[{"data":1,"prerenderedAt":190},["ShallowReactive",2],{"subject-gu-dian-ren-wu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2728,"gu-dian-ren-wu","古典人物","古典人物画高清赏析","精选中国历代古典人物题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F127e8cff6c8c717373302cc855931e79.jpg",0,10,[14,44,61,84,101,114,127,139,152,168],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":37,"material":38,"size":39,"collection":40,"collections":41,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":43},215140,"zhao-liang-shi-nv-tu-qian-xuan-215140","招凉仕女图","元","钱选","台北故宫博物院","本幅为「集古名绘」册第七幅。画二佳丽，头顶高冠，身披轻纱，手执纨扇于园中消暑。布局简约，设色雅淡，衣描用笔劲如游丝，纤秀清逸。确属名家之杰作，惟幅中无款印，旧传为钱选之作",[23,24,25,26,27,28,29,30,31,32,33,34,7,35,36],"高清","国画","书画","设色","工笔","人物","美人","仕女","植物","元风格","细描","绢本","夏日","纳凉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffbb2232f9bdd27643d1136c5a47b2918.jpg","绢本,设色","22.4x21.7cm","人物画精选",[40],110,"BDBDBD",{"id":45,"slug":46,"title":47,"dynasty":48,"author":49,"museum":50,"description":51,"tags":52,"thumbUrl":10,"material":57,"size":57,"collection":57,"collections":58,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":60},231697,"you-yuan-si-tiao-ping-yi-ming-231697","游园四条屏","不详","佚名","藏地不详","此作以古松虬枝框景，留白衬出林下清寂悠远。仕女分作数组，情态各别：执伞侍者垂首侍立，闺中眷侣私语相和，携幼仕女缓行顾盼，执巾侍女恭谨相随。\n\n线条细劲秀逸，敷色淡雅明净，朱红白衫与黛色衣袂相映，晕染柔和自然，将仕女温婉丰腴的体态神韵尽显。整幅画作把游园的松弛闲静，融在松风云影之间，将贵族春日游园的悠然意趣铺陈开来，尽显古典仕女画的雅致情致。",[23,24,25,26,27,28,29,53,54,55,7,56],"老树","传统服饰","游园场景","树木","",[],14,"795548",{"id":62,"slug":63,"title":64,"dynasty":48,"author":65,"museum":50,"description":66,"tags":67,"thumbUrl":78,"material":79,"size":80,"collection":57,"collections":81,"showCount":82,"zanCount":11,"manualWeight":11,"mainColor":83},232282,"a-er-ma-9-lao-lun-si-a-er-ma-ta-de-ma-232282","阿尔玛9","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[68,26,69,28,29,70,71,72,73,74,56,75,7,76,77],"油画","写实","流水","岩石","森林","蕨类","溪流","植被","光影","自然景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5cf8a0e4a3bd32e7ccfd573b94e151c.jpg","未知","Xcm*Xcm",[],4,"37474F",{"id":85,"slug":86,"title":87,"dynasty":48,"author":49,"museum":50,"description":88,"tags":89,"thumbUrl":98,"material":79,"size":80,"collection":57,"collections":99,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":43},289489,"bernardo-castello-modello-for-ceiling-fresco-with-papal-coat-of-arms-yi-ming-289489","Bernardo Castello--Modello for Ceiling Fresco with Papal Coat of Arms","浅棕调素描晕染出巴洛克式华丽构图，盾形纹章为视觉核心，涡卷雕花勾勒柔美元边框。上方丘比特簇拥十字宝球与三重冠，灵动小天使环绕绶带，托举细节。两侧拟人女神烘托威仪，下方勇武军士承托整体，层级分明。细腻排线区分明暗，将宗教纹样的庄肃，揉入古典装饰的柔美灵动，尽显文艺复兴晚期宫廷宗教装饰的典雅仪式感，兼具布局巧思与美学张力。",[90,91,92,93,94,95,7,96,97],"宗教","素描","湿壁画稿","西洋画","教皇纹章","天使","线描","装饰画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3494a24301bd7f770085b63e81f4d3f.jpg",[],2,{"id":102,"slug":103,"title":104,"dynasty":48,"author":49,"museum":50,"description":105,"tags":106,"thumbUrl":111,"material":79,"size":80,"collection":57,"collections":112,"showCount":113,"zanCount":11,"manualWeight":11,"mainColor":43},289245,"pompeo-batoni-allegory-in-honor-of-pope-benedict-xiv-yi-ming-289245","Pompeo Batoni--Allegory in Honor of Pope Benedict XIV","这幅素描以红棕色调铺陈出天界凡境的交融图景。上层云雾间，天使垂眸携礼，小天使托举纹章，圣光似随云絮漫溢而下。下方地母般的女性凭倚地球仪，与身旁人物一同仰望向穹顶，神态满含虔诚敬慕，远景的城邦隐在朦胧雾气里，柔化了圣俗的边界。\n\n线条松弛灵动，晕染出朦胧柔润的空气感，带着雅致柔婉的格调。