[{"data":1,"prerenderedAt":2352},["ShallowReactive",2],{"subject-guang-ying":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3902,"guang-ying","光影","光影画高清赏析","精选中国历代光影题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26cf8023c1a700d7d63d7c95b0ee1172.jpg",0,228,[14,40,64,87,103,119,130,147,166,178,187,198,212,232,248,267,276,287,298,308,325,336,346,361,371,391,404,418,429,440,457,473,485,496,505,514,527,537,551,560,569,577,588,600,612,623,631,655,663,672,682,694,704,714,727,741,752,769,776,784,791,803,812,820,830,844,851,859,866,875,883,903,913,924,933,946,957,966,979,988,1001,1014,1021,1029,1039,1049,1061,1073,1081,1090,1097,1109,1117,1125,1133,1141,1151,1161,1168,1177,1186,1193,1200,1207,1218,1229,1239,1250,1257,1264,1271,1278,1289,1296,1304,1315,1326,1335,1343,1353,1362,1376,1390,1401,1411,1420,1430,1437,1449,1459,1471,1480,1491,1501,1509,1520,1528,1537,1547,1557,1567,1584,1591,1599,1608,1616,1624,1631,1641,1653,1660,1672,1679,1688,1697,1712,1722,1731,1738,1747,1754,1771,1783,1793,1802,1812,1821,1831,1838,1845,1856,1864,1872,1879,1887,1895,1902,1914,1922,1929,1940,1951,1962,1969,1979,1987,2000,2008,2017,2024,2031,2039,2051,2058,2066,2074,2081,2088,2096,2105,2115,2125,2133,2140,2148,2159,2167,2175,2183,2191,2200,2207,2214,2221,2232,2240,2247,2263,2275,2283,2290,2298,2305,2314,2321,2328,2336,2344],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":32,"material":33,"size":34,"collection":35,"collections":36,"showCount":37,"zanCount":38,"manualWeight":11,"mainColor":39},225614,"rembrandt-harmensz-van-rijn-019-lun-bo-lang-225614","Rembrandt Harmensz.van Rijn - 019","不详","伦勃朗","藏地不详","伦勃朗（Rembrandt Harmensz. van Rijn）所创作的这幅作品，聚焦于耶稣受难这一经典场景。画面正中央，被钉于十字架之上的耶稣，其身躯扭曲，呈现出极度痛苦的模样，十字架巍峨矗立，瞬间抓住观者的目光，形成一种极具震撼力的视觉冲击感。\n\n环绕在耶稣身旁的诸多人物，每一位皆被赋予了鲜明独特的个性。他们的神情姿态丰富多样，或面露悲痛之色，眉眼低垂，泪水几欲夺眶而出；或虔诚祈祷，双手合十，双唇微启念念有词；亦或驻足观望，眼神中交织着震惊、悲悯与思索。伦勃朗凭借其细腻入微的笔触，将这些人物刻画得栩栩如生，淋漓尽致地展现出他超凡脱俗的绘画技艺，以及对人物内在情感深邃且精准的洞察与把控能力。特别值得留意的是，画面左下角有一人躺卧在地，从其姿态与场景氛围推测，大概率为已逝去之人，这一细节无疑进一步渲染烘托出整幅画面所弥漫的悲剧色彩。\n\n目光移至画面背景处，可见阴沉压抑的苍穹笼罩在上空，仿若一块铅灰色的幕布，沉甸甸地压将下来。远处城市的轮廓若隐若现，影影绰绰间尽显萧瑟之感。整幅画作以灰暗色调为主调，恰似一层厚重的阴霾，将悲伤、压抑的情绪丝丝缕缕地渗透出来，营造出一种仿若全世界都被裹挟于耶稣受难这一沉重阴影之下的氛围感。伦勃朗在创作过程中巧妙运用光影效果，精准地突出了画面核心 —— 耶稣及周边人物，令观者的视线不由自主地聚焦于此。这一独特的光影处理方式，便是在绘画史上赫赫有名的 “伦勃朗光”，成为其作品标志性的艺术特征之一。\n\n总体而言，这幅画作绝非仅仅局限于宗教题材层面，它更是伦勃朗对人性幽微、苦难磨砺以及救赎希望等一系列深刻主题深入骨髓的艺术诠释，承载着极高的艺术审美价值，同时也积淀着深厚的历史文化底蕴，成为人类艺术宝库中熠熠生辉的瑰宝。",[23,24,25,26,27,28,29,30,31,7],"油画","宗教","人物","十字架","明暗对比","设色","人物群像","梯子","地面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce05a7aa063b679cb1cba4e79fb37994.jpg","未知","Xcm*Xcm","油画精选",[35],409,1,"37474F",{"id":41,"slug":42,"title":43,"dynasty":18,"author":44,"museum":20,"description":45,"tags":46,"thumbUrl":60,"material":33,"size":34,"collection":35,"collections":61,"showCount":62,"zanCount":38,"manualWeight":11,"mainColor":63},225895,"antibes-afternoon-effect-1888-mo-nai-225895","Antibes, Afternoon Effect, 1888","莫奈","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[47,23,7,48,49,50,51,52,53,54,55,56,57,58,59],"印象派","色彩明快","笔触细碎","海面","远山","雪山","建筑群","城堡","船只","天空","云朵","岩石","午后","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa941d4cf8ef5e9c54d2075b9540d6dd3.jpg",[35],167,"BDBDBD",{"id":65,"slug":66,"title":67,"dynasty":18,"author":19,"museum":20,"description":68,"tags":69,"thumbUrl":83,"material":33,"size":34,"collection":35,"collections":84,"showCount":85,"zanCount":11,"manualWeight":11,"mainColor":86},225619,"rembrandt-harmensz-van-rijn-0209-lun-bo-lang-225619","Rembrandt Harmensz.van Rijn - 0209","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[23,70,25,71,27,7,72,73,74,75,76,77,78,79,80,81,82],"写实","肖像","金属质感","羽毛装饰","服饰","男性人物","写实主义","肖像画","光影处理","盔甲","帽子","面部刻画","质感表现","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1053022676f459aad37dd7ecb373e8ab.jpg",[35],137,"795548",{"id":88,"slug":89,"title":90,"dynasty":18,"author":44,"museum":20,"description":45,"tags":91,"thumbUrl":100,"material":33,"size":34,"collection":35,"collections":101,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":86},225893,"agapanthus-1914-17-mo-nai-225893","Agapanthus, 1914-17",[47,23,28,92,93,94,95,96,97,7,98,99],"花卉","植物","百子莲","叶子","草丛","自然景观","色彩晕染","写意笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5ee6f81839b5b83565121b0f7c652c2.jpg",[35],132,{"id":104,"slug":105,"title":106,"dynasty":18,"author":44,"museum":20,"description":45,"tags":107,"thumbUrl":115,"material":33,"size":34,"collection":35,"collections":116,"showCount":117,"zanCount":118,"manualWeight":11,"mainColor":63},225953,"impression-sunrise-1873-mo-nai-225953","Impression, Sunrise, 1873",[47,23,7,108,109,110,55,111,112,56,113,114],"色彩","太阳","水面","烟雾","倒影","朝霞","水波","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd481e5b761e58fd89d4b98a747931279.jpg",[35],123,2,{"id":120,"slug":121,"title":122,"dynasty":18,"author":19,"museum":20,"description":68,"tags":123,"thumbUrl":127,"material":33,"size":34,"collection":35,"collections":128,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":39},225617,"rembrandt-harmensz-van-rijn-0202-lun-bo-lang-225617","Rembrandt Harmensz.van Rijn - 0202",[23,70,7,124,80,125,126,25],"男性","黑衣","纸张","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7befcba483936bcad2692543a7c8b7c.jpg",[35],96,{"id":131,"slug":132,"title":133,"dynasty":18,"author":44,"museum":20,"description":45,"tags":134,"thumbUrl":144,"material":33,"size":34,"collection":35,"collections":145,"showCount":146,"zanCount":38,"manualWeight":11,"mainColor":86},225897,"apple-trees-in-bloom-1873-mo-nai-225897","Apple Trees in Bloom, 