[{"data":1,"prerenderedAt":1194},["ShallowReactive",2],{"subject-han-dai-feng-ge":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4189,"han-dai-feng-ge","汉代风格","汉代风格画高清赏析","精选中国历代汉代风格题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd45cf9cb7f97a637e01f745bee354853.jpg",0,140,[14,40,57,67,80,90,101,111,122,130,140,149,160,170,180,190,199,207,217,230,238,249,256,264,272,281,289,303,316,329,336,345,353,361,369,379,388,395,402,409,420,433,440,448,455,462,469,476,484,492,500,507,515,522,529,537,549,557,565,576,583,591,608,615,624,632,639,646,653,661,670,679,687,694,702,709,715,724,731,743,751,759,766,772,781,787,794,804,811,817,826,835,842,849,857,864,872,879,886,895,902,909,921,927,935,942,949,956,962,970,980,986,992,999,1007,1014,1021,1028,1035,1041,1047,1053,1060,1067,1074,1085,1092,1100,1107,1115,1121,1129,1136,1143,1149,1156,1163,1171,1180,1187],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":34,"material":35,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":39},245131,"si-shen-wen-jing-yi-ming-245131","四神纹镜","汉","佚名","藏地不详","此镜形制厚重古朴，以博局纹框定四方天地，钮座周匝排布神禽瑞兽，浅浮雕技法勾勒灵动身形，四神姿态苍劲，尽显威瑞之气。镜缘缠绕云气纹饰，柔婉线条中和了内区规整的肃穆感，虚实相映。凝敛的青铜色皮壳晕着幽光，斑驳绿锈是岁月浸养的痕迹，将汉代冶铸的匠心与古人对天地祥瑞的祈愿融于方寸之间，把浪漫的宇宙观錾刻于铜胎之上，尽显古雅庄重的汉代美学风骨。",[23,24,7,25,26,27,28,29,30,31,32,33],"青铜器","铜制","铸造","雕刻","浮雕","线刻","神兽","几何纹","乳钉纹","云纹","四神纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76cd46c2183461f231c5538194df6f7b.jpg","","青铜器精选",[36],38,"795548",{"id":41,"slug":42,"title":43,"dynasty":18,"author":19,"museum":20,"description":44,"tags":45,"thumbUrl":50,"material":51,"size":52,"collection":35,"collections":53,"showCount":54,"zanCount":55,"manualWeight":11,"mainColor":56},242951,"bo-shan-lu-yi-ming-242951","博山炉","汉代青铜器产生于青铜时代的晚期，在我国青铜史上占有特殊的地位，体现出独特的设计思想和特征，具有卓越的科学功能，并对当今设计有很大的启示作用。\n汉代青铜器很多都是素纹，大部分还是铸造的，也有的花纹、铭文是用錾子雕刻的。比如汉代的鎏金杯子、奁、盒、碗等用具上的花纹，多是雕刻的。\n汉代以后至唐代的铜器，铸造的花纹很多，其中有打料的铜、金、银器，并且也有了大、小焊的技术。\n西汉初期（高祖至景帝），此时的青铜器，基本为素面。其鼎主要承自秦式，但一般三足更矮。敦盒形。\n壶有大小二型并存，大型壶腹下部略呈收缩之状，腹比秦壶要鼓；小型壶的腹部较瘦长，经常铸出变形螭纹。钫此时更流行，有的做得很讲究，通腹有镶嵌绿松石的三角云纹。\n鍪和蒜头壶继续流行。日用器皿中，高灯多见，豆式熏炉盛行，带钩显琵琶形、棒形、琴形讲究的多做成鎏金、错金银、镶玉或绿松石。