虚实相生间，将神启的荣耀与世俗基业的信仰牵绊娓娓道来，庄重又不失诗意，静穆氛围里满溢着信仰与荣光交织的叙事感。",[91,90,107,108,95,7,109,110],"人物画","寓意画","淡彩","城市建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f5dfcf9c6a2aa3c0edf5e0d870d6940.jpg",[],1,{"id":115,"slug":116,"title":117,"dynasty":48,"author":49,"museum":50,"description":118,"tags":119,"thumbUrl":125,"material":79,"size":80,"collection":57,"collections":126,"showCount":113,"zanCount":11,"manualWeight":11,"mainColor":60},289100,"jean-guillaume-moitte-manius-curius-dentatus-refusing-the-presents-yi-ming-289100","Jean Guillaume Moitte--Manius Curius Dentatus Refusing the Presents","画面以冷峻细腻的线条铺展古典叙事，明暗错落间，端坐的主角舒展身形，神色淡然推开身前献礼，自带不容置喙的威严。左侧仆从们躬身捧着珍奇宝器，神色恭敬又带着试探的忐忑。右侧女子伸手指点，满脸惊惶失态，反衬出主角不为利诱所动的坚定。\n\n殿堂烟气袅袅升腾，衬出肃穆沉静的氛围，衣褶勾勒厚重写实，精准传递出人物情绪张力。画作将清廉拒贿的古典风骨藏在庄重场景中，不动声色间诉说着这份超越物欲的高贵气节。",[120,107,91,96,7,121,122,123,124],"历史画","室内场景","古典服饰","器物","仪式场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77165ecf5f269022033462cc7f4b559c.jpg",[],{"id":128,"slug":129,"title":130,"dynasty":48,"author":49,"museum":50,"description":131,"tags":132,"thumbUrl":137,"material":79,"size":80,"collection":57,"collections":138,"showCount":113,"zanCount":11,"manualWeight":11,"mainColor":43},288857,"giovanni-battista-tiepolo-the-meeting-of-anthony-and-cleopatra-yi-ming-288857","Giovanni Battista Tiepolo--The Meeting of Anthony and Cleopatra","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[107,120,91,133,7,134,135,136],"淡墨","侍从","酒器","历史事件","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94b1d132e5db8f2b93cc6d2b16f05aab.jpg",[],{"id":140,"slug":141,"title":142,"dynasty":48,"author":49,"museum":50,"description":143,"tags":144,"thumbUrl":150,"material":79,"size":80,"collection":57,"collections":151,"showCount":113,"zanCount":11,"manualWeight":11,"mainColor":43},288581,"attributed-to-francesco-allegrini-the-library-of-pergamus-given-to-cleopatra-yi-ming-288581","attributed to Francesco Allegrini--The Library of Pergamus Given to Cleopatra","棕褐水彩晕染出朦胧帐幕空间，松弛的线条却极具叙事张力。左侧伏案抄录的文士俯身勾勒出专注沉静的姿态，与右侧列队人群形成鲜明动静对比。铠甲武士伸手托举馆藏典籍，衣袍垂坠褶皱饱含厚重质感，将文明馈赠的庄重感缓缓铺陈。晕染色块模糊背景边界，将视线牢牢锚定在这场文明递接的瞬间，仿佛跨越千年的典籍温度仍在笔尖与掌间流动。粗粝的速写笔触藏着即兴的生动，将献书的庄重底蕴揉进随性笔意里，复刻出这段文明馈赠的肃穆与温热。",[91,109,107,120,7,145,146,147,148,149,26],"图书馆","书桌","书架","埃及艳后","人物群像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ebc219020ba6bc98c69d29ab417da37.jpg",[],{"id":153,"slug":154,"title":155,"dynasty":48,"author":156,"museum":50,"description":157,"tags":158,"thumbUrl":166,"material":79,"size":80,"collection":57,"collections":167,"showCount":113,"zanCount":11,"manualWeight":11,"mainColor":60},232567,"mi-lai-si-111-yue-han-ai-fu-li-te-mi-lai-si-232567","米莱斯111","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[91,69,159,160,161,162,163,164,165,7],"明暗","人物雕塑","半身像","基座","卷发","胡须","头部","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe347557d8bc8a7e9d0aeb6ecfc970d4d.jpg",[],{"id":169,"slug":170,"title":171,"dynasty":48,"author":172,"museum":50,"description":173,"tags":174,"thumbUrl":188,"material":79,"size":80,"collection":57,"collections":189,"showCount":113,"zanCount":11,"manualWeight":11,"mainColor":83},232407,"he-er-bai-yin-66-he-er-bai-yin-232407","荷尔拜因66","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[90,68,26,28,175,176,177,178,179,180,181,182,183,184,185,7,186,187],"服饰","火焰","文字","装饰边框","金属质感","织物","圣物","云朵","流星","盔甲","长袍","光效","场景叙事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6a1073583404a7a873472a4cfc3f797.jpg",[],1777535733690]