[{"data":1,"prerenderedAt":756},["ShallowReactive",2],{"subject-hei-bai":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4674,"hei-bai","黑白","黑白画高清赏析","精选中国历代黑白题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc8f92277166dcdd08e144cfb7e31208.jpg",0,68,[14,36,48,64,75,89,104,118,133,143,157,168,178,191,204,215,226,236,245,257,270,283,296,307,322,332,343,367,382,392,402,413,423,430,442,452,459,468,476,485,500,509,518,532,544,551,558,565,574,582,589,598,613,620,631,638,649,656,663,670,683,691,700,713,721,728,737,747],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},231105,"su-miao-359-xi-fang-231105","素描359","不详","西方","藏地不详","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[23,24,25,26,27,28,7],"素描","写实","人物","女性","人体","光影","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a6ddc53d833d7d70b871268f800d1af.jpg","未知","Xcm*Xcm","",[],21,"37474F",{"id":37,"slug":38,"title":39,"dynasty":18,"author":19,"museum":20,"description":21,"tags":40,"thumbUrl":44,"material":30,"size":31,"collection":32,"collections":45,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":47},231186,"su-miao-440-xi-fang-231186","素描440",[23,27,24,7,28,41,42,43],"线条","明暗","裸体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb47aef8c648acfdbc5f2cb67f95577b3.jpg",[],6,"BDBDBD",{"id":49,"slug":50,"title":51,"dynasty":18,"author":52,"museum":20,"description":53,"tags":54,"thumbUrl":61,"material":30,"size":31,"collection":32,"collections":62,"showCount":63,"zanCount":11,"manualWeight":11,"mainColor":47},232380,"he-er-bai-yin-39-he-er-bai-yin-232380","荷尔拜因39","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[55,24,56,25,57,58,59,60,41,7],"肖像","铜版画","男性","胡须","帽子","衣物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff043500006061b1cf0459db6acb8f6bf.jpg",[],4,{"id":65,"slug":66,"title":67,"dynasty":18,"author":19,"museum":20,"description":21,"tags":68,"thumbUrl":72,"material":30,"size":31,"collection":32,"collections":73,"showCount":74,"zanCount":11,"manualWeight":11,"mainColor":35},231087,"su-miao-341-xi-fang-231087","素描341",[23,24,25,69,70,71,60,7],"老年男性","手部","毛发","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b449cb62267e760a4b5452dd186b1da.jpg",[],3,{"id":76,"slug":77,"title":78,"dynasty":18,"author":79,"museum":20,"description":80,"tags":81,"thumbUrl":85,"material":30,"size":31,"collection":32,"collections":86,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":88},289181,"goya-he-wakes-up-kicking-yi-ming-289181","Goya--He Wakes Up Kicking","佚名","粗犷利落的速写笔触，将睡梦惊起的瞬间牢牢定格。男子骤然惊醒，抬腿蹬踹，肢体绷紧满是张力，面部神情惊惶错愕，将本能的慌乱展露无遗。\n\n浓墨晕染衣物暗部，淡笔轻勾皮肉光影，明暗对比强烈，让画面充满粗粝的临场感。潦草的手写题注添了几分随性速写质感，没有精雕细琢的修饰，却把人从酣眠中陡然挣脱的惊悸刻画得入木三分，将日常里猝然的情绪迸发，提炼成极具戏剧张力的鲜活切片，粗朴笔触让这份临场惶惑更具冲击力。",[25,23,82,57,83,84,7],"速写","动态","水墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F620bedfc9395ffc9e54f1c590f7dd888.jpg",[],2,"FFFFFF",{"id":90,"slug":91,"title":92,"dynasty":18,"author":79,"museum":20,"description":93,"tags":94,"thumbUrl":102,"material":30,"size":31,"collection":32,"collections":103,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":47},288773,"rodolphe-bresdin-group-of-figures-yi-ming-288773","Rodolphe Bresdin--Group of Figures","这幅蚀刻版画以虚实交织的叙事铺陈画面，下半隅是两位长裙仕女牵犬漫游郊野，衣褶柔婉舒展，漫溢着闲游行止松弛惬意的氛围感。而上半段岩穴与灌丛间，古典衣装的人物群像悄然浮现，如同郊野林间沉眠的旧影幽灵。\n作者以疏密错落的线条区分山石、植被与衣袂肌理，将日常闲步的松弛和超现实的幽诡交融，让郊野漫游化作一场朦胧幻梦，漫步的轻愉里裹挟着挥之不去的神秘恍惚，恍若踏入现世与异界交界的朦胧狭间。",[25,95,96,97,98,99,100,7,101],"美人","孩童","小狗","洞穴","草木","线描","户外","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc858b739ff401c3d9a184b49cf9f6a12.jpg",[],{"id":105,"slug":106,"title":107,"dynasty":18,"author":79,"museum":20,"description":108,"tags":109,"thumbUrl":116,"material":30,"size":31,"collection":32,"collections":117,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":47},288701,"workshop-of-gilles-marie-oppenord-study-for-a-garden-capriccio-yi-ming-288701","Workshop of Gilles-Marie Oppenord--Study for a Garden Capriccio","这幅蚀刻版画以半边立面铺展园林奇想，细密排线勾勒巴洛克式的华丽张力。右侧河神化身水景雕塑，水流自身侧奔涌而下，肌肉线条遒劲苍劲，尽显雄浑生机；左侧山林宁芙攀附壁面，藤蔓荒草缠绕周身，漫溢出野逸的古典浪漫。