[{"data":1,"prerenderedAt":165},["ShallowReactive",2],{"subject-gu-feng":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},277,"gu-feng","孤峰","孤峰画高清赏析","精选中国历代孤峰题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19a178343070109968f5fcff27b4624e.jpg",0,10,[14,41,61,78,95,104,118,131,140,155],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":34,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":40},289356,"qiu-shan-wan-cui-tu-guan-tong-289356","秋山晚翠图","五代十国","关仝","藏地不详","此画描绘的是中国北方景色，深谷云林，气壮意长，从中可以看出北方山村的生活气息。该图用笔简劲，线条粗细断续有别，落墨渍染生动，是中国古代山水画中上乘之作。",[23,24,25,26,27,28,29,30,31,32,7,33],"名画","国画","书画","立轴","水墨","设色","山水","秋山","枯树","瀑布","皴法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ececd0d022d954f2d70d8ead2688868.jpg","未知","Xcm*Xcm","",[],81,"37474F",{"id":42,"slug":43,"title":44,"dynasty":45,"author":46,"museum":47,"description":48,"tags":49,"thumbUrl":10,"material":37,"size":37,"collection":56,"collections":57,"showCount":58,"zanCount":59,"manualWeight":11,"mainColor":60},203096,"shan-shui-ce-cheng-jia-sui-203096","山水册","明","程嘉燧","上海博物馆","画面右帧绘孤峰挺拔，皴法简淡勾勒山石肌理，山麓林木疏朗，溪上小桥横卧，二三行人缓步其间，意境清旷悠远；左帧行书题跋笔墨流转，朱印点缀，与画作相映成趣。整体以水墨为基调，构图疏宕，景致简远，尽显文人山水的淡泊闲雅，诗书画印融于一体，传递出悠然自适的林下之风。",[24,29,27,50,51,7,52,53,33,54,55],"行书","印章","小桥","树木","册","高清","山水画精选",[56],20,1,"bfb5a0",{"id":62,"slug":63,"title":64,"dynasty":65,"author":66,"museum":20,"description":67,"tags":68,"thumbUrl":74,"material":37,"size":37,"collection":37,"collections":75,"showCount":76,"zanCount":11,"manualWeight":11,"mainColor":77},235892,"yuan-ji-huang-shan-you-tu-ce-shi-tao-235892","原济黄山游图册","清","石涛","此作以奇崛危崖撑起画面骨架，焦墨勾勒崖壁嶙峋肌理，淡墨晕染出云气在峰谷间漫漶，明暗虚实铺就山谷的空寂幽深。谷内林麓掩映茅舍，三两旅人或策杖徐行，或围坐晤谈，将山水静穆与林下雅集的悠然意趣相融，动静相生。\n\n笔墨兼具苍润，湿笔晕染出山间空蒙水汽，枯笔皴擦刻画出岩石坚实质感，尽显黄山的清灵出尘。边角题诗与山水呼应，将探幽问道的雅趣藏于丘壑，尽显文人林泉栖隐之思。",[24,25,54,27,33,51,69,50,29,7,70,71,72,53,73],"书法","人物","马","山石","山居","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff96f0d743602994e646e67e90a61dcf4.jpg",[],16,"795548",{"id":79,"slug":80,"title":81,"dynasty":65,"author":82,"museum":83,"description":84,"tags":85,"thumbUrl":89,"material":90,"size":91,"collection":37,"collections":92,"showCount":93,"zanCount":11,"manualWeight":11,"mainColor":94},220261,"huang-shan-tu-ce-60-hong-ren-220261","黄山图册-60","弘仁","北京故宫博物院","《黄山图册》共六十开，装裱成六册，又有题跋一册。