[{"data":1,"prerenderedAt":163},["ShallowReactive",2],{"subject-han-jing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1047,"han-jing","寒景","寒景画高清赏析","精选中国历代寒景题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3cc36f41d45cb6cc091e0b52af09abee.jpg",0,8,[14,43,63,83,101,123,137,151],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":35,"material":36,"size":37,"collection":38,"collections":39,"showCount":40,"zanCount":41,"manualWeight":11,"mainColor":42},290328,"han-lin-tu-zhou-li-cheng-290328","寒林图轴","宋","李成","台北故宫博物院","该幅画以近景为主，画幅中央矗立著三株巨树，一湾溪水三叠流出，激流漱石，幅内烟岚飘忽游于林中，虚实相映。勾画树干、皴树皮、点叶皆用细笔，虽劲拔挺捷，然仍具一股娟秀气息，树干上勾圈出很多木瘿，枝桠若龙蛇四面分张，苍劲遒逸，涧流两侧土坡淡墨卧笔层叠皴染，笔法细腻又具变化。水纹及腾溅水花之取笔粗细并用，且劲挺有力，似闻激溅之声。",[23,24,25,26,27,28,29,30,31,32,7,33,34],"国画","名画","立轴","水墨","山水","人物","枯树","寒林","山石","瀑布","书法","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7053bf2f5e8d19cc962f067e8bb0dcd9.jpg","未知","Xcm*Xcm","",[],47,2,"795548",{"id":44,"slug":45,"title":46,"dynasty":47,"author":48,"museum":49,"description":50,"tags":51,"thumbUrl":60,"material":36,"size":37,"collection":38,"collections":61,"showCount":40,"zanCount":62,"manualWeight":11,"mainColor":42},287651,"zhu-mei-han-que-tu-huang-quan-287651","竹梅寒雀圖","五代十国","黃筌","藏地不详","雪寒中，朱连雀、桑鳲、八哥、麻雀栖于梅竹枝蔓中，此项题材、布景，可见于《边文进三友百禽》。从画幅横大于纵，与一般立轴纵大于横，有所不同，或许原本为一大画幅，因残破割裂而成者。画中绿竹竿，每节以重笔勾勒，连节处虚空，这种画法，亦见于边氏作风。八哥羽毛，其墨黑如碳，一般是以灯炱加胶所成，枝干留有残雪，用破笔沾白粉戳出，其法亦见于吕纪诸画中。就风格论，该画出于明人，为边文进、吕纪一系画家所作。",[52,24,23,53,54,55,56,57,58,59,7],"高清","工笔","设色","花鸟","梅","竹","飞鸟","雀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa14118190dbdfe894df2a5227c61b998.jpg",[],1,{"id":64,"slug":65,"title":66,"dynasty":18,"author":67,"museum":68,"description":69,"tags":70,"thumbUrl":76,"material":77,"size":78,"collection":79,"collections":80,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":82},218991,"han-yan-san-yang-tu-yi-ming-218991","寒岩三羊图","佚名","私人收藏","岩岫皴染如铁，苔点零星似星落于褐赭石色的肌理间，透出山野的苍劲冷寂。三羊错落其间：一羊俯首啮草，绒毛晕染得蓬松如团雪；一羊侧耳伫立，黑花斑纹在素白间点染出灵动；还有一羊昂首望岫，姿态憨拙却藏着对山风的敏感。宋人的笔致总在写实里藏着诗意——寒岩的嶙峋与生灵的温煦相映，没有喧嚣，只有草叶被啮动的轻响、山风掠过岩缝的微吟，静静淌出山野间的清寂与安然。笔墨细腻处见真意，连羊蹄踏过石径的细碎感，都似能透过纸背触到，将自然的生机与静谧揉成一幅耐人寻味的画卷。",[52,23,71,24,72,53,54,73,74,75,7],"书画","册","兽","羊","岩石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F436b6eb6d7d9e88456730a606e3e6f2c.jpg","绢本,设色","24.8x21.8cm","花鸟画精选",[79],21,"BDBDBD",{"id":84,"slug":85,"title":86,"dynasty":18,"author":87,"museum":49,"description":88,"tags":89,"thumbUrl":97,"material":36,"size":37,"collection":38,"collections":98,"showCount":99,"zanCount":11,"manualWeight":11,"mainColor":100},289871,"han-shan-pan-che-tu-zhang-jia-289871","寒山盘车图","张浃","宣和画院待诏。郭熙门弟子。画人物、山水善布置，好作盘车图。绍兴（一一三一至一一六二）间复官，赐金带。",[23,90,91,92,93,94,7,95,96],"山水画","界画","雪景","古道","盘车","皴法","孤寂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9ef6c19adfe76479308d9fbb3dab52f.jpg",[],20,"37474F",{"id":102,"slug":103,"title":104,"dynasty":105,"author":106,"museum":107,"description":108,"tags":109,"thumbUrl":117,"material":118,"size":119,"collection":120,"collections":121,"showCount":122,"zanCount":11,"manualWeight":11,"mainColor":82},241394,"qi-jue-zhou-zhao-zhi-chen-241394","七绝轴","清","赵之琛","南京博物院","赵之琛（1781-1852），钱塘（今浙江杭州）人。