\n西汉中期至东汉早期（西汉武帝至东汉章帝）是西汉青铜器最发达的时期，也是汉代青铜器新风格最终形成的时期。这时期最多见的青铜用器是鼎、壶、钫、尊、熨斗、带钩、铜镜。\n灯：古代照明器具。青铜灯出现于战国时期，而盛行于汉代。最著名的当属长信宫灯了，灯的样子很多，较普通的是有圆盘，盘内有钎，盘下有柱，柱下有圈足；也有盘下作雁足状的，盘用来盛油或插烛。\n另有一种灯自铭为“行灯”，它圆盘边有把，盘下有三短足。青铜灯最富感染力的当属那些铸成人形、禽形、兽形、树形的艺术造型灯。\n博山炉：古代焚香的器具。一般炉体作圆形，用来放香料，体下有高足，有的足还铸成人形或鸟兽形；炉盖均高而尖，雕镂成山峦形上有人物、走兽，象征海上仙山“博山”，故名“博山炉”。盛行于汉代。\n樽：古代盛酒的器皿，器作圆形，直壁，有盖，腹较深，下有三兽足，旁有铺首衔环耳。\n洗：盥洗用器皿。形状象盆，圆形、宽口沿，平或圆底，腹外多有铺首衔环耳，内底常用双鱼作装饰，并多铸吉语。盛行于汉晋。\n耳杯：古代饮酒器。多漆制，称“羽觞”。铜质者，器作椭圆形，腹壁有二环耳。\n熨斗：古式熨烫衣服的工具。形状为圆腹宽口沿，有长柄，盛行于汉魏。\n东汉中晚期（和帝至献帝）青铜器又有了新的变化。此时使用较多的铜器日用品有：钟、扁壶、盆、釜、鐎斗、灯、博山炉、炉、熨斗、尊、耳杯、虎子、车马器、带钩、铜镜、玺印等。\n此时青铜器的特点是比以前轻薄、错金银技术在青铜器装饰中几乎消失，鎏金仍多，鎏金器上出现了细线阴刻云纹。",[23,24,26,7,46,47,48,49],"山峦纹饰","熏炉","日用品","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a775ca860fe9d8f4aa7646db1c130b3.jpg","未知","Xcm*Xcm",[],14,1,"37474F",{"id":58,"slug":59,"title":60,"dynasty":18,"author":19,"museum":20,"description":61,"tags":62,"thumbUrl":10,"material":51,"size":52,"collection":35,"collections":66,"showCount":54,"zanCount":55,"manualWeight":11,"mainColor":39},223702,"sheng-xing-pei-yi-ming-223702","胜形佩","“胜形饰”是西汉中晚期由海上丝绸之路传入，并盛行两汉魏晋南北朝600年，同时贯穿中国2000多年。这个是基于笔者这几年所收集的各种相关资料所得出的暂时性观点。有可能在未来，经过不断探索和学习，会有更多的证据或推翻、或佐证这个观点。",[63,26,64,7,65],"玉石","饰品","器",[],{"id":68,"slug":69,"title":70,"dynasty":18,"author":19,"museum":20,"description":71,"tags":72,"thumbUrl":77,"material":51,"size":52,"collection":35,"collections":78,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":39},223960,"bo-ju-wen-jing-zhi-fu-jian-yi-ming-223960","博局纹镜之附件","汉镜有圆形﹑方形。纽多作半球形。正面磨光背面铸有几何形图案或神人禽兽等。东汉中期出现浮雕的画像造形精美。\n两汉时期大体上分西汉、新莽、东 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灶、井等。大都作为明器供随葬之用。盒、盘、案、杯等，逐渐成组出现，为适应人们厚葬之需也成为祭器。猪、羊、狗、鸡等家畜家禽及圈舍、住宅等明器模型也大量流行。装饰则有弦纹、刻划的三角纹、连环纹、栉齿纹和动物纹，还有绳纹、拍印纹、模印、浮雕、涂色和彩绘等。南方的长沙地区，制陶工艺自成体系，陶盒使用普遍，陶壶无盖，鼎的三足成矮胖的兽蹄形，其他实用器皿还有壶、罐、碗、钫、、盆、釜、甑、长方炉、博山炉等。特点是坚硬厚重。殉葬明器有灶、仓、井、屋、猪圈模型等。广东地区秦汉时属南海郡，常用陶器有瓮、双耳罐、提、四联罐和五联罐、瓿、小瓿、壶、匏壶、温壶、钫、 盒、敦、 小盒、三足盒、三足罐、三足瓿、四联盒、 碗、盆、 甑、釜、鼎、豆、三足格盒等。生活用具中灰白色的印纹硬陶占多数， 有的还戳上印记，多为容器，炊器只有釜、 鼎、甑 3种。造型特别的三足器、温壶、匏壶有着明显的地方特点。印纹硬陶很讲究装饰，单是几何图案就达70多种，此外还有弦纹、 陶纹、 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