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and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[62,81,111,7,112],"凤纹","缠枝花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ad803e298701301d6d8e330935da096.jpg",[],4,{"id":117,"slug":118,"title":119,"dynasty":18,"author":57,"museum":58,"description":109,"tags":120,"thumbUrl":124,"material":68,"size":69,"collection":48,"collections":125,"showCount":115,"zanCount":11,"manualWeight":11,"mainColor":74},261600,"qing-hua-lu-lian-tu-guan-yi-ming-261600","青花鹭莲图罐",[62,81,121,122,123,7],"鹭","荷花","花鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff8824afbed02b68c59a8c12728017d57.jpg",[],{"id":127,"slug":128,"title":129,"dynasty":108,"author":57,"museum":58,"description":109,"tags":130,"thumbUrl":134,"material":68,"size":69,"collection":48,"collections":135,"showCount":115,"zanCount":11,"manualWeight":11,"mainColor":103},260187,"qing-hua-jia-cai-lian-tang-lu-si-wen-guan-yi-ming-260187","青花加彩莲塘鹭鸶纹罐",[62,131,7,122,132,133],"青花加彩","鹭鸶","花鸟纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6cf3c1d85c5b10e530526acd4f3d73ee.jpg",[],{"id":137,"slug":138,"title":139,"dynasty":140,"author":57,"museum":58,"description":141,"tags":142,"thumbUrl":146,"material":68,"size":69,"collection":48,"collections":147,"showCount":115,"zanCount":11,"manualWeight":11,"mainColor":103},256727,"qing-you-si-xi-gai-guan-yi-ming-256727","青釉四系盖罐","五代十国","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[140,62,143,144,145,7,85],"青釉","四系","盖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b445e21b8ff8344bfff0c6617d9fbca.jpg",[],{"id":149,"slug":150,"title":151,"dynasty":152,"author":57,"museum":58,"description":141,"tags":153,"thumbUrl":155,"material":68,"size":69,"collection":48,"collections":156,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":158},259704,"qing-you-si-xi-guan-yi-ming-259704","青釉四系罐","隋",[62,143,7,144,154],"日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6923ab07bf8c829353d257db3fc1315.jpg",[],3,"37474F",{"id":160,"slug":161,"title":151,"dynasty":152,"author":57,"museum":58,"description":141,"tags":162,"thumbUrl":164,"material":68,"size":69,"collection":48,"collections":165,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":103},259703,"qing-you-si-xi-guan-yi-ming-259703",[62,143,7,144,163],"日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F22dbc2ad8f4da52010e2e9ff93ac8a6a.jpg",[],{"id":167,"slug":168,"title":151,"dynasty":152,"author":57,"museum":58,"description":141,"tags":169,"thumbUrl":170,"material":68,"size":69,"collection":48,"collections":171,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":74},259701,"qing-you-si-xi-guan-yi-ming-259701",[62,85,7,143,144,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F296bdf19ae6a39c2348002c3bd5c7f73.jpg",[],{"id":173,"slug":174,"title":175,"dynasty":152,"author":57,"museum":58,"description":141,"tags":176,"thumbUrl":177,"material":68,"size":69,"collection":48,"collections":178,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":158},259680,"qing-you-san-xi-guan-yi-ming-259680","青釉三系罐",[62,143,7,154,85],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff594cc0fcc45af2688ba8c1b14bbf084.jpg",[],{"id":180,"slug":181,"title":182,"dynasty":140,"author":57,"museum":58,"description":183,"tags":184,"thumbUrl":186,"material":68,"size":69,"collection":70,"collections":187,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":158},256986,"ding-yao-bai-you-shuang-xi-guan-yi-ming-256986","定窑白釉双系罐","定窑是中国传统制瓷工艺中的珍品，宋代六大窑系之一，它是继唐代的邢窑白瓷之后兴起的一大瓷窑体系。主要产地在今河北省保定市曲阳县（原属今定州市）的涧磁村、野北村及东燕川村、西燕川村一带，因该地区唐宋时期属定州管辖，故名定窑。\n定窑原为民窑，北宋中后期开始烧造宫廷用瓷。创烧于唐，极盛于北宋及金，终于元，以产白瓷著称，兼烧黑釉、酱釉和绿釉瓷，文献分别称其为黑定、紫定和绿定。\n定窑从邢窑而来，由于历史的变迁，定窑随着地域变化，新瓷土料的运用和制瓷工艺的进步。卞向和认为：定窑最大的贡献就是在中国陶瓷发展的历史上闪烁过光芒，在中国陶瓷史和世界的陶瓷发展史上留下辉煌的一页。\n定窑，是中国北方白瓷的中心，始于唐，为邢窑的后继者，在五代时期就已经发达。以往文献多记载窑址在河北正定，1938年在河北省曲阳县涧瓷村发现古窑址。近年又多次发掘调查，发现了最下层堆积着晚唐的破片；中层的是五代时就已大量生产；最上层为印花、画花的薄瓷片，是属于北宋中期以后，在政和、宣和年间。这些薄瓷片，胎质坚致，釉泽莹润，花纹优美，确是很精进的品种；且有些是官窑性质的，如”尚食局、禁苑、奉华、官”等胎上刻字破片的发现，便可证明。另在西燕山遗址发现粗瓷片的堆集，以及各地普遍发现的定窑瓷器及破片，又能证明定窑在北宋早期以后，也曾大量烧造民间使用的瓷器。定窑以烧造白瓷为主，也烧颜色釉，如红定、紫定和黑定等。根据《君友会-新民窑》记载，定窑，从北宋起，地位增高，各地仿制者颇多。在定窑本身概念中，就孳乳出各种名称，单就白定一种，就有土定、粉定之分。土定，有瓦胎和陶胎两种。瓦胎为淡赤色的土质，陶胎为白土而略黄，质皆松，体较厚；袖色白色中闪黄或闪赤，容易剥落，或有大开片，是原始的及民用的定器。粉定，是进步的及官用的定器，有陶胎和瓷胎，胎质致密而体薄，釉色纯白如牛乳者，或带淡赤色，釉中往往有刷纹，釉面凝聚，如有泪痕。",[140,62,185,64,7,154],"白釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12d2cb9dd059d908b981aca8a22a8821.jpg",[70],{"id":189,"slug":190,"title":191,"dynasty":18,"author":57,"museum":58,"description":192,"tags":193,"thumbUrl":200,"material":68,"size":69,"collection":48,"collections":201,"showCount":202,"zanCount":11,"manualWeight":11,"mainColor":103},262227,"su-san-cai-hai-ma-ba-ji-xiang-wen-guan-yi-ming-262227","素三彩海马八吉祥纹罐","此器以墨绿釉通身为地，色调沉静古雅。白、褐、浅绿釉料点缀铺陈，晕开鲜活图景：海马鬃毛飞扬，踏浪穿梭于缠枝花卉与江崖海水之间，野趣恣肆灵动；八吉祥纹错落排布，暗蕴祥瑞吉意。