[{"data":1,"prerenderedAt":211},["ShallowReactive",2],{"subject-gua-leng":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4199,"gua-leng","瓜棱","瓜棱画高清赏析","精选中国历代瓜棱题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F248a3566891a94221cabf93afbf8baae.jpg",0,17,[14,43,55,68,83,93,103,110,120,129,139,152,161,170,181,193,202],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":36,"material":37,"size":38,"collection":39,"collections":40,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":42},256775,"yue-yao-qing-you-gua-leng-zhi-hu-yi-ming-256775","越窑青釉瓜棱执壶","唐","佚名","藏地不详","越窑是中国古代南方著名的青瓷窑，汉族传统制瓷工艺的珍品之一。窑所在地主要在越州境内，即今浙江省宁绍平原上的绍兴、宁波两地。生产年代自东汉至宋。唐朝是越窑工艺最精湛时期，居全国之冠。越窑之名，最早见于唐代，越窑瓷青瓷与唐代的饮茶风尚关系十分密切，其瓷质造型，釉色之美，深受饮茶者的喜爱。饮茶风尚又影响了越窑青瓷的型制。",[23,24,25,26,7,27,28,29,30,31,32,33,34,35],"唐代","陶瓷","青釉","器","青瓷","执壶","釉色","器形","唐代风格","青釉技法","陶瓷器物","瓜棱造型","青瓷工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35504468b475accc67d38eb25bbd3dd1.jpg","未知","Xcm*Xcm","瓷器精选",[39],2,"BDBDBD",{"id":44,"slug":45,"title":46,"dynasty":47,"author":19,"museum":20,"description":48,"tags":49,"thumbUrl":10,"material":37,"size":38,"collection":52,"collections":53,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":54},223712,"bai-ci-gua-leng-guan-yi-ming-223712","白瓷瓜棱罐","宋","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[24,50,51,7,26],"宋代","白瓷","",[],"795548",{"id":56,"slug":57,"title":58,"dynasty":47,"author":19,"museum":20,"description":59,"tags":60,"thumbUrl":64,"material":37,"size":38,"collection":52,"collections":65,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":67},262065,"qing-bai-you-gua-leng-zhi-hu-yi-ming-262065","青白釉瓜棱执壶","将不含金属氧化物呈色元素的釉料施于胎骨洁白的器物上，入窑高温烧制而成的透明釉， 釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[24,61,62,7,63,26],"饮酒器","青白釉","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5cfb1aef753c8846a520201121107a1c.jpg",[],1,"37474F",{"id":69,"slug":70,"title":71,"dynasty":72,"author":19,"museum":20,"description":73,"tags":74,"thumbUrl":81,"material":37,"size":38,"collection":52,"collections":82,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":67},259268,"qian-long-kuan-fen-di-fen-cai-chan-zhi-lian-fu-shou-wen-shuang-er-gua-leng-bi-ping-yi-ming-259268","乾隆款粉地粉彩缠枝莲福寿纹双耳瓜棱壁瓶","清","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[24,75,76,77,78,79,7,80],"珐琅器","粉彩","缠枝莲","福寿纹","壁瓶","双耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41a5b070d6e17d07d91e0115a1e569be.jpg",[],{"id":84,"slug":85,"title":86,"dynasty":47,"author":19,"museum":20,"description":87,"tags":88,"thumbUrl":91,"material":37,"size":38,"collection":39,"collections":92,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},260320,"yao-zhou-yao-qing-you-gua-leng-shui-cheng-yi-ming-260320","耀州窑青釉瓜棱水丞","耀州窑是中国传统制瓷工艺中的珍品，宋代六大窑系。