方悬垂珠络宝幡，似有清灵梵风萦动。构图饱满庄重，线条劲挺兼具柔婉，融密教造像仪轨与工致绘法于一体，岁时虽磨却色泽，却愈发沉淀出静穆圣洁的宗教氛围感，尽显大乘造像慈悲庄严的神性之美。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,39,7,40,41],"高清","国画","设色","工笔","宗教","人物","莲花","立轴","璎珞","装饰纹样","传统服饰","矿物颜料","细腻线条","服饰花纹","莲花座","珠宝饰品","竖幅构图","宗教造像","人物服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c3894b15baaa4a686e7c43be3c1aecf.jpg","未知","Xcm*Xcm","",[],35,1,"795548",{"id":51,"slug":52,"title":53,"dynasty":54,"author":55,"museum":56,"description":57,"tags":58,"thumbUrl":10,"material":74,"size":75,"collection":45,"collections":76,"showCount":77,"zanCount":11,"manualWeight":11,"mainColor":49},222903,"hong-lou-meng-28-sun-wen-222903","红楼梦28","清","孙温","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[23,24,26,25,59,60,61,7,62,63,64,65,66,67,68,69,70,71,72,73],"长卷","界画","人物画","庭院","树木","怪石","古典建筑","室内场景","室外场景","人物活动","陈设","古代服饰","器物","对联","山水纹饰","绢本","纵43.3厘米、横76.5厘米",[],24,{"id":79,"slug":80,"title":81,"dynasty":18,"author":19,"museum":20,"description":82,"tags":83,"thumbUrl":94,"material":43,"size":44,"collection":45,"collections":95,"showCount":96,"zanCount":48,"manualWeight":11,"mainColor":49},231681,"jiang-hu-shi-qi-fo-jiao-wu-dao-juan-yi-ming-231681","江户时期 佛教舞蹈卷","长卷铺陈群舞盛景，人物排布回旋错落，似随隐于画外的乐律踏跃。武士挎刀振臂、僧者执幡领舞、平民袒裼驱步，各色人等妆容衣饰各异。\n简劲灵动的线条勾出衣袂飘举之姿，古雅淡朴的敷色晕开旧时光晕，以稚拙笔触定格每一帧鲜活动态，将祭典的庄严与歌舞的恣肆相融，让观者仿若闻声踏节，窥见信仰与欢娱交织的旧时鲜活图景。",[23,59,25,28,27,84,26,85,86,87,88,89,90,91,7,92,93],"舞蹈","江户时期","日本传统绘画","传统人物画","动态人物","佛教主题","服饰","群像","线条","色彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc28ebc5b9296bbaf10e56fb89232ba2a.jpg",[],20,{"id":98,"slug":99,"title":100,"dynasty":18,"author":101,"museum":20,"description":102,"tags":103,"thumbUrl":111,"material":43,"size":44,"collection":112,"collections":113,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":114},225645,"rembrandt-harmensz-van-rijn-055-lun-bo-lang-225645","Rembrandt Harmensz.van Rijn - 055","伦勃朗","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[104,28,105,25,106,107,108,109,110,7],"油画","肖像","光影","男性","红袍","帽子","明暗对比","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0cba2773a6ae4bb73cb4f4eb28de8fbd.jpg","油画精选",[112],"37474F",{"id":116,"slug":117,"title":118,"dynasty":18,"author":101,"museum":20,"description":102,"tags":119,"thumbUrl":122,"material":43,"size":44,"collection":112,"collections":123,"showCount":124,"zanCount":11,"manualWeight":11,"mainColor":114},225668,"rembrandt-harmensz-van-rijn-078-lun-bo-lang-225668","Rembrandt Harmensz.van Rijn - 078",[104,28,105,120,110,107,109,121,106,7],"写实","衣物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36725549c5fd3b3d104c509824baa3b9.jpg",[112],5,{"id":126,"slug":127,"title":128,"dynasty":18,"author":19,"museum":20,"description":129,"tags":130,"thumbUrl":137,"material":43,"size":44,"collection":45,"collections":138,"showCount":139,"zanCount":11,"manualWeight":11,"mainColor":49},289139,"marco-ricci-capriccio-with-roman-ruins-yi-ming-289139","Marco Ricci--Capriccio with Roman Ruins","这幅画以残垣织就怀古梦境，将罗马废墟揉入抒情景致。斑驳拱券残存铭文，诉说岁月侵蚀的沉疴，虬曲斜枝携霜红枝叶晕开萧瑟秋意。石狮子盘踞高座，鬃毛的粗粝纹理凝固旧日威严，下方匠人在残石间忙碌，为荒颓废墟暗涌进鲜活生机。远景城郭轻笼烟霭，另一处颓败殿宇隐在林梢，暖调柔光漫过断壁，将怀古怅惘晕成温柔底色。