1873",[47,23,7,108,135,136,137,138,139,140,141,142,143],"苹果树","花","草地","山坡","阳光","阴影","树木","枝干","绿叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7dc2ba4e0472dde8bd5d3e98edc5a16.jpg",[35],75,{"id":148,"slug":149,"title":150,"dynasty":18,"author":151,"museum":20,"description":152,"tags":153,"thumbUrl":163,"material":33,"size":34,"collection":35,"collections":164,"showCount":165,"zanCount":118,"manualWeight":11,"mainColor":39},225713,"avenue-of-poplars-in-autumn-october-fan-gao-225713","Avenue of poplars in autumn (October - )","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,154,155,156,157,158,159,25,141,7,160,161,162],"后印象派","秋天","白杨树","林荫道","小径","房屋","栅栏","色彩浓郁","笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2365dd392564d9ae5188c6ce8b116d5.jpg",[35],74,{"id":167,"slug":168,"title":169,"dynasty":18,"author":19,"museum":20,"description":68,"tags":170,"thumbUrl":175,"material":33,"size":34,"collection":35,"collections":176,"showCount":177,"zanCount":38,"manualWeight":11,"mainColor":39},225660,"rembrandt-harmensz-van-rijn-070-lun-bo-lang-225660","Rembrandt Harmensz.van Rijn - 070",[23,70,27,7,25,171,172,141,173,137,174,56,110],"马","河流","马车","建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faae5e59524e7feb1d6ef620dba60f43f.jpg",[35],69,{"id":179,"slug":180,"title":181,"dynasty":18,"author":19,"museum":20,"description":68,"tags":182,"thumbUrl":185,"material":33,"size":34,"collection":35,"collections":186,"showCount":177,"zanCount":11,"manualWeight":11,"mainColor":39},225648,"rembrandt-harmensz-van-rijn-058-lun-bo-lang-225648","Rembrandt Harmensz.van Rijn - 058",[23,70,7,28,25,183,184,71,74],"贵族","饰品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57d7edd81c90430ac3035cb2312d096f.jpg",[35],{"id":188,"slug":189,"title":190,"dynasty":18,"author":44,"museum":20,"description":45,"tags":191,"thumbUrl":195,"material":33,"size":34,"collection":35,"collections":196,"showCount":197,"zanCount":11,"manualWeight":11,"mainColor":86},225899,"arm-of-the-seine-near-giverny-02-1897-mo-nai-225899","Arm of the Seine near Giverny 02, 1897",[47,23,7,108,162,172,141,110,56,97,192,193,194],"风景","波光","河岸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2c2d55767478c13a43fc46ff87e71da.jpg",[35],68,{"id":199,"slug":200,"title":201,"dynasty":18,"author":44,"museum":20,"description":45,"tags":202,"thumbUrl":209,"material":33,"size":34,"collection":35,"collections":210,"showCount":211,"zanCount":11,"manualWeight":11,"mainColor":86},225898,"argenteuil-late-afternoon-1872-mo-nai-225898","Argenteuil, Late Afternoon, 1872",[47,23,7,48,203,172,204,141,174,205,112,206,56,137,110,55,207,194,208],"笔触松散","帆船","烟囱","傍晚","工厂建筑","余晖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8bc7885977dc6034e2c69f48a941935d.jpg",[35],61,{"id":213,"slug":214,"title":215,"dynasty":18,"author":216,"museum":20,"description":217,"tags":218,"thumbUrl":229,"material":33,"size":34,"collection":230,"collections":231,"showCount":211,"zanCount":11,"manualWeight":11,"mainColor":39},225589,"zai-wen-shi-li-ai-de-hua-ma-nai-225589","在温室里","爱德华·马奈","爱德华·马奈（Édouard Manet，1832.01.23～1883.04.30）是19世纪印象主义的奠基人之一，1832年出生于法国巴黎。他从未参加过印象派的展览，但他深具革新精神的艺术创作态度，却深深影响了莫奈、塞尚、梵高等新兴画家，进而将绘画带入现代主义的道路上。受到日本浮世绘及西班牙画风的影响，马奈大胆采用鲜明色彩，舍弃传统绘画的中间色调，将绘画从追求三元次立体空间的传统束缚中解放出来，朝二元次的平面创作迈出革命性的一大步。\n印象派大师爱德华·马内的名画《春天》5日在美国纽约佳士得拍卖行拍得3320万美元。《春天》是马内的代表作之一，最早于1882年在法国巴黎展出，描绘女演员让娜·德马尔西身穿花裙，与春色交相辉映。马内试图用画笔描绘四季，但仅完成《春天》和《秋天》。马内1883年离世，终年51岁。",[23,47,28,70,25,219,220,221,222,80,223,224,225,92,226,74,7,227,228],"温室植物","长椅","花盆","遮阳伞","女士","男士","绿植","室内场景","热带植物","互动场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5670ad47ae742da5c0afcd6fcba8f181.jpg","",[],{"id":233,"slug":234,"title":235,"dynasty":18,"author":19,"museum":20,"description":68,"tags":236,"thumbUrl":245,"material":33,"size":34,"collection":35,"collections":246,"showCount":247,"zanCount":11,"manualWeight":11,"mainColor":39},225697,"ye-xun-lun-bo-lang-225697","夜巡",[23,70,27,25,237,79,238,239,240,241,74,242,7,243,244],"群体","旗帜","长枪","鼓","乐器","武器","动态","昏暗场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8654790adb9d9086ef2631f67d1f00db.jpg",[35],58,{"id":249,"slug":250,"title":251,"dynasty":18,"author":252,"museum":20,"description":253,"tags":254,"thumbUrl":264,"material":33,"size":34,"collection":35,"collections":265,"showCount":266,"zanCount":11,"manualWeight":11,"mainColor":39},225891,"fa-guo-wang-hou-ma-li-an-tuo-wa-he-ta-de-hai-zi-men-yi-li-sha-bai-lu-yi-si-wei-jie-lei-bu-lun-225891","法国王后玛丽．安托瓦和她的孩子们","伊丽莎白·路易丝·维杰·勒布伦","伊丽莎白·路易丝·维热·勒布伦（ElisabethLouiseVigee-LeBrun），1755年出生于法国，学肖像画成名后，被选为法兰西皇家绘画雕塑学院院士，1842年在巴黎逝世。",[23,28,70,77,25,255,256,183,226,257,258,259,260,261,7,262,263],"孩童","女性","华丽服饰","织物","地毯","窗帘","柜子","古典","欧洲宫廷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93289aec03f77fbc22f98dd6e56f227e.jpg",[35],57,{"id":268,"slug":269,"title":270,"dynasty":18,"author":19,"museum":20,"description":68,"tags":271,"thumbUrl":274,"material":33,"size":34,"collection":35,"collections":275,"showCount":266,"zanCount":11,"manualWeight":11,"mainColor":86},225671,"rembrandt-harmensz-van-rijn-081-lun-bo-lang-225671","Rembrandt Harmensz.van Rijn - 081",[23,25,272,184,28,70,27,74,71,7,273],"美人","厚涂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab503ac9945a61b8bca38c7d03deeb99.jpg",[35],{"id":277,"slug":278,"title":279,"dynasty":18,"author":44,"museum":20,"description":45,"tags":280,"thumbUrl":284,"material":33,"size":34,"collection":35,"collections":285,"showCount":286,"zanCount":11,"manualWeight":11,"mainColor":86},225933,"gardeners-house-at-antibes-1888-mo-nai-225933","Gardeners House at Antibes, 