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Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[23,24,25,26,27,7,28,29,30,31],"油画","印象派","海滨","花园","人物","船只","旗帜","花卉","晴天","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F500e17c4c192613c1fd38b341daf09f4.jpg","未知","Xcm*Xcm","油画精选",[35],33,1,"37474F",{"id":41,"slug":42,"title":43,"dynasty":18,"author":19,"museum":20,"description":21,"tags":44,"thumbUrl":51,"material":33,"size":34,"collection":35,"collections":52,"showCount":53,"zanCount":11,"manualWeight":11,"mainColor":54},226044,"the-beach-at-sainte-adresse-1867-mo-nai-226044","The Beach at Sainte-Adresse, 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Leys）的画室学习。",[99,23,100,101,102,27,103,104,105,106,107,108,109,7,110,111,112,113,114,115,116,117,118,72,119,120,121],"名画","设色","古典风格","写实","女性","孩童","古典建筑","大理石","玫瑰","花瓣","乐器","柱式建筑","石凳","地面瓷砖","花环","豹纹装饰","凉鞋","古式服饰","竖琴","手鼓","远山","石质栏杆","兽头装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48071b240f143c3b94cbda6a7eb5ce20.jpg","",[],9,{"id":127,"slug":128,"title":129,"dynasty":18,"author":19,"museum":20,"description":21,"tags":130,"thumbUrl":138,"material":33,"size":34,"collection":35,"collections":139,"showCount":125,"zanCount":11,"manualWeight":11,"mainColor":82},226014,"rocks-at-belle-ile-1886-mo-nai-226014","Rocks at Belle-ile, 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1883",[23,24,172,70,61,134,27,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F02b34dd87f18920cf43959289581472c.jpg",[35],6,{"id":185,"slug":186,"title":187,"dynasty":188,"author":189,"museum":20,"description":190,"tags":191,"thumbUrl":199,"material":33,"size":34,"collection":123,"collections":200,"showCount":201,"zanCount":11,"manualWeight":11,"mainColor":54},290460,"xi-yang-jian-wen-tu-hui-shan-shui-juan-yi-ming-290460","西洋见闻图绘-山水卷","清","佚名","浅赭晕染缓坡岸线，沙黄与苍绿晕开丘峦层次，铺展南洋海港全景。海面之上，燃煤蒸汽舰悬星条旗醒目领航，风帆战舰列阵锚泊，日章旗舰船静立一旁，远海小艇轻舟错落游弋。沿岸西式屋舍、营垒依坡而建，细笔勾勒出开埠之初华洋辐辏的鲜活风貌。\n\n淡彩晕出水天色调，线笔写实朴拙，将近代开埠的异域舰船、岸畔聚落妥帖绘就，复刻下西风东渐之际海港熙攘的旧日图景，是兼具纪实性与艺术性的风物缩影。",[192,193,194,100,195,134,196,197,47,198,7],"高清","长卷","国画","历史画","港口","舰船","蒸汽船","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4818b5871e612b149192e86342fa1405.jpg",[],3,{"id":203,"slug":204,"title":205,"dynasty":188,"author":189,"museum":20,"description":206,"tags":207,"thumbUrl":212,"material":33,"size":34,"collection":123,"collections":213,"showCount":201,"zanCount":11,"manualWeight":11,"mainColor":39},281591,"dan-mai-you-xia-cai-fan-chuan-tu-bian-ping-yi-ming-281591","丹麦釉下彩帆船图扁瓶","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[208,209,47,210,7,211],"陶瓷","釉下彩","扁瓶","岸滩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c238d6ea4f3bae5921410e217c4b9e1.jpg",[],{"id":215,"slug":216,"title":217,"dynasty":18,"author":189,"museum":20,"description":218,"tags":219,"thumbUrl":232,"material":33,"size":34,"collection":123,"collections":233,"showCount":234,"zanCount":11,"manualWeight":11,"mainColor":54},289207,"gountei-sadahide-foreigners-in-the-drawing-room-yi-ming-289207","Gountei Sadahide--Foreigners in the Drawing Room","这幅三联绘定格了开埠之初的交融日常，欧陆客厅里，外客围坐举杯谈笑，舷窗外远洋航船隐约可见，西洋吊灯晕开精致暖意。和服侍女款步奉茶，洋装女眷或持烟闲憩、或拨弄弦乐，东瀛华服与西洋裙装错落交织，将东西日常美学揉于一室。