[{"data":1,"prerenderedAt":221},["ShallowReactive",2],{"subject-gua-hua":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3537,"gua-hua","挂画","挂画画高清赏析","精选中国历代挂画题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F989a26ffc619c1db88cee4d8b1db4f57.jpg",0,12,[14,42,74,93,110,128,148,160,174,187,199,208],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":36,"material":37,"size":38,"collection":38,"collections":39,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},220560,"lu-xun-yu-qu-qiu-bai-xu-bei-hong-220560","鲁迅与瞿秋白","民国","徐悲鸿","中央美术学院美术馆","画面以一动一静构置张力，站立的瞿秋白舒展自若，抬手持烟尽显温润从容；端坐的鲁迅凝眸持烟，神色沉静锐利，尽显思想锋芒。铅笔线条细腻精准，将二人长衫身姿勾勒得儒雅传神，复刻出民国文人的风骨气度。\n\n背景书架与小幅挂画烘托出书房的沉静氛围，左侧题字带着创作随笔的鲜活质感，让这幅写生多了几分私语般的松弛。徐悲鸿以写实笔触定格挚友相处的松弛瞬间，将革命文人的相知情谊藏在细节里，落笔克制却满含温度，把精神共鸣与文人风骨永远定格在画纸之上。",[23,24,25,26,27,28,29,7,30,31,32,33,34,35],"素描","写实","人物","民国服饰","室内场景","书架","椅子","题字","长袍","眼镜","站姿","坐姿","手部动态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd35baa1f70ee32b5127b101976bdff7a.jpg","纸本素描","",[],75,"BDBDBD",{"id":43,"slug":44,"title":45,"dynasty":46,"author":47,"museum":48,"description":49,"tags":50,"thumbUrl":66,"material":67,"size":68,"collection":69,"collections":70,"showCount":71,"zanCount":72,"manualWeight":11,"mainColor":73},225736,"de-slaapkamer-fan-gao-225736","De slaapkamer","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[51,52,53,54,55,56,57,58,59,29,60,61,7,62,63,64,65,27],"名画","油画","厚涂","笔触奔放","色彩鲜明","色彩对比强烈","表现主义","卧室","床","桌子","窗户","木地板","墙壁","枕头","被子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41b9903979093dab1417ced8def24ffa.jpg","未知","Xcm*Xcm","油画精选",[69],47,1,"795548",{"id":75,"slug":76,"title":77,"dynasty":46,"author":78,"museum":48,"description":79,"tags":80,"thumbUrl":90,"material":67,"size":68,"collection":38,"collections":91,"showCount":92,"zanCount":11,"manualWeight":11,"mainColor":41},289067,"julien-mue-re-drawing-room-of-the-plas-spa-yi-ming-289067","Julien Muère--Drawing Room of the Plas. Spa","佚名","这幅水彩画晕开柔雅色调，将午后的松弛闲逸定格成永恒。暖阳穿窗而入，给暖棕木纹镀上薄金，携着窗外山岚绿意漫进房间。\n\n身着曳地白纱的女子斜倚竖琴旁，似刚停驻拨弦，侧脸笼在纱帘漏下的光影里，漫着倦怠温柔。房间陈设处处流露旧调雅致：壁炉台的铜饰雕塑凝着复古意趣，墙沿挂画晕着岁月质感，丝绒窗帘垂着柔滑褶皱，雕花座椅绣着釉蓝纹样，每一处细节都铺陈出旧日贵族的精致日常。\n\n室外山岚与室内静谧温柔衔接，让这方小天地既有烟火暖意，又带着清隽诗意，把慵懒松弛的午后氛围描摹得淋漓尽致。",[81,82,27,83,84,85,86,87,88,89,7],"水彩画","西洋画","起居室","女子","竖琴","西洋家具","窗景","静谧","织物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea84235e6f60b98d8ac29929493de518.jpg",[],2,{"id":94,"slug":95,"title":96,"dynasty":46,"author":97,"museum":48,"description":98,"tags":99,"thumbUrl":108,"material":67,"size":68,"collection":38,"collections":109,"showCount":92,"zanCount":11,"manualWeight":11,"mainColor":73},232561,"mi-lai-si-105-yue-han-ai-fu-li-te-mi-lai-si-232561","米莱斯105","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[52,24,100,25,101,102,103,104,105,106,107,7],"设色","男女","小狗","木门","绿色墙壁","红色地毯","军装","长裙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb55b22a40d4e502fe2f9148675d86edd.jpg",[],{"id":111,"slug":112,"title":113,"dynasty":46,"author":114,"museum":48,"description":115,"tags":116,"thumbUrl":126,"material":67,"size":68,"collection":38,"collections":127,"showCount":92,"zanCount":11,"manualWeight":11,"mainColor":73},232307,"a-er-ma-34-lao-lun-si-a-er-ma-ta-de-ma-232307","阿尔玛34","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[52,117,24,100,25,27,118,119,7,89,120,121,122,123,124,125],"新古典主义","马赛克地面","古典家具","古装","器物","多人互动","建筑内部装饰","窗帘","墙面壁画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7630c2f3362a2df42e2d469c846240c4.jpg",[],{"id":129,"slug":130,"title":131,"dynasty":46,"author":132,"museum":48,"description":133,"tags":134,"thumbUrl":146,"material":67,"size":68,"collection":38,"collections":147,"showCount":92,"zanCount":11,"manualWeight":11,"mainColor":73},231978,"the-bellelli-family-musee-d-orsay-france-de-jia-231978","The