1888",[47,23,159,141,225,281,50,56,205,160,282,7,48,283],"花园","春日","笔触短促","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feea2b0d57445229eae49e7021e17c2b4.jpg",[35],56,{"id":288,"slug":289,"title":290,"dynasty":18,"author":44,"museum":20,"description":45,"tags":291,"thumbUrl":295,"material":33,"size":34,"collection":35,"collections":296,"showCount":297,"zanCount":118,"manualWeight":11,"mainColor":39},226010,"reflections-of-clouds-on-the-water-lily-pond-1914-26-mo-nai-226010","Reflections of Clouds on the Water-Lily Pond, 1914-26",[23,47,28,7,98,292,110,293,112,114,294,162],"睡莲","云影","水生植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4202862608f8dd950bd99f88592ac2ce.jpg",[35],55,{"id":299,"slug":300,"title":301,"dynasty":18,"author":44,"museum":20,"description":45,"tags":302,"thumbUrl":306,"material":33,"size":34,"collection":35,"collections":307,"showCount":297,"zanCount":11,"manualWeight":11,"mainColor":86},225900,"arm-of-the-seine-near-giverny-1897-mo-nai-225900","Arm of the Seine near Giverny, 1897",[47,23,7,98,172,141,110,112,56,194,97,303,304,305],"风景画","笔触灵动","色彩融合","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ef1c853db62f89f884dbd4799f24f40.jpg",[35],{"id":309,"slug":310,"title":311,"dynasty":18,"author":44,"museum":20,"description":45,"tags":312,"thumbUrl":322,"material":33,"size":34,"collection":35,"collections":323,"showCount":324,"zanCount":11,"manualWeight":11,"mainColor":63},226035,"still-life-with-a-melon-1872-mo-nai-226035","Still 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Mist, 1894",[47,23,341,342,7,174],"教堂","雾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d0b3b027be094910b25b32d3674e188.jpg",[35],39,{"id":347,"slug":348,"title":349,"dynasty":18,"author":44,"museum":20,"description":45,"tags":350,"thumbUrl":358,"material":33,"size":34,"collection":35,"collections":359,"showCount":360,"zanCount":38,"manualWeight":11,"mainColor":86},225930,"flowers-at-vetheuil-1880-mo-nai-225930","Flowers at Vetheuil, 1880",[47,23,7,351,352,353,354,93,141,172,110,159,355,97,356,225,357],"色彩丰富","笔触奔放","花朵","花丛","远景","户外","水景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3d1346f087a032be70d9ec8d35c5427.jpg",[35],36,{"id":362,"slug":363,"title":364,"dynasty":18,"author":44,"museum":20,"description":45,"tags":365,"thumbUrl":368,"material":33,"size":34,"collection":35,"collections":369,"showCount":370,"zanCount":11,"manualWeight":11,"mainColor":86},225909,"camille-with-green-umbrella-1876-mo-nai-225909","Camille with Green Umbrella, 1876",[47,23,7,108,25,272,366,92,93,367],"伞","自然","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac3d1c765c21303492ef7dd87966f882.jpg",[35],35,{"id":372,"slug":373,"title":374,"dynasty":18,"author":44,"museum":20,"description":45,"tags":375,"thumbUrl":388,"material":33,"size":34,"collection":35,"collections":389,"showCount":390,"zanCount":11,"manualWeight":11,"mainColor":63},226020,"saint-lazare-station-exterior-view-1877-1-mo-nai-226020","Saint-Lazare Station, Exterior View, 1877 1",[47,23,7,108,162,376,377,378,379,174,380,381,382,111,383,31,384,385,386,387],"火车站","铁轨","蒸汽","人群","顶棚","列车","站台","金属结构","城市景观","工业场景","室外光线","瞬间光影","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e8cebda616b5cf81092a71273f0dc63.jpg",[35],32,{"id":392,"slug":393,"title":394,"dynasty":18,"author":44,"museum":20,"description":45,"tags":395,"thumbUrl":401,"material":33,"size":34,"collection":35,"collections":402,"showCount":403,"zanCount":118,"manualWeight":11,"mainColor":39},225902,"au-parc-monceau-1878-mo-nai-225902","Au Parc Monceau, 1878",[47,23,396,397,141,137,158,25,7,139,225,220,398,399,140,400],"外光写生","公园","散步者","坐着的人群","远处建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F262a86f081aaf393df59e832219348f2.jpg",[35],31,{"id":405,"slug":406,"title":407,"dynasty":18,"author":19,"museum":20,"description":68,"tags":408,"thumbUrl":415,"material":33,"size":34,"collection":35,"collections":416,"showCount":417,"zanCount":38,"manualWeight":11,"mainColor":39},225637,"rembrandt-harmensz-van-rijn-047-lun-bo-lang-225637","Rembrandt Harmensz.van Rijn - 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Harmensz.van Rijn - 0212",[23,25,71,7,434,73,435,425,27,436,437],"衣帽","金属饰品","服饰细节","古典肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d0745188a4502b1d40f9ede0249c81c.jpg",[35],{"id":441,"slug":442,"title":443,"dynasty":18,"author":444,"museum":20,"description":445,"tags":446,"thumbUrl":453,"material":33,"size":34,"collection":230,"collections":454,"showCount":455,"zanCount":11,"manualWeight":11,"mainColor":456},230592,"su-miao-6-da-fen-qi-230592","素描-6","达芬奇","列奥纳多·达·芬奇［意大利语：Leonardo da Vinci；儒略历1452年4月15日（公历4月23日）~1519年5月2日］。意大利文艺复兴画家、科学家、发明家。 现代学者称他为“文艺复兴时期最完美的代表”，是人类历史上绝无仅有的全才，其最大的成就是绘画，他的杰作《蒙娜丽莎》和《最后的晚餐》等作品，体现了他精湛的艺术造诣。\n达·芬奇思想深邃，学识渊博、擅长绘画、雕刻、发明、建筑，通晓数学、生物学、物理学、天文学、地质学等学科 。保存下来的手稿大约有6000页。达·芬奇认为自然中最美的研究对象是人体，人体是大自然的奇妙之作品，画家应以人为绘画对象的核心。\n达·芬奇生于托斯卡纳的芬奇镇附近。他在少年时已显露艺术天赋，15岁左右到佛罗伦萨拜师学艺，成长为具有科学素养的画家、雕刻家。并成为军事工程师和建筑师。 1482年应聘到米兰后，在贵族宫廷中进行创作和研究活动，1513年起漂泊于罗马和佛罗伦萨等地。1516年侨居法国，1519年5月2日病逝。