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of the Seine (May - July )","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[58,59,60,61,62,63,7,37,64,31,65,66,67],"油画","后印象派","笔触短促","色彩明快","光影表现","河流","房屋","水面倒影","天空","草地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffaa5aea6f7e90ef3d990ca0daf88f722.jpg","未知","Xcm*Xcm","油画精选",[71],76,1,{"id":76,"slug":77,"title":78,"dynasty":53,"author":79,"museum":55,"description":80,"tags":81,"thumbUrl":90,"material":69,"size":70,"collection":71,"collections":91,"showCount":92,"zanCount":11,"manualWeight":11,"mainColor":48},225899,"arm-of-the-seine-near-giverny-02-1897-mo-nai-225899","Arm of the Seine near Giverny 02, 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。少时学诗于钱谦益，学画于王鉴、王时敏。康熙二十一年入天主教，继至澳门进耶稣会，前后在嘉定、上海等处传教三十年。著有《墨井诗钞》《三巴集》《桃溪集》《墨井画跋》。",[24,25,152,27,30,213,32,214,64,37,7,154,201],"临摹","老树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5dec9a200d263bb4b383e2b08b8dd157.jpg",[],26,{"id":219,"slug":220,"title":221,"dynasty":194,"author":222,"museum":55,"description":223,"tags":224,"thumbUrl":229,"material":129,"size":129,"collection":129,"collections":230,"showCount":217,"zanCount":11,"manualWeight":11,"mainColor":48},228495,"wu-lu-an-tu-ye-li-shi-da-228495","五鹿庵图页","李士达","以鸟瞰全景铺展画面，将江渚山水与庵居雅境相融。江面帆影穿梭、石桥卧波，沿坡蜿蜒的石墙围合出错落屋舍，林木葱茏掩映庭台，有人闲坐堂内叙谈，有人缓步庭中，处处漾着松弛鲜活的烟火气。\n笔墨淡润秀雅，浅赭轻施，以简约笔触勾勒屋舍坡岸，省去繁复皴擦，将禅居的清幽静寂，与江南水乡的鲜活日常糅合无间，把晚明文人梦寐的烟火雅居，晕染在纸幅之上。",[24,27,225,226,30,227,198,35,32,228,37,31,64,104,7],"界画","明代","楼阁","亭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ca98128af99bcd4311e6d5f04b4bce8.jpg",[],{"id":232,"slug":233,"title":234,"dynasty":235,"author":236,"museum":55,"description":237,"tags":238,"thumbUrl":242,"material":129,"size":129,"collection":129,"collections":243,"showCount":244,"zanCount":74,"manualWeight":11,"mainColor":48},228231,"huo-lang-tu-ye-yi-ming-228231","货郎图页","元","佚名","垂柳拂岸，水石叠映，郊野间四人围坐雅聚。三两货郎架上，瓷瓶茶器、文玩雅陈罗列琳琅。\n\n画中雅士姿态松弛自在，或俯身辨赏器物，或围坐笑谈，货郎静立一旁，氛围悠然闲逸。笔触工细秀润，设色清雅柔和，将文人耽于雅玩、寄情林泉的日常情态细细铺展。市井雅货与郊野清景相融，尽显古淡天真的隐逸意趣，将元代文人的赏玩雅好，定格成一方悠然古雅的片刻景致。",[23,24,27,119,239,31,240,123,241,67,7],"册页","器","孤石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3654df41463c4282c2769d25d0ba8ecb.jpg",[],19,{"id":246,"slug":247,"title":248,"dynasty":53,"author":79,"museum":55,"description":80,"tags":249,"thumbUrl":260,"material":69,"size":70,"collection":71,"collections":261,"showCount":262,"zanCount":74,"manualWeight":11,"mainColor":162},226008,"quai-du-louvre-1867-mo-nai-226008","Quai du Louvre, 1867",[82,58,83,84,250,63,100,251,37,252,253,254,66,255,7,256,257,258,259,86],"城市街景","穹顶","人群","马车","街道","行人","路灯","遮阳伞","马匹","户外场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4b26b87b4f48bbad6a3073d8c90ffb8.jpg",[71],18,{"id":264,"slug":265,"title":266,"dynasty":18,"author":267,"museum":55,"description":268,"tags":269,"thumbUrl":274,"material":69,"size":70,"collection":129,"collections":275,"showCount":276,"zanCount":11,"manualWeight":11,"mainColor":48},289873,"xue-an-han-ya-tu-li-an-zhong-289873","雪岸寒鸦图","李安忠","画中，几棵古木参天，树木虬屈，乱藤攀援。