[{"data":1,"prerenderedAt":108},["ShallowReactive",2],{"subject-hong-ban":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6948,"hong-ban","红斑","红斑画高清赏析","精选中国历代红斑题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73f838f5588396c8e112319b9959e2d3.jpg",0,9,[14,36,47,58,64,72,79,87,100],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},260180,"jun-yao-tian-lan-you-hong-ban-san-zu-lu-yi-ming-260180","钧窑天蓝釉红斑三足炉","宋","佚名","藏地不详","钧窑，即钧台窑，是在柴窑和鲁山花瓷的风格基础上综合而成的一种独特风格，受道家思想深刻影响，在宋徽宗时期达到高峰，其工艺技术发挥到极致。无论是呈色和各种纹理的表现，做到窑变可控随心所欲的表现技术，无人能仿造。宋代受理学的影响，反应在瓷器上就是规整对称，无论是造型或纹理都遵循这一原则，特别是北宋官造钧瓷，不论文房用具或大型祭器都严格遵守这一原则。规整对称，高雅大气，宫廷气势，一丝不苟。其势沉重古朴，明亮而深沉。建窑，耀州窑，钧窑，作为中国传统瓷文化正宗，历史悠久的风格传承。放大镜观察，蚯蚓走泥纹，用气泡一个个串连一体呈立体的爬行状，青蛙卵纹包裹卵核一摞摞正欲孵化而出。还有牛血纹，血色深红暗沉杀气腾腾，庄重威严等等，难以一一叙述。北宋官窑钧瓷的发色和纹理大小和分布，都难以做到人为控制而恰到好处，是北宋瓷艺的最高工艺水平的体现。这批钧瓷工艺早已失传，而窑址也随冰冻积水而下沉。“纵有家财万贯，不如钧瓷一片”。可见当时钧瓷产生的轰动效应。于是各地群相仿效，窑口林立，但仍然不得要领。今研究文章汗牛充栋，考古窑口不计其数，因都未见过这批北宋官造钧瓷，也只能是管中窥豹了。1955年，禹县（今禹州）陶瓷厂开始研制、探索湮没已久的钧瓷胎釉的基本配方与烧成技术，不仅烧制出玫瑰紫，海棠红、天青、月白等传统色釉，还发展了十多种花釉，并增加了现代日用器皿、艺术陈设瓷等新品种。\n有人认为钧窑的必备特点就是釉面具有“蚯蚓走泥纹”，这不完全正确，只能说是特点之一。很多馆藏钧窑的釉面是不具有走泥纹的。因为在当时的官窑，力求釉色均匀，但由于少数器皿在烧制中的窑温、釉色原料配比、烧制环境等因素的影响造成了釉面在温度中的变化还原不一，才形成了走泥纹。\n北宋钧窑做到窑变可控，蚯蚓走泥纹是其特征之一。用气泡串起一条条呈立体状的蚯蚓奔爬，蛙卵纹，\n鱼卵纹包裹正欲孵化而出的鱼籽，等等。北宋钧瓷最重要的价值就是在于它对釉面随心所欲的表现力。钧，即重量，北宋早期官窑钧瓷分量沉重。中华瓷文化的传统风格就是外表朴实而内秀其中。所谓“华夷光暗滋”的含蓄内敛，道出了宋瓷的本质特点。五代柴窑瓷器发色的鲜美以及色调的神奇变化，是中国瓷艺发展史上的一座里程牌。在柴窑瓷的光辉照耀下，宋，元瓷艺向着风格不同，但技艺精深非凡的道路上发展。掀开了中国瓷艺史上最为辉煌的篇章。原创一直贯穿始终，原创是瓷艺生命的灵魂。一个“隐”一个“显”，道出了几千年中华文化的内在本质。从石器时代东方人便对玉石内蕴的无穷魅力深深吸引，拓展了东方人领悟自然奥秘宽度与厚度。可是直到如今，西方人仍然认为只有闪闪发光的东西才有价值。对自然环境的细微观察，并在瓷器上把它们表现出来，是钧瓷的核心技术所在。这种表现艺术的高度让人惊叹，并一直是贯穿北宋和南宋宫廷制瓷的主流技术。瓷器纹理从北宋的“隐”到南宋的“显”，以至官窑，哥窑纹理的表面形式对元代瓷艺产生了直接影响。\n钧窑瓷器历来被人们称之为“国之瑰宝”，在宋代五大名窑中以“釉具五色，艳丽绝伦”而独树一帜。古人曾用“夕阳紫翠忽成岚”等诗句来形容钧瓷釉色灵活、变化微妙之美。传统钧瓷瑰丽多姿，玫瑰紫、海棠红、茄皮紫、鸡血红、葡萄紫、朱砂红、葱翠青……釉中红里透紫、紫里藏青、青中寓白、白里泛青，可谓纷彩争艳。釉质乳光晶莹，肥厚玉润，类翠似玉赛玛瑙，有巧夺天工之美。\n钧窑烧成温度已经达到1350℃-1380℃之间，延承了传统钧窑胎质细腻，釉色绚丽夺目的特点，又结合了现代审美，器形饱满玲珑。独特研制的玛瑙釉水在烧制后形成更加鲜明的层次感，十多种釉色绚丽多彩，周身还布满珍珠点、兔丝纹、鱼子纹和曲折迂回的蚯蚓走泥纹等生动美妙的流纹给人无限遐想的空间。",[23,24,25,7,26,27,28],"陶瓷","钧窑","天蓝釉","三足炉","香具","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac203778f70758ef408477e1ccf315bb.jpg","未知","Xcm*Xcm","瓷器精选",[32],1,"795548",{"id":37,"slug":38,"title":39,"dynasty":18,"author":19,"museum":20,"description":21,"tags":40,"thumbUrl":44,"material":30,"size":31,"collection":32,"collections":45,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":46},256298,"jun-yao-tian-lan-you-hong-ban-pan-yi-ming-256298","钧窑天蓝釉红斑盘",[18,23,41,25,7,42,43],"窑变","盘","日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12dcc57c91937cb40d1500d9c833fc2e.jpg",[32],"BDBDBD",{"id":48,"slug":49,"title":50,"dynasty":51,"author":19,"museum":20,"description":21,"tags":52,"thumbUrl":55,"material":30,"size":31