\n2021年7月9日，达·芬奇素描《熊的头部》在伦敦佳士得以885.75万英镑，约合8000万元人民币的价格成交，创下达·芬奇素描画新的拍卖纪录",[25,447,70,71,448,449,450,425,451,7,452],"素描","纸本","侧脸","长发","线条","明暗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc611cec1fbad5f12ba10f41a7225a550.jpg",[],27,"F48FB1",{"id":458,"slug":459,"title":460,"dynasty":18,"author":461,"museum":20,"description":462,"tags":463,"thumbUrl":470,"material":33,"size":34,"collection":230,"collections":471,"showCount":472,"zanCount":11,"manualWeight":11,"mainColor":86},226151,"conception-giovanni-battista-tiepolo-226151","Conception","Giovanni Battista Tiepolo","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。",[24,23,25,409,464,465,57,92,466,414,467,93,70,7,351,468,469],"鸽子","龙","披风","球体","神话生物","小天使","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9da7c27f4bcc1dbe29780391e7ba55ab.jpg",[],26,{"id":474,"slug":475,"title":476,"dynasty":18,"author":44,"museum":20,"description":45,"tags":477,"thumbUrl":483,"material":33,"size":34,"collection":35,"collections":484,"showCount":472,"zanCount":11,"manualWeight":11,"mainColor":39},226129,"the-walkers-1865-mo-nai-226129","The Walkers, 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088",[23,565,25,478,434,7,28,532],"巴洛克","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9dcb0fef78cd6ceae2fcc9f152562979.jpg",[35],24,{"id":570,"slug":571,"title":572,"dynasty":18,"author":19,"museum":20,"description":68,"tags":573,"thumbUrl":575,"material":33,"size":34,"collection":35,"collections":576,"showCount":568,"zanCount":11,"manualWeight":11,"mainColor":39},225630,"rembrandt-harmensz-van-rijn-039-lun-bo-lang-225630","Rembrandt Harmensz.van Rijn - 039",[23,25,70,27,565,7,424,226,574,77],"衣着华丽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6dedba658724fa1c3703f05f3d6304c3.jpg",[35],{"id":578,"slug":579,"title":580,"dynasty":18,"author":19,"museum":20,"description":68,"tags":581,"thumbUrl":585,"material":33,"size":34,"collection":35,"collections":586,"showCount":587,"zanCount":11,"manualWeight":11,"mainColor":39},225695,"lun-bo-lang-225695","Рембрандт ван Рейн - Саския ван Эйленбург, жена",[23,70,27,71,25,256,426,582,583,7,262,584],"蕾丝","深色衣物","半身像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53c897f13ffa6588955f3cd731241799.jpg",[35],23,{"id":589,"slug":590,"title":591,"dynasty":18,"author":19,"museum":20,"description":68,"tags":592,"thumbUrl":597,"material":33,"size":34,"collection":35,"collections":598,"showCount":599,"zanCount":11,"manualWeight":11,"mainColor":39},225680,"rembrandt-harmensz-van-rijn-090-lun-bo-lang-225680","Rembrandt Harmensz.van Rijn - 090",[23,25,71,27,70,124,593,7,594,595,596],"面部特写","质感","深色背景","衣着","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fabf2f996396e2cc79a1f34578b107a0b.jpg",[35],22,{"id":601,"slug":602,"title":603,"dynasty":18,"author":604,"museum":20,"description":605,"tags":606,"thumbUrl":609,"material":33,"size":34,"collection":230,"collections":610,"showCount":611,"zanCount":11,"manualWeight":11,"mainColor":39},231105,"su-miao-359-xi-fang-231105","素描359","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[447,70,25,256,607,7,608],"人体","黑白","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a6ddc53d833d7d70b871268f800d1af.jpg",[],21,{"id":613,"slug":614,"title":615,"dynasty":18,"author":44,"museum":20,"description":45,"tags":616,"thumbUrl":621,"material":33,"size":34,"collection":35,"collections":622,"showCount":611,"zanCount":11,"manualWeight":11,"mainColor":63},225921,"entrance-to-the-port-of-trouville-1870-mo-nai-225921","Entrance to the Port of Trouville, 1870",[47,23,617,204,618,25,619,620,110,56,57,7,108],"港口","沙滩","钓鱼","堤坝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5db62e344f827e5f52418acdc53fb7b.jpg",[35],{"id":624,"slug":625,"title":626,"dynasty":18,"author":44,"museum":20,"description":45,"tags":627,"thumbUrl":629,"material":33,"size":34,"collection":35,"collections":630,"showCount":611,"zanCount":11,"manualWeight":11,"mainColor":456},225908,"camille-monet-on-her-deathbed-1879-mo-nai-225908","Camille Monet on her Deathbed, 1879",[47,23,25,628,7,162],"白布","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F564d777a4e12bd596608f433c1905b62.jpg",[35],{"id":632,"slug":633,"title":634,"dynasty":635,"author":636,"museum":637,"description":638,"tags":639,"thumbUrl":650,"material":651,"size":652,"collection":230,"collections":653,"showCount":654,"zanCount":38,"manualWeight":11,"mainColor":63},232971,"hua-niao-ce-lang-shi-ning-232971","花鸟册","清","郎世宁","北京故宫博物院","此图册分别描绘了牡丹、兰花、罂粟、萱草、荷花、梅花等艳丽多姿的花卉和体态生动的蝶、鸟。构图上取法中国传统花鸟画的格局，以虚托实，注重对所绘物象的突出。在表现技法上，则充分发挥了欧洲绘画注重明暗及透视的特点，以工致细腻的笔触，刻画出花瓣、叶片以及鸟雀的羽毛质感和体积感，呈现出与传统的中国花鸟画迥然不同的艺术风貌。这种“中西合璧”的画风成为清代宫廷绘画艺术的一大特色，受到了清皇室的青睐。",[640,641,642,643,644,28,645,646,647,142,648,70,649,7],"名画","国画","书画","册","工笔","中西合璧","兰","石","花鸟","笔墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7f6041cf4527a2b11a1a31782ac66d2a.jpg","绢本，设色","纵32.6厘米，横28.6厘米",[],20,{"id":656,"slug":657,"title":658,"dynasty":18,"author":44,"museum":20,"description":45,"tags":659,"thumbUrl":661,"material":33,"size":34,"collection":35,"collections":662,"showCount":654,"zanCount":11,"manualWeight":11,"mainColor":63},226011,"regatta-at-argenteuil-1872-mo-nai-226011","Regatta at Argenteuil, 1872",[47,23,204,110,112,159,141,137,25,56,660,524,7,162],"红屋顶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe48dce699643e52336f1f3c03f6f79c9.jpg",[35],{"id":664,"slug":665,"title":666,"dynasty":18,"author":44,"museum":20,"description":45,"tags":667,"thumbUrl":670,"material":33,"size":34,"collection":35,"collections":671,"showCount":654,"zanCount":11,"manualWeight":11,"mainColor":39},225963,"lete-mo-nai-225963","LEte",[23,47,7,668,162,137,141,25,56,544,669,356,139],"色彩柔和","夏日","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3debc71e3df4458856f20b475ccc6ad4.jpg",[35],{"id":673,"slug":674,"title":675,"dynasty":18,"author":44,"museum":20,"description":45,"tags":676,"thumbUrl":679,"material":33,"size":34,"collection":35,"collections":680,"showCount":681,"zanCount":11,"manualWeight":11,"mainColor":39},226131,"the-water-lily-pond-at-giverny-1917-mo-nai-226131","The Water-Lily Pond at Giverny, 1917",[47,23,677,292,110,112,141,678,93,97,7,98,304],"池塘","花草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e3a8fb7d461b825bc9f879091fc468a.jpg",[35],19,{"id":683,"slug":684,"title":685,"dynasty":18,"author":151,"museum":20,"description":152,"tags":686,"thumbUrl":692,"material":33,"size":34,"collection":35,"collections":693,"showCount":681,"zanCount":38,"manualWeight":11,"mainColor":86},225732,"corridor-in-the-asylum-fan-gao-225732","Corridor