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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[47,23,24,7,45,46,80,81,57],"云龙纹","圆盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4779df94d93478450cb874b242641a43.jpg",[],6,{"id":86,"slug":87,"title":88,"dynasty":18,"author":19,"museum":20,"description":78,"tags":89,"thumbUrl":91,"material":33,"size":34,"collection":35,"collections":92,"showCount":84,"zanCount":72,"manualWeight":11,"mainColor":73},246788,"hei-qi-miao-jin-wu-long-wen-yuan-pan-yi-ming-246788","黑漆描金五龙纹圆盘",[47,23,7,90,45,57,81],"描金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6eb2c7b4866d7045229e3fe96bf58d2d.jpg",[],{"id":94,"slug":95,"title":96,"dynasty":18,"author":19,"museum":20,"description":43,"tags":97,"thumbUrl":100,"material":33,"size":34,"collection":35,"collections":101,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":52},248883,"hei-qi-qian-luo-dian-tuan-hua-wen-yuan-he-yi-ming-248883","黑漆嵌螺钿团花纹圆盒",[47,23,24,98,57,7,99],"团花","圆形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbba965a58a82de49624dcbeaf0c7e993.jpg",[],5,{"id":104,"slug":105,"title":106,"dynasty":18,"author":19,"museum":20,"description":43,"tags":107,"thumbUrl":111,"material":33,"size":34,"collection":35,"collections":112,"showCount":102,"zanCount":72,"manualWeight":11,"mainColor":38},248375,"hei-qi-qian-luo-dian-yun-fu-shan-shui-tu-hai-tang-shi-er-ceng-tao-he-yi-ming-248375","黑漆嵌螺钿云蝠山水图海棠式二层套盒",[47,23,24,7,46,108,109,110,27],"蝠","山水","套盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50fa10a87d37c5d891377ae393c4a0bb.jpg",[],{"id":114,"slug":115,"title":116,"dynasty":18,"author":19,"museum":20,"description":43,"tags":117,"thumbUrl":121,"material":33,"size":34,"collection":35,"collections":122,"showCount":123,"zanCount":11,"manualWeight":11,"mainColor":73},248846,"hei-qi-qian-luo-dian-ba-xian-tu-fang-xing-wei-jiao-he-yi-ming-248846","黑漆嵌螺钿八仙图方形委角盒",[23,24,7,118,119,120,57],"人物","马","兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c29a0ba09bd7288304ea26d1e3faa65.jpg",[],4,{"id":125,"slug":126,"title":127,"dynasty":18,"author":19,"museum":20,"description":43,"tags":128,"thumbUrl":132,"material":33,"size":34,"collection":35,"collections":133,"showCount":123,"zanCount":11,"manualWeight":11,"mainColor":73},248392,"hei-qi-qian-luo-dian-ying-xi-tu-yun-tou-shi-er-ceng-he-yi-ming-248392","黑漆嵌螺钿婴戏图云头式二层盒",[47,23,7,24,129,130,131,57],"婴戏图","云头式","二层","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc9298af06512a9efafe69714f3655d12.jpg",[],{"id":135,"slug":136,"title":137,"dynasty":18,"author":19,"museum":20,"description":43,"tags":138,"thumbUrl":144,"material":33,"size":34,"collection":35,"collections":145,"showCount":123,"zanCount":11,"manualWeight":11,"mainColor":38},245987,"hei-qi-miao-jin-jin-wen-qian-zhu-hu-lu-shi-ti-he-yi-ming-245987","黑漆描金锦纹嵌竹葫芦式提盒",[47,23,90,139,140,141,142,7,143,57],"嵌竹","葫芦式","提盒","锦纹","工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac3a8e106dc3fa3a168e7c486589fca2.jpg",[],{"id":147,"slug":148,"title":77,"dynasty":18,"author":19,"museum":20,"description":78,"tags":149,"thumbUrl":152,"material":33,"size":34,"collection":35,"collections":153,"showCount":154,"zanCount":11,"manualWeight":11,"mainColor":52},248383,"hei-qi-qian-luo-dian-yun-long-wen-yuan-