坡石苍润，主峰凸兀，气整伟峻。土坡用笔卷动如风，枯木则中峰勾勒，寒木风骨，平正势奇，枯枝多变，壮如屈铁，气韵深厚。悬崖旷野间，寒鸦或枝头落，或成群飞舞，空中盘旋。仿佛寒鸦群的呜鸣声在山谷间回荡着，忽远忽近。气象萧疏，烟林清旷，峰峦深厚，势伏雄强。",[118,24,152,119,27,270,271,156,272,273,7],"花鸟","雪景","飞鸟","寒鸦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd545dfce38be3dfe405f73584480cd6b.jpg",[],17,{"id":278,"slug":279,"title":280,"dynasty":148,"author":281,"museum":55,"description":282,"tags":283,"thumbUrl":287,"material":129,"size":129,"collection":129,"collections":288,"showCount":289,"zanCount":11,"manualWeight":11,"mainColor":162},237771,"yuan-ji-shan-shui-tu-ce-shi-tao-237771","原济山水图册","石涛","石涛（1642年－1708年）明末清初著名画家，原姓朱，名若极，广西桂林人，小字阿长，别号很多，如大涤子、清湘老人、苦瓜和尚、瞎尊者，法号有元济、原济等，明靖江王朱亨嘉之子，与弘仁、髡残、朱耷合称“明末四僧”。\n石涛是中国绘画史上一位十分重要的人物，他既是绘画实践的探索者、革新者，又是艺术理论家。\n他幼年遭变后出家为僧，驻锡于安徽宣城敬亭山广教寺，后半世云游，以卖画为业。早年山水师法宋元诸家，画风疏秀明洁，晚年用笔纵肆，墨法淋漓，格法多变，尤精册页小品；花卉潇洒隽朗，天真烂漫，清气袭人；人物生拙古朴，别具一格。工书法，能诗文。存世作品有《石涛罗汉百开册页》《搜尽奇峰打草稿图》《山水清音图》《竹石图》等。著有《苦瓜和尚画语录》。名言有“一画论”、“搜尽奇峰打草稿”、“笔墨当随时代”等。",[24,26,27,171,29,30,32,156,35,241,199,214,7,201,284,285,286],"枯枝","淡彩","写意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbdf2030026657b64f84e1fb3e57e390.jpg",[],16,{"id":291,"slug":292,"title":293,"dynasty":53,"author":79,"museum":55,"description":80,"tags":294,"thumbUrl":299,"material":69,"size":70,"collection":71,"collections":300,"showCount":301,"zanCount":11,"manualWeight":11,"mainColor":48},225999,"poplars-on-the-banks-of-the-epte-1891-mo-nai-225999","Poplars on the Banks of the Epte, 1891",[82,58,295,62,61,296,297,7,66,298,86,37,87],"外光写生","笔触松动","白杨树","云朵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7dc6f6bbabba3488b693548ce77e07ec.jpg",[71],15,{"id":303,"slug":304,"title":305,"dynasty":53,"author":79,"museum":55,"description":80,"tags":306,"thumbUrl":314,"material":69,"size":70,"collection":71,"collections":315,"showCount":301,"zanCount":74,"manualWeight":11,"mainColor":162},225969,"late-afrternoon-vetheuil-1880-mo-nai-225969","Late Afrternoon, Vetheuil, 1880",[118,82,58,307,61,139,63,308,309,104,310,37,66,298,311,65,87,312,7,313],"光影变化","小镇","教堂","山坡","午后光线","建筑群","波光粼粼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9713978577222b76bdeb6e2d34ac97c.jpg",[71],{"id":317,"slug":318,"title":319,"dynasty":148,"author":320,"museum":55,"description":321,"tags":322,"thumbUrl":324,"material":129,"size":129,"collection":44,"collections":325,"showCount":327,"zanCount":11,"manualWeight":11,"mainColor":162},238009,"shan-shui-ce-lu-zun-shu-238009","山水册","陆遵书","陆遵书是清代画家、诗人。