[{"data":1,"prerenderedAt":84},["ShallowReactive",2],{"subject-gu-dian-zhu-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7336,"gu-dian-zhu-shi","古典柱式","古典柱式画高清赏析","精选中国历代古典柱式题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febf68bba6d2e01f3b32856493481879b.jpg",0,3,[14,36,54],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":31,"size":32,"collection":33,"collections":34,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":35},232502,"he-er-bai-yin-161-he-er-bai-yin-232502","荷尔拜因161","不详","荷尔拜因","藏地不详","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[23,24,7,25,26,27,28,29,30],"宗教","人物","平台","素描","白描","写实","衣纹","光影","未知","Xcm*Xcm","",[],"795548",{"id":37,"slug":38,"title":39,"dynasty":18,"author":19,"museum":20,"description":21,"tags":40,"thumbUrl":50,"material":31,"size":32,"collection":33,"collections":51,"showCount":52,"zanCount":11,"manualWeight":11,"mainColor":53},232526,"he-er-bai-yin-185-he-er-bai-yin-232526","荷尔拜因185",[41,26,28,42,7,43,44,45,46,47,48,49],"宗教人物","古典建筑","拱门","服饰","剑","容器","光环","衣褶","黑白","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F96991739a4ecb15792d2273b517d74d7.jpg",[],1,"BDBDBD",{"id":55,"slug":56,"title":57,"dynasty":18,"author":58,"museum":20,"description":59,"tags":60,"thumbUrl":82,"material":31,"size":32,"collection":33,"collections":83,"showCount":52,"zanCount":11,"manualWeight":11,"mainColor":53},232336,"a-er-ma-63-lao-lun-si-a-er-ma-ta-de-ma-232336","阿尔玛63","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[61,28,62,63,24,64,65,66,67,68,7,69,70,71,72,73,74,75,76,77,78,79,80,81],"油画","设色","新古典主义","男性","女性","乐器","里拉琴","建筑","台阶","大理石","海景","大海","花环","织物","长袍","兽皮","花卉","红色花卉","卷轴","石凳","白墙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F45153139f73deb51ec20f97ef97eb0ba.jpg",[],1777535774654]