[{"data":1,"prerenderedAt":177},["ShallowReactive",2],{"subject-gu-jian":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2005,"gu-jian","古建","古建画高清赏析","精选中国历代古建题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ac33337d9a1c1eca830258d68d5ef69.jpg",0,8,[14,44,72,92,108,129,143,165],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":37,"material":38,"size":39,"collection":40,"collections":41,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":43},228412,"wen-shu-pu-sa-zuo-xiang-yi-ming-228412","文殊菩萨坐像","明","佚名","藏地不详","中国雕塑是指具有中国特色且原产于中国的雕塑艺术品。中国雕塑（Chinese sculptures），为中国文化的重要组成部分。中国古代雕塑艺术的主要内容分别是陵墓雕塑（包括地上的纪念性石刻与墓室随葬俑）、宗教雕塑、民俗性及其他内容的雕塑。\n大型陵墓石刻肇始于汉代墓前的石人、石兽。存世的古代陵墓石刻主要为南朝宋、齐、梁、陈及唐、北宋、明、清各代帝陵和勋臣贵戚墓的遗存。北魏、辽、金、西夏等朝代陵墓遭严重破坏，仅有少量石刻遗留下来。南朝和唐代的作品代表了陵墓石刻的最高成就。自唐代乾陵起，以迄北宋，石刻的内容、配置方式，逐步形成定制，并为明、清两代所承袭。宗教雕塑主要保存于寺庙和石窟寺之内，由于寺庙毁损严重，石窟寺雕塑便成为宗教雕塑遗存的主要代表。石窟寺是开凿于山崖之上的宗教寺庙。以佛教为主，也有少量道教或其他宗教内容的造像。石窟形制源自印度，约于 3世纪传至中国。造窟风气最盛的时期为南北朝至唐代中期，约当5～8世纪。重要石窟多以皇室或勋臣贵戚雕造的大像为中心，由众多的窟、龛、摩崖造像等，构成庞大的石窟群。雕造的时间常延续10多个世纪。每个窟内又以立体雕塑本尊佛造像为中心，由弟子、菩萨（以后增加天王、力士）组成群像，四壁布满浮雕或壁画，形成浓厚的宗教氛围。由于造像和壁画、浮雕内容、样式的差异，而形成不同时期、不同地区的艺术风格。功能\n中国雕塑既可以是一个国家文化的标志和象征，又可作为该民族文化积累的产物。雕塑述说着民族发展的历史，凝聚着民族的精神和传统，代表着每一历史时期的精神面貌，反映着自古至今，人们的无限追求与执着信仰，展现价值观念及审美情趣。中国雕塑，城市建筑等，都是一个民族精神文明与物质文明最直观、最集中的表现。\n中国雕塑不仅仅是文化的产物，同时也是一个国际不可或缺的经济投资点。中国雕塑和其他其他国际建筑等共同构成世界高雅美丽的环境，使生活在城市中的人们受到优越的审美体验，感受到文化的魅力与美的精神，中国雕塑的存在影响了中国环境，提升了文化形象，产生了视觉空间的凝聚力，这就创造了一种对于环境的投资潜能。",[23,24,25,26,27,28,29,30,31,32,33,34,7,35,36],"国画","书画","宗教","工笔","设色","人物","山水","云雾","楼阁","树木","山石","祥云","青绿","界画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83145718fc035e6637afa89f6ad83dea.jpg","未知","Xcm*Xcm","",[],107,"37474F",{"id":45,"slug":46,"title":47,"dynasty":48,"author":49,"museum":50,"description":51,"tags":52,"thumbUrl":65,"material":66,"size":67,"collection":40,"collections":68,"showCount":69,"zanCount":70,"manualWeight":11,"mainColor":71},222817,"gu-su-fan-hua-tu-di-yi-duan-xu-yang-222817","姑苏繁华图第一段","清","徐扬","辽宁省博物馆","画面自灵岩山起，由山下的木渎镇东行，过横山，渡石湖，入姑苏城。