字扶远、芙苑、即仙，号得岑，又号碧阴居士、紫碧山史。嘉定人，清乾隆二十四年（1759年）举人。嘉定人。二十七年，迎銮献诗画，称旨，供奉内廷。兼得董邦达指授，画学益进。后曾主持东昌书院。五十二年，选广东会同知县，未赴任。卒年六十七。诗极潇洒。画山水烟云深秀，丘壑不穷，晚年喜作远岫平林，亦得真趣。著有《燕台稿》《豫游稿》《停云稿》《练川竹枝词》《七十二峰考》《得岑馆画跋》等。\n乾隆三十三年（1768）中举人，晚年授会同（今湖南怀化）知县，未及赴任而卒。陆遵书山水师承王鉴、王原祁，烟云深秀，丘壑茂密，而另一种写意荒率之笔，系仿项圣谟。晚年声望既重，多作远岫平林。能写诗，意境清丽。乾隆四十八年（1783）曾作《寒林夕照图》。学生金梦惠、顾祝能继承其画学。",[24,26,29,171,30,227,154,37,35,202,323,100,155,7,284],"近石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F591c692a53110aba3d0f7ed31649a34e.jpg",[44,326],"水墨画精选",14,{"id":329,"slug":330,"title":331,"dynasty":148,"author":332,"museum":333,"description":334,"tags":335,"thumbUrl":339,"material":340,"size":341,"collection":129,"collections":342,"showCount":327,"zanCount":11,"manualWeight":11,"mainColor":162},236155,"leng-mei-yang-zheng-tu-shu-he-ce-zhang-ruo-ai-236155","冷枚养正图书合册","张若霭","北京故宫博物院","此套册页共十开，画面内容皆为历代贤明君主的故事。绘画部分由宫廷画家冷枚绘制，对题由张若蔼书写对应故事情节的文字。两者配合，图文并茂，能够起到以史为鉴、以图育人的教育目的。皇子们观摩此册，意在学习为君之道。\n之后，康熙皇帝带领皇太子（胤礽）、皇长子（胤禔）、皇三子（胤祉）、皇四子（胤禛）、皇五子（胤祺）、皇七子（胤祐）、皇八子（胤禩）一同来到无逸斋，命尹泰、德格勒传谕：「朕宫中从无不读书之子，今诸皇子虽非大有学问之人，所教然已俱能读书。朕非好名之主，故向来太子及诸皇子读书之处未尝有意使人知之，所以外廷容有未晓然者。今特诏诸皇子至前讲诵，汝等试观之。」\n康熙皇帝随即取下十余本经书授予汤斌，让他「信手拈出，令诸皇子诵读」。汤斌随揭经书，皇三子、皇四子、皇七子、皇八子依次进前，各读数篇，纯熟舒徐，声音朗朗。\n康熙皇帝又命皇长子讲「格物致知」一节，皇三子讲《论语》「乡党」首章，皆逐字疏解又能融贯大义。而一向在宫中被皇太后亲自抚养、不谙汉文的皇五子也不逊色，他虽不曾读汉书，但对满文却是精通，康熙皇帝命他当场诵读满文，读的「段落清楚，句句明亮」。\n当时，皇长子十六岁，皇太子十一岁，皇三子十一岁，皇四子十岁，皇五子九岁，皇七子八岁，皇八子七岁，诸皇子的表现无疑是很出色的。但康熙皇帝绝不夸赞，也不允许别人称赞，「诸皇子在宫中从无人敢赞好者，若有人赞好，朕即非之」。",[24,25,171,27,119,336,174,31,35,37,154,100,337,7,338],"楷书","草垛","劳作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F596a76848924f127315379a1b60f6cb6.jpg","绢本设色","纵三二·二厘米 横四二·三厘米",[],{"id":344,"slug":345,"title":346,"dynasty":53,"author":79,"museum":55,"description":80,"tags":347,"thumbUrl":357,"material":69,"size":70,"collection":71,"collections":358,"showCount":359,"zanCount":74,"manualWeight":11,"mainColor":48},225903,"bathers-at-la-grenouillere-1869-mo-nai-225903","Bathers at La Grenouillere, 1869",[118,82,58,348,137,139,349,350,86,104,31,351,352,37,7,353,354,125,355,356],"光影捕捉","户外写生","光色变化","浴者","码头","水波","阳光","夏日","休闲场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa84c60ec89242747c19de7147819298f.jpg",[71],13,{"id":361,"slug":362,"title":363,"dynasty":53,"author":79,"museum":55,"description":80,"tags":364,"thumbUrl":367,"material":69,"size":70,"collection":71,"collections":368,"showCount":369,"zanCount":11,"manualWeight":11,"mainColor":162},225915,"claude-monet-the-winter-near-lavacourt-1880-mo-nai-225915","Claude Monet - The Winter, near Lavacourt, 