in the Asylum",[23,154,352,687,226,688,689,690,31,25,691,7],"色彩鲜明","走廊","拱门","柱子","墙面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F280e79c7ab565bfd54bd93db4e4d2752.jpg",[35],{"id":695,"slug":696,"title":697,"dynasty":18,"author":19,"museum":20,"description":68,"tags":698,"thumbUrl":702,"material":33,"size":34,"collection":35,"collections":703,"showCount":681,"zanCount":11,"manualWeight":11,"mainColor":39},225661,"rembrandt-harmensz-van-rijn-071-lun-bo-lang-225661","Rembrandt Harmensz.van Rijn - 071",[23,25,70,27,7,77,699,426,700,701],"老年女性","皱领","黑色长袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d3d28ca706d877c3f2eb306936f7084.jpg",[35],{"id":705,"slug":706,"title":707,"dynasty":18,"author":44,"museum":20,"description":45,"tags":708,"thumbUrl":711,"material":33,"size":34,"collection":35,"collections":712,"showCount":713,"zanCount":11,"manualWeight":11,"mainColor":86},226058,"the-church-at-varengeville-against-the-sunset-1882-mo-nai-226058","The Church at Varengeville, against the Sunset, 1882",[47,23,709,341,141,138,56,710,7,108],"夕阳","植被","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d4a86481bb99993e5669b8d70e96742.jpg",[35],18,{"id":715,"slug":716,"title":717,"dynasty":18,"author":44,"museum":20,"description":45,"tags":718,"thumbUrl":725,"material":33,"size":34,"collection":35,"collections":726,"showCount":713,"zanCount":11,"manualWeight":11,"mainColor":63},226017,"rouen-cathedral-the-portal-morning-effect-1894-mo-nai-226017","Rouen Cathedral, the Portal, Morning Effect, 1894",[47,23,7,341,719,174,720,721,56,722,723,724],"塔楼","门廊","晨光","石质","碎笔触","光影变化","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F056d85d558caf211170d242061169f95.jpg",[35],{"id":728,"slug":729,"title":730,"dynasty":18,"author":44,"museum":20,"description":45,"tags":731,"thumbUrl":739,"material":33,"size":34,"collection":35,"collections":740,"showCount":713,"zanCount":38,"manualWeight":11,"mainColor":63},226008,"quai-du-louvre-1867-mo-nai-226008","Quai du Louvre, 1867",[47,23,7,108,732,172,174,733,141,379,173,734,56,735,194,736,222,737,738,110],"城市街景","穹顶","街道","行人","路灯","马匹","户外场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4b26b87b4f48bbad6a3073d8c90ffb8.jpg",[35],{"id":742,"slug":743,"title":744,"dynasty":18,"author":44,"museum":20,"description":45,"tags":745,"thumbUrl":750,"material":33,"size":34,"collection":35,"collections":751,"showCount":713,"zanCount":11,"manualWeight":11,"mainColor":63},225979,"low-tide-at-varengeville-02-1882-mo-nai-225979","Low Tide at Varengeville 02, 1882",[47,23,7,162,746,747,748,749,58,56],"悬崖","海滩","海水","低潮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71a06f6667bc4107c5197fd92213895d.jpg",[35],{"id":753,"slug":754,"title":755,"dynasty":18,"author":756,"museum":20,"description":757,"tags":758,"thumbUrl":766,"material":33,"size":34,"collection":230,"collections":767,"showCount":768,"zanCount":11,"manualWeight":11,"mainColor":86},232276,"wei-lian-a-dao-fu-bu-ge-luo-2-wei-lian-a-dao-fu-bu-ge-luo-232276","威廉·阿道夫·布格罗2","威廉·阿道夫·布格罗","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n1875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[23,759,70,28,25,409,272,137,141,760,761,414,762,763,479,7,764,765],"新古典主义","流水","芦苇","花环","裸足","田园场景","自然景物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F967a547850493b6d8e640c4dd6471c11.jpg",[],17,{"id":770,"slug":771,"title":772,"dynasty":18,"author":44,"museum":20,"description":45,"tags":773,"thumbUrl":774,"material":33,"size":34,"collection":35,"collections":775,"showCount":768,"zanCount":38,"manualWeight":11,"mainColor":39},225931,"flowers-in-the-garden-1930-mo-nai-225931","Flowers in the Garden, 1930",[47,23,281,158,141,92,143,367,7,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F64ff26f9307a3528861098900f6cb6f8.jpg",[35],{"id":777,"slug":778,"title":779,"dynasty":18,"author":19,"museum":20,"description":68,"tags":780,"thumbUrl":782,"material":33,"size":34,"collection":35,"collections":783,"showCount":768,"zanCount":11,"manualWeight":11,"mainColor":39},225673,"rembrandt-harmensz-van-rijn-083-lun-bo-lang-225673","Rembrandt Harmensz.van Rijn - 083",[23,70,71,25,124,425,80,781,27,7,262,584],"深色服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc36959dba9e223ad550065d4ca5a300e.jpg",[35],{"id":785,"slug":786,"title":787,"dynasty":18,"author":19,"museum":20,"description":68,"tags":788,"thumbUrl":789,"material":33,"size":34,"collection":35,"collections":790,"showCount":768,"zanCount":11,"manualWeight":11,"mainColor":39},225625,"rembrandt-harmensz-van-rijn-034-lun-bo-lang-225625","Rembrandt Harmensz.van Rijn - 034",[23,70,27,28,25,24,71,7,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee89473c83c74be1c50996f899e5ae4f.jpg",[35],{"id":792,"slug":793,"title":794,"dynasty":635,"author":636,"museum":637,"description":638,"tags":795,"thumbUrl":10,"material":651,"size":652,"collection":230,"collections":802,"showCount":768,"zanCount":11,"manualWeight":11,"mainColor":63},222790,"hua-niao-ce-ye-10-lang-shi-ning-222790","花鸟册页10",[796,640,641,642,797,644,28,645,70,648,798,353,95,799,93,7,800,801],"高清","册页","鸢尾花","石头","透视","重彩",[],{"id":804,"slug":805,"title":806,"dynasty":18,"author":44,"museum":20,"description":45,"tags":807,"thumbUrl":809,"material":33,"size":34,"collection":35,"collections":810,"showCount":811,"zanCount":38,"manualWeight":11,"mainColor":86},226143,"water-lilies-setting-sun-mo-nai-226143","Water-Lilies, Setting