涡卷雕饰衔接立面层次，繁复细节雕琢出复古雅致的装饰感，将神话造像融于园林设计中，让实用的装饰稿兼具艺术幻想性，把雕塑意趣与造景构思精妙糅合，尽显古典装饰美学的雍容格调。",[110,111,112,113,7,114,115],"版画","白描","神话人物","园林题材","人物画","装饰设计","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe91d35e67bbe5f63a7f771b44b1a6e8f.jpg",[],{"id":119,"slug":120,"title":121,"dynasty":18,"author":122,"museum":20,"description":123,"tags":124,"thumbUrl":130,"material":30,"size":31,"collection":32,"collections":131,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":132},232545,"mi-lai-si-89-yue-han-ai-fu-li-te-mi-lai-si-232545","米莱斯89","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[110,7,25,125,126,127,128,129,24],"情侣","古典服饰","亲昵","藤蔓","砖墙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6be67afcee1619e0fe971c62c946b66d.jpg",[],"795548",{"id":134,"slug":135,"title":136,"dynasty":18,"author":52,"museum":20,"description":53,"tags":137,"thumbUrl":141,"material":30,"size":31,"collection":32,"collections":142,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":47},232374,"he-er-bai-yin-33-he-er-bai-yin-232374","荷尔拜因33",[25,55,23,41,42,138,26,139,140,7],"宗教","头巾","服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89db4376c453196a95b7f0094d3615bf.jpg",[],{"id":144,"slug":145,"title":146,"dynasty":18,"author":19,"museum":20,"description":21,"tags":147,"thumbUrl":155,"material":30,"size":31,"collection":32,"collections":156,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":47},231270,"su-miao-524-xi-fang-231270","素描524",[23,24,25,26,43,7,27,28,148,149,150,151,152,153,154],"细腻","质感","人物肖像","坐姿","西方绘画","写实风格","素描技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F484da68a767b7ce0bf7e8d382aa0d420.jpg",[],{"id":158,"slug":159,"title":160,"dynasty":18,"author":19,"museum":20,"description":21,"tags":161,"thumbUrl":166,"material":30,"size":31,"collection":32,"collections":167,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":35},231147,"su-miao-401-xi-fang-231147","素描401",[23,25,26,24,7,28,27,154,162,153,163,164,165],"人物素描","黑白灰调子","人体结构","光影表现","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9291bf7fb257da04b0365a3597431ee.jpg",[],{"id":169,"slug":170,"title":171,"dynasty":18,"author":19,"museum":20,"description":21,"tags":172,"thumbUrl":176,"material":30,"size":31,"collection":32,"collections":177,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":47},231119,"su-miao-373-xi-fang-231119","素描373",[23,25,55,24,7,173,174,175],"面部","表情","西方风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01103bd61c20a7eb1023510945003773.jpg",[],{"id":179,"slug":180,"title":181,"dynasty":18,"author":19,"museum":20,"description":21,"tags":182,"thumbUrl":189,"material":30,"size":31,"collection":32,"collections":190,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":47},231114,"su-miao-368-xi-fang-231114","素描368",[23,24,183,27,184,185,186,25,187,188,7],"光影塑造","布纹","单色","明暗对比","写实主义","布料质感","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81fd7f54137d4e209ddf14267ea63e40.jpg",[],{"id":192,"slug":193,"title":194,"dynasty":18,"author":19,"museum":20,"description":21,"tags":195,"thumbUrl":202,"material":30,"size":31,"collection":32,"collections":203,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":47},231102,"su-miao-356-xi-fang-231102","素描356",[23,25,83,27,24,28,41,42,196,197,164,198,7,199,152,162,200,201],"舞者","单幅","动态捕捉","素描绘制","肢体表现","地面反射","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16e4a1433250f365426eb13ca1aa1a31.jpg",[],{"id":205,"slug":206,"title":207,"dynasty":18,"author":208,"museum":20,"description":209,"tags":210,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":214,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":47},225599,"rp-p-1961-972-lun-bo-lang-225599","RP-P-1961-972","伦勃朗","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[211,56,55,25,212,213,7],"蚀刻","飞鸟","衣帽",[],{"id":216,"slug":217,"title":218,"dynasty":18,"author":79,"museum":20,"description":219,"tags":220,"thumbUrl":223,"material":30,"size":31,"collection":32,"collections":224,"showCount":225,"zanCount":11,"manualWeight":11,"mainColor":132},289530,"auguste-rodin-origin-of-the-greek-vase-yi-ming-289530","Auguste Rodin--Origin of the Greek 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