[{"data":1,"prerenderedAt":154},["ShallowReactive",2],{"subject-gu-zhi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},11929,"gu-zhi","骨制","骨制画高清赏析","精选中国历代骨制题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6cc686b99e97d9c7d4b44e8d4d5f2947.jpg",0,13,[14,33,48,59,68,78,88,96,108,118,128,136,146],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":26,"material":27,"size":28,"collection":29,"collections":30,"showCount":31,"zanCount":11,"manualWeight":11,"mainColor":32},275513,"gu-zu-huang-di-da-yue-bao-jian-yi-ming-275513","骨镞皇帝大阅骲箭","清","佚名","藏地不详","骨镞形制圆整，开槽暗藏实用巧思，褪去征伐肃杀之气，专为仪典而生。箭杆匀直光洁，髹色沉静内敛，箭羽捆扎利落紧实，配色古雅肃穆。它是礼制武备的具象缩影，凝合着匠作的精湛工艺，将仪典威仪与造物美学相融，静静铺陈出往昔大阅典仪的庄重底色，尽显御用武备的不凡格调，藏着往昔王朝武仪礼制的厚重底蕴。",[23,24,7,25],"兵器","箭","木质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc6d644177405c36b409d2766b5c7431.jpg","未知","Xcm*Xcm","",[],3,"795548",{"id":34,"slug":35,"title":36,"dynasty":37,"author":19,"museum":20,"description":38,"tags":39,"thumbUrl":44,"material":27,"size":28,"collection":29,"collections":45,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":47},269113,"gu-diao-gang-mao-yi-ming-269113","骨雕刚卯","汉","汉代青铜器产生于青铜时代的晚期，在我国青铜史上占有特殊的地位，体现出独特的设计思想和特征，具有卓越的科学功能，并对当今设计有很大的启示作用。\n汉代青铜器很多都是素纹，大部分还是铸造的，也有的花纹、铭文是用錾子雕刻的。比如汉代的鎏金杯子、奁、盒、碗等用具上的花纹，多是雕刻的。\n汉代以后至唐代的铜器，铸造的花纹很多，其中有打料的铜、金、银器，并且也有了大、小焊的技术。\n西汉初期（高祖至景帝），此时的青铜器，基本为素面。其鼎主要承自秦式，但一般三足更矮。敦盒形。\n壶有大小二型并存，大型壶腹下部略呈收缩之状，腹比秦壶要鼓；小型壶的腹部较瘦长，经常铸出变形螭纹。钫此时更流行，有的做得很讲究，通腹有镶嵌绿松石的三角云纹。\n鍪和蒜头壶继续流行。日用器皿中，高灯多见，豆式熏炉盛行，带钩显琵琶形、棒形、琴形讲究的多做成鎏金、错金银、镶玉或绿松石。\n西汉中期至东汉早期（西汉武帝至东汉章帝）是西汉青铜器最发达的时期，也是汉代青铜器新风格最终形成的时期。这时期最多见的青铜用器是鼎、壶、钫、尊、熨斗、带钩、铜镜。\n灯：古代照明器具。青铜灯出现于战国时期，而盛行于汉代。最著名的当属长信宫灯了，灯的样子很多，较普通的是有圆盘，盘内有钎，盘下有柱，柱下有圈足；也有盘下作雁足状的，盘用来盛油或插烛。\n另有一种灯自铭为“行灯”，它圆盘边有把，盘下有三短足。青铜灯最富感染力的当属那些铸成人形、禽形、兽形、树形的艺术造型灯。\n博山炉：古代焚香的器具。一般炉体作圆形，用来放香料，体下有高足，有的足还铸成人形或鸟兽形；炉盖均高而尖，雕镂成山峦形上有人物、走兽，象征海上仙山“博山”，故名“博山炉”。盛行于汉代。\n樽：古代盛酒的器皿，器作圆形，直壁，有盖，腹较深，下有三兽足，旁有铺首衔环耳。\n洗：盥洗用器皿。形状象盆，圆形、宽口沿，平或圆底，腹外多有铺首衔环耳，内底常用双鱼作装饰，并多铸吉语。盛行于汉晋。\n耳杯：古代饮酒器。多漆制，称“羽觞”。铜质者，器作椭圆形，腹壁有二环耳。\n熨斗：古式熨烫衣服的工具。形状为圆腹宽口沿，有长柄，盛行于汉魏。\n东汉中晚期（和帝至献帝）青铜器又有了新的变化。此时使用较多的铜器日用品有：钟、扁壶、盆、釜、鐎斗、灯、博山炉、炉、熨斗、尊、耳杯、虎子、车马器、带钩、铜镜、玺印等。\n此时青铜器的特点是比以前轻薄、错金银技术在青铜器装饰中几乎消失，鎏金仍多，鎏金器上出现了细线阴刻云纹。",[7,40,41,42,43],"雕刻","饰品","篆书","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcceb63fb9c184f1bbf63d9380924e374.jpg",[],2,"BDBDBD",{"id":49,"slug":50,"title":51,"dynasty":37,"author":19,"museum":20,"description":52,"tags":53,"thumbUrl":56,"material":27,"size":28,"collection":29,"collections":57,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},281171,"shi-hou-zi-xiong-niu-gu-yin-yi-ming-281171","“时矦子”熊钮骨印","战国时期，主张合纵的名相苏秦佩戴过六国相印。近几年来，出土的文物又把印章的历史向前推进了数百年。也就是说，印章在周朝时就有了。\n传世的古代玺印，多数出于古城废墟、河流和古墓中。有的是战争中战败者流亡时所遗弃，也有在战争中殉职者遗弃在战场上的，而当时的惯例，凡在战场上虏获的印章必须上交，而官吏迁职、死后也须脱解印绶上交。其它有不少如官职连姓名的，以及吉语印、肖形印等一般是殉葬之物，而不是实品。