[{"data":1,"prerenderedAt":79},["ShallowReactive",2],{"subject-gui-ge":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},12538,"gui-ge","柜格","柜格画高清赏析","精选中国历代柜格题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6438166d39ff28353db8bcb51f5189dc.jpg",0,5,[14,36,49,58,69],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},273628,"zi-tan-mu-diao-bo-gu-wen-tong-bao-jiao-gui-ge-yi-ming-273628","紫檀木雕博古纹铜包角柜格","清","佚名","藏地不详","木雕是雕塑的一种，在我们国家常常被称为“民间工艺”。木雕可以分为立体圆雕、根雕、浮雕三大类。木雕是从木工中分离出来的一个工种，在我们国家的工种分类中为“精细木工”。\n以雕刻材料分类的民间美术品种。一般选用质地细密坚韧，不易变形的树种如楠木、紫檀、樟木、柏木、银杏、沉香、红木、龙眼等。\n木雕是以各种木材及树根为材料进行雕刻，是以传统雕刻工艺中的重要门类。木雕的历史非常悠久，在浙江余姚河姆渡文化遗址就有木雕鱼出土，这是我国木雕史上最早的实物。河南信阳战国大墓出土的木雕镇木兽，湖北云梦汉墓出土的彩雕木佣均为我国早期木雕作品。由于保存的困难，现今很难看到超过千年的木雕作品。\n两宋时期木雕作品较为多见，这时的木雕已采用组织细密的木材为载体进行制作，这就有利于木雕作品的传世。我国的一些庙宇里还保存有宋代的木雕作品。\n元明时由于海外贸易的急速发展，木材种类有所增加，许多由海外进口的硬质木材，是木雕工艺得到长足发展。\n明清期间是木雕艺术的一个辉煌时期，涌现出大量有史可考的名家、艺人及其作品，是古代木雕艺术的一个高峰。\n清末至民国年间由于政府的腐败，国力的衰退，外强的侵略，民不潦生，木雕艺术从此衰落，艺人名家也只能沦为匠人糊口度日。新中国成立后在党和国家的关怀下，民间工艺得到了保护及挖掘，木雕也重新涣发出生命，涌现出一批国家级大师。他们的作品，工艺精湛，秉承传统，立意深远，讴歌时代，体现了大师们立足传统，锐意创新，直抒重获新生的胸怀和报效国家，知遇之恩的深情。\n国家改革开放，经济腾飞，国富民强，党和国家对民间工艺的大力扶持，唤起了民众对传统工艺美术的热爱与追求。逢此盛世，民间工艺美术有了新的飞跃，木雕艺术也不例外。面对实际情况，在全国工艺品展出中，优秀作品的作者年龄偏大，年轻作者寥寥无几。",[23,24,7,25,26,27,28],"紫檀木","木雕","博古纹","铜包角","家具","雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feb25fa0592d0bbc08b6fbbac6596b421.jpg","未知","Xcm*Xcm","",[],3,"795548",{"id":37,"slug":38,"title":39,"dynasty":40,"author":19,"museum":20,"description":41,"tags":42,"thumbUrl":45,"material":30,"size":31,"collection":32,"collections":46,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":48},273891,"huang-hua-li-gui-ge-yi-ming-273891","黄花梨柜格","不详","上格敞亮通透，牙边浅作雕花点缀，疏朗雅致，可陈雅器古玩，尽显文房清趣。下柜素面对开，黄花梨天然木纹舒展流淌，古铜构件沉稳厚重，与温润木色相衬，勾勒出质朴端方的气韵。\n\n整体框架方正挺括，腿足内敛收束，利落线条间不见冗余雕饰，尽显明式家具简约克制的风骨。它将收纳与陈列融于一体，虚实相生，把材质肌理的天然美感淋漓展现，温润木色沉淀着时光质感，让起居收纳与雅致意趣相融，尽显中式器物的内敛美学。",[43,7,27,44],"木质","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9228a080a8a0de936fdb7b2cd62cecba.jpg",[],2,"BDBDBD",{"id":50,"slug":51,"title":52,"dynasty":18,"author":19,"museum":20,"description":53,"tags":54,"thumbUrl":55,"material":30,"size":31,"collection":32,"collections":56,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":35},272791,"zi-tan-mu-gui-ge-yi-ming-272791","紫檀木柜格","它采用上下分区制式，上层博古格错落排布，虚实相生，通透空灵的格局可陈设珍玩雅器，回纹牙板勾勒边框，走线匀净流畅，于方寸间尽显雅致意趣。下层抽屉配素净铜质拉手，双开门素面无饰，黄铜包角提亮沉穆紫檀色泽，兼顾收纳实用与视觉平衡。紫檀质地坚密莹润，色泽古雅静穆，刀工细腻利落，将清代家具重雕饰、尚雅致的审美意趣融于一身，尽显中式古典家具的匠造用心与东方书房的清雅韵味。",[43,7,28,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0103c5c96e7c9f1770e9ab3242be7c8.jpg",[],1,{"id":59,"slug":60,"title":61,"dynasty":62,"author":19,"museum":20,"description":63,"tags":64,"thumbUrl":67,"material":30,"size":31,"collection":32,"collections":68,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},272954,"huang-hua-li-mu-ge-yi-ming-272954","黄花梨木格","明","这件木作分上下两区，上部格架空灵通透，双层牙板以浅卷云柔化方直骨相，留白处恰好承托文玩清供；下部柜体敦穆沉稳，双门敛藏器物。黄花梨肌理如暖棕凝脂，配铜饰包浆温润，榫卯暗合天工，不见赘饰。以线条勾勒出雅致风骨，将收纳与陈设相融，把东方意趣藏入日常，静立厅堂之间，尽显简素隽永的中式美学。",[43,27,7,65,66],"铜饰","木器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F151c336afa1908fc681d00f6e87eb2c2.jpg",[],{"id":70,"slug":71,"title":72,"dynasty":18,"author":19,"museum":20,"description":73,"tags":74,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":77,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":78},272788,"zi-tan-wan-fu-wen-gui-ge-yi-ming-272788","紫檀万福纹柜格","此柜格方正大气，攒框布局错落有致，打破严整对称却不失均衡协调。通体以紫檀为骨，镶装暖棕雕花板，深褐包浆莹润沉静，与浅雕纹饰层次分明，视觉张力十足。\n\n匠师以细密刀工满刻万福纹，回环往复的纹样缠连舒展，将万福绵延的吉庆寓意凝于木间。纹饰繁而不乱，线条圆熟流畅，尽显重工细作的精湛功底。\n\n柜体兼顾收纳与陈列之用，形制沉稳内敛，将吉祥意趣融入实用木作，尽显清代家具雅致端庄的审美意趣，是传统木作中工料俱佳的匠心之作。",[43,7,28,75,27,44,76],"万福纹","木刻",[],"F48FB1",1777535754877]