[{"data":1,"prerenderedAt":129},["ShallowReactive",2],{"subject-gu-shi-8825":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8825,"gu-shi-8825","鼓式","鼓式画高清赏析","精选中国历代鼓式题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8fecd248805d91ba875648cbc3be9dba.jpg",0,9,[14,34,49,60,73,85,94,109,121],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},256902,"jun-yao-gu-shi-san-zu-xi-yi-ming-256902","钧窑鼓式三足洗","宋","佚名","藏地不详","钧窑，即钧台窑，是在柴窑和鲁山花瓷的风格基础上综合而成的一种独特风格，受道家思想深刻影响，在宋徽宗时期达到高峰，其工艺技术发挥到极致。无论是呈色和各种纹理的表现，做到窑变可控随心所欲的表现技术，无人能仿造。宋代受理学的影响，反应在瓷器上就是规整对称，无论是造型或纹理都遵循这一原则，特别是北宋官造钧瓷，不论文房用具或大型祭器都严格遵守这一原则。规整对称，高雅大气，宫廷气势，一丝不苟。其势沉重古朴，明亮而深沉。建窑，耀州窑，钧窑，作为中国传统瓷文化正宗，历史悠久的风格传承。放大镜观察，蚯蚓走泥纹，用气泡一个个串连一体呈立体的爬行状，青蛙卵纹包裹卵核一摞摞正欲孵化而出。还有牛血纹，血色深红暗沉杀气腾腾，庄重威严等等，难以一一叙述。北宋官窑钧瓷的发色和纹理大小和分布，都难以做到人为控制而恰到好处，是北宋瓷艺的最高工艺水平的体现。这批钧瓷工艺早已失传，而窑址也随冰冻积水而下沉。“纵有家财万贯，不如钧瓷一片”。可见当时钧瓷产生的轰动效应。于是各地群相仿效，窑口林立，但仍然不得要领。今研究文章汗牛充栋，考古窑口不计其数，因都未见过这批北宋官造钧瓷，也只能是管中窥豹了。1955年，禹县（今禹州）陶瓷厂开始研制、探索湮没已久的钧瓷胎釉的基本配方与烧成技术，不仅烧制出玫瑰紫，海棠红、天青、月白等传统色釉，还发展了十多种花釉，并增加了现代日用器皿、艺术陈设瓷等新品种。\n有人认为钧窑的必备特点就是釉面具有“蚯蚓走泥纹”，这不完全正确，只能说是特点之一。很多馆藏钧窑的釉面是不具有走泥纹的。因为在当时的官窑，力求釉色均匀，但由于少数器皿在烧制中的窑温、釉色原料配比、烧制环境等因素的影响造成了釉面在温度中的变化还原不一，才形成了走泥纹。\n北宋钧窑做到窑变可控，蚯蚓走泥纹是其特征之一。用气泡串起一条条呈立体状的蚯蚓奔爬，蛙卵纹，\n鱼卵纹包裹正欲孵化而出的鱼籽，等等。北宋钧瓷最重要的价值就是在于它对釉面随心所欲的表现力。钧，即重量，北宋早期官窑钧瓷分量沉重。中华瓷文化的传统风格就是外表朴实而内秀其中。所谓“华夷光暗滋”的含蓄内敛，道出了宋瓷的本质特点。五代柴窑瓷器发色的鲜美以及色调的神奇变化，是中国瓷艺发展史上的一座里程牌。在柴窑瓷的光辉照耀下，宋，元瓷艺向着风格不同，但技艺精深非凡的道路上发展。掀开了中国瓷艺史上最为辉煌的篇章。原创一直贯穿始终，原创是瓷艺生命的灵魂。一个“隐”一个“显”，道出了几千年中华文化的内在本质。从石器时代东方人便对玉石内蕴的无穷魅力深深吸引，拓展了东方人领悟自然奥秘宽度与厚度。可是直到如今，西方人仍然认为只有闪闪发光的东西才有价值。对自然环境的细微观察，并在瓷器上把它们表现出来，是钧瓷的核心技术所在。这种表现艺术的高度让人惊叹，并一直是贯穿北宋和南宋宫廷制瓷的主流技术。瓷器纹理从北宋的“隐”到南宋的“显”，以至官窑，哥窑纹理的表面形式对元代瓷艺产生了直接影响。\n钧窑瓷器历来被人们称之为“国之瑰宝”，在宋代五大名窑中以“釉具五色，艳丽绝伦”而独树一帜。古人曾用“夕阳紫翠忽成岚”等诗句来形容钧瓷釉色灵活、变化微妙之美。传统钧瓷瑰丽多姿，玫瑰紫、海棠红、茄皮紫、鸡血红、葡萄紫、朱砂红、葱翠青……釉中红里透紫、紫里藏青、青中寓白、白里泛青，可谓纷彩争艳。釉质乳光晶莹，肥厚玉润，类翠似玉赛玛瑙，有巧夺天工之美。\n钧窑烧成温度已经达到1350℃-1380℃之间，延承了传统钧窑胎质细腻，釉色绚丽夺目的特点，又结合了现代审美，器形饱满玲珑。