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Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[23,24,25,26,27,7,28,29,30,31,32,33,34,35,36],"印象派","油画","光影","色彩明快","笔触细碎","远山","雪山","建筑群","城堡","船只","天空","云朵","岩石","午后","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa941d4cf8ef5e9c54d2075b9540d6dd3.jpg","未知","Xcm*Xcm","油画精选",[40],167,1,"BDBDBD",{"id":46,"slug":47,"title":48,"dynasty":18,"author":19,"museum":20,"description":21,"tags":49,"thumbUrl":58,"material":38,"size":39,"collection":40,"collections":59,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":61},225933,"gardeners-house-at-antibes-1888-mo-nai-225933","Gardeners House at Antibes, 1888",[23,24,50,51,52,53,7,33,54,55,56,25,26,57],"房屋","树木","绿植","花园","烟囱","栅栏","春日","笔触短促","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feea2b0d57445229eae49e7021e17c2b4.jpg",[40],56,"795548",{"id":63,"slug":64,"title":65,"dynasty":66,"author":67,"museum":20,"description":68,"tags":69,"thumbUrl":86,"material":87,"size":88,"collection":89,"collections":90,"showCount":91,"zanCount":11,"manualWeight":11,"mainColor":44},215861,"xi-yang-jian-wen-tu-hui-shan-shui-juan-yi-ming-215861","西洋见闻图绘-山水卷","清","佚名","长卷铺展，海天一色间山峦错落，岛屿星罗。水墨晕染的峰峦间，藏着红瓦聚落、挺拔灯塔，中西帆船往来于碧波之上，帆影点点。传统散点透视下，异域风光与东方笔墨相融——苍劲的树木、层叠的山石是中式山水的韵致，而港口的布局、船只的形制又带着西洋印记。淡蓝的水色衬着赭黄的山岗，清润雅致中，流动着海上贸易的鲜活气息。这幅作品以东方视角记录异域见闻，既是笔墨的诗意表达，亦是中西文化碰撞的视觉见证，于舒展的画卷里，藏着时代的风物与交流的温度。",[70,71,72,73,74,75,76,32,77,51,78,79,80,81,7,82,83,50,84,85],"高清","国画","长卷","设色","工笔","山水","岛屿","建筑","灯塔","港口","帆船","城镇","山峦","植被","海岸线","旗帜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83ed23f974fe4e3f09f3a7e2f129b61d.jpg","纸本,设色","","山水画精选",[89],48,{"id":93,"slug":94,"title":95,"dynasty":18,"author":19,"museum":20,"description":21,"tags":96,"thumbUrl":104,"material":38,"size":39,"collection":40,"collections":105,"showCount":106,"zanCount":43,"manualWeight":11,"mainColor":44},225919,"clifftop-walk-at-pourville-1882-mo-nai-225919","Clifftop Walk at Pourville, 1882",[23,24,97,98,99,7,80,100,101,33,102,103],"悬崖","草地","花草","人物","红伞","白云","海浪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F593a704065c57261364648fc51c0db54.jpg",[40],42,{"id":108,"slug":109,"title":110,"dynasty":18,"author":19,"museum":20,"description":21,"tags":111,"thumbUrl":118,"material":38,"size":39,"collection":40,"collections":119,"showCount":120,"zanCount":43,"manualWeight":11,"mainColor":61},226070,"the-fisherman-s-house-at-varengeville-1882-mo-nai-226070","The Fisherman's House at Varengeville, 1882",[24,23,112,113,114,50,52,99,115,80,116,102,117,7],"光影捕捉","色彩晕染","笔触轻快","大海","蓝天","海岸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff2dae2774885972773d5c669b66775a.jpg",[40],25,{"id":122,"slug":123,"title":124,"dynasty":66,"author":67,"museum":20,"description":125,"tags":126,"thumbUrl":10,"material":87,"size":88,"collection":89,"collections":133,"showCount":134,"zanCount":11,"manualWeight":11,"mainColor":44},215858,"xi-yang-jian-wen-tu-hui-shan-shui-tu-juan-yi-ming-215858","西洋见闻图绘-山水图卷","画面铺展开阔海面与层叠山峦，淡彩晕染的峰峦间，岛屿错落。中式帆船与西式多桅舰船往来穿梭，尽显海上交通的繁盛。