[{"data":1,"prerenderedAt":79},["ShallowReactive",2],{"subject-he-ye-zao-xing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8748,"he-ye-zao-xing","荷叶造型","荷叶造型画高清赏析","精选中国历代荷叶造型题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7edab6f320600bd52ebf469905f2ed14.jpg",0,4,[14,35,51,64],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},261169,"de-hua-yao-bai-you-he-ye-shi-gong-dao-bei-yi-ming-261169","德化窑白釉荷叶式公道杯","清","佚名","藏地不详","德化窑位于今福建德化，故名。作为著名的瓷窑，是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n德化瓷器是中华陶瓷烧造中的艺术珍品，始于宋代，明代后得到巨大发展。以白瓷塑佛像闻名。其制作细腻，雕刻精美，造型生动，体现了古代劳动人民的卓越才能和艺术创造力。\n在今福建德化，故名。是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n碗坪仑烧瓷较屈斗宫古窑址早，烧青白瓷，有的接近白釉，刻花蓖划纹装饰较多，盒子遗留甚丰，盖面所印阳纹装饰达一百余种，题材之丰富在南方地区首屈一指，南宋时有专门制作盒子的作坊，盒盖上阳文印花装饰题材丰富，有动物、花卉等近百种图案。划花间篦划纹亦较多，饰在碗、盘、瓶等器物上。\n屈斗宫元代办烧青白瓷，从南宋至元代。明代盛烧白瓷观音、达摩等塑像，胎釉浑然一体，如同白玉，被赞为"象牙白"、"奶白"或 "天鹅绒白。清代除烧白瓷外，盛烧青花与彩绘瓷器。元代以来，德化窑瓷器输出海外，菲律宾、马来西亚出土有元代德化窑青白瓷，泰国及东非坦桑尼亚等国家也出土有清代德化窑青花瓷器。\n这种瓷器的制作工艺程序如下：他们从地下挖取一种泥土，将它垒成一个大堆，任凭风吹、雨打、日晒，从不翻动，历时三、四十年。泥土经过这种处理，质地变得更加纯化精炼，适合制造上述各种器皿，然后抹上认为颜色合宜的釉，再将瓷器放入窑内或炉里烧制而成。因此，人们挖泥堆土，目的是替自已的儿孙贮备制造瓷器的材料而已，大量的瓷器是在城中出售， 一个威尼斯银币能买到八个瓷杯“。马可波罗的介绍，引起了西方人的强烈兴趣。",[23,24,7,25,26,27],"陶瓷","白釉","弥勒佛","饮酒器","佛教","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82b2ed2d2fe63d79981610d5e3dbe48c.jpg","未知","Xcm*Xcm","瓷器精选",[31],1,"795548",{"id":36,"slug":37,"title":38,"dynasty":39,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":47,"material":29,"size":30,"collection":48,"collections":49,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},274068,"huang-hua-li-he-ye-shi-liu-zu-xiang-ji-yi-ming-274068","黄花梨荷叶式六足香几","明","此香几取荷为形，器韵清雅脱俗。六足如柔茎垂曳，弧度舒展曼妙，将曲线之美演绎尽致。束腰透雕缠枝卷草，空灵雅致，牙脚与足端的涡卷雕花彼此呼应，虚实相生。木色温润莹润，包浆醇厚古拙，将简雅意趣与精湛工巧融为一体，把文人清雅追求藏入每处细节，尽显古作沉静隽永的东方美学。",[42,43,44,45,7,46],"木质","雕刻","香几","家具","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F231593199385586da3c082f529fb908a.jpg","",[],"FFFFFF",{"id":52,"slug":53,"title":54,"dynasty":55,"author":19,"museum":20,"description":56,"tags":57,"thumbUrl":61,"material":29,"size":30,"collection":31,"collections":62,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":63},262252,"ding-yao-bai-you-he-ye-shi-zhan-tuo-yi-ming-262252","定窑白釉荷叶式盏托","宋","定窑是中国传统制瓷工艺中的珍品，宋代六大窑系之一，它是继唐代的邢窑白瓷之后兴起的一大瓷窑体系。主要产地在今河北省保定市曲阳县（原属今定州市）的涧磁村、野北村及东燕川村、西燕川村一带，因该地区唐宋时期属定州管辖，故名定窑。\n定窑原为民窑，北宋中后期开始烧造宫廷用瓷。创烧于唐，极盛于北宋及金，终于元，以产白瓷著称，兼烧黑釉、酱釉和绿釉瓷，文献分别称其为黑定、紫定和绿定。\n定窑从邢窑而来，由于历史的变迁，定窑随着地域变化，新瓷土料的运用和制瓷工艺的进步。卞向和认为：定窑最大的贡献就是在中国陶瓷发展的历史上闪烁过光芒，在中国陶瓷史和世界的陶瓷发展史上留下辉煌的一页。\n定窑，是中国北方白瓷的中心，始于唐，为邢窑的后继者，在五代时期就已经发达。以往文献多记载窑址在河北正定，1938年在河北省曲阳县涧瓷村发现古窑址。近年又多次发掘调查，发现了最下层堆积着晚唐的破片；中层的是五代时就已大量生产；最上层为印花、画花的薄瓷片，是属于北宋中期以后，在政和、宣和年间。这些薄瓷片，胎质坚致，釉泽莹润，花纹优美，确是很精进的品种；且有些是官窑性质的，如”尚食局、禁苑、奉华、官”等胎上刻字破片的发现，便可证明。另在西燕山遗址发现粗瓷片的堆集，以及各地普遍发现的定窑瓷器及破片，又能证明定窑在北宋早期以后，也曾大量烧造民间使用的瓷器。定窑以烧造白瓷为主，也烧颜色釉，如红定、紫定和黑定等。根据《君友会-新民窑》记载，定窑，从北宋起，地位增高，各地仿制者颇多。在定窑本身概念中，就孳乳出各种名称，单就白定一种，就有土定、粉定之分。土定，有瓦胎和陶胎两种。瓦胎为淡赤色的土质，陶胎为白土而略黄，质皆松，体较厚；袖色白色中闪黄或闪赤，容易剥落，或有大开片，是原始的及民用的定器。粉定，是进步的及官用的定器，有陶胎和瓷胎，胎质致密而体薄，釉色纯白如牛乳者，或带淡赤色，釉中往往有刷纹，釉面凝聚，如有泪痕。",[23,58,59,7,24,60],"日用具","盏托","瓷器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3402c241b329e4062beed663c4e8fce.jpg",[31],"37474F",{"id":65,"slug":66,"title":67,"dynasty":18,"author":19,"museum":20,"description":68,"tags":69,"thumbUrl":10,"material":29,"size":30,"collection":48,"collections":78,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},245849,"tong-zhi-kuan-yin-he-ye-shi-gai-guo-yi-ming-245849","同治款银荷叶式盖锅","取夏荷为形，器身与盖沿皆作荷叶翻卷柔态，舒展灵动。盖顶以曲枝承托莲芽为钮，将塘中新荷初绽的清趣凝于银器之上。银质包浆古雅温润，晕开岁月浸养的幽蓝锈色，晕染出沉静古韵。\n\n整器将仿生巧思融于实用形制，线条轻盈写意，把荷塘清趣藏于日常雅器间，既是炊煮盛食之具，亦是可赏可陈的文房清供，尽显传统造物里的自然意趣与匠心巧思。",[70,71,72,43,73,74,7,75,76,77],"银器","荷","饪食器","金属工艺","清代","银制","纹饰","盖锅",[],1777535764324]