Sun",[47,23,7,98,292,110,709,112,808],"水草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c5789fba6deb37f3fab40fbd90617cc.jpg",[35],16,{"id":813,"slug":814,"title":815,"dynasty":18,"author":44,"museum":20,"description":45,"tags":816,"thumbUrl":818,"material":33,"size":34,"collection":35,"collections":819,"showCount":811,"zanCount":11,"manualWeight":11,"mainColor":39},225962,"jeanne-marguerite-lecadre-in-the-garden-1866-v2-mo-nai-225962","Jeanne-Marguerite Lecadre in the Garden, 1866 v2",[23,47,281,25,92,141,817,7],"庭院","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3d134ec9e8b17cf4205c7174e3d385a.jpg",[35],{"id":821,"slug":822,"title":823,"dynasty":18,"author":19,"museum":20,"description":68,"tags":824,"thumbUrl":828,"material":33,"size":34,"collection":35,"collections":829,"showCount":811,"zanCount":11,"manualWeight":11,"mainColor":39},225649,"rembrandt-harmensz-van-rijn-059-lun-bo-lang-225649","Rembrandt Harmensz.van Rijn - 059",[640,23,77,70,27,7,25,124,825,826,583,827],"手持纸张","羽毛笔","白色衣领","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6fb581f7548c5a3ba84d09439b6aae2.jpg",[35],{"id":831,"slug":832,"title":833,"dynasty":18,"author":756,"museum":20,"description":834,"tags":835,"thumbUrl":841,"material":33,"size":34,"collection":230,"collections":842,"showCount":843,"zanCount":11,"manualWeight":11,"mainColor":86},232575,"wei-lian-a-dao-fu-bu-ge-luo-190-wei-lian-a-dao-fu-bu-ge-luo-232575","威廉·阿道夫·布格罗190","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[759,23,70,28,409,414,836,837,137,838,93,353,839,356,7,840],"卷发","石质平台","藤蔓","箭囊","裸体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7189aa6cf41c5a116086c984ea337ce2.jpg",[],15,{"id":845,"slug":846,"title":847,"dynasty":18,"author":44,"museum":20,"description":45,"tags":848,"thumbUrl":849,"material":33,"size":34,"collection":35,"collections":850,"showCount":843,"zanCount":11,"manualWeight":11,"mainColor":86},225968,"landscape-at-port-villez-1885-mo-nai-225968","Landscape at Port-Villez, 1885",[23,47,303,172,138,141,137,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11b6e90f99acd46db67c3ab23c30ee95.jpg",[35],{"id":852,"slug":853,"title":854,"dynasty":18,"author":44,"museum":20,"description":45,"tags":855,"thumbUrl":857,"material":33,"size":34,"collection":35,"collections":858,"showCount":843,"zanCount":11,"manualWeight":11,"mainColor":63},225943,"haystacks-white-frost-effect-1891-mo-nai-225943","Haystacks, White Frost Effect, 1891",[23,47,543,856,7,640],"白霜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdfecc1bd7670ee7e57656fed30e30474.jpg",[35],{"id":860,"slug":861,"title":862,"dynasty":18,"author":44,"museum":20,"description":45,"tags":863,"thumbUrl":864,"material":33,"size":34,"collection":35,"collections":865,"showCount":843,"zanCount":11,"manualWeight":11,"mainColor":86},225940,"haystack-in-the-sunlight-1890-mo-nai-225940","Haystack in the Sunlight, 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1874",[47,7,108,162,971,172,55,972,973,719,974,56,57,174,975,356,97],"水面倒影","桅杆","石拱桥","树林","1874","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F221d7867ff2d1bca89f685ab2d4e3019.jpg",[35],11,{"id":980,"slug":981,"title":982,"dynasty":18,"author":44,"museum":20,"description":45,"tags":983,"thumbUrl":986,"material":33,"size":34,"collection":35,"collections":987,"showCount":978,"zanCount":11,"manualWeight":11,"mainColor":86},225973,"le-pave-de-chailly-1865-mo-nai-225973","Le Pavé de Chailly, 1865",[640,23,47,7,108,162,141,137,984,985,139,974,97],"落叶","道路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6e64f87bf1a651c620e0cebe294458d.jpg",[35],{"id":989,"slug":990,"title":991,"dynasty":18,"author":44,"museum":20,"description":45,"tags":992,"thumbUrl":999,"material":33,"size":34,"collection":35,"collections":1000,"showCount":978,"zanCount":11,"manualWeight":11,"mainColor":86},225926,"fields-of-tulip-with-the-rijnsburg-windmill-1886-mo-nai-225926","Fields of Tulip With 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1886",[640,23,47,7,351,746,748,941,138,710,1122,58],"海景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3ecb494f4f6ecfdf596d79f06f7bee0.jpg",[35],{"id":1126,"slug":1127,"title":1128,"dynasty":18,"author":44,"museum":20,"description":45,"tags":1129,"thumbUrl":1131,"material":33,"size":34,"collection":35,"collections":1132,"showCount":1089,"zanCount":11,"manualWeight":11,"mainColor":86},225971,"le-jardin-de-ve-theuil-1881-mo-nai-225971","Le Jardin de Vétheuil, 1881",[640,23,47,281,141,1130,159,817,7],"台阶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7eecd71c3896a7e6223fba68266c25d.jpg",[35],{"id":1134,"slug":1135,"title":1136,"dynasty":18,"author":19,"museum":20,"description":68,"tags":1137,"thumbUrl":1139,"material":33,"size":34,"collection":35,"collections":1140,"showCount":1089,"zanCount":11,"manualWeight":11,"mainColor":39},225662,"rembrandt-harmensz-van-rijn-072-lun-bo-lang-225662","Rembrandt Harmensz.van Rijn - 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Farm Saint-Simeon in Winter, 1867",[23,47,1173,985,141,1174,735,523,921,910,56,7,162],"雪地","飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72b8829824dbfa4e3c96b6d7c9a370dd.jpg",[35],{"id":1178,"slug":1179,"title":1180,"dynasty":18,"author":44,"museum":20,"description":45,"tags":1181,"thumbUrl":1184,"material":33,"size":34,"collection":35,"collections":1185,"showCount":1160,"zanCount":11,"manualWeight":11,"mainColor":86},226099,"the-promenade-at-argenteuil-02-1872-mo-nai-226099","The Promenade at Argenteuil 02, 