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2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[53,181,7,399,56],"唐代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa08feabaca382d4310f46b0f92a03b0.jpg",[],{"id":403,"slug":404,"title":405,"dynasty":137,"author":49,"museum":79,"description":397,"tags":406,"thumbUrl":409,"material":68,"size":69,"collection":70,"collections":410,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":43},227179,"dun-huang-50-yi-ming-227179","敦煌50",[24,25,7,50,53,56,407,86,408,87,57,29],"牛","羊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3e0c25bb731d254761555df4d963f2b.jpg",[],{"id":412,"slug":413,"title":414,"dynasty":117,"author":415,"museum":416,"description":417,"tags":418,"thumbUrl":420,"material":70,"size":70,"collection":130,"collections":421,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":422},201364,"hua-hui-shan-chen-hong-shou-201364","花卉扇","陈洪绶","上海博物馆","画面以孤石为基，花卉藤蔓缠绕其上，枝叶舒展间尽显生机。线条古拙凝练，如铁线般刚劲有力，花卉造型略带夸张却不失雅致，石体以浓墨皴擦，与淡墨勾勒的花叶形成虚实对比。构图疏密得当，契合扇面弧形形制，气韵贯通。笔墨间渗透出文人画的清逸风骨，既见技法之精，更显品格之高，是陈氏花卉画中的典型之作。",[419,183,213,157,123,124,182,24,7,23],"扇面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba4f553ed4f4765dd3b3d4965f5b4be8.jpg",[130],"eff1ef",1777535716508]