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porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[281,687,688,161,7],"青花","镂空","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa352eb6538c5d409e6af4b6ca0944e6c.jpg",[],{"id":692,"slug":693,"title":694,"dynasty":278,"author":19,"museum":20,"description":149,"tags":695,"thumbUrl":698,"material":28,"size":29,"collection":30,"collections":699,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},261884,"san-cai-zhe-zhi-hua-wen-yuan-he-yi-ming-261884","三彩折枝花纹圆盒",[281,127,696,697,7],"三彩","折枝花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b986652b90a6182c7ce52c2dc9c06ec.jpg",[],{"id":701,"slug":702,"title":703,"dynasty":704,"author":19,"museum":20,"description":705,"tags":706,"thumbUrl":710,"material":28,"size":29,"collection":285,"collections":711,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},261462,"ding-yao-qing-you-hei-ban-die-wen-he-yi-ming-261462","定窑青釉黑斑蝶纹盒","唐","定窑是中国传统制瓷工艺中的珍品，宋代六大窑系之一，它是继唐代的邢窑白瓷之后兴起的一大瓷窑体系。主要产地在今河北省保定市曲阳县（原属今定州市）的涧磁村、野北村及东燕川村、西燕川村一带，因该地区唐宋时期属定州管辖，故名定窑。\n定窑原为民窑，北宋中后期开始烧造宫廷用瓷。创烧于唐，极盛于北宋及金，终于元，以产白瓷著称，兼烧黑釉、酱釉和绿釉瓷，文献分别称其为黑定、紫定和绿定。\n定窑从邢窑而来，由于历史的变迁，定窑随着地域变化，新瓷土料的运用和制瓷工艺的进步。卞向和认为：定窑最大的贡献就是在中国陶瓷发展的历史上闪烁过光芒，在中国陶瓷史和世界的陶瓷发展史上留下辉煌的一页。\n定窑，是中国北方白瓷的中心，始于唐，为邢窑的后继者，在五代时期就已经发达。以往文献多记载窑址在河北正定，1938年在河北省曲阳县涧瓷村发现古窑址。近年又多次发掘调查，发现了最下层堆积着晚唐的破片；中层的是五代时就已大量生产；最上层为印花、画花的薄瓷片，是属于北宋中期以后，在政和、宣和年间。这些薄瓷片，胎质坚致，釉泽莹润，花纹优美，确是很精进的品种；且有些是官窑性质的，如”尚食局、禁苑、奉华、官”等胎上刻字破片的发现，便可证明。另在西燕山遗址发现粗瓷片的堆集，以及各地普遍发现的定窑瓷器及破片，又能证明定窑在北宋早期以后，也曾大量烧造民间使用的瓷器。定窑以烧造白瓷为主，也烧颜色釉，如红定、紫定和黑定等。根据《君友会-新民窑》记载，定窑，从北宋起，地位增高，各地仿制者颇多。在定窑本身概念中，就孳乳出各种名称，单就白定一种，就有土定、粉定之分。土定，有瓦胎和陶胎两种。瓦胎为淡赤色的土质，陶胎为白土而略黄，质皆松，体较厚；袖色白色中闪黄或闪赤，容易剥落，或有大开片，是原始的及民用的定器。粉定，是进步的及官用的定器，有陶胎和瓷胎，胎质致密而体薄，釉色纯白如牛乳者，或带淡赤色，釉中往往有刷纹，釉面凝聚，如有泪痕。",[281,127,7,707,708,709],"蝶纹","青釉","黑斑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01d142bef20bede80a68b6afc0497b78.jpg",[285],{"id":713,"slug":714,"title":715,"dynasty":18,"author":19,"museum":20,"description":716,"tags":717,"thumbUrl":719,"material":28,"size":29,"collection":30,"collections":720,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},261224,"yong-zheng-kuan-bai-you-lian-peng-shi-he-yi-ming-261224","雍正款白釉莲蓬式盒","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[281,386,718,7,127],"莲蓬","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f1057674963df9c88a0746a2ae1fe5d.jpg",[],{"id":722,"slug":723,"title":724,"dynasty":704,"author":19,"museum":20,"description":725,"tags":726,"thumbUrl":728,"material":28,"size":29,"collection":30,"collections":729,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},260214,"qing-you-ke-hua-he-yi-ming-260214","青釉刻花盒","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[281,127,727,708,7],"刻花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa85af2b4a4f431478400ebb413b373c2.jpg",[],{"id":731,"slug":732,"title":733,"dynasty":704,"author":19,"museum":20,"description":149,"tags":734,"thumbUrl":736,"material":28,"size":29,"collection":30,"collections":737,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},260105,"san-cai-yuan-he-yi-ming-260105","三彩圆盒",[281,696,735,7],"日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb199059bfa6709068e7079aebb3bc75.jpg",[],{"id":739,"slug":740,"title":741,"dynasty":148,"author":19,"museum":20,"description":685,"tags":742,"thumbUrl":743,"material":28,"size":29,"collection":30,"collections":744,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},259982,"wan-li-kuan-qing-hua-ren-wu-tu-he-yi-ming-259982","万历款青花人物图盒",[281,687,161,85,7,735],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F414689790da0fee8621bfba97bb6dbdf.jpg",[],{"id":746,"slug":747,"title":748,"dynasty":18,"author":19,"museum":20,"description":21,"tags":749,"thumbUrl":752,"material":28,"size":29,"collection":30,"collections":753,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},259952,"cheng-hua-kuan-dou-cai-long-feng-wen-he-yi-ming-259952","成化款斗彩龙凤纹盒",[281,750,161,751,7,127],"斗彩","凤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d4dea2f7d164d08672149f976b320c2.jpg",[],{"id":755,"slug":756,"title":757,"dynasty":18,"author":19,"museum":20,"description":21,"tags":758,"thumbUrl":761,"material":28,"size":29,"collection":30,"collections":762,"showCount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