1872",[23,47,1182,7,172,141,1183,174,56,137,25,111,112,110],"外光","小路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e665035f6282e2a502290c2d6608b0f.jpg",[35],{"id":1187,"slug":1188,"title":1189,"dynasty":18,"author":44,"museum":20,"description":45,"tags":1190,"thumbUrl":1191,"material":33,"size":34,"collection":35,"collections":1192,"showCount":1160,"zanCount":11,"manualWeight":11,"mainColor":86},226075,"the-house-among-the-roses-1925-1926-mo-nai-226075","The House among the Roses, 1925-1926",[47,23,192,92,158,56,7,305,162,557,710],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F777dd79ccce3ba9f9910c5a8bcc1eef5.jpg",[35],{"id":1194,"slug":1195,"title":1196,"dynasty":18,"author":44,"museum":20,"description":45,"tags":1197,"thumbUrl":1198,"material":33,"size":34,"collection":35,"collections":1199,"showCount":1160,"zanCount":11,"manualWeight":11,"mainColor":86},226059,"the-church-at-ve-theuil-snow-1878-1879-mo-nai-226059","The Church at Vétheuil, Snow, 1878-1879",[47,23,162,7,921,341,159,141,1173,25,523,174,367,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd729d43af55760e2f9727f4c8b9beecb.jpg",[35],{"id":1201,"slug":1202,"title":1203,"dynasty":18,"author":44,"museum":20,"description":45,"tags":1204,"thumbUrl":1205,"material":33,"size":34,"collection":35,"collections":1206,"showCount":1160,"zanCount":11,"manualWeight":11,"mainColor":86},226043,"the-banks-of-the-seine-near-jeufosse-eure-mo-nai-226043","The Banks of the Seine near Jeufosse (Eure),",[23,47,303,172,141,55,194,56,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88aa2b1fb926bdba4042969fce1f5d11.jpg",[35],{"id":1208,"slug":1209,"title":1210,"dynasty":18,"author":887,"museum":20,"description":1211,"tags":1212,"thumbUrl":1215,"material":33,"size":34,"collection":230,"collections":1216,"showCount":1217,"zanCount":11,"manualWeight":11,"mainColor":86},231968,"the-curtain-de-jia-231968","The Curtain","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[47,23,7,162,25,1102,58,1213,1214,356],"沙地","围栏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2aa81b46c94df965779f5e0f770efdd6.jpg",[],7,{"id":1219,"slug":1220,"title":1221,"dynasty":18,"author":44,"museum":20,"description":45,"tags":1222,"thumbUrl":1227,"material":33,"size":34,"collection":35,"collections":1228,"showCount":1217,"zanCount":11,"manualWeight":11,"mainColor":86},226104,"the-railway-bridge-at-argenteuil-1874-2-mo-nai-226104","The Railway Bridge at Argenteuil, 1874 [2]",[47,23,7,1223,1182,1224,172,110,141,137,378,57,56,1225,194,710,1226],"色彩并置","铁路桥","桥墩","波纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5a5be3f8e05a9ef299557cd04e38e64.jpg",[35],{"id":1230,"slug":1231,"title":1232,"dynasty":18,"author":756,"museum":20,"description":834,"tags":1233,"thumbUrl":1236,"material":33,"size":34,"collection":230,"collections":1237,"showCount":1238,"zanCount":11,"manualWeight":11,"mainColor":86},232587,"wei-lian-a-dao-fu-bu-ge-luo-201-wei-lian-a-dao-fu-bu-ge-luo-232587","威廉·阿道夫·布格罗201",[23,70,28,25,1234,1235,582,7],"儿童","布料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1bc11f0ee748be1b1b9847fc7181d694.jpg",[],6,{"id":1240,"slug":1241,"title":1242,"dynasty":18,"author":1243,"museum":20,"description":1244,"tags":1245,"thumbUrl":1248,"material":33,"size":34,"collection":230,"collections":1249,"showCount":1238,"zanCount":11,"manualWeight":11,"mainColor":39},232284,"a-er-ma-11-lao-lun-si-a-er-ma-ta-de-ma-232284","阿尔玛11","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[23,70,1246,137,974,1103,1247,7],"古树","枝叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F617c34eb2e58635fc64551c8fdccb4d6.jpg",[],{"id":1251,"slug":1252,"title":1253,"dynasty":18,"author":604,"museum":20,"description":605,"tags":1254,"thumbUrl":1255,"material":33,"size":34,"collection":230,"collections":1256,"showCount":1238,"zanCount":11,"manualWeight":11,"mainColor":63},231186,"su-miao-440-xi-fang-231186","素描440",[447,607,70,608,7,451,452,840],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb47aef8c648acfdbc5f2cb67f95577b3.jpg",[],{"id":1258,"slug":1259,"title":1260,"dynasty":18,"author":44,"museum":20,"description":45,"tags":1261,"thumbUrl":1262,"material":33,"size":34,"collection":35,"collections":1263,"showCount":1238,"zanCount":11,"manualWeight":11,"mainColor":86},226103,"the-railway-bridge-at-argenteuil-1874-mo-nai-226103","The Railway Bridge at Argenteuil, 1874",[640,23,47,7,108,162,1224,172,204,141,137,57,56,1157,971,194],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc123b1d63ae667c737349ac39a9cb24.jpg",[35],{"id":1265,"slug":1266,"title":1267,"dynasty":18,"author":44,"museum":20,"description":45,"tags":1268,"thumbUrl":1269,"material":33,"size":34,"collection":35,"collections":1270,"showCount":1238,"zanCount":11,"manualWeight":11,"mainColor":39},225964,"la-barque-1890-mo-nai-225964","La Barque, 1890",[23,47,1035,808,225,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5cc03a3f2d248df1834a51a039d8f92.jpg",[35],{"id":1272,"slug":1273,"title":1274,"dynasty":18,"author":19,"museum":20,"description":68,"tags":1275,"thumbUrl":1276,"material":33,"size":34,"collection":35,"collections":1277,"showCount":1238,"zanCount":11,"manualWeight":11,"mainColor":39},225672,"rembrandt-harmensz-van-rijn-082-lun-bo-lang-225672","Rembrandt Harmensz.van Rijn - 082",[23,70,25,434,27,71,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F347e5b5cee3ace5184a288b57ce794e4.jpg",[35],{"id":1279,"slug":1280,"title":1281,"dynasty":18,"author":604,"museum":20,"description":605,"tags":1282,"thumbUrl":1285,"material":33,"size":34,"collection":230,"collections":1286,"showCount":1287,"zanCount":11,"manualWeight":11,"mainColor":1288},231145,"su-miao-399-xi-fang-231145","素描399",[447,25,124,607,70,452,451,1283,7,1284],"人体素描","轮廓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92964a4fe0d4c8f0d703a5af3d32b235.jpg",[],5,"FFFFFF",{"id":1290,"slug":1291,"title":1292,"dynasty":18,"author":44,"museum":20,"description":45,"tags":1293,"thumbUrl":1294,"material":33,"size":34,"collection":35,"collections":1295,"showCount":1287,"zanCount":11,"manualWeight":11,"mainColor":63},226144,"winter-landscape-mo-nai-226144","Winter