再自荮门出阊门外，转入山塘街，至虎丘山止。作者自西向东，由乡入城，重点描绘了一村（山前）、一镇（苏州）、一街（山塘）的景物，画笔所至，连锦数十里内的湖光山色、水乡田园、村镇城池、社会风情跃然纸上。明清时期的苏州是江南著名的大都会，但可能是由于城区内的狭小和管理问题，当时苏州最发达的商贸中心并不在城内，而是阊门城外至枫桥镇的那一段地区。\n《姑苏繁华图》将阊门作为重点加以描绘，并将这部分景致安排于图卷接近尾声的高潮位置。粗略计算，全幅画有各色人物1.2万余人，各色房屋建筑约2140余栋，各种桥梁50余座，大小官船、货船、客船、杂货船、画舫以及竹筏等近400多条，各种商号招牌200余块，涵盖了珠宝、鞋帽、凉席、乐器、盆景和丝绸等50多个手工行业。除了经营本地土产，店铺里所经营的更多是来自外地的名产，有些甚至来自国外，真是“山海所产之珍奇，国外所通之货贝，四方往来，千里之商贾，骈肩辐辏”。完整地表现了古城苏州市井风貌。",[53,54,23,55,27,26,29,56,57,58,7,31,59,60,61,62,28,63,32,33,64],"高清","名画","长卷","田园","村镇","城池","小桥","流水","船舶","商铺","市井","市集","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a01f4224a44f2fb29505d1c3e5f9e1a.jpg","设色 纸本","全长1225厘米，宽35.8厘米",[],90,1,"795548",{"id":73,"slug":74,"title":75,"dynasty":48,"author":76,"museum":20,"description":77,"tags":78,"thumbUrl":88,"material":40,"size":40,"collection":40,"collections":89,"showCount":90,"zanCount":11,"manualWeight":11,"mainColor":91},224593,"liang-yuan-fei-xue-tu-yuan-jiang-224593","梁园飞雪图","袁江","《梁园飞雪图》是清代画家 创作的绢本设色画，现藏于 。\n此画真实细致地描绘了景色优美、构筑精致的梁园美景。\n画面中，雪片纷纷扬扬，给大地铺上了一层白色的绒毯。\n梁园里豪华的筵席，并不因为天气的阴寒而停止，殿堂里灯火通明，人来人往，非常热闹。\n画家认真地描绘了华丽精致的建筑物，以极为均匀挺直的线条描绘了房屋的各个细节，比例精当，造型准确，丝丝入扣。\n由于大雪覆盖屋顶，画家索性将屋顶留为空白，与细密的斗拱，隔窗等形成了鲜明的对比，给人以美好的视觉享受。\n该画中宫殿台阁，布置宽畅而紧密，楼阁中有数十人围坐谈话状，另一宫殿中有三位贵妇人交谈状，长廊亦有人活动；远景山峦，雪色凝寒，气氛冷峻；近景所画山石峭立，竹林茂密，枯树苍劲。\n本幅自题：“梁园飞雪，庚子徂暑邗上袁江画。\n”钤“袁江之印”、“文涛”印两方。\n袁江的《梁园飞雪图》是以西汉枚乘的《梁王兔园赋》、南朝梁江淹的《学梁王兔园赋》为依据进行创作的 ，根据款识可知该画作于康熙五十九年（172） 。\n“梁园”又名“兔园”，是汉代梁孝王刘武所建的一处私家园林，其旧址据说在今河南商丘古城东南 。\n梁孝王雅好文翰，广泛结交当时的文人名士，如司马相如、枚乘、邹阳等皆为其座上宾客，许多人长期居住园内，乐而忘返，“梁园”因此而闻名。\n袁江以古代的宫殿、名园为题材作画，他将历史上梁园安排在冬天的雪景中。\n这画作是袁江楼阁界画的代表作，表现华丽的建筑是作者创作的重点，均匀挺直的线条勾画出房屋的各个细部，繁密的斗拱，玲珑的窗格，显示了高超的界画技巧，同时作者亦注意到周围环境与自然气氛的烘托，使画面具有诗一般的意境。\n严寒冬季大雪纷飞，覆盖着大地，白雪皑皑，寒气逼人。\n可是，豪华的宫殿内的宴席，并不因为寒冷而停止，殿堂名园中灯火通明，人来人往，熙熙攘攘，举酒碰杯，热闹非凡。\n不过作者还是着重地描绘华丽宫殿、楼阁、水榭等建筑物。\n画面仅选取梁园一角，如宫殿、台阁、回廊等，房屋的各个细部全用均匀的直线画出，线条准确细劲，一丝不苟。\n在设色方面，也利用屋顶的白色，衬托出建筑物瑰丽斑澜的彩画。