可以说是弘仁在黄山纪游写生的最集中展现，在他的每一幅作品上都题写了纪游写生的地名，著名的有天都峰、莲花庵、小心坡、观音岩、一线天、光明顶、白龙潭、慈光寺、文殊院、桃花沟等等。",[55,24,25,54,27,86,28,29,33,7,87,88],"青绿","松树","云","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa33606b2afecd4253017a2e96c299d3a.jpg","纸本","21.5x18.3厘米",[],15,"BDBDBD",{"id":96,"slug":97,"title":98,"dynasty":65,"author":82,"museum":83,"description":84,"tags":99,"thumbUrl":101,"material":90,"size":91,"collection":37,"collections":102,"showCount":103,"zanCount":11,"manualWeight":11,"mainColor":94},220310,"huang-shan-tu-ce-17-hong-ren-220310","黄山图册-17",[55,23,24,25,54,27,33,29,7,87,31,52,100],"流水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27ff649b35ce22bc63f5fdd792060a6e.jpg",[],14,{"id":105,"slug":106,"title":107,"dynasty":65,"author":108,"museum":109,"description":110,"tags":111,"thumbUrl":113,"material":114,"size":115,"collection":37,"collections":116,"showCount":117,"zanCount":11,"manualWeight":11,"mainColor":94},222656,"zhi-hua-xi-lie-zhi-hua-qi-feng-gao-qi-pei-222656","指画系列-指画·齐峰","高其佩","美国纳尔逊阿特金斯艺术博物馆","高其佩（1660年—1734年，一作1672年—1734年），字韦之，号且园、南村、书且道人，别号颇多，另有山海关外人、创匠等。铁岭（今属辽宁）人，汉军镶黄旗人。清代官员、画家，指画的开山祖师。康熙时以荫由宿州知州迁四川按察使，雍正间擢都统，后罢去。工诗善画，所绘人物山水，均苍浑沉厚，尤善指画，晚年遂不再用笔。\n高其佩“扬州八怪李鱓”之师。其艺术才华出众，能诗、工画，他在细绢上所描绘的亭台楼阁、人物、花鸟、鱼虫等等，笔墨精细，设色艳丽，精妙绝伦。他在临摹了大量的前代名人作品，打下了深厚的根基之后，开创了一条新路。大胆地创造出了别具情趣的“舍笔而求之于手”的表现技法。秀水张浦山著的《国朝画征录》中记载：“高且园善指画，画人、山水花鸟、鱼虫、鸟兽，天资超迈，情奇逸趣，信手而得，四方重之”。高其佩指画有“叱石成羊”之妙，他创作山水、人物、花鸟、走兽时，均信手一挥而就，“倾刻数十幅，……无不绝人。”他一生的作画数量是惊人的。正如他侄孙高秉在《指头画说》一文中所述：“自弱冠至七旬，不下五、六万幅”。可惜其大部分早已失传。保存下来的多藏于各地博物馆，铁岭县文化馆过去曾存有春、夏、秋、冬四幅《竹》。上海出版社出版的《高其佩》（杨仁恺著）一书，对他的生活和创作道路做了详细的论述，指出他的最大贡献是：“标题材之新，立结构之异，对当时和后来绘画艺术都有一定影响。”",[55,24,25,112,27,7],"指画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fffb349cd1f36f10023c8e91641daed33.jpg","浅设色","35.88x57.31cm",[],7,{"id":119,"slug":120,"title":121,"dynasty":65,"author":122,"museum":83,"description":123,"tags":124,"thumbUrl":126,"material":127,"size":128,"collection":37,"collections":129,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":94},233429,"huang-shan-tu-ce-mei-qing-233429","黄山图册","梅清","黄山位于安徽省南部，歙县西北，山脉绵延三百余里，拥有72峰，以奇松、怪石、云海、温泉“四绝”名闻于世。清初安徽地区的著名画家弘仁、梅清、石涛等多以黄山奇景入画，形成了“黄山画派”。其中，梅清笔下的黄山以气势取胜，不同凡响。\n这套《黄山图》册是梅清晚年的精心之作。全册共八开，分别绘天都峰、莲花峰等黄山８景，或孤峰千仞，或云海茫茫，或苍松蔽日，或雄关峻岭，景色各异，气象万千。