画作以细腻笔触平衡沧桑与鲜活，把虚构的残景绘成带着呼吸的诗意挽歌，引观者沉陷古典余韵的温柔怅惘之中。",[104,25,131,132,133,134,28,135,63,136,7],"古罗马遗迹","拱门","石柱","狮子","残垣断壁","风景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76d8e2b9a0bf24480d362f20cc1de8e4.jpg",[],2,{"id":141,"slug":142,"title":143,"dynasty":18,"author":101,"museum":20,"description":102,"tags":144,"thumbUrl":151,"material":43,"size":44,"collection":45,"collections":152,"showCount":139,"zanCount":11,"manualWeight":11,"mainColor":114},230645,"rembrandt-harmensz-van-rijn-033-lun-bo-lang-230645","Rembrandt Harmensz.van Rijn - 033",[104,145,146,110,28,147,148,109,149,150,7],"肖像画","写实风格","老年男性","胡须","深色衣物","光影运用","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6782c84fbceeb60a23b313d5f0ab0cc.jpg",[],{"id":154,"slug":155,"title":156,"dynasty":18,"author":19,"museum":20,"description":157,"tags":158,"thumbUrl":164,"material":43,"size":44,"collection":45,"collections":165,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":166},289025,"louis-lagrene-e-the-resurrection-yi-ming-289025","Louis Lagrenée--The Resurrection","这幅祭坛画以复活的基督为视觉核心，他周身光晕环绕，挣脱墓茔昂首向天，神性威严喷薄而出。周遭罗马兵丁或瘫倒惊呼，或错愕失神，将神迹降临的震撼烘托到极致。\n\n华丽的教堂祭坛框架为画面镶边，鎏金饰纹配搭大理石立柱，帷幔垂坠柔润舒展，衬出祭台的庄严肃穆。下方圣坛与持炬天使承接整体氛围，让信仰的厚重感贯穿画面。淡彩晕染让光影层次柔和分明，将神圣光辉与宗教建筑的沉静质感相融，将救赎降临的瞬间永久定格，满溢着庄严虔诚的信仰力量。",[159,25,160,28,161,162,163,7],"宗教画","耶稣复活","天使","十字架","祭坛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2151a965e2c08718f14c905b3c6767c.jpg",[],"BDBDBD",{"id":168,"slug":169,"title":170,"dynasty":18,"author":19,"museum":20,"description":171,"tags":172,"thumbUrl":178,"material":43,"size":44,"collection":45,"collections":179,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":49},288820,"perino-del-vaga-jupiter-appearing-to-semele-yi-ming-288820","Perino del Vaga--Jupiter Appearing to Semele","棕褐色调铺就厚重底色，粗犷精准的线条拉扯出满幅张力。朱庇特须发怒张，裹挟风雷火光自天际俯冲而下，虬结的肌肉贲张着神性的原始力量，羽翼衣袂翻卷如暴风中的浪涛，将神祇降临的威压拉至顶点。\n\n下方的塞墨勒仰面伸臂，层叠柔缓的衣褶衬出凡人躯体的纤弱，面庞写满惊愕与迷醉。明暗晕染模糊了神域与俗世的边界，流火流云晕开恍惚的氛围感，让这场神凡相遇充满宿命般的戏剧张力，将刹那的震颤定格成永恒的叙事瞬间。",[61,173,7,174,175,176,177],"神话故事","素描","火焰","飞鸟","神话人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F109308242f0f358e24fef24b69004bf3.jpg",[],{"id":181,"slug":182,"title":183,"dynasty":18,"author":19,"museum":20,"description":184,"tags":185,"thumbUrl":189,"material":43,"size":44,"collection":45,"collections":190,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":166},288819,"perino-del-vaga-presentation-of-the-virgin-in-the-temple-yi-ming-288819","Perino del Vaga--Presentation of the Virgin in the Temple","三角构图收拢起整个仪式场景，紧凑又带着庄重的秩序感。前景两侧人物以舒展的动作传递出饱满情绪，左侧女眷探身伸手，似是不舍的叮咛，右侧老者抬手祈愿，将视线引向台阶上端躬身的少女。\n棕褐素描结合淡彩在灰底晕开，衣褶粗粝的肌理被精准勾勒，台阶排线层层抬升空间，殿内群像朦胧肃穆，烘托出仪式的神圣氛围。几何边框将虔诚心绪凝锁其中，把送别与祈愿的温情融于简练笔触，静穆间流淌着庄重的叙事感，让这场仪式的虔诚氛围感扑面而来。",[27,61,174,186,187,188,7],"圣殿","群体人物","圣母献殿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73134ac0aef5f397c2f0dcf69e334739.jpg",[],{"id":192,"slug":193,"title":194,"dynasty":18,"author":19,"museum":20,"description":195,"tags":196,"thumbUrl":202,"material":43,"size":44,"collection":45,"collections":203,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":166},288694,"attributed-to-andrea-boscoli-scenes-from-ancient-history-after-polidoro-da-caravaggio-yi-ming-288694","attributed to Andrea Boscoli--Scenes from Ancient History, after Polidoro da Caravaggio","这幅仿古典叙事浮雕稿以棕褐色墨水铺陈，用排线晕染塑造光影体积。画面分左右两组场景，左侧将领被仆从搀扶欲行，跪地老者垂首哀恸，伸手苦苦恳求，动态满含戏剧张力。右侧人群躁动攒动，长袍长者抬手厉声呼告，高大陶瓶锚定右半画面重心，平衡构图。整体以浅浮雕的排布区分人物层次，疏密有致。创作者精准拿捏古典历史题材的肃穆感，将世俗悲怆凝为永恒叙事，线条兼具力量与柔度，让静态画面涌动着沉郁的悲剧情绪，尽显古代历史场景的厚重与戏剧冲突。",[28,197,174,198,199,200,201,7],"历史画","浮雕风格","犬","陶瓶","肃穆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16aec70038dfd5d536c7784ef239a849.jpg",[],{"id":205,"slug":206,"title":207,"dynasty":18,"author":208,"museum":20,"description":209,"tags":210,"thumbUrl":213,"material":43,"size":44,"collection":45,"collections":214,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":49},232289,"a-er-ma-16-lao-lun-si-a-er-ma-ta-de-ma-232289","阿尔玛16","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[104,28,7,211,212,66],"古代场景","画架","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3adf7a61b359bc3230f43462be789cd6.jpg",[],1777535730328]