[{"data":1,"prerenderedAt":71},["ShallowReactive",2],{"subject-guai-dan":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3698,"guai-dan","怪诞","怪诞画高清赏析","精选中国历代怪诞题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50b944972848e948075643620ba0a8fb.jpg",0,3,[14,38,59],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":31,"size":32,"collection":33,"collections":34,"showCount":35,"zanCount":36,"manualWeight":11,"mainColor":37},221493,"ku-lou-huan-xi-tu-li-song-221493","骷髅幻戏图","宋","李嵩","北京故宫博物院","整个画面非常祥和欢乐，毫无惊怖，应是一个流动的携家带口的提线木偶（傀儡）艺人的一场演出，主要描写妇女与儿童生活的一个欢乐场景。\n此《骷髅幻戏图》为扇面册页，左侧署有李嵩的名款，画面有“信公珍赏”“会侯珍藏”等多方收藏印章。 [1] 画面中心人物是一戴幞头、穿透明纱袍的大骷髅，席地而坐，左腿曲折着地，左手按左大腿，右腿弓起，右肘支右膝，坐姿十分舒适自便。右手提控一小骷髅，应为提线木偶（傀儡），上下牙列开张，似在说笑。小骷髅即提线木偶（傀儡）右脚着地，左脚抬起，两臂做招手状，很是活泼。小骷髅对面为一小儿，其左手与双足俱着地，昂首伸右臂，似要伸手抓小骷髅，顽皮而好奇。小儿身后为一青年妇人，双手伸出似作阻拦状，表情看似有些干着急。大骷髅身后安坐一青年妇人，半袒胸，怀抱中小儿正食其乳。目光安详，稍侧身，正注视着眼前之事。人物描画十分生动细致，仿佛能听见他们各自的声音。特别是骷髅的造型十分精准。\n对幅有王玄真书黄公望《醉中天》曲：\n没半点皮和肉，有一担苦和愁。傀儡儿还将丝线抽，寻一个小样子把冤 家逗。识破个羞那不羞？呆兀自五里已单堠。\n曲末题署： 至正甲午春三月十日大痴道人作，弟子休休王玄真书，右寄醉中天。\n画幅之核心主题，当为生死转化及其因果轮回。画家将画一分为二，生死各半。左边画一大骷髅，头戴朴头，身着色衣，关节以线穿连，为艺人的演戏傀儡，含有死之意；右边则画一小儿，手足着地，仰首伸臂，带有生之欲。生死既分，却又互相吸引，故画幅中央被大骷髅戏弄的小骷髅，面向小儿，作躬身招呼状。此是戏中之戏，亦是精心之笔。啸髅躯架刻画准确，小儿动态神气表现生动，大骷髅身後，一妇人袒胸露乳，喂哺幼儿，神色不安地注视着骷髅戏婴之情景，与画幅右边神情恐惧、伸手阻拦那趴地小儿的另一妇人恰成对照，呈现一种静与动、思与行的对立。\n此图还存在着三重幻戏结构：一是两个操控，即大骷髅对于小骷髅的操控，无形之手对于大骷髅的操控；二是交相生发的幻术结构，甚至观图者也会不自觉地落入其中；三是各种背反之表现，尤其是观者明、当局者迷，令人难忘。\n构图的黑白市置上，画家将示死气之骷髅衬于密线重墨组成的墩子、货担之前，增添了阴森、黑暗及恐怖的气氛；同时，却将表现生的小儿置于简写的土地及大片空白的背景上，加强了晴朗、光明及欣喜的感觉。\n单纯从笔墨技法上看，李嵩发挥了自己擅于勾勒、界画之才能，线条坚韧扎实，墨色精致细腻。衣纹用线劲利，或纤柔、或飘动、或挺拔，皆依形态动作而生变化。器物用笔工整严细，笔笔送到，不见轻率浮滑。骨骼、肌肤用笔略有差别，前者刚健，凝重，后者圆转，富于弹性。至于浓淡设色，基本为层层渲染，渐次加深浓重程度，直至轮廓空间毕现方止。染工严谨、古雅，颇具宋朝院体画之特色。",[23,24,25,26,27,28,29,30,7],"高清","设色","工笔","人物","骷髅","孩童","妇人","器物","绢本","纵27厘米，横26.3厘米","",[],175,2,"BDBDBD",{"id":39,"slug":40,"title":41,"dynasty":42,"author":43,"museum":44,"description":45,"tags":46,"thumbUrl":54,"material":55,"size":56,"collection":33,"collections":57,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":37},289173,"goya-nightmare-witches-and-old-women-yi-ming-289173","Goya--Nightmare; Witches and Old Women","不详","佚名","藏地不详","粗粝奔放的笔触以浓淡墨色铺陈出怪诞的堆叠人形，底层佝偻的老者脊背微弯，承托着中层癫狂扭曲的身影，最上方的人形瘫软濒死般耷拉着。\n\n画面以极克制的水墨晕染，将梦魇具象为沉重的负重，扭曲的躯体、麻木与癫狂交织的神情，把沉郁的恐惧层层堆叠，勾勒出超现实的诡谲压抑。潦草的笔意带着原始的冲击力，把深夜里最隐秘不安的怪诞幻觉揉于纸面，让阴郁荒诞的精神困境直抵观者眼前。",[47,48,26,49,50,7,51,52,53],"速写","水墨","女巫","老妇","诡异","噩梦","西洋画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ed386209bd99200b0d2b95f18961cea.jpg","未知","Xcm*Xcm",[],1,{"id":60,"slug":61,"title":62,"dynasty":42,"author":43,"museum":44,"description":63,"tags":64,"thumbUrl":69,"material":55,"size":56,"collection":33,"collections":70,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":37},288571,"attributed-to-francesco-melzi-two-grotesque-heads-old-woman-yi-ming-288571","attributed to Francesco Melzi--Two Grotesque Heads Old Woman","这幅素描以松弛精准的排线勾勒出两个面目夸张的老妇侧面像，将市井丑态以怪诞手法放大。左侧妇人的宽檐帽与尖削长鼻、外翻嘴唇形成荒诞反差，右侧老者毛发蓬乱，鼻部臃肿垂坠，眉眼拧蹙，似正与对方争执。\n\n作者仅靠疏密变化的线条交代光影轮廓，捕捉面部肌肉的扭曲神态，没有多余修饰，将戏谑的市井观察凝于纸面。怪诞变形的五官并非单纯丑化，暗含着对世俗样貌的调侃，让观者在荒诞中窥见日常口角的鲜活张力，粗粝的纸面质感更添古朴的速写趣味，尽显即兴速写的生动表现力。",[65,26,66,7,67,68],"素描","白描","老者","肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0fe98780247e2a8c174e54ca06f4fcb.jpg",[],1777535766549]