Bellelli Family - - - Musee d'Orsay (France)","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[52,100,135,24,25,27,63,7,60,29,136,137,138,139,107,140,141,142,143,144,145],"印象派","壁炉","地毯","钟表","盘子","围裙","衬衫","外套","儿童","成年男性","成年女性","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4241b29045f6925539990d742e2d6bc4.jpg",[],{"id":149,"slug":150,"title":151,"dynasty":46,"author":78,"museum":48,"description":152,"tags":153,"thumbUrl":158,"material":67,"size":68,"collection":38,"collections":159,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":41},289549,"attributed-to-john-carter-drawing-room-of-lea-castle-looking-west-yi-ming-289549","Attributed to John Carter--Drawing Room of Lea Castle, Looking West","整体是哥特复兴风格的雅致厅堂，层次错落的雕花藻井以青绿描金点缀，晕开复古华贵的底色。墙面拱壁龛柱搭配浮雕人像，庄重典雅之余带着复古仪式感。壁炉居于视觉中心，上方古典画作与对称排布的软包座椅相互呼应，边桌鎏金摆件柔和了建筑的冷硬肌理，铺陈出旧日宅邸的闲适氛围。\n水彩晕染柔和细腻，精准勾勒每一处雕花肌理，将中世纪复古形制与室内陈设的柔美融合，仿若将鎏金岁月凝于纸面，尽显古典宅邸的精致雍容，让人好似窥见旧日厅堂里衣香鬓影的松弛光景。",[81,154,100,155,27,156,136,157,7],"界画","厅堂","古典建筑","座椅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbdffd9fcd1e4b98c5eb7752208451339.jpg",[],{"id":161,"slug":162,"title":163,"dynasty":46,"author":97,"museum":48,"description":98,"tags":164,"thumbUrl":171,"material":67,"size":68,"collection":38,"collections":172,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":173},232573,"mi-lai-si-117-yue-han-ai-fu-li-te-mi-lai-si-232573","米莱斯117",[52,24,100,25,165,143,166,60,167,168,7,29,169,170],"女性","室内","盒子","书","衣帽","布料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e85cdd6433cf71fc126764c999e64a2.jpg",[],"37474F",{"id":175,"slug":176,"title":177,"dynasty":46,"author":114,"museum":48,"description":115,"tags":178,"thumbUrl":185,"material":67,"size":68,"collection":38,"collections":186,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},232328,"a-er-ma-55-lao-lun-si-a-er-ma-ta-de-ma-232328","阿尔玛55",[52,100,24,166,179,28,180,61,7,136,137,181,60,29,182,183,62,184],"家具","书籍","榻","吊灯","装饰摆件","靠垫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff781042946b9af276a03700843d56b7d.jpg",[],{"id":188,"slug":189,"title":190,"dynasty":46,"author":132,"museum":48,"description":133,"tags":191,"thumbUrl":197,"material":67,"size":68,"collection":38,"collections":198,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":41},232150,"helene-rouart-in-her-father-s-study-circa-1886-1895-national-gallery-london-de-jia-232150","Helene Rouart in Her Father's Study - circa 1886-1895 - National Gallery - London",[52,135,192,27,165,29,60,193,194,7,195,196],"人物肖像","纸张","雕像","墙面","玻璃柜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff861beaa12d4a0ea3482bdd9c184cdb8.jpg",[],{"id":200,"slug":201,"title":202,"dynasty":46,"author":132,"museum":48,"description":133,"tags":203,"thumbUrl":206,"material":67,"size":68,"collection":38,"collections":207,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},231977,"the-bellelli-family-circa-ordrupgaard-collection-denmark-de-jia-231977","The Bellelli Family - circa - - Ordrupgaard Collection (Denmark)",[52,135,24,25,27,60,29,136,7,107,140,204,165,143,205],"男性","服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9b65ae0737dd3e5a7be688dda3fe8c3.jpg",[],{"id":209,"slug":210,"title":211,"dynasty":46,"author":212,"museum":48,"description":213,"tags":214,"thumbUrl":10,"material":67,"size":68,"collection":38,"collections":220,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":73},225605,"rp-p-1962-110-lun-bo-lang-225605","RP-P-1962-110","伦勃朗","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[215,24,216,25,166,217,218,193,61,7,31,219],"铜版画","明暗对比","书桌","羽毛笔","光影",[],1777535730106]