[{"data":1,"prerenderedAt":220},["ShallowReactive",2],{"subject-hai-tang-wen":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8296,"hai-tang-wen","海棠纹","海棠纹画高清赏析","精选中国历代海棠纹题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a2da29e258ef53e51e75fe4bf17d07b.jpg",0,18,[14,37,51,64,73,90,104,114,123,130,141,154,165,177,187,198,205,214],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":35,"manualWeight":11,"mainColor":36},265923,"fen-se-sha-xiu-hai-tang-wen-dan-chang-yi-yi-ming-265923","粉色纱绣海棠纹单氅衣","清","佚名","藏地不详","清王朝时段推行剃发易服，顺治九年（1652），钦定《服色肩舆条例》颁行，从此废除了明朝的冠冕、礼服以及汉族的一切服饰，但满族服饰同时吸收了明朝服饰的纹理图案。明代男子一律蓄发挽髻，着宽松衣，穿长统袜、浅面鞋；清时则剃发留辫，辫垂脑后，穿瘦削的马蹄袖箭衣、紧袜、深统靴。但官民服饰一律泾渭分明。 清朝是以满族统治者为主的政权机构，满族八旗服饰随朝代的变更冲进关内。旗人的风俗习惯影响着广大的中原地区。从公服开始逐渐推向常服。",[23,24,25,7,26,27,28],"衣帽","布料","纱绣","氅衣","刺绣","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Face7c37b5552c97b96dcd9e44fd7f5ca.jpg","未知","Xcm*Xcm","",[],24,1,"795548",{"id":38,"slug":39,"title":40,"dynasty":18,"author":19,"museum":20,"description":41,"tags":42,"thumbUrl":47,"material":30,"size":31,"collection":32,"collections":48,"showCount":49,"zanCount":11,"manualWeight":11,"mainColor":50},268570,"dian-cui-xiang-liao-zhu-fu-shou-hai-tang-wen-tou-hua-yi-ming-268570","点翠镶料珠福寿海棠纹头花","中国妇女最偏爱的头花当属绒花，尤其是在女儿出嫁时，头上必须戴红色绒花，图火红吉利。在中国妇女中，只要条件允许，不仅婚礼喜庆日时要戴绒花，而且一年四季都愿意头戴绒花，求谐音吉祥。尤其到应时节序戴应季绒花：立春日戴春幡，清明日戴柳枝，端阳日戴艾草，中秋日戴桂花，重阳日戴茱萸，立冬日戴葫芦阳生……。清宫后妃们的头花，还有大批的绒花、绢花、绫花流存于世，这些花色彩协调，晕色层次丰富，堪称“乱真”之花。清代遗留下来的绒、绢、绫、绸等质地的头花有白、粉、桃红三晕色的牡丹花，浅黄、中黄、深黄三色的菊花，白、藕、雪青三色的月季花及粉、白相间的梅花等等，历时百年不久，仍鲜艳悦人。",[43,44,45,7,46,28],"饰品","点翠","福寿纹","镶料珠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfa329fd70d065c590166ef933aeb86c.jpg",[],9,"2A56C6",{"id":52,"slug":53,"title":54,"dynasty":18,"author":19,"museum":20,"description":55,"tags":56,"thumbUrl":60,"material":30,"size":31,"collection":32,"collections":61,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":63},264420,"lv-se-duan-xiu-hai-tang-jin-shou-zi-wen-pao-liao-yi-ming-264420","绿色缎绣海棠金寿字纹袍料","绣法是以绣线横排，故名。如，特点是整齐、均匀，圆润；在绣叶瓣时，在中间分开，运用斜针成倒人字形；也有绣成中间针迹相交叠的形式；也可绣成中间作一钉线的绣法。排绣针法富有变化，刺绣出的花瓣、叶瓣得体逼真，用途较广。",[23,24,27,7,57,58,59],"寿字纹","绿色","缎面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b010d92a84c492706c1841065efa8c2.jpg",[],7,"0D904F",{"id":65,"slug":66,"title":67,"dynasty":18,"author":19,"museum":20,"description":21,"tags":68,"thumbUrl":70,"material":30,"size":31,"collection":32,"collections":71,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":36},265885,"pin-yue-se-sha-xiu-wu-cai-hai-tang-wen-dan-chang-yi-yi-ming-265885","品月色纱绣五彩海棠纹单氅衣",[23,27,69,7,24,28],"五彩绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbff8ebe21581710eb7f08f2e88ea7858.jpg",[],6,{"id":74,"slug":75,"title":76,"dynasty":18,"author":19,"museum":20,"description":77,"tags":78,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":88,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":89},242061,"yin-du-jin-qian-bao-shi-hai-tang-wen-hua-zhi-yi-ming-242061","银镀金嵌宝石海棠纹花枝","以银镀金为骨，深浅点翠晕出海棠枝叶，湖蓝与宝蓝层次分明，宛若将春日枝头的鲜活凝于发间。粉润玉石、莹白珠串错落点缀枝桠，与鎏金花蕾相映成趣，柔婉雅致中带着灵动生机。\n花丝攒起精巧架构，点翠的莹润光泽配珠宝明润质感，将中式妆饰的华贵与清雅揉合一处。匠人以细腻工法，把海棠盛放前的柔媚鲜活定格成发间饰品，藏着旧时闺阁的春日意趣，尽显传统首饰工艺的精妙匠心。",[79,80,81,7,82,43,83,84,85,86,87],"清代","银镀金","嵌宝石","花枝","镶嵌","雕刻","银器","金器","金属工艺",[],"FFFFFF",{"id":91,"slug":92,"title":93,"dynasty":18,"author":19,"museum":20,"description":94,"tags":95,"thumbUrl":100,"material":30,"size":31,"collection":32,"collections":101,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":103},266381,"pin-yue-se-ke-si-hai-tang-jia-da-kan-jian-yi-ming-266381","品月色缂丝海棠袷大坎肩","缂（kè，同：刻）丝（英文：K’o-ssu 、Kesi 或 Chinese silk tapestry），又称“刻丝”，是中国传统丝绸艺术品中的精华。是中国丝织业中最传统的一种挑经显纬，极具欣赏装饰性丝织品。\n宋元以来一直是皇家御用织物之一，常用以织造帝后服饰、御真（御容像）和摹缂名人书画。因织造过程极其细致，摹缂常胜于原作，而存世精品又极为稀少，是当今织绣收藏、拍卖的亮点。常有“一寸缂丝一寸金”和“织中之圣”的盛名。\n苏州缂丝画也与杭州丝织画、永春纸织画、四川竹帘画并称为中国的“四大家织”。",[23,96,97,7,24,98,99],"坎肩","缂丝","织绣","服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa88d53905b1047470cd757ec679879e8.jpg",[],4,"BDBDBD",{"id":105,"slug":106,"title":107,"dynasty":18,"author":19,"museum":20,"description":21,"tags":108,"thumbUrl":110,"material":30,"size":31,"collection":32,"collections":111,"showCount":112,"zanCount":11,"manualWeight":11,"mainColor":113},266272,"ming-huang-se-zhi-jing-sha-xiu-shui-mo-hai-tang-wen-dan-chang-yi-yi-ming-266272","明黄色直径纱绣水墨海棠纹单氅衣",[23,24,27,109,7,26],"水墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa72333df771f11387d424af825006981.jpg",[],3,"FDD835",{"id":115,"slug":116,"title":117,"dynasty":18,"author":19,"museum":20,"description":21,"tags":118,"thumbUrl":121,"material":30,"size":31,"collection":32,"collections":122,"showCount":112,"zanCount":11,"manualWeight":11,"mainColor":103},265920,"ming-huang-se-na-sha-shui-mo-hai-tang-wen-dan-chang-yi-yi-ming-265920","明黄色纳纱水墨海棠纹单氅衣",[23,24,119,109,7,120],"纳纱","设色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb648c03d12213b1f0aac0fded2929e0a.jpg",[],{"id":124,"slug":125,"title":126,"dynasty":18,"author":19,"museum":20,"description":21,"tags":127,"thumbUrl":128,"material":30,"size":31,"collection":32,"collections":129,"showCount":112,"zanCount":11,"manualWeight":11,"mainColor":36},265886,"pin-yue-se-sha-xiu-hai-tang-wen-dan-chang-yi-yi-ming-265886","品月色纱绣海棠纹单氅衣",[23,24,27,7,28,