1880",[118,58,82,348,137,139,365,63,32,31,37,66,366,7,87],"冬季","薄冰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae429c102664320b6ecfd5bfab9dfb33.jpg",[71],12,{"id":371,"slug":372,"title":373,"dynasty":194,"author":374,"museum":333,"description":375,"tags":376,"thumbUrl":380,"material":381,"size":382,"collection":129,"collections":383,"showCount":384,"zanCount":11,"manualWeight":11,"mainColor":162},233136,"ming-ren-xi-shan-sheng-jing-he-bi-ce-cha-mo-yu-tu-ye-shen-zhou-233136","明人西山胜景合壁册-茶磨屿图页","沈周","此册又名《明人西山胜景书画合璧册》（见《故宫博物馆藏文物珍品大系：吴门绘画》），著录于《墨缘汇观》，合题跋共计十四页，依次为：刘钰《踞湖山图》、沈周《茶磨屿图》、《新郭图》（对页陈淳题诗一首）、唐寅《越来溪图》、《行春桥图》、《饶稼桥图》（对页自题诗一首）、文徵明《横塘图》、《石湖图》（对页自题诗一首）和陈淳《桃花坞图》、《紫薇村图》，后页徐朗白题。\n颇为吊诡的是这套册页似乎从未完整发表过，就目前所见，《中国古代书画目录》是分开著录，其中刘钰一页、唐寅《饶稼桥图》以及四页题诗都未著录，而《中国古代书画图目》则只选印了沈周和陈淳的四页。《文徵明精品集》发表了两画及一页题诗，《唐寅绘画集》也只发表了《越来溪图》、《行春桥图》两页，《故宫博物馆藏文物珍品大系：吴门绘画》刊印了沈周、文徵明、唐寅各两页，陈淳《桃花坞图》一页，略去了四页题跋。刘钰《踞湖山图》、唐寅《饶稼桥图》及另外三页题跋始终未见，其中或有伪作吧（文徵明的两页画曾于去年苏博特展展出，未见图录，不知是否有完整发表）。但学术乃天下之公器，国内许多博物馆的出版态度素来可恶，很多作品在各类出版物中情况不一，往往“有头无尾”，以致研究一件作品需“东拼西凑”。\n吴门诸家歌咏、描绘吴中名胜之风颇盛，与平日游踪所及和地域意识渐起有关，留存于世的风景名胜图极多，甚至祝寿、官员离任，也以吴中风景图册为赠。值得注意的是，此册中沈周、文徵明、唐寅、陈淳的作品都是早年笔，集三代才人妙墨，想来这套作品的收藏者花了不少心思。末页崇祯五年徐朗白题云：“我朝画法变宋化元，正嘉间吴中诸先进一时杰出、擅采争奇，直使静庵而下皆瞠乎其后矣，此十册俱西山胜景，首为完庵次石田次六如衡山白阳，景虽未尽，人已才难，不特片羽之吉光抑且狐裘之集腋也。什袭见珍，援毫见重。”并题一歌，语涉浮夸无足取。",[24,25,171,26,27,30,29,37,154,377,7,378,379],"湖泊","松树","竹子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed5e89c71c28c71d0d4496c16cab2c35.jpg","纸本 ，设色","纵22.8cm，横33.2cm",[],10,{"id":386,"slug":387,"title":388,"dynasty":53,"author":79,"museum":55,"description":80,"tags":389,"thumbUrl":390,"material":69,"size":70,"collection":71,"collections":391,"showCount":384,"zanCount":11,"manualWeight":11,"mainColor":48},226000,"poplars-on-the-banks-of-the-epte-evening-effect-1891-mo-nai-226000","Poplars on the banks of the Epte, Evening Effect, 1891",[82,58,83,84,85,297,7,86,102,103],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ef4d5fa87b81d4c6c18d991ed6e8a27.jpg",[71],{"id":393,"slug":394,"title":395,"dynasty":53,"author":79,"museum":55,"description":80,"tags":396,"thumbUrl":400,"material":69,"size":70,"collection":71,"collections":401,"showCount":384,"zanCount":11,"manualWeight":11,"mainColor":402},225952,"ice-floes-on-the-seine-at-bougival-1867-1868-mo-nai-225952","Ice Floes on the Seine at Bougival, 1867-1868",[82,58,397,398,271,7,201,31,37,365,83,85,86,399],"塞纳河","浮冰","积雪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff519e7b27f9724e1f44b873238c8f722.jpg",[71],"F48FB1",{"id":404,"slug":405,"title":406,"dynasty":53,"author":236,"museum":55,"description":407,"tags":408,"thumbUrl":412,"material":129,"size":129,"collection":129,"collections":413,"showCount":384,"zanCount":11,"manualWeight":11,"mainColor":162},225304,"fu-shi-hui-30-yi-ming-225304","浮世绘30","这幅水乡绘卷以平远构图铺展清和景致，浅黄柔晕铺就天光水色，将暮晓时分的朦胧温柔晕染开来。黛色屋舍错落隐在深绿林木间，石砌水湾静泊扁舟，三两行人沿岸徐行，漫溢着松弛的市井闲趣。远景沙洲浅丘层叠延展，把水面切作温润色块，留白悠然悠远。