岸边西式建筑与传统山水笔墨相融，勾勒出中西交流的鲜活场景。淡雅的色调中，既有传统山水画的悠远意境，又藏着近代海上贸易的生动印记，是历史与艺术交织的珍贵遗存。",[70,71,72,73,75,7,82,76,127,128,129,130,131,132],"中式帆船","西式舰船","西式建筑","海上贸易","中西交流","淡彩",[89],24,{"id":136,"slug":137,"title":138,"dynasty":18,"author":19,"museum":20,"description":21,"tags":139,"thumbUrl":144,"material":38,"size":39,"collection":40,"collections":145,"showCount":146,"zanCount":11,"manualWeight":11,"mainColor":44},226076,"the-hut-in-trouville-low-tide-1881-mo-nai-226076","The Hut in Trouville, Low Tide, 1881",[23,24,140,113,141,142,143,7,32,83,33],"外光写生","小屋","海滩","退潮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51e1eae68950113e2890ec28ce1dd000.jpg",[40],21,{"id":148,"slug":149,"title":150,"dynasty":18,"author":19,"museum":20,"description":21,"tags":151,"thumbUrl":155,"material":38,"size":39,"collection":40,"collections":156,"showCount":157,"zanCount":43,"manualWeight":11,"mainColor":44},225924,"falaises-temps-gris-1882-1886-mo-nai-225924","Falaises, temps gris, 1882-1886",[23,24,112,113,97,7,103,152,153,154],"阴天","沙滩","海水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c4e3c9ba8bf19e1be7ee901cace6788.jpg",[40],14,{"id":159,"slug":160,"title":161,"dynasty":18,"author":19,"museum":20,"description":21,"tags":162,"thumbUrl":168,"material":38,"size":39,"collection":40,"collections":169,"showCount":170,"zanCount":11,"manualWeight":11,"mainColor":61},226142,"view-to-the-sea-from-the-cliffs-1881-mo-nai-226142","View to the Sea from the Cliffs, 1881",[23,24,97,7,33,112,26,163,164,165,166,167],"笔触灵动","海景","自然景观","光影表现","色彩交融","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88d7c8b49b3b9cabc8c4d486e8d67260.jpg",[40],12,{"id":172,"slug":173,"title":174,"dynasty":66,"author":67,"museum":175,"description":176,"tags":177,"thumbUrl":181,"material":88,"size":88,"collection":88,"collections":182,"showCount":183,"zanCount":11,"manualWeight":11,"mainColor":61},223416,"ma-zu-qi-ji-g-yi-ming-223416","妈祖奇迹G","台北故宫博物院","妈祖，以中国东南沿海为中心的海神信仰，又称天妃、天后、天上圣母、娘妈等等，是历、现代船工、海员、旅客、商人和渔民共同信奉的神祗。妈祖，原名林默，宋建隆元年（960年）农历三月二十三日诞生于莆田湄洲岛，因救助海难于宋太宗雍熙四年（987年）九月初九逝世。",[70,71,73,74,178,100,179,85,103,80,7,180],"宗教","船","群像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F594511b7c858a89a3117cd1ae3d4285a.jpg",[],10,{"id":185,"slug":186,"title":187,"dynasty":18,"author":188,"museum":20,"description":189,"tags":190,"thumbUrl":199,"material":38,"size":39,"collection":88,"collections":200,"showCount":201,"zanCount":11,"manualWeight":11,"mainColor":44},232583,"wei-lian-a-dao-fu-bu-ge-luo-197-wei-lian-a-dao-fu-bu-ge-luo-232583","威廉·阿道夫·布格罗197","威廉·阿道夫·布格罗","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[24,191,192,73,100,178,193,194,98,51,195,196,197,28,7,198],"新古典主义","写实","儿童","女性","篮子","果实","户外场景","衣纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad7467589f6ff53618818a0f30adf05e.jpg",[],7,{"id":203,"slug":204,"title":205,"dynasty":18,"author":19,"museum":20,"description":21,"tags":206,"thumbUrl":215,"material":38,"size":39,"collection":40,"collections":216,"showCount":201,"zanCount":11,"manualWeight":11,"mainColor":61},225992,"on-the-cliff-at-pourville-bright-weather-1882-mo-nai-225992","On