位于今陕西省铜川市的黄堡镇，唐宋时属耀州治，在唐代就是中国陶瓷烧制的著名产地，宋代更进一步达到鼎盛，成为我国“宋代六大窑系”中的一个窑系。\n耀州窑是北方青瓷的代表。唐代开始烧制黑釉、白釉、青釉、茶叶末釉和白釉绿彩、褐彩、黑彩以及三彩陶器等。宋、金以青瓷为主。北宋是耀州的鼎盛时期，据记载且为朝廷烧造“贡瓷”。金代延续北宋时期继续发展，元代开始转型，走向末落，经明代、清代，终于民国。\n耀州窑始于唐代，北宋末为鼎盛期，宋代六大窑系，终于民国。其窑址位于陕西省铜川市黄堡镇，旧称同官，宋代时属耀州，故名“耀州窑”，包括陈炉镇、立地镇、上店镇及玉华宫等窑在内。是宋代北方民间青瓷的主要产区之一。\n宋代晚期以青瓷为主，胎薄质坚，釉面光洁匀静，色泽青幽，呈半透明状，十分淡雅。装饰有刻花、印花，结构严谨丰满，线条自由流畅。纹饰多满布器内外，种类繁多，有牡丹、菊花、莲花、鱼、鸭、龙凤等，风格粗放健美，生动自然。器形有碗、盘、瓶、罐、壶、香炉、香熏、盏托、注子温碗、钵等。\n耀州窑在宋时北方的青瓷窑场中最负盛名，堪称翘楚。于神宗元丰（1078-1085）至徽宗崇宁（1102-1106）的三十来年间，曾为朝廷烧制贡瓷。其不凡的制瓷技巧和洒脱活泼的风格对当时各地窑场产生了很大影响，得到广泛推广，由此形成了一个自北而南的范围广阔的耀州窑系。耀州窑系以黄堡镇为中心，襄括了河南宜阳窑、宝丰窑、新安城关窑、广东西村窑、广西永福窑、内乡大窑店窑等多个窑场。各窑制品均与铜川窑相似，仅由于所用原料有差别，胎质与釉色也有些微不同。",[24,25,7,89,90],"水丞","文房用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff412bb9313b61259416419cbbd3032ea.jpg",[39],{"id":94,"slug":95,"title":96,"dynasty":72,"author":19,"museum":20,"description":97,"tags":98,"thumbUrl":101,"material":37,"size":38,"collection":39,"collections":102,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},260263,"de-hua-yao-bai-you-gua-leng-xiao-hu-yi-ming-260263","德化窑白釉瓜棱小壶","德化窑位于今福建德化，故名。作为著名的瓷窑，是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n德化瓷器是中华陶瓷烧造中的艺术珍品，始于宋代，明代后得到巨大发展。以白瓷塑佛像闻名。其制作细腻，雕刻精美，造型生动，体现了古代劳动人民的卓越才能和艺术创造力。\n在今福建德化，故名。是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n碗坪仑烧瓷较屈斗宫古窑址早，烧青白瓷，有的接近白釉，刻花蓖划纹装饰较多，盒子遗留甚丰，盖面所印阳纹装饰达一百余种，题材之丰富在南方地区首屈一指，南宋时有专门制作盒子的作坊，盒盖上阳文印花装饰题材丰富，有动物、花卉等近百种图案。划花间篦划纹亦较多，饰在碗、盘、瓶等器物上。\n屈斗宫元代办烧青白瓷，从南宋至元代。明代盛烧白瓷观音、达摩等塑像，胎釉浑然一体，如同白玉，被赞为"象牙白"、"奶白"或 "天鹅绒白。清代除烧白瓷外，盛烧青花与彩绘瓷器。元代以来，德化窑瓷器输出海外，菲律宾、马来西亚出土有元代德化窑青白瓷，泰国及东非坦桑尼亚等国家也出土有清代德化窑青花瓷器。\n这种瓷器的制作工艺程序如下：他们从地下挖取一种泥土，将它垒成一个大堆，任凭风吹、雨打、日晒，从不翻动，历时三、四十年。泥土经过这种处理，质地变得更加纯化精炼，适合制造上述各种器皿，然后抹上认为颜色合宜的釉，再将瓷器放入窑内或炉里烧制而成。因此，人们挖泥堆土，目的是替自已的儿孙贮备制造瓷器的材料而已，大量的瓷器是在城中出售， 一个威尼斯银币能买到八个瓷杯“。马可波罗的介绍，引起了西方人的强烈兴趣。",[24,63,99,7,100],"白釉","壶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7ddc3f55ceae3e06e5c5f9a515dd6db.jpg",[39],{"id":104,"slug":105,"title":71,"dynasty":72,"author":19,"museum":20,"description":73,"tags":106,"thumbUrl":108,"material":37,"size":38,"collection":52,"collections":109,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},259267,"qian-long-kuan-fen-di-fen-cai-chan-zhi-lian-fu-shou-wen-shuang-er-gua-leng-bi-ping-yi-ming-259267",[24,107,76,77,78,7,79],"琺瑯器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92fbdf66fa4770057b2f347125a9c587.jpg",[],{"id":111,"slug":112,"title":113,"dynasty":72,"author":19,"museum":20,"description":114,"tags":115