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sculptures），为中国文化的重要组成部分。中国古代雕塑艺术的主要内容分别是陵墓雕塑（包括地上的纪念性石刻与墓室随葬俑）、宗教雕塑、民俗性及其他内容的雕塑。\n大型陵墓石刻肇始于汉代墓前的石人、石兽。存世的古代陵墓石刻主要为南朝宋、齐、梁、陈及唐、北宋、明、清各代帝陵和勋臣贵戚墓的遗存。北魏、辽、金、西夏等朝代陵墓遭严重破坏，仅有少量石刻遗留下来。南朝和唐代的作品代表了陵墓石刻的最高成就。自唐代乾陵起，以迄北宋，石刻的内容、配置方式，逐步形成定制，并为明、清两代所承袭。宗教雕塑主要保存于寺庙和石窟寺之内，由于寺庙毁损严重，石窟寺雕塑便成为宗教雕塑遗存的主要代表。石窟寺是开凿于山崖之上的宗教寺庙。以佛教为主，也有少量道教或其他宗教内容的造像。石窟形制源自印度，约于 3世纪传至中国。造窟风气最盛的时期为南北朝至唐代中期，约当5～8世纪。重要石窟多以皇室或勋臣贵戚雕造的大像为中心，由众多的窟、龛、摩崖造像等，构成庞大的石窟群。雕造的时间常延续10多个世纪。每个窟内又以立体雕塑本尊佛造像为中心，由弟子、菩萨（以后增加天王、力士）组成群像，四壁布满浮雕或壁画，形成浓厚的宗教氛围。由于造像和壁画、浮雕内容、样式的差异，而形成不同时期、不同地区的艺术风格。功能\n中国雕塑既可以是一个国家文化的标志和象征，又可作为该民族文化积累的产物。雕塑述说着民族发展的历史，凝聚着民族的精神和传统，代表着每一历史时期的精神面貌，反映着自古至今，人们的无限追求与执着信仰，展现价值观念及审美情趣。中国雕塑，城市建筑等，都是一个民族精神文明与物质文明最直观、最集中的表现。\n中国雕塑不仅仅是文化的产物，同时也是一个国际不可或缺的经济投资点。中国雕塑和其他其他国际建筑等共同构成世界高雅美丽的环境，使生活在城市中的人们受到优越的审美体验，感受到文化的魅力与美的精神，中国雕塑的存在影响了中国环境，提升了文化形象，产生了视觉空间的凝聚力，这就创造了一种对于环境的投资潜能。",[22,23,26,30,28,7,46,47,48],"莲花","敦煌","壁画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59ffc18303f76af85f1db8efd606182d.jpg",[],13,"BDBDBD",{"id":54,"slug":55,"title":56,"dynasty":43,"author":18,"museum":19,"description":57,"tags":58,"thumbUrl":62,"material":32,"size":33,"collection":34,"collections":63,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":64},288483,"si-bi-shi-yi-tou-guan-shi-yin-pu-sa-li-xiang-yi-ming-288483","四臂十一头观世音菩萨立像","这帧白描造像以铁线勾勒，笔力匀停圆融。十一面宝相层叠排布，既具庄严序列感，又暗合圆满之意。四臂各司仪轨，胸前双手结印静定，垂敛双目流露观照众生的慈蔼，侧臂托举法器，舒展的衣袂线条圆转流动，贴合身形尽显清灵神性。\n淡墨走线虚实相生，衣褶处略施晕染，让天衣轻柔质感与法身沉凝气场相融，虽为素稿却具足清净法相，将观音悲悯与威仪完美揉合，尽显简约静穆的绘像意趣，寥寥数笔便勾勒出足以震撼心神的超然法相。",[22,23,59,60,28,29,7,61],"白描","人物画","菩萨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99963fcb4ea89c6963b001eaa9814279.jpg",[],"795548",{"id":66,"slug":67,"title":68,"dynasty":69,"author":18,"museum":19,"description":70,"tags":71,"thumbUrl":80,"material":32,"size":33,"collection":34,"collections":81,"showCount":82,"zanCount":11,"manualWeight":11,"mainColor":64},234461,"ha-li-ha-li-luo-shi-zi-zai-guan-shi-yin-pu-sa-tang-ka-yi-ming-234461","哈里哈里罗世自在观世音菩萨唐卡","清","唐卡（Thang-ga）也叫唐嘎，唐喀，系藏文音译，指用彩缎装裱后悬挂供奉的宗教卷轴画。唐卡是藏族文化中一种独具特色的绘画艺术形式，题材内容涉及藏族的历史、政治、文化和社会生活等诸多领域，传世唐卡大都是藏传佛教和本教作品。\n唐卡是藏族文化中一种独具特色的绘画艺术形式。具有鲜明的民族特点、浓郁的宗教色彩和独特的艺术风格，用明亮的色彩描绘出神圣的佛的世界；颜料传统上是全部采用金、银、珍珠、玛瑙、珊瑚、松石、孔雀石、朱砂等珍贵的矿物宝石和藏红花、大黄、蓝靛等植物为颜料以示其神圣。这些天然原料保证了所绘制的唐卡色泽鲜艳，璀璨夺目，虽经几百年的岁月，仍是色泽艳丽明亮。因此被誉为中国民族绘画艺术的珍品，被称为藏族的”百科全书”也是中华民族民间艺术中弥足珍贵的非物质文化遗产。\n传统唐卡的绘制要求严苛、程序极为复杂，必须按照经书中的仪轨及上师的要求进行，包括绘前仪式、制作画布、构图起稿、着色染色、勾线定型、铺金描银、开眼、缝裱开光等一整套工艺程序。