\n\n整器构图繁密却层次分明，釉色匀净明润，将素三彩的淡雅质感尽数展现，无艳色堆砌却自见清丽端庄，静穆之中藏着生动意趣，把装饰美感与吉祥意蕴相融，尽显古雅秀逸的工艺造诣。",[62,194,195,196,197,198,199,7],"素三彩","海马","兽","海水","花卉","八吉祥","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1598ceb78685a9da99e4a94aef31a2e0.jpg",[],2,{"id":204,"slug":205,"title":151,"dynasty":152,"author":57,"museum":58,"description":141,"tags":206,"thumbUrl":207,"material":68,"size":69,"collection":48,"collections":208,"showCount":202,"zanCount":11,"manualWeight":11,"mainColor":103},261568,"qing-you-si-xi-guan-yi-ming-261568",[62,143,7,163,85],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63eadd9f359528219ab337a32b9720fc.jpg",[],{"id":210,"slug":211,"title":151,"dynasty":152,"author":57,"museum":58,"description":141,"tags":212,"thumbUrl":213,"material":68,"size":69,"collection":48,"collections":214,"showCount":202,"zanCount":11,"manualWeight":11,"mainColor":103},261555,"qing-you-si-xi-guan-yi-ming-261555",[62,85,143,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d07075d3d91b3231615c943c256ba87.jpg",[],{"id":216,"slug":217,"title":151,"dynasty":152,"author":57,"museum":58,"description":141,"tags":218,"thumbUrl":219,"material":68,"size":69,"collection":48,"collections":220,"showCount":202,"zanCount":11,"manualWeight":11,"mainColor":103},261539,"qing-you-si-xi-guan-yi-ming-261539",[62,163,7,143,144],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc0eb288ad91c24ef775e401466a2bcc.jpg",[],{"id":222,"slug":223,"title":224,"dynasty":18,"author":57,"museum":58,"description":225,"tags":226,"thumbUrl":230,"material":68,"size":69,"collection":48,"collections":231,"showCount":202,"zanCount":11,"manualWeight":11,"mainColor":74},261212,"fen-cai-zhe-zhi-hua-hui-wen-guan-yi-ming-261212","粉彩折枝花卉纹罐","釉色莹白如凝脂，匀净温润。罐身以粉彩铺陈折枝群芳：朱砂牡丹盛放，瓣边晕染出自然浓淡，雍容灼灼；柔紫豆花含露娇柔，嫩黄迎春缀于枯劲枝桠，幽兰舒叶吐蕊清雅动人。枝蔓勾勒细腻遒劲，花叶青绿深浅过渡柔和，如将春日庭间折取的鲜活花枝凝于瓷上。\n\n彩料鲜妍却不艳俗，与素白胎体相映尽显雅致清丽的东方气韵，将工笔写生的意趣融于瓷绘，把春日生机藏在瓷间，尽显温婉灵动的瓷绘妙趣。",[62,227,7,228,99,229,123,27],"粉彩","折枝花卉","水仙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f6f5f00df03f7261249e5c2b5cd9be4.jpg",[],{"id":233,"slug":234,"title":235,"dynasty":140,"author":57,"museum":58,"description":236,"tags":237,"thumbUrl":239,"material":68,"size":69,"collection":70,"collections":240,"showCount":202,"zanCount":11,"manualWeight":11,"mainColor":103},260806,"yue-yao-qing-you-ke-hua-xiao-kou-guan-yi-ming-260806","越窑青釉刻花小口罐","越窑是中国古代南方著名的青瓷窑，汉族传统制瓷工艺的珍品之一。窑所在地主要在越州境内，即今浙江省宁绍平原上的绍兴、宁波两地。生产年代自东汉至宋。唐朝是越窑工艺最精湛时期，居全国之冠。越窑之名，最早见于唐代，越窑瓷青瓷与唐代的饮茶风尚关系十分密切，其瓷质造型，釉色之美，深受饮茶者的喜爱。