Landscape",[23,47,7,108,162,523,921,141,142,1173,544,97],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe113d6f4efce39eecc6830ad1762e1c6.jpg",[35],{"id":1297,"slug":1298,"title":1299,"dynasty":18,"author":19,"museum":20,"description":68,"tags":1300,"thumbUrl":1302,"material":33,"size":34,"collection":35,"collections":1303,"showCount":1287,"zanCount":11,"manualWeight":11,"mainColor":39},225668,"rembrandt-harmensz-van-rijn-078-lun-bo-lang-225668","Rembrandt Harmensz.van Rijn - 078",[23,25,71,70,27,124,80,1301,7,963],"衣物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36725549c5fd3b3d104c509824baa3b9.jpg",[35],{"id":1305,"slug":1306,"title":1307,"dynasty":18,"author":1243,"museum":20,"description":1244,"tags":1308,"thumbUrl":1312,"material":33,"size":34,"collection":230,"collections":1313,"showCount":1314,"zanCount":11,"manualWeight":11,"mainColor":39},232282,"a-er-ma-9-lao-lun-si-a-er-ma-ta-de-ma-232282","阿尔玛9",[23,28,70,25,272,760,58,501,1309,1310,141,710,1311,7,97],"蕨类","溪流","古典人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5cf8a0e4a3bd32e7ccfd573b94e151c.jpg",[],4,{"id":1316,"slug":1317,"title":1318,"dynasty":18,"author":756,"museum":20,"description":757,"tags":1319,"thumbUrl":1324,"material":33,"size":34,"collection":230,"collections":1325,"showCount":1314,"zanCount":11,"manualWeight":11,"mainColor":86},232278,"wei-lian-a-dao-fu-bu-ge-luo-4-wei-lian-a-dao-fu-bu-ge-luo-232278","威廉·阿道夫·布格罗4",[23,70,28,25,1234,647,1320,1321,1322,356,7,112,1323],"水","树","草","木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F236aaec2daa9e3353ab1ac1dc54fe9d1.jpg",[],{"id":1327,"slug":1328,"title":1329,"dynasty":18,"author":887,"museum":20,"description":1211,"tags":1330,"thumbUrl":1333,"material":33,"size":34,"collection":230,"collections":1334,"showCount":1314,"zanCount":11,"manualWeight":11,"mainColor":86},232095,"de-jia-45-de-jia-232095","德加45",[640,23,28,25,1235,112,1057,1331,1332,108,7],"条纹服饰","纱质织物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F273985a963aea560152ba0b2b2c6a896.jpg",[],{"id":1336,"slug":1337,"title":1338,"dynasty":18,"author":604,"museum":20,"description":605,"tags":1339,"thumbUrl":1341,"material":33,"size":34,"collection":230,"collections":1342,"showCount":1314,"zanCount":11,"manualWeight":11,"mainColor":63},231158,"su-miao-412-xi-fang-231158","素描412",[447,70,607,7,451,27,1340,25],"速写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5354e501d8960db5def5c39fb87c3d83.jpg",[],{"id":1344,"slug":1345,"title":1346,"dynasty":18,"author":19,"museum":20,"description":68,"tags":1347,"thumbUrl":1351,"material":33,"size":34,"collection":230,"collections":1352,"showCount":1314,"zanCount":11,"manualWeight":11,"mainColor":39},230614,"rembrandt-harmensz-van-rijn-0196-lun-bo-lang-230614","Rembrandt Harmensz.van Rijn - 0196",[23,70,27,25,79,1348,1349,466,72,1235,1350,7],"兵器","剑","武士","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c531e21f0bd2eb90c700302c1fc1426.jpg",[],{"id":1354,"slug":1355,"title":1356,"dynasty":18,"author":19,"museum":20,"description":68,"tags":1357,"thumbUrl":1360,"material":33,"size":34,"collection":230,"collections":1361,"showCount":1314,"zanCount":11,"manualWeight":11,"mainColor":39},230610,"rembrandt-harmensz-van-rijn-0190-lun-bo-lang-230610","Rembrandt Harmensz.van Rijn - 0190",[23,70,27,25,840,1358,58,93,1359,880,1235,7],"捆绑","水体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03554afda93db018cefa92bf8cbc75a2.jpg",[],{"id":1363,"slug":1364,"title":1365,"dynasty":18,"author":1366,"museum":20,"description":1367,"tags":1368,"thumbUrl":1373,"material":33,"size":34,"collection":230,"collections":1374,"showCount":1375,"zanCount":11,"manualWeight":11,"mainColor":86},232502,"he-er-bai-yin-161-he-er-bai-yin-232502","荷尔拜因161","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[24,25,1369,1370,447,1371,70,1372,7],"古典柱式","平台","白描","衣纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febf68bba6d2e01f3b32856493481879b.jpg",[],3,{"id":1377,"slug":1378,"title":1379,"dynasty":18,"author":1243,"museum":20,"description":1244,"tags":1380,"thumbUrl":1388,"material":33,"size":34,"collection":230,"collections":1389,"showCount":1375,"zanCount":11,"manualWeight":11,"mainColor":86},232288,"a-er-ma-15-lao-lun-si-a-er-ma-ta-de-ma-232288","阿尔玛15",[23,70,28,7,1381,689,1382,1383,1384,1385,1386,817,1387],"古建筑","石柱","石板路","哥特式建筑","尖顶","花窗","石砌地面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1fe067fd20e91da94f02812853eddef7.jpg",[],{"id":1391,"slug":1392,"title":1393,"dynasty":18,"author":756,"museum":20,"description":757,"tags":1394,"thumbUrl":1399,"material":33,"size":34,"collection":230,"collections":1400,"showCount":1375,"zanCount":11,"manualWeight":11,"mainColor":39},232279,"wei-lian-a-dao-fu-bu-ge-luo-5-wei-lian-a-dao-fu-bu-ge-luo-232279","威廉·阿道夫·布格罗5",[640,23,70,759,28,25,1234,71,1235,413,1395,1396,1397,7,1398],"水果","丝带","坐姿","细腻笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d6404540c396b16bc0563c9714c294e.jpg",[],{"id":1402,"slug":1403,"title":1404,"dynasty":18,"author":887,"museum":20,"description":1211,"tags":1405,"thumbUrl":1409,"material":33,"size":34,"collection":230,"collections":1410,"showCount":1375,"zanCount":11,"manualWeight":11,"mainColor":86},231979,"the-bath-also-known-as-woman-from-behind-j-paul-getty-museum-usa-de-jia-231979","The Bath (also known as Woman from Behind) - - J. 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