\n整体用色雅致沉静，线条舒展柔和，将水乡村居的日常晕化为清寂温婉的诗意，把寻常烟火里的平和闲淡定格在纸面，尽显独有的恬淡意韵。",[409,410,27,30,35,32,64,37,411,7,201],"浮世绘","木刻","岛屿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05a933d83a2b6302429975b653fdfa31.jpg",[],{"id":415,"slug":416,"title":417,"dynasty":53,"author":79,"museum":55,"description":80,"tags":418,"thumbUrl":421,"material":69,"size":70,"collection":71,"collections":422,"showCount":423,"zanCount":11,"manualWeight":11,"mainColor":48},226114,"the-seine-at-argenteuil-1877-mo-nai-226114","The Seine at Argenteuil, 1877",[58,82,63,99,419,7,31,420,37,66,83],"花卉","城镇","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0ccc1310d2965ec2e5c396fd5b0a684.jpg",[71],9,{"id":425,"slug":426,"title":427,"dynasty":194,"author":428,"museum":168,"description":429,"tags":430,"thumbUrl":436,"material":437,"size":438,"collection":129,"collections":439,"showCount":423,"zanCount":11,"manualWeight":11,"mainColor":162},216088,"tai-ping-le-shi-tu-ce-8-dai-jin-216088","太平乐事图册-8","戴进","此册共十开，分别绘「婴戏」、「骑牛」、「娱乐」、「戏耍」、「捕鱼」、「试射」、「耕罢」、「观戏」、「木马」、「牧归」等题材。其中数开以宋元名画为本：如第二开妇人哺乳之形象，可见于南宋李嵩〈市担婴戏〉（国立故宫博物院）；第九开「木马」则取自元任仁发〈果老见明皇〉（北京故宫博物院）；第十开则摹自宋人〈春社醉归〉。其余几开，皆透过人物之「观看」，将观者目光聚焦于画中场景，而营造某种叙事情节。绘人物之线条采「钉头鼠尾」（起笔钝重、收笔细）之笔法，与画史对戴进人物风格之描述吻合。然整体笔墨略显软弱、平直，或为晚期浙派画家根据戴进真迹加以临仿之作。",[24,25,171,27,119,31,120,37,431,432,124,433,434,7,435],"水域","蓑笠","斗笠","农具","枝叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F038c2970b7ee8eae6f36c8f6102b3f0b.jpg","纸本,设色","22.8x22cm",[],{"id":441,"slug":442,"title":443,"dynasty":53,"author":79,"museum":55,"description":80,"tags":444,"thumbUrl":447,"material":69,"size":70,"collection":71,"collections":448,"showCount":449,"zanCount":11,"manualWeight":11,"mainColor":162},226125,"the-thaw-at-vetheuil-1880-mo-nai-226125","The Thaw at Vetheuil, 1880",[82,58,62,137,60,63,445,37,202,66,102,271,446,7,157],"冰块","冬末","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55195edd30bfd323bf193de1dafa4677.jpg",[71],8,{"id":451,"slug":452,"title":453,"dynasty":53,"author":79,"museum":55,"description":80,"tags":454,"thumbUrl":455,"material":69,"size":70,"collection":71,"collections":456,"showCount":449,"zanCount":11,"manualWeight":11,"mainColor":162},226119,"the-small-arm-of-the-seine-at-argenteuil-1872-mo-nai-226119","The Small Arm of the Seine at Argenteuil, 1872",[82,58,83,84,63,7,67,156,31,65,66,100],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3733f67bd35072bb9486cb255434c1f8.jpg",[71],{"id":458,"slug":459,"title":460,"dynasty":53,"author":79,"museum":55,"description":80,"tags":461,"thumbUrl":463,"material":69,"size":70,"collection":71,"collections":464,"showCount":449,"zanCount":11,"manualWeight":11,"mainColor":162},226108,"the-riverbank-at-lavacourt-snow-1879-mo-nai-226108","The Riverbank at Lavacourt, Snow, 