the Cliff at Pourville, Bright Weather, 1882",[23,24,112,26,97,7,80,83,33,207,163,208,209,210,211,32,212,213,214],"户外风景","自然光影","海岸景观","明亮天气","水域","山坡植被","色彩融合","风景写生","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0824c37911c3c410cd4f9a4c0ecfb7c.jpg",[40],{"id":218,"slug":219,"title":220,"dynasty":18,"author":67,"museum":20,"description":221,"tags":222,"thumbUrl":223,"material":88,"size":88,"collection":88,"collections":224,"showCount":225,"zanCount":43,"manualWeight":11,"mainColor":44},231769,"xi-yang-jian-wen-tu-hui-2-shan-shui-xiang-gang-juan-yi-ming-231769","西洋见闻图绘-2-山水香港卷","此作为工写兼施的通景长卷，以淡赭花青晕染层叠峰峦，勾勒出山海相依的清润意境。画面右侧洋商埠地烟火稠密，公署高悬洋旗，尽显开埠后的异域风貌；海面之上中式艚船与西式夹板商船错落停泊，帆樯林立。\n\n整作将传统山水画的雅致笔墨，用于纪实描摹近代港埠盛景，既保留了传统山水的空蒙气韵，又细致还原了中西交汇的滨海日常，兼具审美价值与纪实史料意义，静然铺展出近代中外通商的鲜活图景。",[70,71,72,73,75,32,77,76,7,85],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb12ba86048fff4f09195dafa84d05d1.jpg",[],5,{"id":227,"slug":228,"title":229,"dynasty":18,"author":67,"museum":20,"description":230,"tags":231,"thumbUrl":238,"material":38,"size":39,"collection":88,"collections":239,"showCount":240,"zanCount":11,"manualWeight":11,"mainColor":44},225322,"fu-shi-hui-66-yi-ming-225322","浮世绘66","浮世绘，也就是日本的风俗画，版画。它是日本江户时代（1603～1867年间，也叫德川幕府时代）兴起的一种独特的民族艺术，是典型的花街柳巷艺术。主要描绘人们日常生活、风景和演剧。浮世绘常被认为专指彩色印刷的木版画（日语称为锦绘），但事实上也有手绘的作品。\n从其绘画素材看，70%以上内容是妓画（暂称为“美人画”）和伎画（暂称为“艺人画”），也就是说，作品主角是娼妓和艺伎，女性，裸体，性感美，色情是其标志性特征。用现代艺术眼光看，可算“人体绘画艺术”，其中的大胆的性爱题材引起注意，成为古代东方一种人本主义的新研究方向。在日本，存在着对这类作品的争议，也有的认为是乐而不淫，肯定其价值。\n浮世绘的艺术渊源，一来自绘画，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[232,233,73,234,100,235,236,237,51,50,7],"浮世绘","木刻","马","樱花","山路","鸟居","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33a28371018a8fdb9234424dfa386a0a.jpg",[],3,{"id":242,"slug":243,"title":244,"dynasty":18,"author":67,"museum":20,"description":245,"tags":246,"thumbUrl":250,"material":38,"size":39,"collection":88,"collections":251,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},288786,"pierre-puget-a-frigate-at-sea-yi-ming-288786","Pierre Puget--A Frigate at Sea","阴沉朦胧的海天之间，巨型战舰正乘风破浪，满张的船帆在风中猎猎鼓动，繁复桅杆交织错落，尽显大航海时代的雄浑气魄。笔触细腻写实，船体密布的炮窗、甲板上攒动的水手，将远洋航行的蓬勃张力与征途日常的细节尽数还原。\n\n翻涌的浪涛以晕染勾勒，在明暗深浅间烘托出海面的动荡，远景里的小帆船与主舰形成鲜明尺度对比，衬得巨舰愈发巍峨，右下角礁石旁忙碌的水手则让画面多了几分生活气，让远航的浪漫里又糅杂着鲜活的真实。水雾朦胧了天地边界，将冒险的豪情与远洋的厚重揉为一体，静帧里仿佛能听见海风呼啸、浪击船舷。",[247,248,80,103,7,100,249],"素描","海景画","小船","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F638a472df26c774076f048bb360b3547.jpg",[],{"id":253,"slug":254,"title":255,"dynasty":18,"author":256,"museum":20,"description":257,"tags":258,"thumbUrl":264,"material":38,"size":39,"collection":88,"collections":265,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":61},232014,"seascape-musee-d-orsay-france-de-jia-232014","Seascape - - Musee d'Orsay (France)","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[24,23,164,33,34,7,32,259,113,260,211,261,262,263],"地平线","笔触轻盈","阴天氛围","自然风景","远景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd7499704ecb79c0ef4c5f9cb64c6fa15.jpg",[],1777535723770]