[{"data":1,"prerenderedAt":183},["ShallowReactive",2],{"subject-hai-an-xian":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2729,"hai-an-xian","海岸线","海岸线画高清赏析","精选中国历代海岸线题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83ed23f974fe4e3f09f3a7e2f129b61d.jpg",0,8,[14,48,76,95,115,129,144,160],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":42,"size":43,"collection":44,"collections":45,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":47},215861,"xi-yang-jian-wen-tu-hui-shan-shui-juan-yi-ming-215861","西洋见闻图绘-山水卷","清","佚名","藏地不详","长卷铺展，海天一色间山峦错落，岛屿星罗。水墨晕染的峰峦间，藏着红瓦聚落、挺拔灯塔，中西帆船往来于碧波之上，帆影点点。传统散点透视下，异域风光与东方笔墨相融——苍劲的树木、层叠的山石是中式山水的韵致，而港口的布局、船只的形制又带着西洋印记。淡蓝的水色衬着赭黄的山岗，清润雅致中，流动着海上贸易的鲜活气息。这幅作品以东方视角记录异域见闻，既是笔墨的诗意表达，亦是中西文化碰撞的视觉见证，于舒展的画卷里，藏着时代的风物与交流的温度。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,39,40,7,41],"高清","国画","长卷","设色","工笔","山水","岛屿","船只","建筑","树木","灯塔","港口","帆船","城镇","海面","山峦","植被","房屋","旗帜","纸本,设色","","山水画精选",[44],48,"BDBDBD",{"id":49,"slug":50,"title":51,"dynasty":52,"author":53,"museum":20,"description":54,"tags":55,"thumbUrl":69,"material":70,"size":71,"collection":72,"collections":73,"showCount":74,"zanCount":11,"manualWeight":11,"mainColor":75},226060,"the-cliff-at-dieppe-1882-mo-nai-226060","The Cliff at Dieppe, 1882","不详","莫奈","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[56,57,26,58,59,60,61,35,40,62,63,7,64,65,66,67,68],"印象派","油画","悬崖","大海","沙滩","人物","草地","天空","海浪","远帆","小径","远景","近景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5154be1a926a1c99feae1f17fe44cf22.jpg","未知","Xcm*Xcm","油画精选",[72],22,"795548",{"id":77,"slug":78,"title":79,"dynasty":18,"author":80,"museum":20,"description":81,"tags":82,"thumbUrl":89,"material":90,"size":91,"collection":44,"collections":92,"showCount":93,"zanCount":94,"manualWeight":11,"mainColor":47},215147,"min-sheng-yan-chang-tu-juan-hua-xin-pu-sa-bao-215147","闽省盐场图卷-画芯","菩薩保","清朝时期的闽省盐场图卷-画芯是一件著名的文物。它是由清朝时期的画家所作，描绘了当时闽省的盐场景象。闽省盐场图卷-画芯因其精细的绘画技巧和对闽省盐场生产的精确描述而闻名。这件文物被认为是清朝时期艺术史上的重要作品，并被列为国家一级文物保护单位。",[23,24,25,26,27,83,28,84,29,85,86,87,36,31,7,88],"界画","河流","城池","山脉","水域","盐场","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2369b612c63db4d4809f238f9bdb851a.jpg","绢本,设色","38x860",[44],18,2,{"id":96,"slug":97,"title":98,"dynasty":52,"author":53,"museum":20,"description":54,"tags":99,"thumbUrl":112,"material":70,"size":71,"collection":72,"collections":113,"showCount":114,"zanCount":11,"manualWeight":11,"mainColor":47},226047,"the-beach-at-trouville-1870-71-mo-nai-226047","The Beach at Trouville, 1870-71",[56,57,100,101,102,103,104,60,61,105,106,107,108,109,110,7,64,63,111],"光影捕捉","色彩并置","快速笔触","海滩","海洋","女性","条纹服饰","帽子","椅子","遮阳伞","人群","阴天","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb008c8b0d4109e04c819fccee284e7e.jpg",[72],11,{"id":116,"slug":117,"title":118,"dynasty":52,"author":53,"museum":20,"description":54,"tags":119,"thumbUrl":126,"material":70,"size":71,"collection":72,"collections":127,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":75},226067,"the-customs-house-1882-2-mo-nai-226067","The Customs House, 1882-2",[57,56,120,121,58,40,59,62,7,122,123,124,125],"光影表现","色彩晕染","自然景观","户外场景","色彩丰富","笔触灵动","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ddb366bf2b570f259a9218d6b7fbdd5.jpg",[72],9,{"id":130,"slug":131,"title":132,"dynasty":52,"author":133,"museum":20,"description":134,"tags":135,"thumbUrl":141,"material":70,"size":71,"collection":43,"collections":142,"showCount":143,"zanCount":11,"manualWeight":11,"mainColor":47},231743,"jiang-hu-shi-dai-gong-yu-tan-sheng-tu-juan-yi-fen-duan-gu-wen-chao-231743","江户时代 公余探胜图卷-一分段","谷文晁","谷文晁（1763～1841），日本江户时代的著名画家。曾广泛学习狩野派、圆山派、南画（水墨画）及西洋画法，并将各画种的表现手法相互借鉴，从而形成自己的风格。其曾为《集古十种》图录做插图，还曾游历各地画出大量风景写生画。弟子中有田能村竹田、渡边华山、谷文一、谷文二。",[23,24,26,28,25,136,29,137,32,63,30,60,138,58,7,139,39,65,61,140],"海","岩石","云","松树","皴法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F897e39219f17fa6a69eead11cab93a56.jpg",[],5,{"id":145,"slug":146,"title":147,"dynasty":52,"author":53,"museum":20,"description":54,"tags":148,"thumbUrl":157,"material":70,"size":71,"collection":72,"collections":158,"showCount":159,"zanCount":11,"manualWeight":11,"mainColor":47},225991,"on-the-cliff-at-pourville-1882-mo-nai-225991","On the Cliff at Pourville, 1882",[149,56,57,100,150,151,58,103,152,137,153,63,7,154,155,156],"名画","色彩融合","笔触松散","水洼","苔藓","浅滩","海水","云层","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7bd5caab6c9a2e9966804884f6e8426.jpg",[72],4,{"id":161,"slug":162,"title":163,"dynasty":52,"author":164,"museum":20,"description":165,"tags":166,"thumbUrl":180,"material":70,"size":71,"collection":43,"collections":181,"showCount":182,"zanCount":11,"manualWeight":11,"mainColor":75},232342,"a-er-ma-69-lao-lun-si-a-er-ma-ta-de-ma-232342","阿尔玛69","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[57,26,167,61,168,169,170,171,172,32,104,63,7,173,174,175,176,177,178,179],"新古典主义","美人","男性人物","古希腊服饰","大理石建筑","石碑","远山","弦乐器","花环","石桌","石凳","木质椅子","石质地面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2dc9763ef4974b1212acdaae4eab6e6.jpg",[],1,1777535739131]