[{"data":1,"prerenderedAt":198},["ShallowReactive",2],{"subject-hai-luo":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2408,"hai-luo","海螺","海螺画高清赏析","精选中国历代海螺题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F185c3169af8452ffdbb9bb497462b957.jpg",0,15,[14,38,59,75,87,95,104,112,120,133,144,157,164,172,185],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":32,"size":33,"collection":33,"collections":34,"showCount":35,"zanCount":36,"manualWeight":11,"mainColor":37},214861,"xie-sheng-ce-4-hua-yan-214861","写生册-4","清","华嵒","台北故宫博物院","华嵒是一位清代著名画家和艺术家。他的写生册是一本记录他写生草稿的册子，通常包含他对自然和人物的写生绘画。写生册是画家们练习和提高技巧的重要工具，因为它们能够帮助画家观察、捕捉和描绘细节。华嵒的写生册中可能包含了他对山水、花鸟、人物等的写生画作。",[23,24,25,26,27,28,7,29,30,31],"名画","国画","清代","设色","工笔","鱼","水草","印章","花鸟","纸本,设色","",[],286,2,"BDBDBD",{"id":39,"slug":40,"title":41,"dynasty":18,"author":42,"museum":43,"description":44,"tags":45,"thumbUrl":53,"material":54,"size":55,"collection":33,"collections":56,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":58},281456,"yin-zhu-ye-xiang-luo-dian-hu-die-hai-luo-zhu-tai-yi-ming-281456","银竹叶镶螺钿蝴蝶海螺烛台","佚名","藏地不详","银铸竹茎清挺疏朗，竹叶纤秀灵动，自带林下风雅之姿。蝶身以银料塑就，肌理写实如生，双翼裁取螺钿制成，凝着珍珠母贝的柔润珠光，随光影流转晕开细碎虹彩，仿佛振翅欲飞。顶端海螺自然蜷成烛盏，天然肌理带着海畔朴拙意韵。匠师巧夺天工，将金属的冷冽、螺贝的莹润与海错的朴拙融为一体，把书斋清供的含蓄意趣藏进每一处细节，静立之间，恍若能见旧日深夜，烛火明灭里，银辉与珠光交织的幽柔景致。",[46,47,48,49,7,50,51,52],"银器","雕刻","螺钿","蝴蝶","竹","烛台","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a855ee93e4ae7417e489aea4f2cae5a.jpg","未知","Xcm*Xcm",[],7,"37474F",{"id":60,"slug":61,"title":62,"dynasty":18,"author":63,"museum":20,"description":64,"tags":65,"thumbUrl":71,"material":32,"size":72,"collection":33,"collections":73,"showCount":74,"zanCount":11,"manualWeight":11,"mainColor":37},219656,"hai-cuo-tu-di-si-ce-12-nie-huang-219656","海错图第四册-12","聂璜","清代康熙年间一部主要描绘海洋生物的图谱，由聂璜绘制，共四册。清雍正四年（1726年），被太监苏培盛搜罗入宫，现第一、二、三册，共三存于北京故宫博物院，第四册存于台北故宫博物院。",[24,66,67,27,26,68,7,69,70],"书画","册","寄居蟹","贝类","海洋生物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e20fa69e7bb7ddf497668bb68c77ba7.jpg","30.4x68厘米",[],5,{"id":76,"slug":77,"title":78,"dynasty":18,"author":42,"museum":43,"description":79,"tags":80,"thumbUrl":84,"material":54,"size":55,"collection":33,"collections":85,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":86},263794,"hu-se-shuang-yu-hai-luo-wen-hua-chou-yi-ming-263794","湖色双鱼海螺纹花绸","湖色柔润如初夏新涨的湖水，将清浅天色揉入丝缕之间。双鱼衔螺的纹样匀净排布，缠枝柔蔓串联起江海意趣，提花暗纹在光影里晕开朦胧肌理，似将粼粼波光凝在绸面之上。\n丝料垂顺软糯，带着旧时光的温软质感，把吉庆有余的祈愿藏进往复的纹样中，织造匠人将俗世里的美好期许，织入细腻经纬。