,"collection":32,"collections":56,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":57},261435,"jun-yao-tian-lan-you-hong-ban-wan-yi-ming-261435","钧窑天蓝釉红斑碗","元",[23,53,54,25,7,24],"日用具","碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f061b8c7c90ee2eca34ce14fd70083f.jpg",[32],"37474F",{"id":59,"slug":60,"title":50,"dynasty":51,"author":19,"museum":20,"description":21,"tags":61,"thumbUrl":62,"material":30,"size":31,"collection":32,"collections":63,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},261434,"jun-yao-tian-lan-you-hong-ban-wan-yi-ming-261434",[23,54,25,7,53],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c10c73e80321d20438cb946d443d06e.jpg",[32],{"id":65,"slug":66,"title":67,"dynasty":18,"author":19,"museum":20,"description":21,"tags":68,"thumbUrl":70,"material":30,"size":31,"collection":32,"collections":71,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},259923,"jun-yao-tian-lan-you-hong-ban-xi-yi-ming-259923","钧窑天蓝釉红斑洗",[23,53,69,25,7],"洗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d31b9c0efd42510caa83e3a9de232a6.jpg",[32],{"id":73,"slug":74,"title":50,"dynasty":18,"author":19,"museum":20,"description":21,"tags":75,"thumbUrl":77,"material":30,"size":31,"collection":32,"collections":78,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},259793,"jun-yao-tian-lan-you-hong-ban-wan-yi-ming-259793",[23,54,25,7,76,53],"开片","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F565e4e3c74410d261622f930f79cf927.jpg",[32],{"id":80,"slug":81,"title":50,"dynasty":51,"author":19,"museum":20,"description":21,"tags":82,"thumbUrl":85,"material":30,"size":31,"collection":32,"collections":86,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":57},257077,"jun-yao-tian-lan-you-hong-ban-wan-yi-ming-257077",[23,28,83,25,7,41,84],"钧窑风格","元代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94a0303f63e8ade1502987b365544ad0.jpg",[32],{"id":88,"slug":89,"title":90,"dynasty":18,"author":19,"museum":20,"description":21,"tags":91,"thumbUrl":98,"material":30,"size":31,"collection":32,"collections":99,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},256942,"jun-yao-qing-hui-you-hong-ban-wan-yi-ming-256942","钧窑青灰釉红斑碗",[18,92,23,24,93,7,41,54,94,95,96,97],"宋代","青灰釉","器物","瓷器","釉色","釉彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff224018bbcf228741d2760449255ff49.jpg",[32],{"id":101,"slug":102,"title":103,"dynasty":51,"author":19,"museum":20,"description":104,"tags":105,"thumbUrl":10,"material":30,"size":31,"collection":106,"collections":107,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},231900,"da-wan-yi-ming-231900","大碗","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[84,23,28,41,25,7],"",[],1777535737989]