制作一幅唐卡用时较长，短则半年完成，长则需要十余年。",[72,28,29,73,7,74,26,75,76,77,78,79],"唐卡","藏传佛教","佛教人物","彩绘","矿物颜料","神兽","祥云","山水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd214886f4dd3333450cfb9c3af23c559.jpg",[],11,{"id":84,"slug":85,"title":86,"dynasty":69,"author":18,"museum":19,"description":70,"tags":87,"thumbUrl":10,"material":32,"size":33,"collection":34,"collections":91,"showCount":82,"zanCount":11,"manualWeight":11,"mainColor":64},234455,"hei-se-guan-shi-yin-pu-sa-tang-ka-yi-ming-234455","黑色观世音菩萨唐卡",[72,73,7,28,26,30,88,89,90,78],"花卉","瑞兽","火焰",[],{"id":93,"slug":94,"title":95,"dynasty":43,"author":18,"museum":19,"description":96,"tags":97,"thumbUrl":100,"material":32,"size":33,"collection":34,"collections":101,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":52},288485,"guan-shi-yin-pu-sa-li-xiang-shou-gao-yi-ming-288485","观世音菩萨立像手稿","菩萨仪容端雅慈悲，宝冠璎珞严饰其身。右手结印，左托净瓶，天衣飘带萦回舒展，线条劲挺又带着灵动柔韵。设色以朱红、石绿、石青晕染，虽历经岁月色泽淡褪，仍能窥见昔日元明丽和谐，晕染朴拙柔和，带着民间画工独特的意趣。\n\n下方侍从小像衣袂规整，垂首恭立，神情谦卑，与主尊形成鲜明的主次呼应。整幅笔意质朴满含虔诚，将观音的悲悯端严与世俗供养的恭敬情态相融，尽显民间佛教绘画的质朴美感。",[22,23,98,60,99,26,29,7,47],"手稿","宗教画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa16ada56844ad087327d60b6db4f8b2e.jpg",[],10,{"id":104,"slug":105,"title":106,"dynasty":69,"author":18,"museum":19,"description":70,"tags":107,"thumbUrl":109,"material":32,"size":33,"collection":34,"collections":110,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":52},234458,"hu-pi-qun-guan-shi-yin-pu-sa-tang-ka-yi-ming-234458","虎皮裙观世音菩萨唐卡",[72,99,29,73,7,26,60,108],"传统工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff835c5cc12241a92005c4a99754a1d36.jpg",[],6,{"id":113,"slug":114,"title":115,"dynasty":43,"author":18,"museum":116,"description":117,"tags":118,"thumbUrl":126,"material":32,"size":33,"collection":34,"collections":127,"showCount":37,"zanCount":11,"manualWeight":11,"mainColor":64},287621,"qian-shou-qian-yan-guan-shi-yin-pu-sa-guang-da-yuan-man-wu-ai-da-bei-xin-tuo-luo-jing-jing-shou-gao-yi-ming-287621","千手千眼觀世音菩薩廣大圓滿無礙大悲心陀羅經經手稿","大英博物馆","泛黄古纸之上，唐人小楷匀整舒展，笔势沉稳端严，兼具写经体的规整法度与手写温度。墨迹浓黑鲜亮，与岁月晕染的浅褐底色相映，晕开沉静厚重的时光质感。整卷经文排布舒朗，笔锋起落间，是抄经人将虔敬心力凝注于毫端，以笔墨践行修行，一字一句皆是对信仰的诠释。长卷铺展，仿佛能窥见千年前禅堂内抄经人屏息恭书的身影，带着藏经洞封存的千年梵音余韵，是书法艺术与宗教虔诚交织的珍贵遗存。",[119,120,121,122,29,7,123,124,125],"长卷","写经","书法","楷书","千手千眼观音","宗教典籍","陀罗尼经","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F686ba81407a647934d8bd671660e20db.jpg",[],{"id":129,"slug":130,"title":131,"dynasty":69,"author":18,"museum":19,"description":132,"tags":133,"thumbUrl":138,"material":32,"size":33,"collection":34,"collections":139,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":64},274695,"bo-re-pin-tong-du-jin-fu-guan-shi-yin-pu-sa-yi-ming-274695","般若品铜镀金佛-观世音菩萨","此造像半跏趺坐于莲台，身姿舒展柔婉，鎏金躯体莹润华贵，肌理线条饱满柔和。宝冠璎珞细节刻画精巧入微，点蓝装饰晕染出清丽雅致的色调，与金辉相映愈显华贵。\n\n菩萨面容圆融恬和，双目垂敛，神情慈悲宁谧，左手持莲，右手施与愿印，将悲悯众生的禅意融于舒展仪态中。整体形制规整典雅，工巧精湛又不失灵动柔和的气韵，神性庄严与人性柔美相融，尽显静穆空灵的禅韵。",[28,29,7,134,135,136,137],"铜制","镀金","雕刻","造像","https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