其它在战国时代的陶器和标准量器上，以及有些诸侯国的金币上，都用印章盖上名称和记录上制造工匠的名姓或图记性质的符号，也被流传下来。\n古玺是先秦印章的通称。我们现在所能看到的一般最早的印章大多是战国古玺。印文笔画细如毫发，都出于铸造。白文古玺大多加边栏，或在中间加一竖界格，文字有铸有凿。官玺的印文内容有“司马”、“司徒”等名称外，还有各种不规则的形状，内容还刻有吉语和生动的物图案。朱文古玺大多加边栏，或在中间加一竖界格，文字有铸有凿。",[43,54,55,7,40],"篆刻","熊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18dc29a054742063ae29c72e94cfcd13.jpg",[],"37474F",{"id":60,"slug":61,"title":62,"dynasty":18,"author":19,"museum":20,"description":63,"tags":64,"thumbUrl":66,"material":27,"size":28,"collection":29,"collections":67,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},275732,"gu-zu-bao-tou-shao-jian-yi-ming-275732","骨镞骲头哨箭","修长形制雅致内敛，骲头嵌饰松石，莹润青泽与金属冷光交织，将杀伐之意揉入精巧装饰中。素净箭杆带着木材天然温润的肌理，留存着弓弦震颤过的余温。枯槁尾羽虽失当年劲利，却依旧能窥见配重的精妙考量，曾带着骑射者的意气破空而出，掠过草原林莽。\n它是武备亦是旧时审美缩影，把狞厉弓马气藏于雅致细节，静静沉敛着往昔弯弓逐猎的岁月余韵，将尚武之风与匠人之思凝于一身。",[23,24,7,65],"器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9025718f53ca1088218e7c253a3dc080.jpg",[],{"id":69,"slug":70,"title":71,"dynasty":18,"author":19,"museum":20,"description":72,"tags":73,"thumbUrl":76,"material":27,"size":28,"collection":29,"collections":77,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":32},275534,"gu-zu-huang-di-ji-li-sui-shi-bao-jian-yi-ming-275534","骨镞皇帝吉礼随侍骲箭","骨镞仿作颅形，纹路细腻写实，将狞厉形制化作精巧饰件。竹制箭杆匀净笔直，带着岁月沉淀的温润包浆。尾羽或残损或完整，旧日捆缚的痕迹依然清晰可见，暗哑的缠线配色衬出古朴质感，静静承载着皇家吉礼的庄重威仪，尽显清代礼制武备的雅致匠心。",[23,74,7,25,75,24],"礼器","羽毛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F646258a583b8fa2bf1351fd71352e1df.jpg",[],{"id":79,"slug":80,"title":81,"dynasty":18,"author":19,"museum":20,"description":82,"tags":83,"thumbUrl":86,"material":27,"size":28,"collection":29,"collections":87,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},275532,"gu-zu-ping-ding-bao-tou-shao-jian-yi-ming-275532","骨镞平顶骲头哨箭","此箭以骨为镞，平顶骲头暗藏巧思，开弓射出时可呼啸鸣响，既是克敌的利器，也可传递哨令。修长箭杆匀直挺括，朱红漆痕晕染点缀，将实用与雅饰悄然相融。箭羽顺服贴合，排布齐整，可见匠人的细致用心。\n它凝着旧时骑射勇武之风，把演武行围的飒爽藏于骨木质朴的肌理中，是冷兵器时代匠心与战力的缩影，带着弓马文化的厚重余韵。",[23,24,7,84,85],"骨镞","哨箭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f0bc165f205546f9fa9620f5885d730.jpg",[],{"id":89,"slug":90,"title":91,"dynasty":18,"author":19,"museum":20,"description":92,"tags":93,"thumbUrl":94,"material":27,"size":28,"collection":29,"collections":95,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":32},275524,"gu-zu-huang-di-sui-shi-bao-jian-yi-ming-275524","骨镞皇帝随侍骲箭","骨镞摹刻人面模样，棱面开槽憨态传神，褪去兵器的肃杀戾气，尽显精巧雅致。\n光素木杆匀净顺滑，朱漆束起苍劲羽枝，亮色与沉调相互衬映，质朴骨材与鲜亮漆色撞出别致韵味。\n将武备器物化作赏心雅件，藏着宫廷造物的细腻匠心，静立间晕开旧时光里的庄重质感，把实用器具揉进了雅致意趣之中。",[23,24,7,25,75,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F464c6179bab4a5fb205de61f3c5894a9.jpg",[],{"id":97,"slug":98,"title":99,"dynasty":18,"author":19,"museum":20,"description":100,"tags":101,"thumbUrl":106,"material":27,"size":28,"collection":29,"collections":107,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},274971,"gu-bing-zong-fu-chen-yi-ming-274971","骨柄棕拂尘","此拂尘棕丝苍劲柔韧，虽经岁月经年，依旧带着质朴厚重的质感，丝缕舒展间带着沉静的古意。