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吴昌硕热心提携后进，齐白石、王一亭、潘天寿、陈半丁、赵云壑、王个簃、沙孟海等均得其指授。 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丽明快。\n草地以大面积花青渲染，以重色细笔根根绘出，间以浓淡的变化，形成雾动云涌之感。\n梧桐近乎淡墨白描，更有幽深清丽之意。\n整个背景有一种缥缈空灵的虚幻意味，衬托出人物笔墨的写实生动；画中人物的表情动态，又反衬阮音的悠扬动听。\n虚实相辅，以有写无，形成脱俗越尘的艺术效果。\n刘彦冲(187—1847)，初名荣，字咏之，四川铜梁人。\n擅山水、人物、花卉，工诗文。\n从师朱生昂学山水，常随师出游，尽得其法。\n兼采众家之长。\n泼墨作小米云山，亦蓊郁可观。\n人物花卉，笔法娴熟，活泼多变。\n传世作品有《柳燕图》、《松荫高士图》、《群峰秋翠图》等。",[75,96,77,97,215,31,28,382,7,383,384,385,32,386,387,121,388],"芭蕉","文人","侍女","孩童","琴","书箱","服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d001b9b4db0438891675b109cf69c51.jpg",[],{"id":392,"slug":393,"title":394,"dynasty":70,"author":317,"museum":318,"description":319,"tags":395,"thumbUrl":401,"material":333,"size":334,"collection":107,"collections":402,"showCount":374,"zanCount":11,"manualWeight":11,"mainColor":40},222940,"hong-lou-meng-65-sun-wen-222940","红楼梦65",[75,23,96,77,191,214,396,103,397,398,202,7,148,399,400],"仕女","瓦房","圆门","楼阁","红楼梦题材","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e8de757e9ba7e17f45392eb11c3405e.jpg",[],{"id":404,"slug":405,"title":406,"dynasty":18,"author":407,"museum":93,"description":408,"tags":409,"thumbUrl":412,"material":105,"size":106,"collection":107,"collections":413,"showCount":414,"zanCount":11,"manualWeight":11,"mainColor":65},290898,"xi-shan-yan-ting-zhou-tang-di-290898","溪山烟艇轴","唐棣","溪畔草亭中，一人弹阮，三人聆听著。小径上，僮子送酒而来。溪上，有人敞胸坐于船头，富有野逸消遥的乐趣。坡石用云头皴，圆润稳厚，有着郭熙一派的面目。",[23,26,24,25,27,135,202,7,99,410,411],"渔乐","烟霭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a1e51b09ce8b49bedd5ce49a6fd7358.jpg",[],18,{"id":416,"slug":417,"title":418,"dynasty":70,"author":211,"museum":93,"description":419,"tags":420,"thumbUrl":424,"material":105,"size":106,"collection":107,"collections":425,"showCount":414,"zanCount":11,"manualWeight":11,"mainColor":65},288230,"hua-niao-tu-yi-ming-288230","花鸟图","整卷铺陈四时清景，以没骨晕染花卉，工细勾勒禽鸟神形。左首老梅虬枝缀雪，群雀顾盼生姿，竹影横斜衬出幽寂；继而牡丹柔瓣含露，艳而不俗，荆棘穿插添就野趣；再见异花绮丽，红白相映，顽石苔痕自生古意；末了春桃绽蕊，幽禽独立枝梢，静中含动。\n\n题跋书法与绘事相映，笔墨晕染春日清和雅韵，将花木禽鸟的生机雅致融于长卷，尽显写生传神的悠然意趣，是雅致清妍的花鸟佳作。",[75,23,76,132,96,77,118,356,421,149,422,100,423,7,293],"梅花","桃花","竹枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe1fed4095a95d1cd12f57590df46b43.jpg",[],{"id":427,"slug":428,"title":429,"dynasty":430,"author":431,"museum":20,"description":432,"tags":433,"thumbUrl":436,"material":107,"size":107,"collection":36,"collections":437,"showCount":438,"zanCount":11,"manualWeight":11,"mainColor":439},202801,"shan-shui-tu-zhou-huang-bin-hong-202801","山水图轴","近代","黄宾虹","墨色层叠间，山峦如黛，以苍劲皴笔勾勒筋骨，干湿浓淡交织出石的肌理与云的缥缈。近景松石挺秀，松枝虬劲，与嶙峋怪石相映；林间隐见小桥流水，屋舍数椽，似有烟火气却又透着清寂。中远景峰峦起伏，云雾缭绕，将天地连成一片悠远之境。