[{"data":1,"prerenderedAt":204},["ShallowReactive",2],{"subject-gu-qin":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2046,"gu-qin","古琴","古琴画高清赏析","精选中国历代古琴题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43667c9159ae7c762c5740dc68f6d92f.jpg",0,15,[14,49,71,93,109,120,132,139,146,154,162,170,178,186,193],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":42,"material":43,"size":44,"collection":45,"collections":46,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":48},218267,"qi-xian-tu-juan-liu-zhong-xian-218267","七贤图卷","明","刘仲贤","台北故宫博物院","素绢之上，赭黄底色晕染出古朴雅致的氛围。雅士们或踞坐鼓琴，指尖似凝弦上意；或对弈楸枰，棋局间藏尽机锋；或醉卧倾杯，醺然态尽显放达；或执笔临帖，墨痕若带纸间香。人物衣袂翩然，线条流畅婉转，神态鲜活灵动——鼓琴者专注，对弈者凝思，醉酒者憨态，执笔人沉静。简淡背景未加繁复修饰，却将文人雅集的闲适超脱烘托得淋漓尽致。笔墨间暗蕴魏晋风骨余韵，将古代文人的精神情致凝成永恒画面，尽显生活之趣与心灵之境。",[23,24,25,26,27,28,29,30,31,32,33,34,7,35,36,37,38,39,40,41],"高清","国画","书画","长卷","设色","工笔","人物","文人雅集","乐器","棋具","酒器","笔墨纸砚","棋盘","书卷","抚琴","对弈","书写","古代服饰","案几","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6e87f9ff8949e45d600c5bd0cd4deed.jpg","绢本,设色","31.4x128.5","人物画精选",[45],61,"795548",{"id":50,"slug":51,"title":52,"dynasty":53,"author":54,"museum":20,"description":55,"tags":56,"thumbUrl":63,"material":64,"size":65,"collection":66,"collections":67,"showCount":69,"zanCount":70,"manualWeight":11,"mainColor":48},221771,"heng-qin-gao-shi-tu-zhou-ren-ren-fa-221771","横琴高士图轴","元","任仁发","老松古柏，盘生崖上。树下一人穿红袍，坐溪畔弹琴。崖壁及山石碧绿青翠，与红衣相互辉映，色彩艳丽雅致。自题：“横琴秋水拨冰弦，一曲平沙韵自然。领取此中无限乐，松枝垂露远山烟。月山老人任仁发。",[23,24,27,28,57,58,29,59,60,7,61,62],"皴法","山水","松树","山石","流水","老树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F75285fc767e213ca6f2d98a962219552.jpg","绢","146.3×55.8","山水画精选",[66,68],"设色画精选",52,2,{"id":72,"slug":73,"title":74,"dynasty":18,"author":75,"museum":76,"description":77,"tags":78,"thumbUrl":86,"material":87,"size":88,"collection":89,"collections":90,"showCount":91,"zanCount":11,"manualWeight":11,"mainColor":92},290024,"fu-sheng-shou-jing-tu-yi-ming-290024","伏生授经图","佚名","藏地不详","古松虬曲苍劲，松荫之下，踞案老者神定气凝，操琴讲授，对面士子跽坐侧耳，神态恭谨。丹鹤闲立一旁，更添幽寂，三名童子随侍，或奉待或静立。\n\n全作用淡墨白描写就，线条清劲秀逸，衣纹流转自然，将人物神态精准勾勒，老者矍铄、弟子虔敬之态尽显。