饮茶风尚又影响了越窑青瓷的型制。",[62,143,238,7,154],"刻花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9f06baf225a2193e4e7c4649110850a.jpg",[70],{"id":242,"slug":243,"title":151,"dynasty":244,"author":57,"museum":58,"description":141,"tags":245,"thumbUrl":246,"material":68,"size":69,"collection":48,"collections":247,"showCount":202,"zanCount":11,"manualWeight":11,"mainColor":103},260760,"qing-you-si-xi-guan-yi-ming-260760","南北朝",[62,85,7,143,144],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2cbd286d30ead5eaac616fd64084610f.jpg",[],{"id":249,"slug":250,"title":251,"dynasty":152,"author":57,"museum":58,"description":252,"tags":253,"thumbUrl":254,"material":68,"size":69,"collection":48,"collections":255,"showCount":202,"zanCount":11,"manualWeight":11,"mainColor":74},260715,"bai-you-shuang-xi-guan-yi-ming-260715","白釉双系罐","将不含金属氧化物呈色元素的釉料施于胎骨洁白的器物上，入窑高温烧制而成的透明釉， 釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[62,7,185,64,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47d51b68b32b32b43d6817dba3a8d086.jpg",[],{"id":257,"slug":258,"title":259,"dynasty":108,"author":57,"museum":58,"description":109,"tags":260,"thumbUrl":262,"material":68,"size":69,"collection":48,"collections":263,"showCount":202,"zanCount":11,"manualWeight":11,"mainColor":158},259818,"xuan-de-kuan-qing-hua-chan-zhi-hua-wen-guan-yi-ming-259818","宣德款青花缠枝花纹罐",[62,81,261,7],"缠枝花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F012fe3b1d58e85bb319af95b954cf870.jpg",[],{"id":265,"slug":266,"title":267,"dynasty":108,"author":57,"museum":58,"description":268,"tags":269,"thumbUrl":273,"material":68,"size":69,"collection":70,"collections":274,"showCount":202,"zanCount":11,"manualWeight":11,"mainColor":74},257577,"long-quan-yao-qing-you-tu-diao-tuan-lian-wen-gai-guan-yi-ming-257577","龙泉窑青釉凸雕团莲纹盖罐","龙泉窑是中国历史上的一个名窑，宋代六大窑系。汉族传统制瓷工艺的珍品。因其主要产区在浙江省龙泉市而得名。它开创于三国两晋，结束于清代，生产瓷器的历史长达1600多年，是中国制瓷历史上最长的一个瓷窑系，它的产品畅销于亚洲、非洲、欧洲的许多国家和地区，影响十分深远。龙泉窑以烧制青瓷而闻名，在北宋早期以前的产品风格受越窑、瓯窑、婺州窑的影响，特征与三窑的产品相似。胎质较粗，胎体较厚，釉色淡青，釉层稍簿。\n1998年3月，宋代的龙泉窑青釉莲瓣纹瓶从英国追回。\n龙泉窑因在今浙江龙泉县，故名，属我国南方青瓷系统。创造于北宋早期，南宋中晚期进入鼎盛时期，至明代中叶以后渐趋衰落，传世的龙泉青瓷下限至清康熙年间，烧造历史达七、八百年之久。北宋时期的龙泉青瓷，胎骨较厚，胎土淡灰，底足露胎处见赭褐色窑红，胎微出烧，釉的玻化程度好，釉层透明，釉表光泽很强。装饰花纹较简练，常见纹样有鱼纹、蕉叶、金枝、荷花等。装饰风格趋于奔放。处于南宋鼎盛时期的龙泉青瓷，形成了自已独有的艺术风格，显示了独特的魅力。\n南宋龙泉青瓷的造型亦形成自已的风格，稳重大方，浑厚淳朴而又不失秀媚，器型丰富多样，装饰普遍采用刻花和堆塑法，颇具艺术匠心。\n元代龙泉青瓷烧造量大，风格与南宋迥异：器型高大、胎体厚重；胎色为白中带灰或淡黄；釉色为粉青带黄绿，光泽较强，釉层半透明；装饰手法多种多样，有刻、划、印、贴、塑等，以划花为主，花纹粗略，线条奔放，纹饰以云龙、飞凰、双鱼、八仙、八卦、牡丹、荷叶等为多见。此外，还大量出现汉文和八思巴文字款铭。\n明代龙泉青瓷走向衰弱，器物胎体厚重，制作粗糙，胎色为灰黄，釉层厚，透明度高，釉表光泽强，釉色有青灰、茶叶末、灰黄等几种，装饰以釉下刻花为主，亦有模印人物故事的装饰方法。\n宋代龙泉青瓷是青瓷工艺的历史高峰。其青瓷的釉色与质地之美，亦如巧夺天工的人造美玉，全世人为之倾倒。\n那么，在漫长的历史长河中，龙泉窑又经历了怎样的发展轨迹呢?朱伯谦先生在《龙泉窑青瓷》一书中曾将龙泉窑的发展归纳为开创、发展、鼎盛和衰落四个阶段：魏晋和五代十国是开创时期，瓷窑少，生产时断时续，处于就地销售断断续续的生产阶段；北宋至南宋前期是发展期，瓷窑发展快，逐渐形成一个较大的瓷窑体系；南宋后期至元代是鼎盛期，瓷窑迅速发展，青瓷质量大大提高，产品畅销国内外广大市场；明清是衰落期，尤其是明代中期以后龙泉窑处境艰难，瓷窑不断地倒闭减少，至清代晚期结束。