整幅画笔墨老辣，意境浑朴，尽显文人山水的沉郁与空灵，仿佛可闻山风过松，观流云漫谷，引人入胜。",[23,24,27,25,148,434,53,435,7,75],"小桥","屋舍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff91b26d9e666e9cbccab8cbcfbaca997.jpg",[36],15,"e1d9cb",{"id":441,"slug":442,"title":443,"dynasty":18,"author":444,"museum":93,"description":445,"tags":446,"thumbUrl":449,"material":105,"size":106,"collection":107,"collections":450,"showCount":451,"zanCount":11,"manualWeight":11,"mainColor":40},290977,"luo-han-zhou-liu-guan-dao-290977","罗汉轴","刘贯道","刘贯道 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(1355年)二月五日，曹知白逝世。三月，葬于松江修竹乡干山之源。",[343,23,50,24,483,7,484,51,27],"老树","枯藤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e83df6d5e7e5117629d2c3caf0c2cf6.jpg",[],{"id":488,"slug":489,"title":490,"dynasty":430,"author":491,"museum":20,"description":492,"tags":493,"thumbUrl":10,"material":107,"size":107,"collection":500,"collections":501,"showCount":502,"zanCount":11,"manualWeight":11,"mainColor":503},202996,"song-zhu-zhi-shi-tu-zhou-fu-zhu-202996","松竹芝石图轴","符铸","画面中老松虬枝盘曲，扎根于嶙峋怪石之上，松针劲挺如戟，尽显苍古坚韧之态。旁侧竹影婆娑，叶片以劲健线条勾勒，灵动舒展。石畔灵芝数朵，设色淡雅鲜活，添几分生机意趣。笔墨技法上，松干以浓淡墨皴擦结合，质感厚重；山石泼墨晕染间见干笔肌理，层次分明；整体画风清逸洒脱，兼具传统文人画的高洁意韵与个人笔墨情致，构图疏密有致，气韵流转自然。",[23,494,78,28,495,7,496,497,498,499,75],"水墨设色","灵芝","皴擦","勾勒","苍劲","清逸","设色画精选",[500],13,"c6beae",{"id":505,"slug":506,"title":429,"dynasty":70,"author":507,"museum":20,"description":508,"tags":509,"thumbUrl":511,"material":107,"size":107,"collection":36,"collections":512,"showCount":513,"zanCount":11,"manualWeight":11,"mainColor":514},202118,"shan-shui-tu-zhou-qian-shu-202118","钱恕","此作笔墨苍劲沉厚，山峦以皴法写就，纹理交错间尽显石质坚凝。山间云雾轻飏，虚实相生，将远近景致自然分隔。近景枯树虬枝，姿态古拙，与嶙峋怪石相映成趣；中景村落隐于林麓，屋舍错落添几分烟火气；远景峰峦叠嶂，意境悠远。整体构图疏密有致，气韵流转生动，尽显传统山水画的空灵深远，传递出文人对自然的静谧观照与哲思。",[23,25,27,202,7,53,510,24,77,75],"村落","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4096e56061498878b48f5c01ffe78262.jpg",[36],11,"a38f76",{"id":516,"slug":517,"title":518,"dynasty":70,"author":519,"museum":93,"description":520,"tags":521,"thumbUrl":529,"material":105,"size":106,"collection":107,"collections":530,"showCount":531,"zanCount":11,"manualWeight":11,"mainColor":40},289949,"shan-shui-ren-wu-juan-shi-tao-289949","山水人物卷","石涛","石涛（1642年－1708年）明末清初著名画家，原姓朱，名若极，广西桂林人，小字阿长，别号很多，如大涤子、清湘老人、苦瓜和尚、瞎尊者，法号有元济、原济等，明靖江王朱亨嘉之子，与弘仁、髡残、朱耷合称“明末四僧”。\n石涛是中国绘画史上一位十分重要的人物，他既是绘画实践的探索者、革新者，又是艺术理论家。\n他幼年遭变后出家为僧，驻锡于安徽宣城敬亭山广教寺，后半世云游，以卖画为业。早年山水师法宋元诸家，画风疏秀明洁，晚年用笔纵肆，墨法淋漓，格法多变，尤精册页小品；花卉潇洒隽朗，天真烂漫，清气袭人；人物生拙古朴，别具一格。工书法，能诗文。存世作品有《石涛罗汉百开册页》《搜尽奇峰打草稿图》《山水清音图》《竹石图》等。著有《苦瓜和尚画语录》。