画面意境古雅澹寂，将林下授经的静谧雅韵铺陈开来，尽显传统白描的雅致格调，把传道授业的悠远意趣渲染得淋漓尽致。",[79,24,25,80,81,29,82,59,7,83,84,85],"名画","白描","水墨","仙鹤","印章","授经","文人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1dc4bc16e8112c739882ab34e376ade.jpg","未知","Xcm*Xcm","",[],19,"BDBDBD",{"id":94,"slug":95,"title":96,"dynasty":53,"author":75,"museum":76,"description":97,"tags":98,"thumbUrl":106,"material":87,"size":88,"collection":89,"collections":107,"showCount":108,"zanCount":11,"manualWeight":11,"mainColor":48},291020,"hua-ting-qin-tu-zhou-yi-ming-291020","画听琴图轴","此幅作品描绘官僚贵族雅集听琴的场景。作者以琴声为主题，巧妙地用笔墨刻画出“此时无声胜有声”的音乐的意境。画面背景简洁，如盖的青松和摇曳的绿竹衬托出庭园高雅脱俗的环境，而几案上香烟袅袅的熏炉与玲珑石上栽植着异卉的古鼎与优雅琴声一道，营造出一种清幽的氛围。\n画面上方有宰相蔡京手书七言绝句一首，右上有宋徽宗赵佶瘦金书题“听琴图”三字。作品构图简净，人物举止形貌刻画生动传神，衣纹线描劲挺略带战笔，树石器具描写工致而毫无呆板，着色浑厚而不失清丽，是宋代宫廷人物画的代表作品。由于作品本幅有徽宗题名与画押，一度被认为是赵佶所画，后经学者考证，此幅为宣和画院画家描绘徽宗赵佶宫中行乐的作品，而图中抚琴者， 正是赵佶本人。",[24,79,99,29,30,7,100,101,102,103,104,80,83,31,105],"立轴","听琴","庭院","树木","家具","茶具","园林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc72884ee7009dd3bcb1dddf49a1743f7.jpg",[],16,{"id":110,"slug":111,"title":112,"dynasty":18,"author":75,"museum":76,"description":113,"tags":114,"thumbUrl":117,"material":87,"size":88,"collection":89,"collections":118,"showCount":70,"zanCount":11,"manualWeight":11,"mainColor":119},275268,"e-mei-song-qin-yi-ming-275268","“峨嵋松”琴","此琴髹色褐沉古雅，经年摩挲，包浆莹润温厚。身形线条舒展中正，尽显内敛端方的气度。琴底篆铭刻痕古拙挺劲，题识题跋错落排布，藏着旧时藏家的珍赏意趣，字间晕开百年风雅余韵。旧弦金褐如故，虽静立案头，却似能漾出清远古音，暗合高山流水的幽远意境。整器将斫木工巧与文人意趣相融，静默间便凝成一段古意悠悠的弦歌剪影，带着旧时光的沉静温雅，引人体悟古时弦间寄怀的风雅情志。",[31,7,115,83,116],"木质","书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa770c84e9fa54a572aef871e74915947.jpg",[],"F48FB1",{"id":121,"slug":122,"title":123,"dynasty":124,"author":75,"museum":76,"description":125,"tags":126,"thumbUrl":130,"material":87,"size":88,"collection":89,"collections":131,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},275699,"zhong-ni-shi-qin-yi-ming-275699","仲尼式琴","清","此琴髹色沉黑莹润，朱红七弦蜿蜒其上，明暗撞色尽显雅致沉静。琴面徽位排布匀整，暗合古音律精妙，藏着古人对天地声律的参悟。琴尾描金题字笔力稳敛，晕开厚重的岁月质感。整体身形线条舒展儒雅，尽显中正平和的气质，简约形制里藏着旧时文人寄情丝弦、静悟山水的审美意趣。历经时光磨洗，漆面带着光阴沉淀的温润，仿佛仍能听见昔日指尖拨弄间流淌的清越琴音，静静诉说着传统雅乐里的悠悠风雅，是一件兼具审美价值与文化重量的佳器。",[31,7,127,115,128,129],"仲尼式","漆器","弦乐器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe94adff2328c34592e5d1e3ed2ec758.jpg",[],{"id":133,"slug":134,"title":123,"dynasty":124,"author":75,"museum":76,"description":135,"tags":136,"thumbUrl":137,"material":87,"size":88,"collection":89,"collections":138,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},275698,"zhong-ni-shi-qin-yi-ming-275698","它通体凝着沉郁黑漆，似敛藏了百年松烟的沉静，漆面带着岁月摩挲过的温润包浆。朱红丝弦横贯琴身，如赤绦牵起古今雅意，与素净底色撞出明丽反差。琴面徽点似檐下星子，暗合律吕之奥。尾端金题墨字，笔力沉凝，让古雅文气落于实处。