[{"data":1,"prerenderedAt":66},["ShallowReactive",2],{"subject-hai-shi-liu-wen":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10021,"hai-shi-liu-wen","海石榴纹","海石榴纹画高清赏析","精选中国历代海石榴纹题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3e14e223d0defbf714fafd3625f1dc5.jpg",0,4,[14,36,50,59],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},259250,"qian-long-kuan-qing-hua-jiao-ye-chan-zhi-hai-shi-liu-wen-guan-er-ping-yi-ming-259250","乾隆款青花蕉叶缠枝海石榴纹贯耳瓶","清","佚名","藏地不详","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[23,24,25,26,7,27,28],"陶瓷","青花","蕉叶纹","缠枝纹","贯耳瓶","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca001d43eb8066727a98d1a7c916c5b8.jpg","未知","Xcm*Xcm","",[],2,"BDBDBD",{"id":37,"slug":38,"title":39,"dynasty":40,"author":19,"museum":20,"description":41,"tags":42,"thumbUrl":10,"material":30,"size":31,"collection":46,"collections":47,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":49},256307,"ding-yao-bai-you-yin-hua-chan-zhi-hai-shi-liu-wen-li-shi-wan-yi-ming-256307","定窑白釉印花缠枝海石榴纹笠式碗","宋","定窑是中国传统制瓷工艺中的珍品，宋代六大窑系之一，它是继唐代的邢窑白瓷之后兴起的一大瓷窑体系。主要产地在今河北省保定市曲阳县（原属今定州市）的涧磁村、野北村及东燕川村、西燕川村一带，因该地区唐宋时期属定州管辖，故名定窑。\n定窑原为民窑，北宋中后期开始烧造宫廷用瓷。创烧于唐，极盛于北宋及金，终于元，以产白瓷著称，兼烧黑釉、酱釉和绿釉瓷，文献分别称其为黑定、紫定和绿定。\n定窑从邢窑而来，由于历史的变迁，定窑随着地域变化，新瓷土料的运用和制瓷工艺的进步。卞向和认为：定窑最大的贡献就是在中国陶瓷发展的历史上闪烁过光芒，在中国陶瓷史和世界的陶瓷发展史上留下辉煌的一页。\n定窑，是中国北方白瓷的中心，始于唐，为邢窑的后继者，在五代时期就已经发达。以往文献多记载窑址在河北正定，1938年在河北省曲阳县涧瓷村发现古窑址。近年又多次发掘调查，发现了最下层堆积着晚唐的破片；中层的是五代时就已大量生产；最上层为印花、画花的薄瓷片，是属于北宋中期以后，在政和、宣和年间。这些薄瓷片，胎质坚致，釉泽莹润，花纹优美，确是很精进的品种；且有些是官窑性质的，如”尚食局、禁苑、奉华、官”等胎上刻字破片的发现，便可证明。另在西燕山遗址发现粗瓷片的堆集，以及各地普遍发现的定窑瓷器及破片，又能证明定窑在北宋早期以后，也曾大量烧造民间使用的瓷器。定窑以烧造白瓷为主，也烧颜色釉，如红定、紫定和黑定等。根据《君友会-新民窑》记载，定窑，从北宋起，地位增高，各地仿制者颇多。在定窑本身概念中，就孳乳出各种名称，单就白定一种，就有土定、粉定之分。土定，有瓦胎和陶胎两种。瓦胎为淡赤色的土质，陶胎为白土而略黄，质皆松，体较厚；袖色白色中闪黄或闪赤，容易剥落，或有大开片，是原始的及民用的定器。粉定，是进步的及官用的定器，有陶胎和瓷胎，胎质致密而体薄，釉色纯白如牛乳者，或带淡赤色，釉中往往有刷纹，釉面凝聚，如有泪痕。",[23,43,44,26,7,45],"白釉","印花","笠式碗","瓷器精选",[46],1,"37474F",{"id":51,"slug":52,"title":53,"dynasty":18,"author":19,"museum":20,"description":21,"tags":54,"thumbUrl":57,"material":30,"size":31,"collection":32,"collections":58,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},258591,"qian-long-kuan-qing-hua-hai-shi-liu-wen-guan-er-ping-yi-ming-258591","乾隆款青花海石榴纹贯耳瓶",[23,24,55,7,56,28],"清代","贯耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee4d233d95834f61a125ff2036ad1eca.jpg",[],{"id":60,"slug":61,"title":53,"dynasty":18,"author":19,"museum":20,"description":21,"tags":62,"thumbUrl":64,"material":30,"size":31,"collection":32,"collections":65,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},258590,"qian-long-kuan-qing-hua-hai-shi-liu-wen-guan-er-ping-yi-ming-258590",[23,24,55,7,56,63],"瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0406752365863d70dcf3ec7891f048d.jpg",[],1777535763449]