pan-yi-ming-248383",[47,23,24,45,46,81,7,150,151],"传统工艺","装饰纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba9c4b6af45a933d53a8cf8272670787.jpg",[],3,{"id":156,"slug":157,"title":158,"dynasty":18,"author":19,"museum":20,"description":43,"tags":159,"thumbUrl":162,"material":33,"size":34,"collection":35,"collections":163,"showCount":164,"zanCount":11,"manualWeight":11,"mainColor":52},248772,"hei-qi-bai-bao-qian-wu-lao-tu-chang-fang-he-yi-ming-248772","黑漆百宝嵌五老图长方盒",[47,160,7,161,23,118],"百宝嵌","雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79576b73c4eeccdca65efea9fa38ca22.jpg",[],2,{"id":166,"slug":167,"title":168,"dynasty":18,"author":19,"museum":20,"description":43,"tags":169,"thumbUrl":172,"material":33,"size":34,"collection":35,"collections":173,"showCount":164,"zanCount":11,"manualWeight":11,"mainColor":52},248400,"hei-qi-miao-jin-zhe-zhi-hua-hui-wen-shan-shi-he-yi-ming-248400","黑漆描金折枝花卉纹扇式盒",[23,7,90,170,171,26,57],"设色","折枝花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feae75b6731c6353d4333a6522f1f6c46.jpg",[],{"id":175,"slug":176,"title":177,"dynasty":18,"author":19,"museum":20,"description":43,"tags":178,"thumb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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[47,23,24,208,7,209,57],"玉石镶嵌","花蝶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febfe8232e4b06fb2e0d850ecfd82f397.jpg",[],{"id":213,"slug":214,"title":215,"dynasty":18,"author":19,"museum":20,"description":43,"tags":216,"thumbUrl":220,"material":33,"size":34,"collection":35,"collections":221,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},248674,"hei-qi-qian-luo-dian-ren-wu-gu-shi-tu-mei-hua-shi-er-ceng-he-yi-ming-248674","黑漆嵌螺钿人物故事图梅花式二层盒",[23,24,7,217,218,219,57],"人物故事","梅花式","多层","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d38dbaf4f2e63be101a17cdef84df2d.jpg",[],{"id":223,"slug":224,"title":225,"dynasty":18,"author":19,"museum":20,"description":226,"tags":227,"thumbUrl":230,"material":33,"size":34,"collection":35,"collections":231,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},248663,"hei-qi-qian-luo-dian-shou-zi-kui-long-wen-guan-jia-yi-ming-248663","黑漆嵌螺钿寿字夔龙纹冠架","此冠架韵致古雅，形制考究。鎏金炉身透雕缠枝夔龙，婉转灵动的纹饰虚实相生，烟气可自镂孔悠然漫出，陈设熏香两相宜。漆黑亮泽的灯座之上，朱红寿字醒目点缀，沉敛底色衬得吉纹愈发热烈鲜活。底座螺钿嵌饰晕彩莹润，与鎏金炉身冷暖相映，华贵雅致尽显。\n它融透雕、镶嵌、髹饰诸艺于一体，工法细致入微，尽显精巧工致，暗含福寿绵长的美好祈愿，是兼具实用价值与审美意趣的雅室佳器。",[47,23,24,7,228,229,57,150],"寿字纹","夔龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d36b55f393a00e92652d6c8b62e471b.jpg",[],{"id":233,"slug":234,"title":235,"dynasty":18,"author":19,"museum":20,"description":43,"tags":236,"thumbUrl":237,"material":33,"size":34,"collection":35,"collections":238,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},248404,"hei-qi-miao-jin-hua-hui-wen-qin-shi-wen-ju-he-yi-ming-248404","黑漆描金花卉纹琴式文具盒",[23,90,188,47,29,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e4997d4cbc1ac6057b45fda09172a2e.jpg",[],{"id":240,"slug":241,"title":242,"dynasty":18,"author":19,"museum":20,"description":243,"tags":244,"thumbUrl":248,"material":33,"size":34,"collection":35,"collections":249,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},274562,"hei-qi-miao-jin-lou-shi-zhong-yi-ming-274562","黑漆描金楼式钟","最早的钟原本是指古代汉族 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