[{"data":1,"prerenderedAt":44},["ShallowReactive",2],{"subject-guan-yin-zun":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10700,"guan-yin-zun","观音尊","观音尊画高清赏析","精选中国历代观音尊题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde6dc142386bfd895172dbd47dd64d46.jpg",0,2,[14,33],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":26,"material":27,"size":28,"collection":29,"collections":30,"showCount":31,"zanCount":11,"manualWeight":11,"mainColor":32},260926,"xuan-de-kuan-qing-hua-chan-zhi-lian-wen-guan-yin-zun-yi-ming-260926","宣德款青花缠枝莲纹观音尊","清","佚名","藏地不详","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[23,24,25,7],"陶瓷","青花","缠枝莲纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf53a29a2aaafc06d911465220ebdc31.jpg","未知","Xcm*Xcm","",[],1,"795548",{"id":34,"slug":35,"title":36,"dynasty":18,"author":19,"museum":20,"description":37,"tags":38,"thumbUrl":10,"material":27,"size":28,"collection":41,"collections":42,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":43},260366,"lang-yao-hong-you-guan-yin-zun-yi-ming-260366","郎窑红釉观音尊","清代康熙后期景德镇官窑。康熙四十四年到五十一年（1705—1712），江西巡抚郎廷极在景德镇督造瓷器，故名。釉色以宝石红、宝石蓝、宝石绿最佳，宝石红有“郎窑红”之称。法国人称“牛血红”。在红釉中最杰出。洒蓝和霁蓝瓷，再上一道极薄釉子，然后加绘金花金彩，华丽静穆，匠心独运。素三彩创于此时。青花和斗彩也很有名。\n清初郎廷极所监督的江西景德镇窑及其所督造的瓷器之代称。其瓷器仿古暗合，摹仿明永乐、宣德红釉烧制，釉水颜色，桔皮砂眼几可乱真，款字也酷肖，极难辨识。刘廷玑《在园杂记》谈及此事，事距郎廷极督造瓷器时间很近，极可能系刘所目睹。",[23,39,7,40],"郎窑红釉","瓷器","瓷器精选",[41],"37474F",1777535800405]