画面铺陈出新旧碰撞的鲜活切片，异质文化在方寸画纸间安然共处，藏着那个特殊年代里开放又微妙的风土，温柔定格下文明相遇时的鲜活瞬间。",[220,100,221,222,223,224,225,226,227,228,229,7,230,231],"浮世绘","人物画","会客厅","宴饮","饮酒","乐器演奏","和服","西洋服饰","侍女","吊灯","船舶","人物群像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e0d5a1875c992991b9f1f6fd7ef862f.jpg",[],2,{"id":236,"slug":237,"title":238,"dynasty":18,"author":96,"museum":20,"description":97,"tags":239,"thumbUrl":246,"material":33,"size":34,"collection":123,"collections":247,"showCount":234,"zanCount":11,"manualWeight":11,"mainColor":54},232316,"a-er-ma-43-lao-lun-si-a-er-ma-ta-de-ma-232316","阿尔玛43",[23,240,100,27,241,106,7,242,30,243,244,245],"新古典主义","美人","蓝天","古典服饰","平台","栏杆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1472c4421ffd373363685a710dbbcf8b.jpg",[],{"id":249,"slug":250,"title":251,"dynasty":18,"author":189,"museum":20,"description":252,"tags":253,"thumbUrl":260,"material":33,"size":34,"collection":123,"collections":261,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":54},289021,"luca-giordano-the-abduction-of-helen-yi-ming-289021","Luca Giordano--The Abduction of Helen","奔放随性的线条铺展开篇叙事，中央男女身姿紧绷仓促，猎猎衣袂裹挟着海风，满是仓皇奔赴的张力。左侧翻涌浪涛里，海怪探出头颅，为这场劫掠晕开诡谲底色。远景云霞与浮空神祇虚影，以虚淡排线晕出独属史诗的缥缈氛围感。\n\n画师以速写式粗粝笔触，精准勾勒人物的肌肉起伏与动态韵律，摒弃繁琐细节堆砌，将惶急的私奔式劫掠与史诗的恢弘糅合一处。潦草却充满力量的线条，仿佛还留存落笔时的急促心绪，将这紧张瞬间凝固定格在素纸之上，粗朴笔触下藏着浓烈戏剧张力，让神话场景跃然纸面。",[254,255,256,221,257,61,258,7,259],"素描","白描","线描","神话故事","飞鸟","劫持场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5075dc5795615f0d2df748df4a156a7.jpg",[],{"id":263,"slug":264,"title":265,"dynasty":18,"author":96,"museum":20,"description":97,"tags":266,"thumbUrl":278,"material":33,"size":34,"collection":123,"collections":279,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":54},232336,"a-er-ma-63-lao-lun-si-a-er-ma-ta-de-ma-232336","阿尔玛63",[23,102,100,240,27,267,103,109,268,269,270,271,106,7,155,113,272,273,274,30,275,276,111,277],"男性","里拉琴","建筑","古典柱式","台阶","织物","长袍","兽皮","红色花卉","卷轴","白墙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F45153139f73deb51ec20f97ef97eb0ba.jpg",[],{"id":281,"slug":282,"title":283,"dynasty":18,"author":96,"museum":20,"description":97,"tags":284,"thumbUrl":288,"material":33,"size":34,"collection":123,"collections":289,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":82},232314,"a-er-ma-41-lao-lun-si-a-er-ma-ta-de-ma-232314","阿尔玛41",[23,221,101,7,285,286,287,30],"露台","沉思忧郁","石雕栏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe83c865ef46eb87f15179536cb8aec22.jpg",[],{"id":291,"slug":292,"title":293,"dynasty":18,"author":96,"museum":20,"description":97,"tags":294,"thumbUrl":304,"material":33,"size":34,"collection":123,"collections":305,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":82},232313,"a-er-ma-40-lao-lun-si-a-er-ma-ta-de-ma-232313","阿尔玛40",[23,102,100,27,155,295,271,296,297,72,298,115,145,101,299,7,300,301,302,303],"石质建筑","柱子","大瓮","古希腊服饰","人物互动","石质台阶","白色建筑","蓝色海洋","人物姿态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F134e2e81b7c3f0bea410de6a82c4e08c.jpg",[],{"id":307,"slug":308,"title":309,"dynasty":18,"author":310,"museum":20,"description":311,"tags":312,"thumbUrl":321,"material":33,"size":34,"collection":123,"collections":322,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":82},232014,"seascape-musee-d-orsay-france-de-jia-232014","Seascape - - Musee d'Orsay (France)","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[23,24,7,72,313,71,28,314,315,316,317,318,319,320],"云朵","地平线","色彩晕染","笔触轻盈","水域","阴天氛围","自然风景","远景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd7499704ecb79c0ef4c5f9cb64c6fa15.jpg",[],1777535720570]