\n\n身形轮廓舒展端方，线条简练中正，恰如君子立世的风骨。仿佛指尖轻拨，泠泠音声便会漫溢而出，携着松间林风、石上泉声，将昔时文人林下操缦的幽情逸致，封存在这一方木骨之中，藏尽东方礼乐的清逸风雅。",[31,7,127,129,128,115],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F049b6c7a97bc6df2d50807ae1c9f3767.jpg",[],{"id":140,"slug":141,"title":123,"dynasty":124,"author":75,"museum":76,"description":142,"tags":143,"thumbUrl":144,"material":87,"size":88,"collection":89,"collections":145,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},275697,"zhong-ni-shi-qin-yi-ming-275697","此器身形制端雅，苍黑漆面凝敛着岁月晕染的温润质感，朱红七弦横亘其上，明暗相映，愈发衬出古雅沉静的气质。琴面徽点错落排布，暗循古法乐理的精妙章法，将传统丝弦雅乐的匠心藏于形制细节之间。\n轻拨可聆清越余韵，静穆之中流转着悠悠古韵，暗合旧时文人寄情修身的风雅意趣，将华夏礼乐文化的绵长底蕴凝缩于一器，带着沉稳制琴匠心，静静诉说着旧时琴道的清雅风骨，是传统雅器遗存的鲜活缩影。",[31,7,115,127],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5554d5910eb14514978b393554c3b11f.jpg",[],{"id":147,"slug":148,"title":149,"dynasty":124,"author":75,"museum":76,"description":150,"tags":151,"thumbUrl":152,"material":87,"size":88,"collection":89,"collections":153,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},275692,"tu-an-sheng-zhi-qin-yi-ming-275692","涂闇生制琴","此琴髹色沉穆匀净，木胎轮廓舒展雅致，无冗余装饰，尽显简淡风骨。琴底纳音槽开制工整，可见造器时的细致考量。丝弦妥帖张于琴身，琴尾老绳结带着岁月摩挲出的温润包浆，静静诉说过往弦歌时光。它敛去浮华，以素朴之姿承载旧时雅趣，触手仿佛能感知匠人造器时的沉心与专注，静立之间，古拙琴音似犹在耳畔轻漾。",[31,7,115,128],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9545ab7177375e5068b1c4ab9e4abc4e.jpg",[],{"id":155,"slug":156,"title":157,"dynasty":124,"author":75,"museum":76,"description":158,"tags":159,"thumbUrl":160,"material":87,"size":88,"collection":89,"collections":161,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},275690,"yi-shao-shan-zhuo-qin-yi-ming-275690","易少山斲琴","此琴身形修长舒展，轮廓线条温润内敛，宛若敛衽而立的谦谦君子。髹色沉穆古雅，晕染出层叠厚重的岁月包浆，凝着旧时光的沉静质感。\n\n七弦平直延展，承续千年丝桐雅韵，岳山、琴轸等构件简约精巧，与琴身浑然相融。轻拨弦索，泠泠声响恰似山涧松风穿林，又如月下潮声拍岸，将旧时文人林泉隐逸的幽怀尽数倾诉。它以素朴之形承载中式极简哲思，是器物与雅道的合璧，静静叙说着寄情丝桐、以琴明心的往昔风雅。",[31,7,115],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5329d664013285b3925868e9a728323d.jpg",[],{"id":163,"slug":164,"title":165,"dynasty":124,"author":75,"museum":76,"description":166,"tags":167,"thumbUrl":168,"material":87,"size":88,"collection":89,"collections":169,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},275689,"can-lei-qin-yi-ming-275689","“残雷”琴","此琴身形制古雅起伏，如残雷震后流云跌宕，线条苍劲朴拙，带着旧时光打磨出的沉敛气度。墨色漆面凝着百年包浆，温润哑光似浸过岁月的幽潭。琴徽如星子错落，暗合天地韵律排布，藏着中式音律的隐秘意趣。尾端垂落的琴穗枯褐松垮，带着山野古拙的意趣，与琴身的沉静内敛相映成趣。