如果说这四个阶段勾勒出了龙泉窑发展历史的整个脉络，那么，龙泉窑发展史上的三次辉煌期则是连贯发展脉络的重点和要点。",[270,62,143,271,272,7],"明代","凸雕","团莲纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2da6edff8afff30ee4f81bb7db52db89.jpg",[70],{"id":276,"slug":277,"title":278,"dynasty":94,"author":57,"museum":58,"description":279,"tags":280,"thumbUrl":288,"material":68,"size":69,"collection":48,"collections":289,"showCount":202,"zanCount":11,"manualWeight":11,"mainColor":290},226664,"dai-gai-de-sang-zang-guan-yi-ming-226664","带盖的丧葬罐","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[94,62,281,282,283,284,29,285,286,287,7],"丧葬","堆塑","雕塑","青瓷","动物","葬具","带盖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52d76d30c4acee5fef161bff993f8db4.jpg",[],"FFFFFF",{"id":292,"slug":293,"title":294,"dynasty":18,"author":57,"museum":58,"description":59,"tags":295,"thumbUrl":297,"material":68,"size":69,"collection":48,"collections":298,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":103},262282,"cha-ye-mo-you-guan-yi-ming-262282","茶叶末釉罐",[62,85,7,296],"茶叶末釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd4870d14c064b1759cbf7105721e9b3d.jpg",[],{"id":300,"slug":301,"title":302,"dynasty":56,"author":57,"museum":58,"description":59,"tags":303,"thumbUrl":305,"material":68,"size":69,"collection":48,"collections":306,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":158},262277,"hei-you-si-xi-xiao-guan-yi-ming-262277","黑釉四系小罐",[62,163,304,7],"黑釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6563429a45d6e07b4e017149d42088e.jpg",[],{"id":308,"slug":309,"title":310,"dynasty":108,"author":57,"museum":58,"description":109,"tags":311,"thumbUrl":313,"material":68,"size":69,"collection":48,"collections":314,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":158},262245,"qing-hua-hua-hui-wen-guan-yi-ming-262245","青花花卉纹罐",[62,81,99,312,7],"花卉纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5fdf3a03fd5940e9bbbfbf8f7ea75b7.jpg",[],{"id":316,"slug":317,"title":318,"dynasty":152,"author":57,"museum":58,"description":319,"tags":320,"thumbUrl":322,"material":68,"size":69,"collection":48,"collections":323,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":158},262165,"huang-you-si-xi-guan-yi-ming-262165","黄釉四系罐","黄釉是汉族传统的陶瓷装饰艺术。最早出现于唐代，当时安徽淮南寿州窑、河南密县窑等都烧黄釉。但正色黄釉，还是宋代汝窑的高温黄釉——茶叶末釉。明代的黄釉有新的发展，洪武时的老僧衣即茶叶末的衍化；始于宣德的浇黄，更是明代杰出的黄釉；嘉靖以后，又有鱼子黄、鸡油黄等。入清后有康熙的淡黄，以及其后的菜尾、鼻烟、金酱等。",[62,7,321,144,163],"黄釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba557c6bbd938e7119ca78ba14506392.jpg",[],{"id":325,"slug":326,"title":327,"dynasty":94,"author":57,"museum":58,"description":95,"tags":328,"thumbUrl":333,"material":68,"size":69,"co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