\n另外，还在建筑物周边画有翠竹苍松、回廊花台等，建筑物以山石及庭院相隔，殿阁前有古树参天，疏密有致。\n远山一带峰峦隆起，尽在白雪凝寒之中，烟波飘渺，远处仅微露出一座台阁顶尖，与下端华丽的宫殿，遥相呼应，给人以宽广深远之感。\n袁江将这座梁园描绘得可居可游，层次分明，又突出重点。\n他既注意描绘宫殿楼台建筑物本身，而又不忘记周围环境的烘托，使景色开阔，显示出自然美与人工美的完美结合。\n屋顶端复盖着白雪，将瓦楞掩没，作者将它留为空白，即将建筑物的屋顶和庭院使用白色，湖面则以淡色晕染，形成对比，突出了主体。\n同时，又利用建筑物顶上和庭院里积雪与色彩艳丽的斗拱、门窗、扉扇、纹饰等形成虚实的强烈对比。\n上海大学上海美术学院教授 ：《梁园飞雪图》利用天然石山土坡，略加修整，如水上架桥、岸边种竹等，直将梁园与自然环境融为有机的整体。\n袁江的界画作品《染园飞雪图》为读者提供了理解中国传统园林不同的研究切入点和观察视角，是研究中国传统园林的重要图像史料。\n袁江（约1671—1746年），清代画家。\n字文涛，江都（今江苏扬州市江都区）人。\n擅山水、楼台，初学仇英，后吸取宋人画法。\n康熙问在扬州、南京、会稽一带作画；雍正年间受聘至太原尉姓家作画。\n所作景物多曲折有致，笔墨严整，为清代界画能手。",[53,54,23,24,36,26,27,29,31,79,80,32,81,82,33,83,7,84,85,86,87],"雪景","桥","建筑","庭院","长廊","积雪","寒林","亭台","园林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a462904cd78720e19ebc39b254ab476.jpg",[],61,"BDBDBD",{"id":93,"slug":94,"title":95,"dynasty":48,"author":96,"museum":97,"description":98,"tags":99,"thumbUrl":103,"material":104,"size":105,"collection":40,"collections":106,"showCount":107,"zanCount":11,"manualWeight":11,"mainColor":91},223077,"hong-lou-meng-63-sun-wen-223077","红楼梦63","孙温","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[53,26,27,36,28,31,33,32,100,82,101,102,60,29,7],"芭蕉","马匹","围栏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6287c52639c4ee11c3285d5cf2df0f6d.jpg","绢本","纵43.3厘米、横76.5厘米",[],36,{"id":109,"slug":110,"title":111,"dynasty":18,"author":112,"museum":20,"description":113,"tags":114,"thumbUrl":123,"material":38,"size":39,"collection":124,"collections":125,"showCount":127,"zanCount":128,"manualWeight":11,"mainColor":91},235285,"shan-shui-ce-shen-hao-235285","山水册","沈颢","补博士弟子员。性豪放好奇。工诗文。书法真、草、隶、篆，无所不能。山水近沈周，晚年笔意挺秀，点色清妍，深于画理，“似而不似，不似而似”是他的创见。