独特研制的玛瑙釉水在烧制后形成更加鲜明的层次感，十多种釉色绚丽多彩，周身还布满珍珠点、兔丝纹、鱼子纹和曲折迂回的蚯蚓走泥纹等生动美妙的流纹给人无限遐想的空间。",[23,24,18,7,25,26],"陶瓷","窑变","三足","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feb014ca5bd3d4a7506b2ea3be18f1b6a.jpg","未知","Xcm*Xcm","瓷器精选",[30],2,"BDBDBD",{"id":35,"slug":36,"title":37,"dynasty":38,"author":19,"museum":20,"description":39,"tags":40,"thumbUrl":45,"material":28,"size":29,"collection":46,"collections":47,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},249670,"qian-long-kuan-qia-si-fa-lang-chan-zhi-lian-wen-san-zu-gu-shi-lu-yi-ming-249670","乾隆款掐丝珐琅缠枝莲纹三足鼓式炉","清","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[41,42,26,43,44,25,7],"掐丝珐琅","珐琅器","炉","缠枝莲纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F935e5acb8a820f32b17592812da17377.jpg","",[],"37474F",{"id":50,"slug":51,"title":52,"dynasty":38,"author":19,"museum":20,"description":39,"tags":53,"thumbUrl":57,"material":28,"size":29,"collection":46,"collections":58,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},249253,"jing-tai-kuan-qia-si-fa-lang-gou-lian-wen-gu-shi-lu-yi-ming-249253","景泰款掐丝珐琅勾莲纹鼓式炉",[41,42,26,54,7,55,56],"勾莲纹","清代","铜制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94e81eabac66fa7ce2b61f8e89416db3.jpg",[],"795548",{"id":61,"slug":62,"title":63,"dynasty":64,"author":19,"museum":20,"description":65,"tags":66,"thumbUrl":71,"material":28,"size":29,"collection":46,"collections":72,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},249036,"jing-tai-kuan-qia-si-fa-lang-gou-lian-wen-gu-shi-gai-lu-yi-ming-249036","景泰款掐丝珐琅勾莲纹鼓式盖炉","明","此炉敦厚朴拙，鎏金铺首兽耳雄浑大气，三兽足稳稳承托炉身，尽显庄重华贵。盖顶卧象憨态可掬，暗藏太平有象的祥瑞寓意，鎏金镂空缠枝盖面，可让焚香烟气自花隙间悠然漫出，虚实相映雅致灵动。炉身以澄澈天青为地，掐丝勾勒缠枝宝相花，填色饱满鲜亮，珐琅釉色沉厚莹润，与鎏金饰件的亮眼光泽相映成趣，尽显明代掐丝珐琅精湛工艺，集焚香实用、陈设装饰与吉祥意蕴于一身，是兼具美学价值与文化内涵的精工之作。",[67,41,42,68,26,54,7,69,70,25],"明代","设色","兽钮","兽耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72b42ebd939ae1c4933ec4739aa20b68.jpg",[],{"id":74,"slug":75,"title":76,"dynasty":64,"author":19,"museum":20,"description":77,"tags":78,"thumbUrl":83,"material":28,"size":29,"collection":46,"collections":84,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},249033,"qia-si-fa-lang-chan-zhi-lian-wen-gu-shi-lu-yi-ming-249033","掐丝珐琅缠枝莲纹鼓式炉","鼓形器身雅致端庄，鎏金象首衔环为耳，下承三兽足，线条圆润又带着华贵威仪。松石蓝釉铺作地色，缠枝莲蜿蜒缠绕，各色釉料填饰饱满鲜亮，黄红白诸色宝相花错落其间，妍丽生动。掐丝走线流畅利落，金线勾出纹饰筋骨，将缠枝俯仰之姿勾勒精妙。