\n\n它静伫便自带清冷古韵，仿佛指尖落弦的刹那，就能漾开泠泠清音，将松风涧鸣、旧日文客的林下襟怀揉入弦声，是东方雅趣的凝练缩影，藏着中式美学里含蓄深沉的山水诗意，将匠人的心血与旧时风雅凝于一琴之中。",[31,7,115,129],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9401cd1ec9dd50e0efde1a531c10963b.jpg",[],{"id":171,"slug":172,"title":123,"dynasty":18,"author":75,"museum":76,"description":173,"tags":174,"thumbUrl":175,"material":87,"size":88,"collection":89,"collections":176,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":177},275446,"zhong-ni-shi-qin-yi-ming-275446","此琴造型端雅肃穆，古漆凝敛着深褐包浆，断纹隐现如岁月皴痕，晕开百年沉郁风华。龙池凤沼形制规整，金弦静伏琴身，尾穗垂落似旧年余绪。\n\n它以极简身形承载东方雅韵，暗合君子藏锋守拙的风骨，指尖轻触仿佛能唤起松间鸣泉的太古清音，将旧时文人寄情山水、以琴修身的意趣封存在木纹之中，静默诉说着旧时光里的清雅余味。",[31,115,7,123],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc59a04dbd15c2b11c0520408889d97e.jpg",[],"FFFFFF",{"id":179,"slug":180,"title":123,"dynasty":124,"author":75,"museum":76,"description":181,"tags":182,"thumbUrl":184,"material":87,"size":88,"collection":89,"collections":185,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},275445,"zhong-ni-shi-qin-yi-ming-275445","此器形制雅致内敛，线条简约舒展，承袭经典制式的端庄风骨。漆面沉静乌润，历经岁月晕染出温润包浆，琴面徽位错落如星，暗合天地节律。七弦紧绷，似凝着旧时泠泠余韵，垂落的素色流苏，晕开一抹清隽雅致。\n\n它曾是文人寄怀山水、修身澄心的良伴，指尖拂过弦间，便将东方雅意缓缓铺陈，每一处弧度都藏着传统工艺的沉心匠意，静默伫立间，便漾开幽远绵长的古雅余味，晕染出中式美学的隽永底色。",[183,31,7,115],"器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe00c25576e6d97e97a34350955f333e0.jpg",[],{"id":187,"slug":188,"title":123,"dynasty":124,"author":75,"museum":76,"description":189,"tags":190,"thumbUrl":191,"material":87,"size":88,"collection":89,"collections":192,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},275444,"zhong-ni-shi-qin-yi-ming-275444","此器线条古雅内敛，通体髹漆凝厚温润，漫着岁月沉淀的沉静质感。素面无饰，岳山琴轸简净雅致，暗合儒门谦和中正的风骨。徽位排布严整，暗蕴天地数理之妙，七弦张弛有度，轻拨之下，可奏太古清音，抒寄幽怀。尾端朱红流苏轻垂，墨色沉凝间点染一抹灵动，恰似君子藏器待时，于简素中尽显风雅。将华夏文人寄情林泉、澄心修身的意趣熔铸其中，抚之如晤古贤，静聆松涛涧鸣，悠悠然俗虑尽消。",[31,7,115,129],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac7a56bfdcb59522277576e82d8edee6.jpg",[],{"id":194,"slug":195,"title":196,"dynasty":124,"author":75,"museum":76,"description":197,"tags":198,"thumbUrl":202,"material":87,"size":88,"collection":89,"collections":203,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},272353,"liu-yuan-yu-xiang-mo-xiao-chun-lei-mo-yi-ming-272353","刘源御香墨-小春雷墨","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[199,200,201,7],"墨","文房用具","乐器造型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ad92d4e33ec230e1ad7604c34151d54.jpg",[],1777535725182]