日常织物里藏着雅致匠心，将江海闲趣融入衣料，静诉旧时工艺的温婉巧思。",[81,82,7,83],"布料","双鱼","花绸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f21e7069c78900e0f0bb4c56774c60c.jpg",[],"795548",{"id":88,"slug":89,"title":90,"dynasty":18,"author":63,"museum":20,"description":64,"tags":91,"thumbUrl":93,"material":32,"size":72,"collection":33,"collections":94,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},219665,"hai-cuo-tu-di-si-ce-3-nie-huang-219665","海错图第四册-3",[24,66,67,26,27,7,92,70],"海胆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F035be5149daddb5598534586468ddfad.jpg",[],{"id":96,"slug":97,"title":98,"dynasty":18,"author":63,"museum":20,"description":64,"tags":99,"thumbUrl":102,"material":32,"size":72,"collection":33,"collections":103,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},219662,"hai-cuo-tu-di-si-ce-6-nie-huang-219662","海错图第四册-6",[24,66,67,26,27,7,100,70,101],"贝壳","文字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbcddedc4da3d2f3198646fb9d428d46f.jpg",[],{"id":105,"slug":106,"title":107,"dynasty":18,"author":63,"museum":20,"description":64,"tags":108,"thumbUrl":110,"material":32,"size":72,"collection":33,"collections":111,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},219661,"hai-cuo-tu-di-si-ce-7-nie-huang-219661","海错图第四册-7",[23,24,26,27,67,7,69,70,109],"海产","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F990a451ffbc29c9a3a658628b232fa32.jpg",[],{"id":113,"slug":114,"title":115,"dynasty":18,"author":63,"museum":20,"description":64,"tags":116,"thumbUrl":118,"material":32,"size":72,"collection":33,"collections":119,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},219659,"hai-cuo-tu-di-si-ce-9-nie-huang-219659","海错图第四册-9",[24,66,67,26,27,100,7,70,117],"器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb40c0803b250c92d0f6a2c2b8de9a10.jpg",[],{"id":121,"slug":122,"title":123,"dynasty":18,"author":42,"museum":43,"description":124,"tags":125,"thumbUrl":130,"material":54,"size":55,"collection":33,"collections":131,"showCount":132,"zanCount":11,"manualWeight":11,"mainColor":37},275510,"tong-hai-luo-yi-ming-275510","铜海螺","它取法天然海螺身形，铜色凝润深沉，包浆晕染出岁月摩挲的痕迹。器身以数道凸棱复刻螺壳旋纹，起伏间还原螺身肌理，线条质朴古拙，将海物的灵趣融于金属的厚重之中。\n\n敞口处保留螺壳原生弧度，仿佛仍能听闻旧时鸣响，肃穆里带着山海的悠远意趣。整体造型写实生动，无繁复雕饰，却将金属冷硬与螺贝柔润巧妙中和，静静承载着旧时光里的沉静韵味。",[126,47,127,128,129,7],"铜制","法器","乐器","青铜器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F219f52b22c1db281f97f2b56f7a7b432.jpg",[],1,{"id":134,"slug":135,"title":136,"dynasty":18,"author":42,"museum":43,"description":137,"tags":138,"thumbUrl":142,"material":54,"size":55,"collection":33,"collections":143,"showCount":132,"zanCount":11,"manualWeight":11,"mainColor":58},249598,"qian-long-kuan-yin-shao-lan-hai-luo-shi-shui-cheng-yi-ming-249598","乾隆款银烧蓝海螺式水丞","水丞又称水中丞，一般多称就是水盂。是一种古老的中国传统工艺品。它是置于书案上的贮水器，用于贮砚水，多属扁圆形，有嘴的叫“水注”，无嘴的叫“水丞”。制作古朴雅致，为文房一重要器具。水丞有玉制的，如清代青玉雕葫芦水丞，两水盂相连构成葫芦形状，周边随形雕刻枝叶缠绕，显得清朗自然。玉水丞中以明代玉工陆子冈所制作品最为著名。也有铜制的、陶瓷制的，如官哥窑肚圆式、钵盂小口式等。",[25,139,140,46,117,141,7],"银烧蓝","珐琅器","文房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe8360def8810bca2162be16b6f8975b.jpg",[],{"id":145,"slug":146,"title":147,"dynasty":18,"author":42,"museum":43,"description":148,"tags":149,"thumbUrl":155,"material":54,"size":55,"collection":33,"collections":156,"showCount":132,"zanCount":11,"manualWeight":11,"mainColor":86},241703,"yin-tai-lv-fa-lang-qian-bao-shi-xiao-zi-shi-hai-luo-yi-ming-241703","银胎绿珐琅嵌宝石硝子石海螺","这件器物以天然海螺为基座，螺身晕着柔和的虹彩珠光，莹润朴拙，带着深海馈赠的灵动气息。