,"thumbUrl":118,"material":37,"size":38,"collection":52,"collections":119,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},258399,"yong-zheng-kuan-dong-qing-you-gua-leng-guan-yi-ming-258399","雍正款冬青釉瓜棱罐","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[24,116,7,26,117],"冬青釉","清代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07c1e4652478c93c6644d01a81f54293.jpg",[],{"id":121,"slug":122,"title":123,"dynasty":72,"author":19,"museum":20,"description":114,"tags":124,"thumbUrl":127,"material":37,"size":38,"collection":52,"collections":128,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":42},258177,"yong-zheng-kuan-shan-yu-huang-you-gua-leng-guan-er-zun-yi-ming-258177","雍正款鳝鱼黄釉瓜棱贯耳尊",[72,24,125,7,126],"鳝鱼黄釉","贯耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d31ba76a81455c139bc07ff0ca72e0d.jpg",[],{"id":130,"slug":131,"title":132,"dynasty":72,"author":19,"museum":20,"description":48,"tags":133,"thumbUrl":137,"material":37,"size":38,"collection":52,"collections":138,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},258112,"fang-ge-you-gua-leng-si-fang-ping-yi-ming-258112","仿哥釉瓜棱四方瓶",[24,134,135,7,136],"仿哥釉","开片","四方","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7bfea773c73a6fa769a4989db5f01e31.jpg",[],{"id":140,"slug":141,"title":142,"dynasty":143,"author":19,"museum":20,"description":144,"tags":145,"thumbUrl":150,"material":37,"size":38,"collection":52,"collections":151,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},257635,"qing-hua-chan-zhi-hua-wen-gua-leng-ping-yi-ming-257635","青花缠枝花纹瓜棱瓶","明","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[146,24,147,148,7,149],"明代","青花","缠枝纹","缠枝花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c5ea1810bec0d49b1810af610cc90aa.jpg",[],{"id":153,"slug":154,"title":155,"dynasty":18,"author":19,"museum":20,"description":59,"tags":156,"thumbUrl":158,"material":37,"size":38,"collection":52,"collections":159,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":160},257626,"bai-you-gua-leng-san-zu-lu-yi-ming-257626","白釉瓜棱三足炉",[18,24,99,7,157,26],"三足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e5c26d263b3867bbbdb56ba3c08f9e9.jpg",[],"F48FB1",{"id":162,"slug":163,"title":164,"dynasty":143,"author":19,"museum":20,"description":144,"tags":165,"thumbUrl":168,"material":37,"size":38,"collection":52,"collections":169,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":42},257136,"xuan-de-kuan-qing-hua-yun-long-wen-gua-leng-zhi-hu-yi-ming-257136","宣德款青花云龙纹瓜棱执壶",[146,24,147,166,167,7,28],"龙","云","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac65473eb7494cf1fe5e43d7c5afaf20.jpg",[],{"id":171,"slug":172,"title":173,"dynasty":174,"author":19,"museum":20,"description":175,"tags":176,"thumbUrl":179,"material":37,"size":38,"collection":39,"collections":180,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},256936,"ding-yao-bai-you-chuan-dai-gua-leng-hu-yi-ming-256936","定窑白釉穿带瓜棱壶","五代十国","定窑是中国传统制瓷工艺中的珍品，宋代六大窑系之一，它是继唐代的邢窑白瓷之后兴起的一大瓷窑体系。