[{"data":1,"prerenderedAt":129},["ShallowReactive",2],{"subject-guo-pan":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},607,"guo-pan","果盘","果盘画高清赏析","精选中国历代果盘题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feaad0c6e2f7e69bb0010438ed049ea71.jpg",0,6,[14,43,71,92,102,118],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":36,"material":37,"size":38,"collection":39,"collections":40,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":42},223094,"hua-di-qi-ga-na-ga-ba-sa-zun-zhe-zhou-yao-wen-han-223094","画第七嘎纳嘎巴萨尊者轴","清","姚文瀚","台北故宫博物院","姚文瀚（公元18世纪）清代画家。号濯亭，顺天（今北京）人，生卒年不详。乾隆时供奉内廷，工道释、人物、山水、界画。传世作品有《四序图》卷。",[23,24,25,26,27,28,29,30,31,32,33,34,7,35],"高清","国画","设色","工笔","宗教","立轴","人物","树木","花卉","山石","流水","波浪","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba3e29af9ff3dfe7f92ff487a79712a8.jpg","轴 纸本 设色","114.5x66.5厘米","",[],8,"BDBDBD",{"id":44,"slug":45,"title":46,"dynasty":18,"author":47,"museum":48,"description":49,"tags":50,"thumbUrl":66,"material":67,"size":68,"collection":39,"collections":69,"showCount":70,"zanCount":11,"manualWeight":11,"mainColor":42},223156,"yao-xie-shi-yi-tu-ce-di-si-kai-ding-dou-cuo-ju-guo-jian-sui-fang-zun-kai-ren-xiong-223156","姚燮诗意图册-第四开：饤饾错菹果，饯岁方尊开","任熊","北京故宫博物院","此套共十册，每册十二开，每开除录有姚燮诗句外，还分别钤“熊”朱文印或“渭长”白文印。册页最后另有四开，分别有任熊、熊松之、吴云、沈钰、曹峋、李鸿裔等人题跋。据任熊自跋，作品完成于咸丰元年（1851年），时年29岁。\n这套共计一百二十张的册页是任熊在友人姚燮家里居住时为主人所画。姚燮，字梅伯，号复庄，浙江镇海人。道光年间举人，以诗见称于世。此册以姚燮的诗句命题，题材丰富多样，人物鬼神、花鸟鱼虫、仙山楼阁、亭榭风月皆聚于尺幅之间。全册别具匠心，常有神来之笔；设色则于鲜丽中见古雅之气，堪称任氏巅峰时期的铭心佳构。",[23,24,51,25,52,26,53,54,55,56,57,7,58,59,60,61,62,63,64,65],"书画","册","器","竹篮","蔬果","葡萄","石榴","植物","陶罐","果子","菜篮","纹饰器物","插枝植物","果碟","糕点","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb855b634faa03c61e6e4e8c9bfe31e74.jpg","绢本，设色","纵27.3厘米，横32.5厘米",[],5,{"id":72,"slug":73,"title":74,"dynasty":18,"author":75,"museum":76,"description":77,"tags":78,"thumbUrl":86,"material":87,"size":88,"collection":39,"collections":89,"showCount":90,"zanCount":11,"manualWeight":11,"mainColor":91},246777,"ti-hong-ju-hua-wen-dai-zuo-guo-pan-yi-ming-246777","剔红菊花纹带座果盘","佚名","藏地不详","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[18,79,80,81,25,82,83,7,84,85],"漆器","剔红","雕刻","佛手","菊花纹","底座","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9db7ba71a7fd49ce6304192da3fe8da6.jpg","未知","Xcm*Xcm",[],2,"37474F",{"id":93,"slug":94,"title":95,"dynasty":18,"author":75,"museum":76,"description":77,"tags":96,"thumbUrl":100,"material":87,"size":88,"collection":39,"collections":101,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":91},270144,"yan-zhi-hong-se-fa-lang-yuan-pan-ran-xiang-ya-tao-shi-guo-pan-yi-ming-270144","胭脂红色珐琅圆盘染象牙桃实果盘",[97,98,99,7,81],"珐琅器","象牙","桃子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b25bb9e1b83d328634c3003795e053e.jpg",[],{"id":103,"slug":104,"title":105,"dynasty":18,"author":75,"museum":76,"description":77,"tags":106,"thumbUrl":115,"material":87,"size":88,"collection":39,"collections":116,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":117},258682,"zhu-hong-di-miao-jin-fen-cai-gao-zu-guo-pan-yi-ming-258682","朱红地描金粉彩高足果盘",[18,107,108,109,25,110,7,111,112,113,114],"陶瓷","描金","粉彩","朱红地","柑橘","核桃","荔枝","高足器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feeec6131142abd89938f4b64a6428f10.jpg",[],"795548",{"id":119,"slug":120,"title":74,"dynasty":18,"author":75,"museum":76,"description":77,"tags":121,"thumbUrl":127,"material":87,"size":88,"collection":39,"collections":128,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":91},246776,"ti-hong-ju-hua-wen-dai-zuo-guo-pan-yi-ming-246776",[122,79,80,81,123,7,124,125,85,126],"清代","菊花","座","果实","雕漆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3bca19d30e0a76bc3d4b429ae861e769.jpg",[],1777535748145]