字次闲，号献父、献甫，又号宝月山人，斋号补罗迦室。蝶隐园书画杂缀作赵之瑛。清代著名的篆刻家和书画家，精心嗜古，邃金石之学，篆刻得其乡陈豫锺传，能尽各家所长。尝为阮元摹刊钟鼎款识，兼工隶法，善行楷。画山水师倪、黄，以萧疏幽澹为宗。花卉笔意潇洒，傅色清雅，大有华嵓神趣。间作草虫，随意点笔，各种体貌，无不逼肖。然丈尺之幅，腕力已薄，虽不能追踪古人，亦当抗衡奚冈、方薰、黄易。\n竹，是中国古代画家最为喜爱的绘画题材之一。由于竹有着挺拔、有节、虚心向上、耐寒不凋等习性特点，中国古代画家常常以之作为精神的写照和人格的象征，不论是梅、兰、竹、菊的“四君子”，还是松、竹、梅的“岁寒三友”，萧萧修篁都赫然位列其间。至于修竹与瘦石的结合，更是自宋元以降历代文人画家的拿手好戏，在中国古代的绘画史上，擅写竹石的画家俯拾皆是，不胜枚举。\n关于竹的画法，一般可分为两类：一类是双勾填色，一类是水墨写意（也有以色代墨者）。前者立足于画，致力于形态；后者立足于写，强调的是风神。赵孟頫所谓“石如飞白木如籀，写竹也应八法通；若也有人能会此，须知书画本来同”云云，即是以枯木竹石作为例证，来阐释中国画尤其是文人画的书法性原则的。不过，赵之琛的这幅《双勾竹石图》里竹子的画法却用的是双勾。画面下方的土坡上修篁三竿，亭亭玉立，直冲画外，竹叶繁茂，左右纷披，昂抑错落，姿态优美，尤其浅淡的汁绿渲染，更使得整个竹子显生机勃发，清气盎然。\n从总体上看，赵之琛对竹子竿、节、叶的形态皆能准确的把握，法度谨严，笔法工细，位置的穿插安排，自然合理，疏密有度，颇见功力与匠心。在竹子的前端，画家画有湖石一方，玲珑剔透，瘦峭崛立，此亦中国文人画的惯用手法，其作用一则为了与修竹相互映衬，另一则为了稳定画面。需要引起注意的是，赵之琛笔下的这块湖石形态独特，重心前倾，在构图上显得颇为奇险，而画家却能处险不惊，化险为夷，实属难能可贵。湖石的四周另有茅草随意点缀，益发有助于画面的和谐和自然。",[33,110,111,25,112,7,113,114,115,116],"隶书","篆书","笔墨","清风","飞","泉","清景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1baaeaf7f25126adf970cbdc055a876.jpg","纸本","131.5×60.5cm","书法精选",[120],19,{"id":124,"slug":125,"title":126,"dynasty":18,"author":127,"museum":49,"description":128,"tags":129,"thumbUrl":134,"material":36,"size":37,"collection":38,"collections":135,"showCount":136,"zanCount":11,"manualWeight":11,"mainColor":42},289119,"han-pu-yu-zeng-tu-yan-wen-gui-289119","寒浦渔罾图","燕文贵","燕肃(961年—1040年)，字穆之，字仲穆，一署上谷，祖籍青州益都，定居曹州（今山东曹县）。北宋著名科学家、画家、诗人。\n燕肃少孤贫，巧思过人，宋真宗大中祥符年间进士，官至龙图阁直学士，人称“燕龙图”。学识渊博，精通天文物理，有指南车、记里鼓、莲花漏等仪器的创造发明，著有《海潮论》，绘制《海潮图》以说明潮汐原理。工诗善画，以诗入画，意境高超，为文人画的先驱者。",[23,24,25,26,27,58,130,131,132,7,133],"水岸","芦苇","渔网","渔事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb2864b177f9fc2b991dd18fe3a5830f.jpg",[],18,{"id":138,"slug":139,"title":126,"dynasty":18,"author":140,"museum":20,"description":141,"tags":142,"thumbUrl":146,"material":77,"size":147,"collection":148,"collections":149,"showCount":150,"zanCount":11,"manualWeight":11,"mainColor":82},218697,"han-pu-yu-zeng-tu-yan-su-218697","燕肃","寒江凝碧，枯柳疏枝斜倚滩头，雪屑轻覆芦荻，晕开一层冷寂。渔罾静悬水面，似在寒雾中守着时光的缓流。旁侧题诗与画面相契，“五枝辛苦生涯”的低语，衬出渔者于风雪里的安然。笔墨简淡却含深意：枯笔勾出柳枝的苍劲，淡墨晕染江天的空濛，雪的留白与芦荻的点染相映，将冬日江浦的清寒与生机揉合。没有繁复铺陈，只以极简意象写尽寒浦孤寂与韧性，读来如临江畔，冷风拂面时，却见渔火隐约的暖意，于清冷中藏着生活的本真。",[52,24,23,71,72,54,27,143,29,144,145,132,7],"渔乐","老树","水面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5ef4407f2b72d6c52f3f00a910f9574.jpg","25.8x26.3cm","山水画精选",[148],15,{"id":152,"slug":153,"title":154,"dynasty":18,"author":67,"museum":49,"description":155,"tags":156,"thumbUrl":160,"material":36,"size":37,"collection":38,"collections":161,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":162},289972,"gu-mu-han-qin-tu-yi-ming-289972","古木寒禽图","此作用淡墨晕染寒林雪滩，枯木虬曲苍劲，疏枝横斜于荒寂寒林之中。山石积雪以留白衬出，淡墨轻勾棱线，尽显冰雪凝覆之态，古木皴擦老辣，满是风霜浸蚀的苍拙质感。\n整幅画面空阔萧索，不见禽鸟却遍溢孤寒冷寂之意，以极简笔致烘托出冬日林野的清空淡远，将格物精微的写生意趣与幽寂荒寒的意境相融，寥寥数笔勾勒出冬林孤冷的林下雅趣，尽显山水小品的隽永雅致。",[52,24,23,71,157,26,27,158,58,159,92,7,33,34],"扇面","枯木","孤石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8c8d1663817686fd51de4dc7abe3ef7.jpg",[],"F48FB1",1777535739144]