上方宝盒以花丝珐琅工艺打造，墨绿珐琅为底托，缠枝花卉顺着器身舒展蔓延，朱红与宝蓝釉色交织撞色，镶嵌的颗颗宝石在光影里折射出细碎华光，宝顶攒簇珠宝，层层递进尽显华贵雍容。将天然造物的浑然意趣与精工珐琅的奢美巧思相融，是两种美学碰撞的精妙之作，藏着旧时光里的极致匠心与独特审美意涵。",[150,117,151,152,7,153,154],"琺瑯器","珐琅工艺","嵌宝石","宝石","银胎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3fb60d7bc142904e7cf3d6835be12847.jpg",[],{"id":158,"slug":159,"title":160,"dynasty":18,"author":63,"museum":20,"description":64,"tags":161,"thumbUrl":162,"material":32,"size":72,"collection":33,"collections":163,"showCount":132,"zanCount":11,"manualWeight":11,"mainColor":37},219660,"hai-cuo-tu-di-si-ce-8-nie-huang-219660","海错图第四册-8",[23,24,26,27,67,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69d36caa2f2ba2bb206091a047131f40.jpg",[],{"id":165,"slug":166,"title":167,"dynasty":18,"author":63,"museum":20,"description":64,"tags":168,"thumbUrl":170,"material":32,"size":72,"collection":33,"collections":171,"showCount":132,"zanCount":11,"manualWeight":11,"mainColor":37},219657,"hai-cuo-tu-di-si-ce-11-nie-huang-219657","海错图第四册-11",[24,66,67,26,27,7,69,70,169],"写生","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f7dfebc0247d220f04792ad4a9e54b8.jpg",[],{"id":173,"slug":174,"title":175,"dynasty":18,"author":42,"museum":43,"description":176,"tags":177,"thumbUrl":183,"material":54,"size":55,"collection":33,"collections":184,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":86},274714,"qian-long-kuan-che-qu-ke-qi-fu-wen-xiang-du-jin-kou-qian-bao-shi-hai-luo-yi-ming-274714","乾隆款砗磲刻七佛纹镶镀金口嵌宝石海螺","这件法螺取莹润砗磲为料，外壁精刻七佛纹饰，刀工婉转饱满，佛容安然端方，晕开沉静肃穆的宗教氛围感。口沿以鎏金錾花包边，嵌缀绿松石、青金石等彩宝，撞色相映，点亮华贵气色。螺尾以错金饰件收束，卷草纹环绕鼓钉座托举各色宝石，粗犷沉厚的金属质感与清润砗磲刚柔相济。\n\n整器集雕刻、累丝、镶嵌工艺于一身，是信仰法器与匠心工艺的绝佳融合，尽显雅致华贵气质，藏纳着独有的信仰美感与手工温度。",[117,7,178,47,179,153,180,181,182],"砗磲","金器","宗教","七佛纹","镶嵌","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b3125890b2d79768f5529a1104c384d.jpg",[],{"id":186,"slug":187,"title":188,"dynasty":189,"author":42,"museum":43,"description":190,"tags":191,"thumbUrl":195,"material":54,"size":55,"collection":196,"collections":197,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":86},257516,"yi-xing-yao-hui-lan-you-hai-luo-xi-yi-ming-257516","宜兴窑灰蓝釉海螺洗","明","宜兴窑，在今江苏宜兴丁蜀镇，故名。烧瓷历史悠久，秦汉时宜兴地区陶窑密布；两晋时在均山烧青瓷，唐初在归径等地大量烧制，至晚唐、五代成为南方民间著名青瓷窑；宋、元时期，丁蜀与西渚一带大规模烧造日用陶和早期紫砂。明清时成为当时的烧陶中心。涧众村发现有唐代青瓷窑址。明代以紫砂器闻名于世，出现不少制紫砂壶名家，如供春；时大彬、李仲芳、陈仲美等，并仿烧宋代钧窑器物，因有"宜钧"之称。\n在今江苏宜兴市南部的丁蜀镇一带，故称为宜兴窑。宜兴窑从汉代始烧红陶、灰陶、和原始青瓷等等，其烧制陶瓷的历史一直延续到今天，有2000多年，故可称是最古老的窑口。宋代已开始烧造紫砂器，明代的紫砂器闻名于世，清代是其高峰。建国后，宜兴除传统的紫砂陶、均陶有很大发展外，还恢复了青瓷生产，新创了花釉陶和精陶等产品，是我国重点陶瓷产区之一。",[192,193,7,117,194],"陶瓷","灰蓝釉","洗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27ee1ef0ad4368a51ec16e7dd33e3d9a.jpg","瓷器精选",[196],1777535724875]