1879",[82,58,271,7,156,255,202,63,462,100,66],"道路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c01a42ecdc836eccc81841cf39acb80.jpg",[71],{"id":466,"slug":467,"title":468,"dynasty":53,"author":79,"museum":55,"description":80,"tags":469,"thumbUrl":472,"material":69,"size":70,"collection":71,"collections":473,"showCount":449,"zanCount":11,"manualWeight":11,"mainColor":162},226088,"the-petit-bras-of-the-seine-at-argenteuil-mo-nai-226088","The Petit Bras of the Seine at Argenteuil",[58,82,63,37,7,31,470,471],"郊野风光","朦胧光影","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F387458d19bd3c02107e8802fc17c6cb0.jpg",[71],{"id":475,"slug":476,"title":477,"dynasty":53,"author":79,"museum":55,"description":80,"tags":478,"thumbUrl":479,"material":69,"size":70,"collection":71,"collections":480,"showCount":449,"zanCount":11,"manualWeight":11,"mainColor":48},226043,"the-banks-of-the-seine-near-jeufosse-eure-mo-nai-226043","The Banks of the Seine near Jeufosse (Eure),",[58,82,138,63,37,104,7,66,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88aa2b1fb926bdba4042969fce1f5d11.jpg",[71],{"id":482,"slug":483,"title":484,"dynasty":53,"author":79,"museum":55,"description":80,"tags":485,"thumbUrl":487,"material":69,"size":70,"collection":71,"collections":488,"showCount":449,"zanCount":11,"manualWeight":11,"mainColor":48},226042,"the-banks-of-the-seine-at-port-villez-1885-mo-nai-226042","The Banks of the Seine at Port-Villez, 1885",[58,82,30,63,7,37,66,298,62,486,139],"色彩丰富","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe96ec56cd645cbeadbfbd70108d65c95.jpg",[71],{"id":490,"slug":491,"title":492,"dynasty":18,"author":236,"museum":333,"description":493,"tags":494,"thumbUrl":498,"material":340,"size":499,"collection":129,"collections":500,"showCount":501,"zanCount":11,"manualWeight":11,"mainColor":162},234017,"liu-xi-diao-ting-tu-ye-yi-ming-234017","柳溪钓艇图页","此图原载《历代名笔集胜册》第一册。图画溪江岸柳，土坡茅舍，溪中一渔翁戴草笠穿蓑衣垂钓。远处山影一抹，景物疏朗，意趣无穷。作者用花青、石绿画丛树和柳页，白粉点柳花，赭脱减笔画茅舍。设色清丽丰富，层次分明。构图采用局部取景法。用笔简练秀逸，几脱画院习气。此图旧题签马远画，但究其画风与马远无相似之处，故改为无名氏作。画中钤有“真赏”、“宜尔子孙”、“信公珍赏”、“会侯珍藏”、“都尉耿信公书画之章”等藏印多方。曾经清人耿昭忠收藏，《虚斋名画录》著录。",[24,25,239,26,27,30,123,495,32,202,496,497,119,38,7,285,29],"溪流","近树","水景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9b0db537c474e6e93fd4294004a01a7.jpg","纵23、横24.5厘米",[],7,{"id":503,"slug":504,"title":505,"dynasty":53,"author":79,"museum":55,"description":80,"tags":506,"thumbUrl":513,"material":69,"size":70,"collection":71,"collections":514,"showCount":501,"zanCount":11,"manualWeight":11,"mainColor":48},226104,"the-railway-bridge-at-argenteuil-1874-2-mo-nai-226104","The Railway Bridge at Argenteuil, 1874 [2]",[82,58,83,507,508,509,63,86,37,67,510,298,66,511,7,157,512],"色彩并置","外光","铁路桥","蒸汽","桥墩","波纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5a5be3f8e05a9ef299557cd04e38e64.jpg",[71],{"id":516,"slug":517,"title":518,"dynasty":53,"author":79,"museum":55,"description":80,"tags":519,"thumbUrl":522,"material":69,"size":70,"collection":71,"collections":523,"showCount":501,"zanCount":11,"manualWeight":11,"mainColor":48},226086,"the-old-tree-at-the-confluence-1889-mo-nai-226086","The Old Tree at the Confluence, 1889",[82,58,62,520,30,63,37,214,310,7,157,521],"短笔触","自然风景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff92193d1b38c9b54d64327c68faff0a9.jpg",[71],{"id":525,"slug":526,"title":527,"dynasty":53,"author":236,"museum":55,"description":528,"tags":529,"thumbUrl":535,"material":129,"size":129,"collection":129,"collections":536,"showCount":501,"zanCount":11,"manualWeight":11,"mainColor":162},225336,"fu-shi-hui-89-yi-ming-225336","浮世绘89","这幅绘卷以清隽色调铺展乡野闲景，靛蓝晕染出澄澈天色与幽深水色，苔绿晕覆缓坡茂林，暖棕勾勒屋舍行人，层次柔和分明。盘山小径上，行旅之人步履匆匆，似奔赴前路；右侧瀑流奔涌入水，撞碎一汪清潭。前景屋舍错落，石砌护坡衬着覆茸缓坡，浓荫垂落晕染出夏日幽谧。\n\n线条工细流畅，既勾勒山石屋宇的硬朗轮廓，又晕出松枝流泉的灵动生机。将江户郊野的行旅日常，揉入山水景致间，恬淡悠然，尽显浮世市井里的乡野意趣。",[409,410,27,31,37,64,35,530,338,7,531,87,532,533,534],"石砌","蓝绿色调","人物活动","传统技法","市井生活","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b4cf62aebb4c5452ad32b795d10ad77.jpg",[],{"id":538,"slug":539,"title":540,"dynasty":53,"author":79,"museum":55,"description":80,"tags":541,"thumbUrl":543,"material":69,"size":70,"collection":71,"collections":544,"showCount":545,"zanCount":11,"manualWeight":11,"mainColor":48},226103,"the-railway-bridge-at-argenteuil-1874-mo-nai-226103","The Railway Bridge at Argenteuil, 1874",[118,58,82,83,84,85,509,63,99,37,67,298,66,542,65,7],"桥梁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc123b1d63ae667c737349ac39a9cb24.jpg",[71],6,{"id":547,"slug":548,"title":549,"dynasty":53,"author":236,"museum":55,"description":550,"tags":551,"thumbUrl":558,"material":129,"size":129,"collection":129,"collections":559,"showCount":545,"zanCount":11,"manualWeight":11,"mainColor":162},225428,"fu-shi-hui-186-yi-ming-225428","浮世绘186","淡晕米黄铺就朦胧天色，墨色薄云舒卷柔化天际。开阔水面漾着细微波纹，大小舟楫错落排布，撑篙渔夫俯身控船，带网渔船缓行，远帆静泊，尽显漕运烟火日常。\n\n两岸町屋鳞次栉比，木构白墙衬着暖红阶台，右侧埠头栈台尽显临河商贸的繁茂。整体用色克制雅致，朱红与石青点缀屋舍栏槛，淡墨勾线清隽凝练，将水岸松弛鲜活的日常定格，带着日式版画独有的温润烟火气，静述着旧时河畔的熙攘安闲。",[409,410,27,63,104,542,100,31,37,7,185,552,553,352,554,555,556,557],"渔网","桅杆","舟楫","船夫","水乡","市井","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6986e11ff27deb142a6863bca6f1452d.jpg",[],{"id":561,"slug":562,"title":563,"dynasty":148,"author":564,"museum":55,"description":565,"tags":566,"thumbUrl":573,"material":69,"size":70,"collection":129,"collections":574,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":162},238448,"geng-zhi-tu-ce-mian-yi-238448","耕织图册","绵亿","绵亿（1764年9月10日－1815年4月14日），直隶省顺天府大兴县（今北京市）人，清高宗弘历之孙，荣纯亲王永琪第五子，母侧福晋索绰罗氏，左都御使观保之女。",[24,27,119,