莹白骨柄雕琢细致素雅，与棕丝的朴拙粗粝相映成趣，柄首的装饰晕染出几分华贵，为素净的器物点染亮色。末端绦穗虽已褪去旧日鲜亮，却仍能见精巧编结的往昔工致。\n它藏着古人日常里的闲情雅致，将朴素材质与细腻工艺相融，尽显中式器物含蓄内敛的美学意韵。",[102,103,104,7,105,40],"器","日用具","拂尘","棕丝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6bccdb1765a3b11e98cea6a6db29a8d.jpg",[],{"id":109,"slug":110,"title":111,"dynasty":18,"author":19,"museum":20,"description":112,"tags":113,"thumbUrl":116,"material":27,"size":28,"collection":29,"collections":117,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},271045,"cheng-fen-wen-ju-ran-gu-shuang-lu-bang-yi-ming-271045","成份文具-染骨双陆棒","这套清玩以染骨仿蔬茎为双陆棒，橙绿二色区分品类，将文房雅器化作时蔬模样，巧思灵动。方匣分格收纳，宛若分畦的菜圃盛置鲜蔬，掐丝珐琅小碗宝蓝为地，缠枝纹流转华贵，应为承纳小件的雅具。\n\n器物将文房清供与日常烟火意趣相融，褪去匠作板正，把案间闲玩变得鲜活可亲，尽显清代匠人生活化的审美意趣。案牍余闲时，伴人消磨时光，雅俗共赏，是雅玩与日常意趣交织的精巧造物。",[7,114,115,103,40],"珐琅器","文具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a1047027ee288786665b9b25eb17841.jpg",[],{"id":119,"slug":120,"title":121,"dynasty":18,"author":19,"museum":20,"description":122,"tags":123,"thumbUrl":125,"material":27,"size":28,"collection":29,"collections":126,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":127},269602,"gu-ban-zhi-yi-ming-269602","骨扳指","扳指是一种射箭工具，戴于拇指，正下方有一个槽，用来扣住弓弦以便拉箭，作用是防止放箭时，急速回抽的弓弦擦伤手指。因功能类似扳机，故又称为“机”\n扳指还被称为“韘”，据《说文·韦部》载：“韘，射决也。所以拘弦。以象骨。韦系，箸右巨指。”明确阐述了扳指的功能以及用法。",[41,7,124,40,102],"扳指","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1221d6009cf3e650894dd8eb37f79789.jpg",[],"FFFFFF",{"id":129,"slug":130,"title":131,"dynasty":18,"author":19,"museum":20,"description":122,"tags":132,"thumbUrl":134,"material":27,"size":28,"collection":29,"collections":135,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},269550,"gu-yao-hong-se-ban-zhi-yi-ming-269550","骨腰红色扳指",[41,124,7,133],"红纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93b91ccc959afbd49456cf5acc64bef7.jpg",[],{"id":137,"slug":138,"title":139,"dynasty":18,"author":19,"museum":20,"description":140,"tags":141,"thumbUrl":144,"material":27,"size":28,"collection":29,"collections":145,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},269019,"ga-ba-la-nian-zhu-yi-ming-269019","嘎巴拉念珠","这串念珠以骨质方珠次第串联，珠体形制周正，经年摩挲生出温润包浆，晕开沉静内敛的哑光色泽。尾端残存的旧织线红褐交织，带着被长久持握的磨损痕迹，藏着过往持诵的温热余韵。\n\n它无繁复装饰，却自带肃穆沉静的禅意，每一颗方珠都仿佛沉淀着无数次虔心持诵的力量，朴素形制里藏着厚重的信仰分量，静静诉说着悠远的修行过往，将藏地修行的质朴虔诚凝于串间。",[41,142,143,7],"宗教","念珠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8462178697390e3a07f5daf975e31d61.jpg",[],{"id":147,"slug":148,"title":149,"dynasty":18,"author":19,"museum":20,"description":150,"tags":151,"thumbUrl":10,"material":27,"size":28,"collection":29,"collections":153,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},268736,"gu-xiang-yu-dai-tou-yi-ming-268736","骨镶玉带头","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[41,152,7,40],"玉石",[],1777535728662]