名言有“一画论”、“搜尽奇峰打草稿”、“笔墨当随时代”等。",[75,23,50,132,24,76,163,293,25,97,135,202,522,99,7,523,524,525,526,527,528,121,27],"山峦","幽林","隐士","僧人","渔者","隐逸","闲适","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9823a172113e0e371319b858615943f8.jpg",[],10,{"id":533,"slug":534,"title":535,"dynasty":70,"author":536,"museum":72,"description":537,"tags":538,"thumbUrl":540,"material":541,"size":542,"collection":107,"collections":543,"showCount":544,"zanCount":11,"manualWeight":11,"mainColor":40},220265,"huang-shan-tu-ce-57-hong-ren-220265","黄山图册-57","弘仁","《黄山图册》共六十开，装裱成六册，又有题跋一册。可以说是弘仁在黄山纪游写生的最集中展现，在他的每一幅作品上都题写了纪游写生的地名，著名的有天都峰、莲花庵、小心坡、观音岩、一线天、光明顶、白龙潭、慈光寺、文殊院、桃花沟等等。",[75,23,76,117,24,25,27,148,539,7],"奇峰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9cea407de83160040dcae42aa0719f88.jpg","纸本","21.5x18.3厘米",[],8,{"id":546,"slug":547,"title":548,"dynasty":70,"author":536,"museum":72,"description":537,"tags":549,"thumbUrl":553,"material":541,"size":542,"collection":107,"collections":554,"showCount":555,"zanCount":11,"manualWeight":11,"mainColor":40},220262,"huang-shan-tu-ce-59-hong-ren-220262","黄山图册-59",[75,23,76,117,24,77,25,27,550,148,551,552,7],"山峰","岩石","奇松","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7ce1db99177c11d3749756af311a232.jpg",[],5,{"id":557,"slug":558,"title":559,"dynasty":91,"author":560,"museum":20,"description":561,"tags":562,"thumbUrl":564,"material":107,"size":107,"collection":107,"collections":565,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":566},201433,"song-yan-guan-quan-tu-zhou-bian-wen-yu-201433","松岩观泉图轴","卞文瑜","奇松虬枝盘绕，倚立嶙峋怪石，石上孔洞错落有致。近岸二人对坐，静观泉流漱石，神态悠然。中景烟波浩渺，水纹细密如鳞；远景山峦层叠，云雾轻笼，笔墨清润雅致。皴染结合的技法勾勒出山石纹理与树木苍劲，设色淡雅明快，尽显江南山水灵秀之韵。整体意境清幽静谧，传递文人雅士寄情山水的闲适心境。",[23,26,77,96,27,25,552,7,97,563],"流","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faeb2e4601457f4f166dc6aa8a7de0cf1.jpg",[],"c3bbad",{"id":568,"slug":569,"title":570,"dynasty":70,"author":571,"museum":20,"description":572,"tags":573,"thumbUrl":574,"material":107,"size":107,"collection":107,"collections":575,"showCount":360,"zanCount":11,"manualWeight":11,"mainColor":576},202535,"song-bai-chang-chun-tu-zhou-gao-qi-pei-202535","松柏长春图轴","高其佩","画面中苍松老干盘曲，肌理如铁铸般苍劲，松针以浓墨点簇，疏密交错间尽显坚韧之姿。旁侧怪石嶙峋，皴擦笔触勾勒出嶙峋质感，石隙间几竿劲竹斜逸，添得清疏雅韵。全作用墨层次丰富，古松的朴拙与松针的挺健相映，石与竹的搭配更衬松柏经岁不凋的生机，传递出文人眼中的高洁品格。画风洒脱灵动，于简约中见深致，尽显自然物态的苍劲与清逸。",[23,76,26,27,134,7,28,75],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e3e1fde9d59bb2d90639e67e8e5aa49.jpg",[],"69491c",{"id":578,"slug":579,"title":580,"dynasty":91,"author":211,"museum":93,"description":581,"tags":582,"thumbUrl":589,"material":105,"size":106,"collection":107,"collections":590,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},261203,"qing-hua-hua-hui-cao-chong-wen-wan-yi-ming-261203","青花花卉草虫纹碗","青花瓷（blue 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