梅清画黄山之法有三，一以线条勾勒为主，二以墨色渲染为重，三是融勾勒与渲染为一炉。此图册便是采用第三种方法绘制而成。\n梅清的山水画远承宋元诸家的遗绪，近学“元四家”和沈周的笔墨技法，又尝与石涛相互切磋画艺，故功力尤深。他的创作最重师法自然，他曾在燕、吴、齐、楚之地游历名山大川，终日面对青山描摹写生。黄山和家乡宣城是梅清绘画中最着力表现的题材。在《赠慕潭黄山十六景》册上，他自题“余游黄山，凡有笔墨，大半皆黄山矣。”可见他对黄山景色用功之勤。梅清图写黄山自写生入手，又加入自己的主观感受，再以豪放、泼辣的用笔，突出黄山奇、峻、险、秀的意境，独树一帜，别开生面。",[24,27,29,54,33,7,72,87,125,51],"云雾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3b44c628fe1686b51a5d8febfd1e871.jpg","纸本，设色","纵26厘米，横33厘米",[],3,{"id":132,"slug":133,"title":121,"dynasty":65,"author":134,"museum":83,"description":135,"tags":136,"thumbUrl":137,"material":127,"size":37,"collection":37,"collections":138,"showCount":139,"zanCount":11,"manualWeight":11,"mainColor":94},234724,"huang-shan-tu-ce-jiang-zhu-234724","江注","江注（1626～1685），字允凝，号若米舫。一些美术画论和辞典称其又字允冰，徽州歙县桃源坞人，僧渐江之侄，能诗善画，著有《允凝诗草》，幼从渐江学画，意境幽僻，用笔清劲，笔墨苍古，清远冷峻，常年隐于黄山，曾陪伴弘仁在黄山纪游写生，搜胜穷幽，颇得渐江真传，与姚宋、祝昌、吴定并称为“渐江四弟子”。\n江注《黄山图册》册页五十帧，现收藏于故宫博物院。由于渐江亲授，在绘画思想和风格上“酷肖弘仁”。他常和渐江结伴出游，一样痴迷黄山，有“渐公坐文殊台上吹笛，江允凝倚歌和之，发音嘹亮，上彻云表”之故事。",[24,25,54,27,50,69,51,29,7,72,53,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fffeb6a83da28f29707d44172e61a3216.jpg",[],2,{"id":141,"slug":142,"title":143,"dynasty":45,"author":144,"museum":145,"description":146,"tags":147,"thumbUrl":151,"material":152,"size":153,"collection":37,"collections":154,"showCount":139,"zanCount":11,"manualWeight":11,"mainColor":94},217871,"zhou-li-yuan-shang-kuan-shen-ce-qi-hu-yu-kun-217871","周栎园上款什册(七)","胡玉昆","大英博物馆","远山如黛染轻烟，近水含光映空濛。淡墨晕开的峰峦似隐似现，几抹青绿点染出苍润之态，水面波纹疏疏，衬得天地愈发清旷。笔墨写意却藏细腻，每一笔都似带着悠然的心境。旁侧题跋字迹流转，与山水景致相契，文字的闲情与画面的雅致交融，仿佛能窥见作者行旅途中的片刻凝思，或是对自然风物的深情咏叹。整幅作品将绘事与书道、诗意相融，尽显文人画的韵致，观之如入幽境，心随山水悠远。",[24,25,54,27,28,29,50,51,148,125,149,7,150,69],"山峦","江水","行舟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4669799fb6d97445d20ba3726ed1a985.jpg","纸本,设色","24.7x32.3cm",[],{"id":156,"slug":157,"title":121,"dynasty":65,"author":134,"museum":83,"description":135,"tags":158,"thumbUrl":163,"material":127,"size":37,"collection":37,"collections":164,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":94},234735,"huang-shan-tu-ce-jiang-zhu-234735",[24,27,33,54,29,7,159,87,160,161,148,162],"怪岩","远山","近石","溪流","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdfa7acfd4a542431238c1ed9abb6944a.jpg",[],1777535733789]