171,31,35,64,37,567,568,7,569,570,571,572,434],"田地","劳作场景","草木","木构建筑","孩童","老者","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ccc9938519cca123acc7ee48c279b3b.jpg",[],{"id":576,"slug":577,"title":563,"dynasty":148,"author":564,"museum":55,"description":565,"tags":578,"thumbUrl":588,"material":69,"size":70,"collection":129,"collections":589,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":162},238442,"geng-zhi-tu-ce-mian-yi-238442",[24,25,171,27,119,31,120,579,37,64,35,580,434,581,582,571,583,584,585,586,587,7],"农田","家禽","水田","耕作场景","成人","鸡","屋舍","田埂","犁具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52cfda1f0f66825fc704a39541b1935a.jpg",[],{"id":591,"slug":592,"title":319,"dynasty":148,"author":593,"museum":55,"description":594,"tags":595,"thumbUrl":599,"material":129,"size":129,"collection":129,"collections":600,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":162},238203,"shan-shui-ce-tang-dai-238203","唐岱","此作绘江南早春胜景，烟波漾漾间，岸柳垂丝、桃花灼艳，村居错落隐在烟林之中，远山含黛如螺，汀上渔舟轻泛，处处漫着融融春意。设色柔丽清雅，浅绛晕染山峦，青绿点饰草木，笔致秀润苍雅，构图疏朗舒逸。\n左侧题诗与画境呼应，笔墨端秀，诗画合璧，将春日湖山的温柔生机铺陈开来，尽显文人画闲适淡远的意趣，把东风暖遍青芜的诗意具象成缱绻春景，淡冶雅致中藏着沉静的笔墨韵致，写尽江南春朝的温润明媚。",[24,25,171,27,29,30,123,596,198,64,104,37,7,202,597,495,598],"桃花","近水","湖面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd13998ad4effe87246a6b48492d2dc99.jpg",[],{"id":602,"slug":603,"title":604,"dynasty":53,"author":236,"museum":55,"description":605,"tags":606,"thumbUrl":607,"material":69,"size":70,"collection":129,"collections":608,"showCount":609,"zanCount":11,"manualWeight":11,"mainColor":48},225519,"fu-shi-hui-277-yi-ming-225519","浮世绘277","浮世绘，也就是日本的风俗画，版画。它是日本江户时代（1603～1867年间，也叫德川幕府时代）兴起的一种独特的民族艺术，是典型的花街柳巷艺术。主要描绘人们日常生活、风景和演剧。浮世绘常被认为专指彩色印刷的木版画（日语称为锦绘），但事实上也有手绘的作品。\n从其绘画素材看，70%以上内容是妓画（暂称为“美人画”）和伎画（暂称为“艺人画”），也就是说，作品主角是娼妓和艺伎，女性，裸体，性感美，色情是其标志性特征。用现代艺术眼光看，可算“人体绘画艺术”，其中的大胆的性爱题材引起注意，成为古代东方一种人本主义的新研究方向。在日本，存在着对这类作品的争议，也有的认为是乐而不淫，肯定其价值。\n浮世绘的艺术渊源，一来自绘画，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[409,410,27,63,201,37,378,123,31,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F551995d5f931ddf21b2f4d280d74c5c2.jpg",[],2,{"id":611,"slug":612,"title":613,"dynasty":194,"author":236,"museum":55,"description":614,"tags":615,"thumbUrl":619,"material":129,"size":129,"collection":129,"collections":620,"showCount":74,"zanCount":11,"manualWeight":11,"mainColor":162},235849,"qian-gu-bao-shan-tu-ye-yi-ming-235849","钱榖宝山图页","此作为左文右图的合璧小品，淡墨轻皴绘就江岸形胜。峰峦间营寨烽堠依山排布，江岸错落停着航船，朴拙还原出当年海防要地的肃穆风貌。\n\n左侧行书笔意舒展，笔锋带着文人意趣，以文字注解实景，铺陈此地戍海过往。整作笔墨清润淡雅，不着浓艳色彩，将山海营垒的整肃与江天的开阔相融，带着纪实山水的真切质感，把宝山形胜与过往史迹娓娓道来，兼具地理纪实价值与书画审美意趣。",[24,25,239,26,30,616,174,617,104,37,618,7,411],"行书","山峦","旗帜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10ca521e9ef9ae40c8efe2cbb707f759.jpg",[],1777535710333]