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff195251e328fa855381fe50093a5008e.jpg",[],{"id":131,"slug":132,"title":133,"dynasty":18,"author":19,"museum":20,"description":134,"tags":135,"thumbUrl":138,"material":30,"size":31,"collection":32,"collections":139,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":36},267854,"wan-zi-duan-di-zhi-jin-san-lan-hai-tang-wen-tao-yi-ming-267854","万字缎地织金三蓝海棠纹绦","经线提花锦的组织结构和纹样都十分复杂，舞人动物纹锦的纹样横贯全幅，充分反映了当时已有了先进的提花织造技术。精美的刺绣品共有17种纹样，构图大，讲究对称、平衡，色彩配合恰当，给人以端庄典雅、富丽堂皇的美感。纹样内容充满神话色彩，鲜明地反映了楚文化的浪漫主义特色。墓中出土的衣袍为直据，是当时贵族中最流行的一种服式。这批先秦织物的出土，为深入研究我国古代纺织史提供了珍贵的实物资料。",[24,43,7,136,137,98],"万字纹","织金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff439d094f82eb1aed77d470ffafb159b.jpg",[],2,{"id":142,"slug":143,"title":144,"dynasty":18,"author":19,"museum":20,"description":145,"tags":146,"thumbUrl":152,"material":30,"size":31,"collection":32,"collections":153,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},267029,"shi-qing-se-duan-ping-jin-suo-xiu-hai-tang-tuan-shou-wen-tuo-yuan-he-bao-yi-ming-267029","石青色缎平金锁绣海棠团寿纹椭圆荷包","荷包是中国汉族传统服饰中，人们所随身佩带的一种装零星物品的小包，后发展为爱情信物，荷包的图案有繁有简，花卉、鸟、兽、草虫、山水、人物以及吉祥语、诗词文字都有，装饰意味很浓。\n在民间荷包中，占相当比重的是香包，香包里装有香草之类的药品，包面上绣制着“五毒”，即蝎子、蛇、蜈蚣、壁虎和蟾蜍，它原是五月端午的节令物品，为了防止各种毒虫猖獗，侵害人体，人们相互馈赠，挂在衣襟或帐勾上，以避除“五毒”。就形状来看，有虎形的、鸡形的、如意形的、寿桃形的、蝙蝠形的，以取意于福、禄、寿、喜、吉祥、如意等。富有深厚民族心理基础的绣荷包，在民间文化中，显示着旺盛的生命力。",[43,147,24,148,149,7,150,151],"日用具","锁绣","平金","团寿纹","荷包","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b4181c227c26d31491c7224301441e3.jpg",[],{"id":155,"slug":156,"title":157,"dynasty":18,"author":19,"museum":20,"description":158,"tags":159,"thumbUrl":163,"material":30,"size":31,"collection":32,"collections":164,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},263779,"hong-se-tuan-shi-liu-hai-tang-wen-chun-chou-yi-ming-263779","红色团石榴海棠纹春绸","这匹织物色泽正红醇厚，历经岁月仍带着温润光泽。团石榴与海棠暗纹隐于细密的春绸肌理之中，含蓄雅致，将多子多福、富贵满堂的美好祈愿藏于经纬之间。\n织物走线紧实匀整，侧边留存的卷边与流苏带着手工织造的质朴温度，尽显旧时织造工艺的精巧心思。把日常织物晕染出雅致东方意韵，藏着古人融入衣食起居里的浪漫期许，静静沉淀着旧时光的温柔质感。",[24,160,161,162,7],"丝绸","红色","石榴纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82a2e4f49b196afee8abb60082538532.jpg",[],{"id":166,"slug":167,"title":168,"dynasty":18,"author":19,"museum":20,"description":169,"tags":170,"thumbUrl":175,"material":30,"size":31,"collection":32,"collections":176,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},248360,"ti-hong-hai-tang-wen-shi-shi-he-yi-ming-248360","剔红海棠纹柿式盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[18,171,172,84,7,173,174],"漆器","剔红","木质","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F201b952a773a2c20a7ddbe46faf29984.jpg",[],{"id":178,"slug":179,"title":180,"dynasty":18,"author":19,"museum":20,"description":181,"tags":182,"thumbUrl":185,"material":30,"size":31,"collection":32,"collections":186,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},246901,"ti-hong-kai-guang-hai-tang-mei-hua-wen-hai-tang-shi-hua-cha-yi-ming-246901","剔红开光海棠梅花纹海棠式花插","此器取海棠轮廓，柔婉雅致。朱红漆层厚重沉润，以开光划分立面，锦地细密匀整，浮雕梅枝虬曲舒展，娇蕊含苞绽露，灵雀穿梭枝桠间，生机暗涌。刀工圆熟利落，走线婉转自然，将冬末春初的花雀意趣凝于方寸文房。内置铜胆质朴内敛，兼顾陈设雅趣与插花实用，把匠人的巧思与文人案头的清隽意韵相融，尽显雕漆工艺的雅致精妙。",[18,171,172,84,183,7,184,174],"开光","梅花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e529c49f40aad0acf6a80afec2e22fd.jpg",[],{"id":188,"slug":189,"title":190,"dynasty":191,"author":19,"museum":20,"description":192,"tags":193,"thumbUrl":195,"material":30,"size":31,"collection":32,"collections":196,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":197},246041,"ti-hong-shuang-mian-hai-tang-wen-yuan-he-yi-ming-246041","剔红双面海棠纹圆盒","明","雕漆,是漆工艺中的一个品种,是中国漆器特有的装饰技法,是在油光漆兑入入漆颜料,数十层乃至上百层地髹涂在用漆封闭处理过的胎骨上,每天只能髹涂二至三道,髹涂下道漆不可等上道漆干透,否则漆层容易缺脱,这样逐层累积到需要的厚度,用刀剔刻出浮雕花纹,表现层次与质地的美感.",[171,84,172,7,174,194],"明代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82ac5e1b38cdff2c3394a167cf9f0d0d.jpg",[],"37474F",{"id":199,"slug":200,"title":144,"dynasty":18,"author":19,"museum":20,"description":145,"tags":201,"thumbUrl":203,"material":30,"size":31,"collection":32,"collections":204,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},267030,"shi-qing-se-duan-ping-jin-suo-xiu-hai-tang-tuan-shou-wen-tuo-yuan-he-bao-yi-ming-267030",[151,43,147,24,148,202,7,150],"平金绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F540036d4e677dc813910b33dc20c6d9c.jpg",[],{"id":206,"slug":207,"title":208,"dynasty":18,"author":19,"museum":20,"description":209,"tags":210,"thumbUrl":212,"material":30,"size":31,"collection":32,"collections":213,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},263807,"qing-se-ju-hua-hai-tang-wen-hua-chou-yi-ming-263807","青色菊花海棠纹花绸","墨青底色沉静内敛，暗织的菊花与海棠舒展辗转，将中式花鸟的温婉意趣藏于纱线之间。纹样不彰不显，隐于朴拙面料中，仿若把江南园林的花影悄然织入方寸织物。\n\n素净底色晕开雅致肌理，带着时光沉淀的温润质感，将实用与审美相融，把内敛的东方美学藏进日常衣料里，尽显织造的细腻匠心。",[24,160,211,7],"菊花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F790322fa795977b0a24a698e3ed15b37.jpg",[],{"id":215,"slug":216,"title":168,"dynasty":18,"author":19,"museum":20,"description":169,"tags":217,"thumbUrl":218,"material":30,"size":31,"collection":32,"collections":219,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":103},248359,"ti-hong-hai-tang-wen-shi-shi-he-yi-ming-248359",[79,172,171,84,7,174],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2ddebd1a1c6031d1f7447385cd51198.jpg",[],1777535722144]