釉色莹润明净，与鎏金的亮泽相映成趣，既有佛禅清寂意蕴，又尽显宫廷手作的雍容精细，将传统珐琅工艺的精巧雅致诠释尽致，古雅沉静中尽显旧时造物之美。",[67,41,79,80,44,81,82,7,42,26],"铜胎","鎏金","兽首耳","兽足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F933a5340d71464e4c97adb16ac37363c.jpg",[],{"id":86,"slug":87,"title":88,"dynasty":64,"author":19,"museum":20,"description":89,"tags":90,"thumbUrl":92,"material":28,"size":29,"collection":46,"collections":93,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},248977,"jing-tai-kuan-qia-si-fa-lang-chan-zhi-lian-wen-gu-shi-xun-lu-yi-ming-248977","景泰款掐丝珐琅缠枝莲纹鼓式熏炉","鼓式炉身饱满端庄，鎏金弦纹缀饰鼓钉，勾勒出利落层次，暗合古器沉浑气度。天蓝色珐琅釉为底，掐丝勾连缠枝莲纹，卷舒间填饰朱红、凝白、褐黄诸色，宝相花饱满妍丽，釉色明莹亮润，掐丝匀净流畅，繁而不乱。\n\n鎏金绳纹双耳灵动俏皮，三兽足稳稳承托器身，炉盖錾刻镂空缠枝，顶钮如团蕊轻绽，鎏金熠熠生辉，与珐琅釉色冷暖相映，华贵不失清雅。\n\n将庙堂礼器的端严与文房清供的雅致相融，尽显工艺精妙，焚香时青烟自镂孔袅袅溢出，晕染出悠悠古意。",[67,41,42,56,44,7,91],"熏炉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb46b64b4413213549a18b0107b098512.jpg",[],{"id":95,"slug":96,"title":97,"dynasty":38,"author":19,"museum":20,"description":98,"tags":99,"thumbUrl":107,"material":28,"size":29,"collection":46,"collections":108,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},247004,"qian-long-kuan-ti-hong-hai-shui-long-zhu-wen-gu-shi-yuan-he-yi-ming-247004","乾隆款剔红海水龙珠纹鼓式圆盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[55,100,101,102,103,104,105,7,106],"漆器","剔红","雕刻","龙","海水","龙珠","器。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6b60191c713ecbe7b121cb2b3eb7e23.jpg",[],{"id":110,"slug":111,"title":112,"dynasty":38,"author":19,"museum":20,"description":98,"tags":113,"thumbUrl":119,"material":28,"size":29,"collection":46,"collections":120,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},246279,"miao-jin-cai-qi-yun-long-xi-zhu-wen-gu-shi-cuan-he-yi-ming-246279","描金彩漆云龙戏珠纹鼓式攒盒",[100,114,115,103,116,117,7,118],"描金","彩漆","云龙","戏珠","攒盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe5f4e7cf8b9bc70a977c525bf8e98d7.jpg",[],{"id":122,"slug":123,"title":124,"dynasty":38,"author":19,"museum":20,"description":98,"tags":125,"thumbUrl":10,"material":28,"size":29,"collection":46,"collections":128,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},246143,"qiang-jin-cai-qi-kui-long-wen-gu-shi-cuan-he-yi-ming-246143","戗金彩漆夔龙纹鼓式攒盒",[100,126,127,7,26,103,102],"戗金彩漆","夔龙纹",[],1777535737828]