主要产地在今河北省保定市曲阳县（原属今定州市）的涧磁村、野北村及东燕川村、西燕川村一带，因该地区唐宋时期属定州管辖，故名定窑。\n定窑原为民窑，北宋中后期开始烧造宫廷用瓷。创烧于唐，极盛于北宋及金，终于元，以产白瓷著称，兼烧黑釉、酱釉和绿釉瓷，文献分别称其为黑定、紫定和绿定。\n定窑从邢窑而来，由于历史的变迁，定窑随着地域变化，新瓷土料的运用和制瓷工艺的进步。卞向和认为：定窑最大的贡献就是在中国陶瓷发展的历史上闪烁过光芒，在中国陶瓷史和世界的陶瓷发展史上留下辉煌的一页。\n定窑，是中国北方白瓷的中心，始于唐，为邢窑的后继者，在五代时期就已经发达。以往文献多记载窑址在河北正定，1938年在河北省曲阳县涧瓷村发现古窑址。近年又多次发掘调查，发现了最下层堆积着晚唐的破片；中层的是五代时就已大量生产；最上层为印花、画花的薄瓷片，是属于北宋中期以后，在政和、宣和年间。这些薄瓷片，胎质坚致，釉泽莹润，花纹优美，确是很精进的品种；且有些是官窑性质的，如”尚食局、禁苑、奉华、官”等胎上刻字破片的发现，便可证明。另在西燕山遗址发现粗瓷片的堆集，以及各地普遍发现的定窑瓷器及破片，又能证明定窑在北宋早期以后，也曾大量烧造民间使用的瓷器。定窑以烧造白瓷为主，也烧颜色釉，如红定、紫定和黑定等。根据《君友会-新民窑》记载，定窑，从北宋起，地位增高，各地仿制者颇多。在定窑本身概念中，就孳乳出各种名称，单就白定一种，就有土定、粉定之分。土定，有瓦胎和陶胎两种。瓦胎为淡赤色的土质，陶胎为白土而略黄，质皆松，体较厚；袖色白色中闪黄或闪赤，容易剥落，或有大开片，是原始的及民用的定器。粉定，是进步的及官用的定器，有陶胎和瓷胎，胎质致密而体薄，釉色纯白如牛乳者，或带淡赤色，釉中往往有刷纹，釉面凝聚，如有泪痕。",[174,24,99,7,177,100,178],"穿带","定窑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ead4d97a66a21e57457145ad86039f8.jpg",[39],{"id":182,"slug":183,"title":184,"dynasty":72,"author":19,"museum":20,"description":185,"tags":186,"thumbUrl":191,"material":37,"size":38,"collection":52,"collections":192,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},252081,"qing-yu-gua-leng-zhi-hu-yi-ming-252081","青玉瓜棱执壶","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[187,188,61,7,117,26,189,190],"玉石","雕刻","莲","青色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5cca26079d1d54682ea201af330e8c0.jpg",[],{"id":194,"slug":195,"title":196,"dynasty":72,"author":19,"museum":20,"description":185,"tags":197,"thumbUrl":200,"material":37,"size":38,"collection":52,"collections":201,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":42},251703,"bi-yu-lian-hua-wen-gua-leng-shi-guan-yi-ming-251703","碧玉莲花纹瓜棱式罐",[187,188,198,7,26,199],"莲花纹","莲花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2805b9499cd3d8a18c01d5624cc7a81d.jpg",[],{"id":203,"slug":204,"title":205,"dynasty":72,"author":19,"museum":20,"description":185,"tags":206,"thumbUrl":209,"material":37,"size":38,"collection":52,"collections":210,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},251698,"bi-yu-long-er-xian-huo-huan-gua-leng-shi-guan-yi-ming-251698","碧玉龙耳衔活环瓜棱式罐",[117,187,188,166,207,7,208,26],"活环","碧玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F150cd47b4174e8b3eae7f2504a306d97.jpg",[],1777535723470]