著有《画尘》及《枕瓢》、《焚砚诸集》。",[23,24,115,27,29,116,31,117,118,119,7,120,32,121,122],"册","老树","远山","印章","淡彩山水","路径","山峦","水墨设色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde9bb44391cc599f7dca8959c352ba7c.jpg","山水画精选",[124,126],"花鸟画精选",31,2,{"id":130,"slug":131,"title":132,"dynasty":133,"author":19,"museum":20,"description":134,"tags":135,"thumbUrl":140,"material":38,"size":39,"collection":40,"collections":141,"showCount":142,"zanCount":11,"manualWeight":11,"mainColor":71},289440,"guan-yun-tu-yi-ming-289440","观云图","宋","这幅小品以边角取景，暮色昏沉里，墨色晕染开氤氲云烟，将天地晕成一派幽寂朦胧。左侧高台朱栏隐现，隐约可见人影凭栏远眺，似在静看流云舒展、山岚轻移。右侧危峰兀立，林舍错落于山脚，远山在烟霭里淡成一抹浅痕，虚实相映间尽显空灵悠远。\n\n全作用墨苍润柔和，以简淡笔意勾勒出暮色观云的清寂氛围，将寄情山水、静观天地的雅致襟怀融于尺幅之间，把片刻悠然闲思永久定格，氤氲着静谧淡远的古典意趣。",[23,136,36,137,31,121,138,7,139],"山水画","水墨","云","静谧","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0705d23c95cd7cabb9f8c7c23e6b37fb.jpg",[],9,{"id":144,"slug":145,"title":146,"dynasty":48,"author":147,"museum":148,"description":149,"tags":150,"thumbUrl":161,"material":162,"size":40,"collection":40,"collections":163,"showCount":164,"zanCount":11,"manualWeight":11,"mainColor":71},236828,"fang-gu-shan-shui-ce-zhao-cheng-236828","仿古山水册","赵澄","北京故宫博物院","[明]（一五八一至？）晚年得铜汉章改名澄，字雪江，一字湛之，颍州（今安徽阜阳）布衣。山水泼墨、细谨两擅其长。学宗董源、范宽、李唐诸家。又善临摹，见大内所藏皆缩为小幅，无一笔不肖。又仿古二十幅极精，为琉球国王所得，永为海外珍宝。并工写照，得意之作皆用铜章。以博学能诗称。顺治十一年（一六五四）仿各家山水册时年七十四。《国[清]朝画徵录、读画录、图绘宝鉴续纂、桐阴论画》",[23,151,29,27,152,153,154,32,30,31,81,155,121,156,157,158,159,160,7],"仿古","皴法","山","石","植被","峭壁","小径","平台","枝叶","云气","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0183adf33d938618193370ec0d4adcb1.jpg","纸本，设色",[],6,{"id":166,"slug":167,"title":168,"dynasty":48,"author":19,"museum":20,"description":169,"tags":170,"thumbUrl":175,"material":38,"size":39,"collection":40,"collections":176,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},274087,"zhang-rong-gua-ping-yi-ming-274087","漳绒挂屏","以绒为笔，织就林泉古刹。深绒晕染出层叠苍松，将幽寂山境铺陈眼前。飞檐翘角以深浅绒色勾勒繁复斗拱，朱红廊柱与黛瓦冷暖相映，把古建榫卯纹路、檐下雕饰一一织就。\n\n漳绒起花工艺让画面层次分明，绒面肌理带着织造的温润质感，既有工笔描摹的精细写实，又带着绒绣独有的柔润氛围感，将古刹隐于林泉的清幽禅意静静晕开，静穆雅致间，尽显东方山林古建相融的澹远之美。",[171,36,31,172,32,7,173,174],"挂屏","山林","布料","织绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba057149a0dc1a9494035d213054dfbb.jpg",[],1777535738640]